Images at Librifly


2.589.713 / 2.589.715 Entries   < previous page Page 543 / 25898 next page >
Drawings and Prints, Print, The Judgement of Paris, Artist, Publisher, After, Hans von Aachen, Raphael Sadeler I, Nicolas Langlois, German, Cologne 1552–1616 Prague, Netherlandish, Antwerp 1560–1628 Venice (?), French, Paris
Drawings and Prints, Print, Initial letter Q with putto, Artist, Heinrich Vogtherr the Elder, German, born 1490, active 1538–1540, Vogtherr, Heinrich the Elder, 1538, 1540, ca. 1538, 1533
Plate 6: Ship of Castor and Pollux (Barcha de Castor et Poluce), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le
Richard H. Silvester, The Washington Post, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series
Speculum Romanae Magnificentiae: The Egyptian Obelisk of Augustus, 1589, Engraving and etching, sheet: 20 7/8 x 14 1/2 in. (53 x 36.8 cm), Prints, Anonymous
Crosby S. Noyes, The Washington Evening Star, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'American Editors' series
Drawings and Prints, Photograph, Card Number 626, Belle Urquehardt, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke,
The Princess of Wales, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a set
Anteater, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Wild Animals of the World' series (N25), issued in 1888 in
Earth, Etching, sheet: 7 13/16 x 10 1/8 in. (19.8 x 25.7 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris
Plate 11: a peasant wearing a hat at center, walking towards the right, a horse descending a mountain to right in the background, trees to left in the background, from 'Twelve Landscapes' (Suite de douze paysages), ca. 1641, Etching; first
An Inhabited Ruin on the Bank of a River, ca. 1630–40, Pen and two shades of brown ink, brown wash, black chalk, framing line in pen and brown ink, possibly by the artist, Sheet: 7 1/2 × 11 7/8 in. (19 × 30.2 cm), Drawings, Jan van de
Joseph Eggleston Johnston, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888
Proof of one side of a New York Merchants Banking Company 100 Dollar Bill, 1824–27, Engraving, image: 3 1/8 x 7 5/16 in. (8 x 18.5 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New
Ludovico Leoni, a bust-length portrait in a twelve-sided frame, 1625, Etching and engraving, sheet: 5 11/16 x 4 7/16 in. (14.4 x 11.3 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome
Speculum Romanae Magnificentiae: The Seven Churches of Rome (Le Sette Chiese di Roma), 1575, Etching and engraving, sheet: 15 5/8 x 20 1/16 in. (39.7 x 50.9 cm), Prints, Attributed to Giovanni Ambrogio Brambilla (Italian, active Rome,
A Rake's Progress, Plate 1, June 25, 1735, Etching and engraving; first state of three, sheet: 13 7/8 x 15 7/8 in. (35.2 x 40.4 cm), Prints, William Hogarth (British, London 1697–1764 London
Drawings and Prints, Print, Self-portrait, aged 21, Artist, Sir William Blake Richmond, British, London 1842–1921 London, Richmond, William Blake Sir, 1842, 1921, ca. 1863, 1858
A Party in Honor of the Bear and the Wolf from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; second state of three, Plate: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam
Harpoon, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Arms of All Nations' series (N3), issued in 1887 in a series
Card 700, Miss Emerson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1),
Harper's Magazine: On Snow Shoes to the Barren Grounds, 1896, Lithograph, Sheet: 18 3/16 × 11 7/16 in. (46.2 × 29.1 cm), Edward Penfield (American, Brooklyn, New York 1866–1925 Beacon, New York
Marchioness of Kildare, from World's Beauties, Series 1 (N26) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from 'World's Beauties, ' Series 1 (N26), issued in 1888 in a
Drawings and Prints, Print, Couple Walking to the Left (III), from The Wedding Dancers (restrike), Artist, Hans Schäufelein, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, Schäufelein, Hans, German, 1480, 1540, 1500
Card 7, from the Girl Baseball Players series (N48, Type 1) for Virginia Brights Cigarettes, 1886, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Girl Baseball Players' series (N48), issued in 1886 by Allen &
Broadsheet relating to the American Mosquito with verse critical of U.S. imperialism, José Guadalupe Posada (Mexican, 1851–1913), 1908
Awl, Cypriot, Bronze, Other: 4 7/8in. (12.4cm), Bronzes
Warships at Scapa, early 20th century, Etching, Plate: 3 15/16 × 12 3/8 in. (10 × 31.4 cm), Prints, Clifford Addams (American, Woodbury, New Jersey 1876–1942
Zwijndrecht, 1885, Etching on zinc; first state of two, plate: 13 5/16 x 17 1/4 in. (33.8 x 43.8 cm), Prints, Charles Adams Platt (American, New York 1861–1933
Englishman, from World's Smokers series (N33) for Allen & Ginter Cigarettes, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'World's Smokers' series (N33), issued in 1888 in a set of 50 cards to
A Pirate's Camp, 17th century, Pen and ink, brush and wash, on buff paper, 12-9/16 x 20-1/4 in. (31.9 x 51.4 cm), Drawings, Anonymous, Italian, 17th century
Louise Chester, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued
Lot and his daughters: a daughter at center rests her right arm on Lot's knee and a vessel on her thigh, at right a daughter holds a goblet in her outstreched right hand, from a series of ten Old Testament scenes, ca. 1531, Engraving, sheet: 1
Design for a Cottage-Villa in the Bracketted Mode, Constructed in Wood (perspective and plan), ca. 1842, Watercolor and ink, over graphite, sheet: 9 3/16 x 5 11/16 in. (23.4 x 14.5 cm), Alexander Jackson Davis (American, New York 1803–1892
Study of a Cow, mid 17th–late 17th century, Black chalk, heightened with white on blue paper, 3 9/16 x 5 9/16 in. (9 x 14.2 cm), Drawings, Attributed to Johann Heinrich Roos (German, Reipoltskirchen 1631–1685 Frankfurt am Main
Ignorance Defeated, 1540–45, Etching, Sheet (trimmed): 12 3/16 × 16 15/16 in. (31 × 43 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Rosso Fiorentino (Italian, Florence 1494–1540 Fontainebleau
Drawings and Prints, Print, Samson and the Lion (Dalziels' Bible Gallery), Printer, Publisher, Engraver, Artist, After, Camden Press, Scribner and Welford, Dalziel Brothers, Frederic, Lord Leighton, British, London, New York, NY,
Verona/ Blanche Thornton/ Laura Curtis, Corsair Co./ Fannie Batchelder, from the Actors and Actresses series (N45, Type 4) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from
Painting, Etching, sheet: 7 11/16 x 11 in. (19.6 x 27.9 cm), Prints, Louis Félix de La Rue (French, Paris 1731–1765 Paris), After François Boucher (French, Paris 1703–1770 Paris
The Watermill, Engraving; third state of four, Sheet: 5 9/16 × 7 15/16 in. (14.1 × 20.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam
Melchior de Gillier, 1652, Engraving, Sheet: 12 1/16 × 9 1/8 in. (30.7 × 23.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris
Saint Joseph holding the infant Christ, after Reni, 17th century, Etching, Sheet (Trimmed): 7 1/16 in. × 6 in. (18 × 15.2 cm), Prints, Anonymous, After Guido Reni (Italian, Bologna 1575–1642 Bologna), After a painting by Reni
The Last Supper, 1551, Engraving, sheet: 13 3/4 x 21 in. (34.9 x 53.3 cm) (trimmed), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Lambert Lombard (Netherlandish, Liège 1506–1566 Liège
Mr. Ben: Read, A Member of Hogarth's Club at the Bedford Arms Tavern, Drawn by him about the Year 1757, November 27, 1781, Etching and aquatint, printed in brown ink, Sheet: 12 3/8 x 10 9/16 in. (31.5 x 26.8 cm), Prints, After William
Exterior View of the Entrance of Barnard's Cloisters, 1927, Charcoal, Sheet: 11 5/8 × 15 9/16 in. (29.5 × 39.5 cm), Drawings, Edward Howard Suydam (American, Vineland, New Jersey 1885–1940 Charlottesville, Virginia
Landscape with Tobias and the Angel and Gypsies, Engraving, Sheet: 8 11/16 x 12 1/16 in. (22 x 30.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625
Winter Scene in Moonlight, 1869, Watercolor and gouache on white wove paper, 11 7/8 x 15 3/16 in. (30.2 x 38.6 cm), Drawings, Henry Farrer (American, London 1844–1903 New York), English-born Henry Farrer was the brother of Thomas C. Farrer,
Drawings and Prints, Print, The letter T standing on a pier holding a tree trunk, Artist, Anonymous, Italian, 18th century, Anonymous, Italian, 18th century, 1700, 1800, 18th century
Dakota, from Flags of the States and Territories (N11) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Flags of the States and Territories' series (N11),
A Flemish Village with Ten Proverbs on Laziness, n.d., Engraving, Prints, Frans Huys (Netherlandish, 1522–1562
Speculum Romanae Magnificentiae: Corinthian entablature, 1537, Engraving, sheet: 6 5/16 x 4 3/16 in. (16 x 10.6 cm), Prints, Master PS (Italian or French, active 1530s
La Promenade des Remparts de Paris, 1760, Etching and engraving; third state of three (Bocher), Sheet: 11 3/8 × 15 3/16 in. (28.9 × 38.6 cm) trimmed to platemark, Prints, Pierre François Courtois (French, Paris 1736–1763 Rochefort), After
Lippincott's: July, 1895, Lithograph, Sheet: 18 3/4 × 12 5/16 in. (47.7 × 31.2 cm), William L. Carqueville (American, Chicago, Illinois 1871–1946
Frontispiece, from the Scherzi di Fantasia, ca. 1743–50, Etching; first state of two, Plate: 8 7/8 x 7 3/16 in. (22.6 x 18.2 cm), Prints, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid
Portrait of Jean-Étienne Liotard, 18th century, Black and red chalk with yellow, blue and red washes, sheet: 8 7/8 x 6 5/8 in. (22.6 x 16.9 cm), Drawings, Anonymous
Drawings and Prints, Print, Men Dancing in a Coffee House, an illustration from Tobias Smollett's The Expedition of Humphry Clinker (London, 1793), Vol. 1, The Expedition of Humphrey Clinker, Artist, Publisher, After, Thomas Rowlandson,
The seated naked man at left being beaten with a fox's tail, ca. 1510–27, Engraving, Sheet: 4 1/2 × 3 1/8 in. (11.5 × 7.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna
The Chap-Book, 1895, Commercial relief process, Sheet: 16 1/8 × 10 7/8 in. (41 × 27.6 cm), Frank Hazenplug (American, 1873/74–1931
The Dispute in the Temple, from The Fall and Salvation of Mankind Through the Life and Passion of Christ, ca. 1513, Woodcut, Sheet: 3 1/16 × 2 1/8 in. (7.8 × 5.4 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg
St. William of Aquitaine in armor bearing a standard in his right hand and resting his left hand on a shield, a landscape beyond, ca. 1581–1610, Etching, sheet: 11 9/16 x 7 15/16 in. (29.4 x 20.1 cm), Prints, Martinus Martini (Swiss,
Drawings and Prints, Print, The Olympian gods at the marriage feast of Cupid and Psyche, after Raphael, Artist, After, Raphael (Raffaello Sanzio or Santi), Master of the Die, Italian, Urbino 1483–1520 Rome, Italian, active Rome, ca.
Drawings and Prints, Photograph, Card Number 26, Bertha Ricci, from the Actors and Actresses series issued by Duke Sons & Co. to promote Duke Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons
Tapir, from the Quadrupeds series (N21) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 1 1/2 x 2 3/4 in. (3.8 x 7 cm), Trade cards from the 'Quadrupeds' series (N21), issued in 1890 in a set of 50 cards to promote
A gentleman wearing a plumed hat and carrying a sword, seen from behind, his right arm outstrestched, a landscape in the background with houses and a tower, 1629, Etching; first state of two, Sheet: 7 3/8 × 5 1/16 in. (18.7 × 12.8 cm),
The Tobacco Smoker, 1817, Etching; third state, sheet: 4 3/16 x 2 3/4 in., Prints, Johann Christoph Erhard (German, Nuremberg 1795–1822 Rome), After Ferdinand Kettner
Plate 32: Cupid and Psyche in the nuptial bed, from the Story of Cupid and Psyche as told by Apuleius, Master of the Die (Italian, active Rome, ca. 1530–60), After Michiel Coxie (I) (Netherlandish, Mechelen ca. 1499–1592 Mechelen),
Paysage au Pont et au Pigeonnier (Landscape with a Bridge and a Dovecote), 18th century, Etching and engraving, Sheet: 19 1/2 x 14 3/4 in. (49.5 x 37.4 cm) trimmed, Prints, Pierre François Laurent (French, Marseille 1739–1809 Paris), After
Drawings and Prints, Print, Unfalo Endangering Theuerdanck'ship, from Theuerdanck, Artist, Author, Publisher, Hans Schäufelein, Melchior Pfintzing, Hans Schönsperger, German, Nuremberg ca. 1480–ca. 1540 Nördlingen, German,
Horse Bound to a Post, turned left, Etching, plate: 6 x 7 9/16 in. (15.3 x 19.2 cm), Prints, Dirck Stoop (Dutch, Utrecht 1610/18–1681/86 Utrecht
First scene, in Florence, from 'The marriage of the gods' (Le nozze degli Dei), 1637, Etching, Sheet: 8 7/16 x 7 3/8 in. (21.5 x 18.7 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence
Bullfight (Bull on left; 1 man on right), ? José Guadalupe Posada (Mexican, 1851–1913), ? Manuel Manilla (Mexican, Mexico City ca. 1830–1895 Mexico City), ca 1890–1910
Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (4), ca. 1600–1617 , Etching, Sheet: 2 7/8 x 8 3/4 in. (7.3 x 22.2 cm), Theodor Bang (German, active in Nuremberg (fl6)), Frieze with a decorative pattern made up out of very
Pair of gold earrings with disk and boat-shaped pendant, Hellenistic, ca. 330–300 B.C., Greek, Gold, Overall: 3 in., 0.2lb. (7.6 cm, 0.1kg), Gold and Silver, Pair of gold earrings with elaborate disc and boat-shaped pendant, part of the
Drawings and Prints, Print, The Miller's Love, Artist, Thomas Rowlandson, British, London 1757–1827 London, Rowlandson, Thomas, 1757, 1827, August 18, 1798
Axel Paulsen, Skater, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, ' Second Series (N43), issued in
Breakfast, 1897, Etching, Sheet: 10 11/16 × 6 15/16 in. (27.2 × 17.6 cm), Prints, Émile Boilvin (French, Metz 1845–1899 Paris), After François Boucher (French, Paris 1703–1770 Paris
Winged female figure, draped and carrying a staff, striding behind a winged putto, who twists to look over his left shoulder, a round composition, ca. 1550–1600, Engraving, sheet: 6 3/16 x 5 11/16 in. (15.7 x 14.5 cm), Prints, Anonymous,
Still Life with Strawberries, Oil on canvas, 23 5/8 x 31 5/8 in. (60 x 80.3 cm), Paintings, French Painter (17th century
Drawings and Prints, Print, A Man Praying before a Crucifix, from Hymmelwagen auff dem, wer wol lebt..., Artist, Author, Publisher, Hans Schäufelein, Hans von Leonrodt, Silvan Otmar, German, Nuremberg ca. 1480–ca. 1540 Nördlingen,
Afternoon on the Maas, 1885, Etching on zinc; published state, plate: 13 3/16 x 17 1/16 in. (33.5 x 43.3 cm), Prints, Charles Adams Platt (American, New York 1861–1933
Limestone statue of Aphrodite holding winged Eros, Classical, late 4th century B.C., Cypriot, Limestone, H. 49 3/4 in. (126.4 cm), Stone Sculpture, From the eighth century B.C. the Greek poets associated the goddess Aphrodite with Cyprus, but
Drawings and Prints, Print, The highly ornamented third gondola of Francesco Antonio Berka entering Venice, Gods on clouds in the upper section, Artist, After, Liberal Benaglia, Johann Georg Wolfgang, Italian, active 1700, German,
Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 1/2 × 3 5/8 in. (13.9 × 9.2 cm), after Paul Birckenhultz (1561–1639), Design for a jewelry pendant, hanging from a mask
Drawings and Prints, Print, Crippled Pine, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900–1925
Surface Decoration, Grotesque with Strapwork, Burial Scene in the Tempietto, in the Bas Relief Esther before Ahasuerus from Veelderleij Veranderinghe van grotissen ende Compertimenten...Libro Primo, 1556, Etching, Sheet: 12 1/8 x 8 1/8 in.
Banknote motif: a child's portrait and two patterned ovals surrounded by a floral frame, ca. 1824–37, Engraving and etching, sheet: 3 1/8 x 1 7/16 in. (8 x 3.7 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey
A Turkish man with a beard and turban with one long feather in front, turned three-quarters to the right, an oval composition, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), 1650, Etching; second state of
Drawings and Prints, Print, The Edge of the Wood, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876–1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1909
Penton Hook, 1864, Etching and drypoint; first (final) state (Harrington); fifth state of six (Schneiderman), Plate: 5 13/16 × 9 1/4 in. (14.8 × 23.5 cm), Prints, Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire),
Die Bettler Zunfft (The Seven Beggars), 1630, Etching, only state, 3 5/16 x 10 1/2 in. (8.5 x 26.7 cm), Prints, After Jacques Callot (French, Nancy 1592–1635 Nancy), Plate 1 of 4 prints of beggars after Callot. Seven male beggars standing
Front and back covers printed on the same sheet for a collection of love letters (number 11), José Guadalupe Posada (Mexican, 1851–1913), ca. 1900–1910
Drawings and Prints, Print, Silver Statuette of St. Thomas, from the Wittenberg Reliquaries, Wittenberg Reliquaries; Hortulus Animae, Artist, Lucas Cranach the Elder, German, Kronach 1472–1553 Weimar, Cranach, Lucas, the Elder, German,
Tobias and the Angel (small plate), 1608, Engraving; second state of three, Prints, Hendrick Goudt (Dutch, The Hague 1583–1648 Utrecht), After Adam Elsheimer (German, Frankfurt 1578–1610 Rome
Drawings and Prints, Print, Publican, Country Characters, Publisher, Artist, After, Rudolph Ackermann, George Moutard Woodward, Thomas Rowlandson, London, British, ca. 1760–1809 London, British, London 1757–1827 London, Ackermann,
The Concert, 1774, Etching and engraving; first state of three (Bocher), sheet: 11 1/8 x 16 7/16 in. (28.3 x 41.8 cm), Prints, Antoine Jean Duclos (French, Paris 1742–1795 Paris), After Augustin de Saint-Aubin (French, Paris 1736–1807
Portrait of Charles-Nicolas Cochin II, 1771, Etching and engraving; fifth state of five (Bocher), Sheet: 8 3/8 × 5 7/8 in. (21.2 × 14.9 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II
Elevation for a Catafalque Surmounted by Squat Obelisk, Decorated with Statues of Putti and Female Figures, 1696–1756, Pen, brown ink and grey wash, 20 x 14 3/16 in. (50.8 x 36 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian,
Sans profession, from the series Bohèmes, Masques et Visages, 19th century, Lithograph, sheet: 13 9/16 x 9 7/16 in. (34.5 x 24 cm), Prints, Paul Gavarni [Chevalier] (French, Paris 1804–1866 Paris
Daisy Murdoch, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes, ca. 1888, Albumen photograph, Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm), Trade cards from the 'Actors and Actresses' series (N45, Type 1), issued
Ancient school built according to the Egyptian and Greek manners. (Scuola antica architettata all'Egiziana e alla Greca), 1750, Etching, Plate: 6 1/16 × 8 9/16 in. (15.4 × 21.7 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto

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