Images at Librifly

View of the Library, Kirtlington Park, Oxfordshire, 1886, Watercolor over graphite on wove paper, sheet: 12 3/16 x 18 1/4 in. (31 x 46.3 cm), Susan Alice Dashwood (British, 1856–1922

Section of the East Front, Houghton Hall, Norfolk, 1735, Black ink, grey wash, sheet: 17 1/8 x 27 3/8 in. (43.5 x 69.5 cm

Drawings and Prints, Photograph, Card Number 302, Bessie Royal, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cross Cut Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W.

Design for a Frieze with Acanthus Scrolls and a Vase in the Center, ca. 1777, Etching, Sheet: 4 7/16 x 15 7/8 in. (11.2 x 40.4 cm), Gilles Paul Cauvet (French, Aix 1731–1788 Paris), Le Roy

Drawings and Prints, Photograph, Card Number 374, May Parks, from the Actors and Actresses series issued by Duke Sons & Co. to promote Cameo Cigarettes, Publisher, Issued by, W. Duke, Sons & Co., New York and Durham, N.C., Duke, W. Sons &

Drawings and Prints, Print, poster, Smileage, Printer, Publisher, Issued by, Ed. Usoskin, Inc., War Department Commission on Training Camp Activities, Ed. Usoskin, Inc., War Department Commission on Training Camp Activities, 1900, 1917,

Paris and Oenone, from The Greek Heroines, 1539, Engraving, Sheet: 4 5/8 × 3 1/16 in. (11.8 × 7.7 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 22 1/4 x 17 in. (56.5 x 43.2 cm) borderline, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After

Stewart, from the Great Generals series (N15) for Allen & Ginter Cigarettes Brands, 1888, Commercial color lithograph, Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm), Trade cards from the 'Great Generals' series (N15), issued in 1888 in a set of 50

Portrait of the Great Master Seosan, Joseon dynasty (1392–1910), late 17th–18th century, Korea, Hanging scroll; ink and color on silk, Image: 59 7/8 x 30 5/8 in. (152.1 x 77.8 cm), Paintings, Unidentified Artist, This painting depicts the

Saint Olaf, Norway, from the World's Decorations series (N44) for Allen & Ginter Cigarettes, 1890, Commercial color lithograph, Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm), Trade cards from the 'World's Decorations' series (N44), issued in 1890 in

Jean Petre, late 17th–early 18th century, Engraving, Sheet: 9 1/8 × 6 9/16 in. (23.1 × 16.6 cm), Prints, Jean Langlois (French, 1649–ca. 1719), After Robert Nanteuil (French, Reims 1623–1678 Paris

Drawings and Prints, Print, Death of the Horseman or Brandemart Crying (Roland Furieux), Artist, Émile Bernard, French, Lille 1868–1941 Paris, Bernard, Émile, French, 1868, 1941, 1892, 1892

Evening dress, ca. 1809, American, cotton

Earring-loop type, plain, Gold, Other: 1/2 x 1/8 x 5/8 in. (1.3 x 0.2 x 1.6 cm), Gold and Silver

ぶんしやう物語, The Tale of Bunshō (Bunshō monogatari), Edo period (1615–1868), ca. 1685, Japan, Set of two woodblock printed books; ink on paper, Each: 8 3/4 × 6 1/8 × 1/8 in. (22.2 × 15.6 × 0.3 cm), Illustrated Books,

Cradle, 1640–90, Made in Suffolk County, Massachusetts, United States, American, White oak, 28 1/2 x 24 x 37 1/8 in. (72.4 x 61 x 94.3 cm), Furniture, This joined cradle exhibits a well-balanced arrangement of horizontal panels with

Rhyton terminating in the forepart of a ram, Achaemenid, ca. 5th century B.C., Iran, Achaemenid, Silver, 7.87 x 4.72 x 4.84 in. (19.99 x 11.99 x 12.29 cm), Metalwork-Vessels

Bible, ca0, Made in Paris, France, French, Tempera and gold on parchment; leather binding, Overall (closed): 5 3/4 x 3 1/2 x 2 1/4 in. (14.6 x 8.9 x 5.7 cm), Manuscripts and Illuminations

Diptych, 14th century, French, Ivory with metal mounts, Open: 7 × 5 in. (17.8 × 12.7 cm), Ivories

Archers, Old Kingdom, Dynasty 4, ca. 2551–2494 B.C., From Egypt, Memphite Region, Lisht North, Pyramid Complex of Amenemhat I, Core of pyramid; Original probably from Giza, 1920–22, Limestone, paint, h. 25.4 (10 in); w. 37.5 cm (14

Tray (one of a pair), ca. 1743–45, German, Augsburg, Silver gilt, Overall: H. 1/2 x W. 7 1/4 x D. 5 1/2 in. (1.3 x 18.4 x 14 cm), Metalwork-Silver

Gauntlet for the Right Hand, from Tannenberg Castle, ca. 1380, German, Steel, H. 6 3/4 in. (17.1 cm); W. 5 in. (12.7 cm); D. 4 in. (10.2 cm); Wt. 7.1 oz. (201.3 g) , Armor Parts-Gauntlets, This gauntlet was found in 1849 during the excavation

Pin, 9th century, Irish, Copper alloy, Overall: 4 x 7/16 x 9/16 in. (10.2 x 1.1 x 1.4 cm), Metalwork-Bronze

Fragment, 4th–5th century, Attributed to Egypt, Wool; tapestry woven, 6 11/16 in. high 3 3/4 in. wide (17 cm high 9.5 cm wide), Textiles

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, Stucco; carved, L 9 cm x W 5 x H 2, Stucco

Earrings, Late Hellenistic, Greek or Roman, Gold, Other: 3/8 × 5/8 × 15/16 in. (0.9 × 1.6 × 2.3 cm), Gold and Silver

Courses de Testes et de Bagues Faittes par Roy et par les Princes et Seigneurs de sa Cour, en l'année 1662, 1670, Engraving, Overall: 22 13/16 x 17 5/16 x 1 1/8 in. (58 x 44 x 2.8 cm), Books

Reliquary Pendant, 15th century, French, Basse taille enamel, niello, silver, silver-gilt, Overall: 3 1/4 x 3 1/8 x 9/16 in. (8.3 x 7.9 x 1.4 cm), Enamels-Basse taille, A man, probably the owner of this pendant, kneels and greets Jesus

Juggernaut Car, Madras, 1850s, Salted paper print from paper negative, Image: 23.9 x 18.3 cm (9 7/16 x 7 3/16 in.), Photographs, Frederick Fiebig (German, active 1840s–50s

Saltcellar, mid-13th century, Made in Paris, France, French, Gold, rock crystal, emeralds, pearls, spinel or balas rubies, H. 5 1/2 in. (14 cm); Diam. of foot: 3 1/8 in. (7.9 cm), Metalwork-Gold, Refined design, exquisite craftsmanship,

Sophia (1464–1512) of Poland, Oil on canvas, 30 1/4 x 22 1/4 in. (76.8 x 56.5 cm), Paintings, Franz Wolfgang Rohrich (German, 1787–1834

Panel fragment with the god Shiva/Oesho, Kushan, ca. 3rd century A.D., Bactria, Kushan, Terracotta, gouache, H. 57.2 cm, W. 41.6 cm, D. 5.7 cm, Ceramics-Paintings, This rare Central Asian votive panel depicts a deity (with nimbus) being

Pyx, ca. 1250–1300, Made in Limoges, France, French, Copper: engraved and gilt, champlevé enamel: medium blue, red, and white, Overall: 4 x 3 1/4 x 2 11/16 in. (10.1 x 8.3 x 6.8 cm), Enamels-Champlevé, The coats of arms on this pyx are

Cuneiform tablet: fragment regarding the visibility of Mercury, ca. late 1st millennium B.C., Mesopotamia, Clay, 1 3/8 x 2 1/8 x 7/8 in. (3.4 x 5.3 x 2.3 cm), Clay-Tablets-Inscribed

Frame, unknown, Ebony, Overall: 16 3/8 x 13 3/8 in., Frames

The Right Hand of God Protecting the Faithful against the Demons, ca. 1452–1460, Tempera and gold leaf on parchment, leaf: 7 5/8 x 5 3/4 in. (19.4 x 14.6 cm), Manuscripts and Illuminations, Jean Fouquet (French, Tours ca. 1425–ca. 1478

Incomplete figure in draped costume, Late Period–Ptolemaic Period, 4th century B.C., From Egypt, Limestone, H. 23 cm (9 1/16 in.); W. 9 cm (3 9/16 in.); D. 6.4 cm (2 1/2 in.), This enigmatic piece has not yet been fully explained. It was

Plate (tondino), 1519, Maiolica (tin-glazed earthenware), Diameter: 8 5/16 in. (21.1 cm), Ceramics-Pottery, probably workshop of Maestro Giorgio Andreoli (Italian (Gubbio), active first half of 16th century

Deer Vessel, 14th–15th century, Peru, Chimú, Silver, H. 5 x W. 3 1/4 x L. 7 1/2 in. (12.7 x 8.3 x 19.1 cm), Metal-Containers, Animal-shaped vessels were made on Peru's northern coast from the second millennium B.C. to the time of the

Shield with Messenger's Badge, badge, 1400–1450; shield, ca. 1800, possibly Italian, Iron, copper, bronze, gold, enamel, Badge (a); L. 4 3/4 in. (12.1 cm); W. 3 3/4 in. (9.5 cm); Wt. 3 oz. (85 g); shield (b); L. 15 in. (38.1 cm); W. 12

Page of Calligraphy, dated A.H. 973/A.D 1565–66, Attributed to Iran, Ink and opaque watercolor on parchment, 6 5/16 x 4in. (16 x 10.2cm), Codices

Près de la Caverne, Terrain Brûlé, early 1860s, Salted paper print from paper negative, 26 x 19.8 cm (10 1/4 x 7 13/16 in.), Photographs, Eugène Cuvelier (French, 1837–1900), An atypical work for the naturalistically inclined Cuvelier,

Afternoon scenes, 1820s, French, Cotton, Overall: 26 1/4 x 29 in. (66.7 x 73.7 cm), Textiles-Printed

Chess and tric-trac board, second half 16th century or later, German, Wood, ivory, mother-of-pearl, 17-3/4 in. (45.1 cm.) sq.; 1/4 in. deep, Chess Sets

Roundel with an Eagle and Inscription, 15th century, British, Colored and colorless glass, silver stain, and vitreous paint, Overall: 8 1/16 x 3/16 in. (20.4 x 0.5 cm), Glass-Stained

Dutch Ships on a Harbour, 17th century, Pen and brown ink, brush and gray wash, on vellum, sheet: 11 5/8 x 19 1/8 in. (29.5 x 48.5 cm), Drawings, Willem van de Velde I (Dutch, Leiden 1611–1693 London

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 12 in. (30.5 cm); L. of head 4 7/8 in. (12.4 cm); W. 1 in. (2.5 cm); Wt. 2.1 oz. (59.5 g), Archery Equipment-Arrowheads

Crucified Christ, second half 14th century, Made in Venice, Italy, Italian, Copper alloy, gilt, Overall: 8 1/4 x 7 5/8 x 1 9/16 in. (21 x 19.3 x 3.9 cm), Metalwork-Copper alloy

Themire Crowned by Graces, 1777, French, Sèvres, Soft-paste porcelain, 13 x 10 1/8 in. (33 x 25.7 cm.), Ceramics-Porcelain, After a print by Noël Le Mire (French, Rouen 1724–1801 Paris), After a painting by Charles Dominique Joseph Eisen

Earring fragment, Cypriot, Gold, bronze, Other ( oxidized piece): 9/16 x 1/8 in. (1.4 x 0.3 cm), Gold and Silver

Quarter Noble of Edward III (r. 1327–77), 1327–77, British, Gold, Overall: 1 1/16 x 1/16 in. (2.7 x 0.1 cm), Coins

Key, 15th century, German, Iron, Overall: 6 5/8 x 2 3/16 x 13/16 in. (16.9 x 5.5 x 2 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently

Head of a Young Boy, 1763, Oil on canvas, 18 7/8 x 15 3/8 in. (47.9 x 39.1 cm), Paintings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris), At the 1763 Salon Greuze showed this head of a boy and two heads of girls, both of which were

Crozier Head, 12th–13th century, Italian, Ivory, Overall: 4 3/4 x 4 3/4 x 3/4 in. (12 x 12 x 1.9 cm), Ivories

Panel, late 18th or early 19th century, Italian or French, Silk, 34 x 23 3/8 in. (86.5 x 59.6 cm) with fringe, Textiles-Woven

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, Stucco; carved, painted, L 2 x W 2 x H 1.5, Stucco

Saint Lawrence Enthroned with Saints and Donors, Tempera on wood, gold ground, Central panel (a), overall, with arched top and added strips, 47 3/4 x 45 1/2 in. (121.3 x 115.6 cm); right panel (b) 28 1/2 x 15 3/8 in. (72.4 x 39.1 cm); left

Diptych, 1400–1450, French or South Netherlandish, Ivory, parchment, pigment, silver frame, Overall (open): 6 5/16 x 12 11/16 x 9/16 in. (16 x 32.2 x 1.4 cm), Ivories, Housed in its original silver frame, this rare diptych contains

Winged Pendant, before 16th century, Colombia, Tairona, Stone, Height 9-1/4 in., Stone-Ornaments

Reliquary Bust of a Woman, 19th century in 15th century style, French, Silvered copper (bust); mercury-gilded bronze with traces of enamel (medallion)., H. 37.2 cm, Metalwork

Plaque with Virgin and Child, 14th century, French, Ivory, Overall: 2 9/16 x 15/16 x 3/16 in. (6.5 x 2.4 x 0.4 cm), Ivories

Shrine of O'Donnell, Cathach or Battler, early 20th century (original dated 1084), Irish, Bronze, plated, gem stones, 8 1/4 x 2 5/8 x 10 3/16 in. (21.0 x 6.7 x 25.9 cm), Reproductions-Metalwork

Vase fragment, 1st century B.C.–1st century A.D., Roman, Terracotta, 2 3/16 × 1 5/16 × 5/16 in. (5.6 × 3.4 × 0.8 cm), Vases

Icon with the Koimesis, late 900s, Made in probably Constantinople, Byzantine, Ivory, Overall: 7 5/16 x 5 13/16 x 7/16 in. (18.6 x 14.8 x 1.1 cm), Ivories, Images of the Koimesis, or the Dormition in the West, show the Virgin lying on a

Plaque with The Betrayal of Christ, 15th century, Made in Limoges, France, French, Painted enamel, copper, Overall (without frame): 9 13/16 x 9 1/8 x 1/16 in. (24.9 x 23.2 x 0.2 cm), Enamels-Painted, Monvaerni, The 'Monvaerni' enamels are

Majnun in the Wilderness, second half 16th century, Attributed to Iran, Ink, transparent watercolor, and gold on paper, H. 3 7/8 in. (9.8 cm), Codices, This drawing depicts Majnun in the desert chucking a fawn under the chin. The Arab boy

Almanach royal, année bissextile M.DCC.LXXXVIII, présenté a sa Majeste pour la premiere fois en 1699, 1787, Paris, France, 716 pages, Height: 7 7/8 in. (20 cm), Bound in an armorial binding with the coat of arms of Claude Barthelot,

Diana, last half 18th century, probably French (Nevers), Opaque white, pink, tan, black, brown, olive, green and waxlike colorless glass; copper and iron wire. Lampworked., H 15.8 cm, Glass, possibly Haly workshop (French, 18th century

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 4 1/4 x 6 in. (10.8 x 15.3 cm), Ceramics

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 8 7/8 in. (22.5 cm); L. of head 3 in. (7.6 cm); W. 1/2 in. (1.3 cm); Wt. 0.7 oz. (19.8 g), Archery Equipment-Arrowheads

Mystic Chase of the Unicorn, late 15th century, German, Brass, Overall: 11 9/16 x 3 1/8 in. (29.4 x 7.9 cm), Metalwork-Brass

Cottonus Matheris (Cotton Mather), 1728, Mezzotint; second (?) state of three (Russell), plate: 13 11/16 x 9 13/16 in. (34.8 x 25 cm), Prints, Engraved, painted and published Boston by Peter Pelham (American (born England), London 1697–1751

The Crucifixion, possibly ca. 1440, Tempera transferred to canvas, laid down on wood, gold ground, 13 3/8 x 19 3/4 in. (34 x 50.2 cm); set in panel 15 3/4 x 21 1/4 in. (40 x 54 cm), Paintings, Fra Angelico (Guido di Pietro) (Italian, Vicchio

Head, 16th–17th century, Nigeria, Court of Benin, Edo peoples, Terracotta, sacrificial materials, H. 6 1/2 x W. 4 3/8 x D. 4 7/8 in. (16.5 x 11.1 x 12.4 cm), Ceramics-Sculpture, This Benin terracotta head, with its full rounded cheeks and

The Attarouthi Treasure - Silver Dove, 500–650, Made in Attarouthi, Syria, Byzantine, Silver, Overall (with wings): 3 5/8 x 6 1/4 x 2 11/16 in. (9.2 x 15.8 x 6.8 cm), Metalwork-Silver, The dove, with wings spread and feet tucked up as if

Soeur Pierrette Toussaine Blondeau, Hospices de Beaune, 1845–50, Daguerreotype with applied color, Visible: 12.8 x 9.4 cm (5 1/16 x 3 11/16 in.), Photographs, Unknown (French), Sister Pierrette Toussaine Blondeau, seen here with a wounded

Textile, Brocade, 15th century, Made in Venice, Italy, Italian, Satin, gold thread, Overall: 4 1/2 × 4 11/16 in. (11.5 × 11.9 cm), Textiles-Woven-Brocade

May Milton, 1895, Lithograph printed in five colors; machine wove paper, sheet: 31 1/2 x 24 7/16 in. (80 x 62.1 cm), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

A Stag and Four Hinds on a Grassy Knoll (with Base), after 1770, Pen and brown ink, brown wash, over traces of black chalk, 11 1/4 x 7 7/8 in. (28.5 x 20 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Double-gourd vase (one of a pair, part of a garniture), ca. 1690, Dutch, Delft, Tin-glazed earthenware, Height: 19 11/16 in. (50 cm), Ceramics-Pottery, Garnitures consisting of three, five, or seven vases were made for decorative purposes

Band, 11th–mid-15th century, Chimú or Chancay, Cotton, camelid fiber, H. 7 5/8 x L. 114 1/8 in. (19.4 x 289.9 cm), Textiles-Woven

Table, ca. 1920, Wood, silk, H. 23-7/8, W. 16, D.16 in. (60.6 x 40.6 x 40.6 cm), Woodwork-Furniture, Joseph Urban (American (born Austria), Vienna 1872–1933 New York

Counter Plate of a Belt Buckle, 7th century, Frankish, Iron, silver inlay, brass inlay, Overall: 2 1/2 x 2 5/8 x 7/16 in. (6.3 x 6.6 x 1.1 cm), Metalwork-Iron

Bishop Saint in Bust-Length (Cartoon for an Altarpiece), 1503–40, Brush and brown wash over black chalk, 28-1/4 x 16-1/16 in. (71.8 x 40.8 cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 18 3/8 in. (46.7 cm); L. of head 5 3/4 in. (14.6 cm); W. 5 3/4 in. (14.6 cm); Wt. 6.6 oz. (187.1 g), Archery Equipment-Arrowheads

Virgin and Child, ca. 1670–72, Oil on canvas, 65 1/4 x 43 in. (165.7 x 109.2 cm), Paintings, Bartolomé Estebán Murillo (Spanish, Seville 1617–1682 Seville), Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent

The Island of Povegila, with British Naval Officers Embarking, before 1797 or 1814–15, Pen and brown ink, gray wash, 4 15/16 x 8 5/16 in. (12.5 x 21.1 cm), Drawings, Giacomo Guardi (Italian, Venice (?) 1764–1835 Venice

築山図庭画畫　余慶作り庭の図, A Compendium of Model Gardens (Tsukiyama no zu niwa zukushi; Yokei tsukuri niwa no zu), Edo period (1615–1868), 1691, fifth month, Japan, Woodblock printed book; ink on paper, 10 1/2 x 7 1/2 in.

Gold bead, Early Minoan II–III, ca. 2300–2100 B.C., Minoan, Gold, Diam.: 9/16 x 1/2 in. (1.4 x 1.3 cm), Gold and Silver

Textile with Confronted Parrots and Conventional Foliage, 12th–13th century, German, Silk, linen, Overall: 6 3/4 x 1 1/2 in. (17.2 x 3.8 cm), Textiles-Woven-Brocade

Small Carinated Jar with Cloth Lid, New Kingdom, Dynasty 18, early, ca. 1504–1447 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb of Neferkhawet, east chamber, Burial of Baki (III), inside coffin at foot, 1934–35, Pottery,

Burmese chess set, 18th century, Burmese, Ivory, leather, King, Queen, Bishop, Knight, Rook, each: 2 3/4 in. (7.0 cm.); Pawn, each: 1 3/4 in. (4.4 cm.); board: Sq. 17 3/4 in. (45.1 cm.), Chess Sets

Andrea Odoni, 1640–58, Etching and engraving, sheet: 12 3/8 x 15 1/16 in. (31.4 x 38.2 cm), Prints, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam), After Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto

Jar, 15th–16th century, French, Earthenware, Overall: 4 13/16 x 5 3/8 in. (12.2 x 13.6 cm), Ceramics

Fragment of a limestone grave relief with a banquet scene, Classical, ca. 450–425 B.C., Cypriot, Limestone, Overall: 21 x 24 1/2 x 6 1/4 in. (53.3 x 62.2 x 15.9 cm), Stone Sculpture, Banquet scene with a man, two women and a child

Charger, 1694, Hungarian, Transylvania, Silver, partly gilded, Overall: 17 1/8 x 17 1/2 in. (43.5 x 44.5 cm), Metalwork-Silver, Allegorical figures of the Four Elements, labeled within ribbons as IGNIS (fire), AQUA (water), AER (air), and

Glass gold-band mosaic bead, Early Imperial, 1st century B.C.–1st century A.D., Roman, Egypt, Alexandria, Glass, Other: 5/8 in. (1.6 cm), Glass

Limestone male figure, Archaic, early 6th century B.C., Cypriot, Limestone, H. 28 3/4 in. (73 cm), Stone Sculpture, This figure exemplifies a well-established type that appears in Cypriot sculpture at the end of the seventh century B.C. The

Portrait of an Old Man, 1882, Oil on wood, 10 3/4 x 8 3/4 in. (27.3 x 22.2 cm), Paintings, Francisco Domingo y Marqués (Spanish, Valencia 1842–1920 Madrid