Images at Librifly

Searching for Arms (from Confederate War Etchings), 1861–63, Etching, Image: 4 13/16 x 6 5/8 in. (12.2 x 16.8 cm), Prints, Adalbert John Volck (American (born Germany), Augsburg 1828–1912 Baltimore, Maryland

Design for a Pulpit, 1687–88, Pen and ink, brush and wash, Sheet: 25 3/8 x 13 3/16 in. (64.5 x 33.5 cm), Drawings, Michael Furtner the Elder (German, active Bavaria), Michael Furtner the Younger (German, active Bavaria

Nativity, 16th century, Etching, sheet: 4 1/2 x 3 1/8 in. (11.5 x 7.9 cm), Prints, Anonymous, Italian, 16th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Life in Camp, Part 2: Our Special, 1864, Color lithograph, Sheet: 4 1/8 x 2 3/8 in. (10.4 x 6.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine), In 1864 Homer designed two series of lithographed

Plate 19: view of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, from the series 'Ruins of the antiquity of Rome, Tivoli,

Guitar, late 17th century, Rome, Italy, Italian, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Height: 35 11/16 in. (90.7 cm), Chordophone-Lute-plucked-fretted, Attributed to Giacomo (Jacob) Ertel (German, ca.

The Nativity, early 1480s, Oil on wood, Overall 18 3/4 x 13 1/2 in. (47.6 x 34.3 cm), painted surface 18 1/2 x 13 3/8 in. (47 x 34 cm), Paintings, Gerard David (Netherlandish, Oudewater ca. 1455–1523 Bruges), This painting, which most

Drawings and Prints, Photograph, Card Number 738, Louise des Maiets, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C.,

Head and shoulders of a Turk, with a moustache and a large turban, 1645, Etching; third state of three, Sheet: 3 3/16 × 2 7/16 in. (8.1 × 6.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), A Turkish man with a

Second Guard-Room, mid to late 18th century, Etching and engraving, Sheet (trimmed): 13 5/8 × 8 5/16 in. (34.6 × 21.1 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris

Vertical Panel with Candelabrum Grotesques Containing Cornucopias and Sphinxes, 1552, Engraving, Sheet: 5 11/16 × 2 in. (14.5 × 5.1 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), An ornamental design with mask, two

Amenhotep III in the Blue Crown, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., Possibly from Memphite Region; From Egypt, Quartzite, h. 35 cm (13 3/4 in); face only: h. 12.8 cm (5 1/16 in); w. 12.6 cm (4 15/16 in), The facial features of this

God the Father, 1570–80, Pen and brown ink, brush and blue wash, highlighted with white gouache, over traces of black chalk, on blue prepared paper, Sheet: 7 3/8 × 6 1/4 in. (18.7 × 15.9 cm), Drawings, Federico Zuccaro (Zuccari)

Plate 80: Ceres' Nymph Telling Famine to Strike Erysichthon (Insatiabili fame Erisichtonem torquet Fames), from Ovid's 'Metamorphoses', 1606, Etching, Sheet: 4 in. × 4 9/16 in. (10.2 × 11.6 cm), Prints, Antonio Tempesta (Italian, Florence

Paul Before Felix Burlesqued, May 1751, Etching and engraving with some mezzotint tone; second state of five, sheet: 10 1/4 x 13 3/4 in. (26 x 35 cm), Prints, William Hogarth (British, London 1697–1764 London

Chatsworth Conservatory, 19th century, Pen and ink, was and watercolor, over graphite, Thomas Guilford (British, active 19th century

Au Moins Soyez Discret (At Least Be Discreet), 1789, Etching and engraving; second state of five (Bocher), Sheet: 21 3/16 × 15 1/16 in. (53.8 × 38.3 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Drawings and Prints, Print, Low Tide, Six Marines, Printer, Publisher, Artist, Publisher, Charles Motte, McLean & Co., Eugene Isabey, Victor Morlot, French, 1785–1836, French, Paris 1803–1886 Lagny, Motte, Charles, McLean & Co.,

Partially shorn sheep lying in the grass with insects hovering around its head, 1655, Etching, sheet: 3 1/16 x 3 7/8 in. (7.7 x 9.9 cm), Prints, Karel Dujardin (Dutch, Amsterdam 1622–1678 Venice

The Architect Charles-Victor Famin, 1836, Graphite on wove paper, Sheet: 8 3/4 x 6 15/16 in. (22.3 x 17.7 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Plate 9: 'Colonnaded hall according to the custom of the ancient Romans, and niches adorned witn statues' (Sala all'uso degli antichi Romani con colonne, e nicchie ornate di statue), from the series 'Part one of architecture and perspectives:

Guildhall, London: The Great Hall, Facing East, ca. 1864, Watercolor, pen and ink, graphite, image (peaked at top): 26 1/4 x 18 in. (66.7 x 45.7 cm), Drawings, Sir Horace Jones (British, London 1819–1887 London

The Triumph of Scipio who rides on a horse followed by captured slaves, 1530–60, Engraving, sheet: 7 11/16 x 9 7/16 in. (19.5 x 24 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Big Chief, Ponca, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued in

Saturn, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 1 15/16 x 2 1/8 in. (5 x 5.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Piazza San Marco, mid- to late 1760s, Oil on canvas, 27 1/8 x 33 3/4 in. (68.9 x 85.7 cm), Paintings, Francesco Guardi (Italian, Venice 1712–1793 Venice), The picture is similar to view paintings by Canaletto of the same location. It was

Children's Game, 17th–18th century, Etching, sheet: 4 x 6 in. (10.2 x 15.2 cm), Prints, Pierre Parrocel (French, 1664–1739

Miss Manthuer, from World's Beauties, Series 2 (N27) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 2 (N27), issued in 1888 in a set of 50

Rose Coghlan, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Albumen photograph, Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm), Trade cards from the

Sconce Representing Winter, from 'Wand-Leuchter die 4 Jahrseiten vorstellend', ca. 1730–56, Etching, Plate: 11 9/16 × 7 1/2 in. (29.4 × 19 cm), Design for a sconce in the shape of a large rocaille cartouche with three candelabra with candles

From the Actors and Actresses series (N45, Type 5) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 5), issued ca. 1888 by Allen

Charles Burney, April 1, 1784, Etching and stipple engraving; second state of three, Plate: 7 1/2 x 6 in. (19.1 x 15.2 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Sir Joshua Reynolds (British, Plympton

Skating in Central Park, New York, 1861, Color lithograph with hand coloring, image: 16 11/16 x 27 1/16 in. (42.4 x 68.7 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Man Playing Two Flutes and Woman on Lionskin, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Noël Le Boultz, ca. 1671, Engraving, Sheet: 15 1/16 × 12 3/8 in. (38.2 × 31.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Book ; print, Fort Lee Landing, in: The New York Drawing Book, Containing a Series of Original Designs and Sketches of American Scenery, No. 2, Publisher, Artist, Printer, W. H. Graham, Frances Flora Bond Palmer,

Doctrine, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Hubert François Gravelot (French, Paris 1699–1773 Paris

Drawings and Prints, Print, A Comfortable Nap in a Post Chaise, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, December 29, 1788

Écorché: Three Studies of a Male Cadaver, 1820–63, Graphite, pen and brown ink on laid paper, Overall: 9 5/8 x 14 1/16 in. (24.4 x 35.7 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris) (his estate sale,

Drawings and Prints, Print, Saint George on horseback, Artist, Anonymous, Italian, Anonymous, Italian, 1400, 2050, 1519, 1519

Drawings and Prints, Print, Season's Greetings from the Officers and Directors of the Bank of Manhattan Company, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876,

Views of countryside near Albury, Surrey, 1645, Etching; first state of two, Sheet: 3 1/2 × 6 1/4 in. (8.9 × 15.8 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Albury; four swans swimming in the foreground in lake

Design for a Sofa, from: Nouvelle Iconographie Historique III, series Q, 1771 or after, Etching and engraving, Plate: 9 1/8 × 13 3/16 in. (23.2 × 33.5 cm), Duval (active ca. 1750 (?)–1780), Design for a large sofa in a late Louis XV style.

The Shepherd and the Lamb, Engraving; first state of two, Sheet: 5 3/16 × 6 9/16 in. (13.2 × 16.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Biscay, from the City Flags series (N6) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'City Flags' series (N6), issued in 1887 in a series of 50 cards to

Drawings and Prints, Print, Petite Marine Angloise, Artist, After, Jean Pillement, Pierre Charles Canot, French, Lyons 1728–1808 Lyons, French, Paris 1710–1777 Kentish Town, London (active England), Pillement, Jean, Canot, Pierre

The Pyramid of Caius Cestius, with the Porta S. Paolo and adjoining road (Veduta del Sepolcro di Cajo Cestio), ca. 1755, Etching, Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Drawings and Prints, Print, Cain and Abel (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Frederic, Lord Leighton, British, London, New York, NY, British,

The Return from the Hunt, ca. 1494–1500, Tempera and oil on wood, 27 3/4 x 66 1/2 in. (70.5 x 168.9 cm), Paintings, Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) (Italian, Florence 1462–1522 Florence), Dating about 1507–8, these

London before the Great Fire, 1666–77, Etching; second state of two, Sheet: 4 1/4 × 6 11/16 in. (10.8 × 17 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Street map of the City of London before the Great Fire of

Drawings and Prints, Print, Christ holding a crown and the Virgin receiving St. Anne in Heaven, Artist, Luca Giordano, Italian, Naples 1634–1705 Naples, Giordano, Luca, Italian, 1634, 1705, 1650–70, 1650, 1670

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 13/16 x 11 15/16 in. (22.4 x 30.4 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), René Lochon (French,

Drawings and Prints, Print, The Penitence of Saint Peter, Artist, Jusepe de Ribera (called Lo Spagnoletto), Spanish, Játiva 1591–1652 Naples, Ribera, Jusepe de (called Lo Spagnoletto), Spanish, 1591, 1652, 1621, 1621

Jean-Frédéric de Brunswick-Lunebourg, 17th century, Engraving, Sheet: 17 7/8 × 14 13/16 in. (45.4 × 37.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Jean Michelin (French, 1623–1695

Drawings and Prints, Photograph, Card Number 312, Mlle. Le Celaur, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Sigismunda, May 5, 1790, Etching; unfinished (proof), Sheet: 18 1/16 x 18 1/16 in. (45.9 x 45.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

James, Duke of York, 1651, Etching, only state, Sheet: 11 1/8 × 7 9/16 in. (28.3 × 19.2 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Portrait of James, Duke of York, head and shoulders facing front slightly

Drawings and Prints, Print, Initial letter L, Artist, Anonymous, Italian, 15th century, Anonymous, Italian, 15th century, 1400, 1500, ca. 1495

Porcupine, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote

Sultana Reading in the Harem, 1746–47, Etching and engraving, Sheet (trimmed): 2 5/8 × 5 3/16 in. (6.6 × 13.1 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris

Christ as the Man of Sorrows Between Two Angels, ca. 1500, Engraving, Sheet: 10 5/8 × 7 5/16 in. (27 × 18.5 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Drawings and Prints, Print, The Annunciation, from Vigerius, Artist, Publisher, Published for Johannes Koberger, by, Hans Schäufelein, Thomas Anshelm, Johannes Koberger, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German,

Drawings and Prints, Print, The Consequence of not shifting the LEG, Hungarian and Highland Broadsword, Publisher, Artist, Henry Angelo, Thomas Rowlandson, British, London 1756–1835 London, British, London 1757–1827 London, Angelo,

Drawings and Prints, Print, The Great Executioner with the Head of Saint John the Baptist, Artist, Prince Rupert of the Rhine, Bohemian, Prague 1619–1682 Westminster, Rupert of the Rhine, Bohemian, 1619, 1682, 1658, 1658, Mezzotint

Drawings and Prints, Photograph, Card Number 638, Miss Clement, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Card Number 52, Lila Farrell, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes, 1880s

Drawings and Prints, Print, Café Heinrichhof, Artist, Publisher, Moriz Jung, Wiener Werkstätte, Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians), Jung, Moriz, Wiener Werkstätte, Austrian, 1885, 1915, 1912,

The Shepherd and the Lamb, Engraving; first state of two, Sheet: 5 3/16 × 6 9/16 in. (13.2 × 16.7 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni, 1600–1640, Etching, Sheet: 8 1/4 × 6 1/16 in. (21 × 15.4 cm), Prints, Anonymous, 17th

Melpomene, ca. 1540–45, Engraving, Sheet (trimmed): 7 15/16 × 5 11/16 in. (20.2 × 14.5 cm), Prints, Anonymous, French-Italian, 17th century, after Léon Davent (French, active 1540–56), after Francesco Primaticcio (Italian, Bologna

Speculum Romanae Magnificentiae: Papal Benediction, late 16th century, Engraving and etching, sheet: 15 15/16 x 21 7/8 in. (40.5 x 55.5 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Entry into the ark: Noah and his family walk toward the ark in the background, pairs of animals walk up a ramp leading into the ark, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3 7/16 x

View of the Piazza dei Signori of Vicenza with horse-drawn carriages and figures walking in the square, ca. 1750–1801, Etching with hand coloring, Sheet: 13 1/2 x 16 7/8 in. (34.3 x 42.8 cm), Prints, Georg Balthasar Probst (German, Augsburg

Martyrdom of Saint Paul, from The Little Apostles or the Martyrdom of the Apostles (Les Petits Apotres ou le Martyre des Apotres), ca. 1632, Etching, Sheet: 4 3/8 x 3 3/8 in. (11.1 x 8.5 cm), Prints, Jacques Callot (French, Nancy 1592–1635

Day (Le Jour), from the series, Dreams (Songes), plate VI, 1891, Lithograph (only state), on chine collé, image: 8 1/4 x 6 1/8 in. (21 x 15.6 cm), Prints, Odilon Redon (French, Bordeaux 1840–1916 Paris), As a shy and lonely boy in his

Study of a Male Nude (Althaemenes) Trying to Hide Himself, mid-18th–early 19th century, Pen and brown ink, brown wash, over graphite, sheet: 3 5/16 x 3 7/16 in. (8.4 x 8.8 cm), Drawings, Nicolai Abraham Abildgaard (Danish, Copenhangen

Sleeping Beauty, ca. 1880, Illustrations: color lithography, 10 1/16 x 7 5/16 x 3/16 in. (25.5 x 18.5 x 0.5 cm), Books

St. Gaëtan, Founder of the Theatines, Engraving; first state of two (BN), sheet: 17 3/4 x 11 1/8 in. (45.1 x 28.3 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

The Dredge, 1889, Etching; only state, plate: 7 x 13 15/16 in. (17.7 x 35.4 cm), Prints, Charles Adams Platt (American, New York 1861–1933

View of the Bridge of Washerwomen at the Peasant House, mid-18th century, Etching, Sheet (trimmed): 10 3/8 × 14 1/8 in. (26.4 × 35.8 cm), Prints, Quentin Pierre Chedel (French, Châlons-en-Champagne 1705–1763 Châlons-en-Champagne),

Toilet of Thetis, 1610–42, Etching, Sheet: 6 9/16 x 8 11/16 in. (16.6 x 22.1cm), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris

Red Bird, Chippeway, from the American Indian Chiefs series (N36) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'American Indian Chiefs' series (N36), issued in

Weakfish, from the Fish from American Waters series (N8) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Fish from American Waters' series (N8), issued in

Drawings and Prints, Print, The circumcision of Christ, a group of men, women and angels surrounding him, the young Saint John the Baptist at lower right, after Reni, Artist, After, Engraved by, Guido Reni, Giacomo-Maria Giovannini,

Plate 27, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Sketches of Quin and Garrick, May 12, 1797, Etching, sheet: 4 13/16 x 7 in. (12.2 x 17.8 cm), Prints, After William Hogarth (British, London 1697–1764 London

Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar), 1786, Etching, Plate: 7 11/16 x 6 3/8 in. (19.5 x 16.2 cm), Prints, After Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), After Leonardo da

Issachar, from the series The Twelve Patriarchs, 1550, Etching; second state, Sheet: 8 1/4 x 10 5/8 in. (21 x 27 cm), Prints, After Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), Etched by Dirk Volckertsz Coornhert

Cœnotaphiorum (23), 1563, Etching; first state of four, sheet: 6 11/16 x 8 3/8 in. (17 x 21.2 cm), Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Engraved by Johannes van Doetecum the elder (Netherlandish,

Mars Seated Amid Trophies, 1540–56, Etching, Sheet (trimmed): 6 1/8 × 8 5/8 in. (15.6 × 21.9 cm), Prints, Léon Davent (French, active 1540–56), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

The Battle of Ajax and Hector (from the Story of Achilles), late 17th–mid 18th century, Pen and brown ink, brush and gray ink, heightened with white chalk, on blue paper; framing line in pen and brown ink, by the artist, Sheet: 10 × 18

Mlle. Carmen, Paris, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),

Plate 39, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands, 1889, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Fans of the Period' series (N7), issued in 1889 in a series

Four boys, two satyrs, and a goat, 17th century, Etching a nd engraving, Plate: 4 15/16 × 7 15/16 in. (12.5 × 20.1 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Drawings and Prints, Print, Christ on the Cross with St. Mary and St. John, from The Passion of Christ, plate 19, The Passion of Christ, Artist, Grégoire Huret, French, Lyon 1606–1670 Paris, Huret, Grégoire, French, 1606, 1670,

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Constantine, 1589, Engraving and etching, sheet: 21 1/16 x 14 1/16 in. (53.5 x 35.7 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Cover Design for Les Vieilles Histoires, 1893, Lithograph printed in olive green on wove paper; first state of two; proof apart from the edition of ca printed in black, Sheet: 18 1/8 × 24 1/4 in. (46 × 61.6 cm), Prints, Henri de

From the Girls and Children series (N58) promoting Our Little Beauties Cigarettes for Allen & Ginter brand tobacco products, 1887, Commercial color lithograph, Sheet: 2 5/8 × 1 1/2 in. (6.7 × 3.8 cm), Trade cards from the 'Girls and Children'

Governor Gordon, Georgia, from "Governors, Arms, Etc." series (N133-2), issued by Duke Sons & Co., ca. 1888

Portrait of Pierre Antoine de Boyer du Suquet, 1776, Graphite on off-white antique laid paper, Diameter: 2 3/4 in. (7 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris), As the well-educated son of Charles-Nicolas