Images at Librifly

Dish ring, 1777, Irish, Silver, Overall (confirmed): 3 7/8 × 8 1/8 × 8 1/8 in. (9.8 × 20.6 × 20.6 cm), Metalwork-Silver, Unidentified Dublin maker W. H., This dish ring is a refined example of an emblematic Irish form. Such rings were used

Plaque with Adoration of the Shephards, 15th century, Made in Limoges, France, French, Painted Enamel, copper, Overall: 4 5/16 x 3 1/4 x 1/16 in. (10.9 x 8.2 x 0.1 cm), Enamels-Painted, Atelier of Monvaerni

Flying Panel Metate, 1st–5th century, Costa Rica, Atlantic Watershed, Stone, H. 28 15/16 W. x 18 1/4 x D. 19 in. (73.6 x 46.4 x 48.3cm), Stone-Implements

Chandelier, early 18th century, Netherlandish, Brass, H. 99 cm, L. of the long branches 40.5 cm, Metalwork, This chandelier has two series of eight S-shaped branches around a baluster shaft resting on a massive globe. The branches and baluster

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, stucco; carved; painted, L 7cm x W 5.5 x H 2.5, Stucco

Eight Views of Xiao and Xiang, Muromachi period (1392–1573), 16th century, Japan, Hanging scroll; ink and color on paper, 60 7/8 x 23 1/4 in. (154.6 x 59.1 cm), Paintings, The theme of the Eight Views of the Xiao and Xiang Rivers celebrates

Frog Pendant, 11th–16th century, Panama, Chiriqui (?), Gold (cast), Overall: 2 3/4 in. (6.99 cm), Metal-Ornaments

Finger Grip, before 16th century, Mexico, Mesoamerica, Colima, Colima (?), Stone, Height 1-7/8 in., Stone-Implements

Portrait of a Man in a Brown Coat, Oil on canvas, Oval, 28 3/4 x 23 1/4 in. (73 x 59.1 cm), Paintings, French Painter (first quarter 18th century

Portrait of a Man, Oil on canvas, 47 1/2 x 36 1/2 in. (120.7 x 92.7 cm), Paintings, Lambert Sustris (Netherlandish, Amsterdam, born ca. 1510–15, died after 1560 Venice

Plaque with the Crucifixion between Longinus and Stephaton and Personifications of the Sun and Moon, ca. 1200, Made in Westphalia, Germany, German, Champlevé enamel, copper, Overall: 9 1/16 x 7 11/16 x 5/16 in. (23 x 19.5 x 0.8 cm),

Cup, miniature, Hellenistic, 3rd–2nd century B.C., Etruscan, Terracotta; achroma ware, Other (width w/ handles): 1 3/16 × 1 3/4 in. (3.1 × 4.4 cm), Vases, Yellow clay with one handle; no decoration

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 11 3/4 in. (29.9 cm); L. of head 5 in. (12.7 cm); W. 3/4 in. (1.9 cm); Wt. 1.8 oz. (51 g), Archery Equipment-Arrowheads

The Caprices (Los Caprichos), plates 1-80, 1799, Etching, aquatint, drypoint, and burin, Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Diptych with Scenes from Christ's Passion, ca. 1350, Made in France, French, Ivory with silver mounts, Overall (open): 6 7/8 x 8 3/8 x 7/16 in. (17.5 x 21.3 x 1.1 cm), Ivories, This diptych depicts key events in the final week of Jesus'

Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Gold, Menuki (a); L. 1 1/4 in. (3.2 cm); Wt. 0.2 oz. (5.7 g); menuki (b); L. 1 3/8 in. (3.5 cm); Wt. 0.3 oz. (8.5 g), Sword Furniture-Menuki

Rinaldo Enchanted by Armida, mid-18th–late 18th century, Pen and gray ink, gray wash, 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Textile with Interlacing Bands forming Swastika Figures, 14th–15th century, Made in Cologne, Germany, German, Silk, Overall: 1 1/4 x 2 1/8in. (3.2 x 5.4cm), Textiles-Woven

Standing Shield, 1385–87, Erfurt, German, Erfurt, Wood, leather, gesso, silver foil, gold lacquer, polychromy, iron, H., 69 1/2 in. (176.53 cm); W., 32 1/2 in. (82.55 cm); Wt., 50 lb. (22.68 kg), Shields, Shields of this

Book or Sutra Cover with Lady Bearing a Conch, Ming dynasty (1368–1644), 16th century, China, Silk and metallic thread embroidery on silk gauze, Overall: 14 1/4 x 5 1/4 in. (36.2 x 13.3 cm), Textiles-Embroidered, The lady in this embroidered

Counter or gaming piece, Stone, Height: 5/16 x 15/16 in. (0.8 x 2.4 cm), Miscellaneous-Stone

Plaquette, 15th century, Italian, Silver, niello, Overall: 13/16 x 1/16 in. (2.1 x 0.1 cm), Metalwork-Silver

Figure: Equestrian, 16th–17th century, Mali, Bandiagara region, Dogon peoples, Wood, H. 27 1/8 x W. 7 x D. 17 1/2 in. (68.9 x 17.8 x 44.5 cm), Wood-Sculpture

Beads, 38, Glass, Other: 9 1/2 in. (24.2 cm), Glass

Antependium, late 17th or early 18th century, Spanish or Portuguese, Silk; metal; linen, 32 1/4 x 83 in. (81.9 x 210.8 cm), Textiles-Ecclesiastical

Standing Vishnu as Keshava, Hoysala period, first quarter of the 12th century, India (Karnataka, probably Belur), Stone, H. 56 1/2 in. (143.5 cm); W. 28 in. (71.1 cm), Sculpture, Dasoja of Balligrama, A Hindu text favored by the Hoysalas

Fragment of a terracotta kylix:band-cup, Archaic, mid-6th century B.C., Greek, Attic, Terracotta; black-figure, Other: 1 1/4 x 3/4 x 1/8 in. (3.1 x 2 x 0.3 cm), Vases, Hand

Chasse, 13th century, Made in Limoges, France, French, Copper-gilt, champlevé enamel, Overall: 7 1/16 x 8 1/16 x 3 1/16in. (18 x 20.4 x 7.7cm), Enamels-Champlev

Shawl, second quarter 19th century, Made in India, Kashmir, Wool, silk; twill weave and double interlocking twill tapestry weave, Textile: L. 117 in. (297.2 cm), Textiles-Costumes

Rubbing Stone, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Senenmut (TT 353), Foundation deposit 3-5a, 1926–27, Gritstone, l. 3-9.5 cm (1 3/16-3 3/4 in

Silver Pin, 15th–16th century, Peru, Inca, Silver (hammered), Length 10-1/8 in. (25.7 cm), Metal-Ornaments

Pilgrim Bottle and Cover, late 15th or ealry 16th century, Italian, Venice, Painted enamel on copper, partly gilded, gilt brass, linen cord with metal threads., H. 33 cm, w. 16.4 cm, d. 9 cm., Enamels

The Ecstasy of St. Teresa, ca. 1622–24, Engraving; first state of two, Sheet: 4 3/4 x 3 1/8 in. (12.1 x 7.9 cm), Prints, Antonius Wierix, II (Netherlandish, Antwerp 1555/59–1604 Antwerp

Federigo Gonzaga (1500–1540), 1510, Tempera on wood, transferred from wood to canvas and then again to wood, Overall 18 7/8 x 14 in. (47.9 x 35.6 cm); painted surface 17 3/4 x 13 1/2 in. (45.1 x 34.3 cm), Paintings, Francesco Francia

Fragment, 9th–10th century, Attributed to Egypt, Linen, wool; plain weave, tapestry weave, Textile: L. 11 1/4 in. (28.6 cm), Textiles-Woven

Baptism of Christ, ca. 1500, South Netherlandish, Silk and metal thread on canvas(?), Overall: 15 1/4 × 17 5/16 in. (38.7 × 44 cm), Textiles-Embroidered

Buckle, 500–550, Made in Northern France, Frankish, Bronze-gilt, garnet, glass paste, Overall: 1 5/8 x 1 9/16 x 5/8 in. (4.2 x 3.9 x 1.6 cm), Metalwork-Bronze, Belts were important features of early medieval dress. Not only did they serve

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 3 1/16 x 3 3/8 in. (7.7 x 8.6 cm), Ceramics

Landing at Newfoundland, ca. 1866, Oil on canvas, 22 3/4 x 33 1/4 in. (57.8 x 84.5 cm), Paintings, Robert Charles Dudley (British, 1826–1909

Fragment, 13th century, Crusader, Stained Glass, 2 1/16 × 2 1/4 × 3/16 in. (5.2 × 5.7 × 0.4 cm), Glass-Stained

Virgin and Child with Saint John of the Cross (?), Saint Sebastian, and Saint Peter of Alcantara, ca. 1731–35, Pen and brown ink, brown wash, over traces of black chalk, 17 15/16 x 11 13/16 in. (45.6 x 30 cm), Drawings, Giovanni Battista

A Parisienne Seen from the Back, 1850s(?), graphite, brown ink, gray and brown wash on buff wove paper darkened through exposure to light, 9 13/16 x 7 5/16 in. (24.9 x 18.6 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Capital from a Reliquary Shrine, 1175–1200, Made in Cologne, Germany, German, Copper alloy, gilt, Overall: 1 3/16 x 1 5/16 x 1 5/16 in. (3 x 3.4 x 3.3 cm), Metalwork-Copper alloy

Nose Ornament, 2nd–6th century, Peru, Vicús, Gold, H. 2 5/8 x W. 3 5/8 in. (6.7 x 9.3 cm), Metal-Ornaments

大理石插屏, Table Screen, now converted to a wall panel, Qing dynasty (1644–1911), 19th century, China, Marble mounted in wooden frame, 11 3/8 x 15 3/4 in. (28.9 x 40 cm), Furniture, Ruan Yuan (Chinese, 1764–1849

Armor Fragments (Scales and Cords), 11th Century, Japanese, Iron, lacquer, silk, 14.1a: L. 3 in. (7.62 cm); 14.1b: L. 2 7/8 in. (7.29 cm); 14.1c: L. 2 in. (5.08 cm); 14.1d: L. 1 1/2 in. (3.81 cm); 14.1e: L. 1 7/8 in. (4.75 cm), Armor Parts

Spirals, Cypriot, Gold, Diameter: 1/2 x 1/16 in. (1.2 x 0.1 cm), Gold and Silver

Narrow Sheet, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, Overall: 37 13/16 × 22 1/16 in. (96 × 56 cm), Textiles-Woven

Glass head pendant, Hellenistic, 3rd–1st century B.C., Carthaginian or Eastern Mediterranean, Glass; rod-formed and trailed, Other: 3/4 x 3/8 x 7/16 in. (1.9 x 1 x 1.1 cm), Glass, Translucent blue, appearing opaque black, and opaque

Two Designs for the Decoration of Barrel Tang Surrounds of a Firearm, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 4 1/8 x 7 7/8 in. (10.5 x 20 cm), Works on Paper-Drawings

Richard Abell, 1724, Enamel, Oval, 1 3/4 x 1 3/8 in. (45 x 35 mm), Miniatures, Christian Friedrich Zincke (German, Dresden 1683/85–1767 London

Box, late 15th century, Italian, Leather (Cuir bouilli), painted interior, Overall: 1 9/16 x 4 3/4 x 2 15/16 in. (4 x 12 x 7.4 cm), Leatherwork, Throughout the Middle Ages, household goods of all types were stored in boxes and coffrets which

Fragment, 15th century, Attributed to probably Yemen, Cotton, H. 9 1/8 in. (23.2 cm), Textiles-Painted and/or Printed

Sword-Hilt Collar and Pommel (Fuchigashira), late 18th–early 19th century, Japanese, Iron, copper-gold alloy (shakudō), Fuchi (a); H. 1 1/2 in. (3.8 cm); Wt. 0.8 oz. (22.7 g); kashira (b); H. 1 3/8 in. (3.5 cm); Wt. 0.4 oz. (11.3 g), Sword

Ostrakon, 7th century, Made in Thebes, Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 3 1/8 x 4 5/16 in. (8 x 11 cm), Ceramics

'Balarama and Krishna Fighting the Enemy', Folio from a Harivamsa (The Legend of Hari (Krishna)), ca. 1590–95, Attributed to present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Image: H. 12 in. (30.5 cm),

Frog Pendant, 11th–16th century, Costa Rica or Panama, Chiriqui, Gold, H. 3 5/8 x W. 3 3/8 in. (9.2 x 8.6 cm), Metalwork-Gold

Portrait of a Youth, late 16th century, Attributed to Iran, Opaque watercolor and gold on paper, H. 11 5/8 in. (29. 5 cm), Codices

Relief with people setting down braziers, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten), Limestone, paint

Couch, 1851–56, American, Oak, chestnut, cedar, 67 x 73 in. (170.2 x 185.4 cm), Furniture

花鳥蒔絵螺鈿書箪笥, Cabinet of Drawers with Birds and Flowers, Momoyama period (1573–1615), late 16th century, Japan, Lacquered wood with gold and silver hiramaki-e; mother-of-pearl inlay, H. 16 1/4 in. (41.3 cm); W. 24 5/8 in. (62.5

Composite Window of English Stained Glass, 15th century, British, Pot-metal, white glass, vitreous paint, silver stain, Overall (as present installation): 140 x 80 1/4 in. (355.6 x 203.8 cm), Glass-Stained, The stained glass in this window

Manuscript Leaf with the Last Judgment, from a Book of Hours, ca. 1400, Made in Paris, France, French, Tempera and gold on parchment, 3 3/4 x 2 1/2in. (9.5 x 6.3cm), Manuscripts and Illuminations, This miniature from a Book of Hours

Belt Buckle Plate, 6th–7th century, Frankish, Iron, silver and brass inlay, Overall: 1 7/16 x 1 3/8 x 5/16 in. (3.6 x 3.5 x 0.8 cm), Metalwork-Iron

Disk Brooch, 8th–9th century, Merovingian, Copper alloy, champlevé enamel, Overall: 7/8 x 3/16 in. (2.2 x 0.5 cm), Metalwork-Copper alloy

Ostracon, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Western Desert; Kharga Oasis, Hibis, 1908–10, Pottery, ink, 4.6 x 6.1 x 0.9 cm (1 13/16 x 2 3/8 x 3/8 in

Interior of a Lottery, 1821, Gouache, watercolor, and graphite on toned wove paper, 15 x 10 3/4 in. (38.1 x 27.3 cm), Drawings, James Kidder (1793–1837

[Isambard Kingdom Brunel Standing Before the Launching Chains of the Great Eastern], 1857, printed 1863–64, Albumen silver print from glass negative, Image: 27.9 x 21.5 cm (11 x 8 7/16 in.), Photographs, Robert Howlett (British,

Beads, 6, Roman, Glass, Other: 1 3/8 x 1/4 in. (3.5 x 0.6 cm), Glass

Belt Plate, 7th century, Frankish, Iron, silver and brass inlay, Overall: 2 13/16 x 1 x 1/4 in. (7.2 x 2.6 x 0.6 cm), Metalwork-Iron

Earring-hook type with pendant, Mid Imperial, 2nd century A.D., Roman, Gold, Other: 5/16 × 3/8 × 1 1/16 in. (0.7 × 1 × 2.7 cm), Gold and Silver

Leaf from a Diptych with the Crucifixion and Nativity, ca. 1375–1400, Made in Mainz, Germany, German, Ivory with metal mounts, Overall: 5 7/8 x 3 1/8 x 3/8 in. (15 x 8 x 1 cm), Ivories, Master of Kremsmünster

Study for 'The Dream – Paolo and Francesca', 1910, Graphite, charcoal, colored pencil, and wash on paper, 9 1/8 x 18 3/8 in. (23.2 x 46.7 cm), Drawings, Umberto Boccioni (Italian, Reggio 1882–1916 Sorte

Panel from the Palace of Westminster, ca. 1847, British, Oak, Overall (confirmed): 28 × 12 × 1 in. (71.1 × 30.5 × 2.5 cm), Woodwork-Architectural

Millefiori pinhead, Roman, Glass, amethyst, Height: 3/16 x 1/2 in. (0.4 x 1.3 cm), Glass, Amethyst and white millefiori pinhead

Plate, ca. 1800, British, Worcester, Soft-paste porcelain, Diameter: 9 1/2 in. (24.1 cm), Ceramics-Porcelain

Gold and copper alloy spiral with lion-head terminal, Classical, 2nd half of the 5th century B.C., Cypriot, Gold, copper alloy, Other: 1 in. (2.5 cm), Gold and Silver, Gold plated spiral earrings. Spirals with ornate animal-head terminals are

Animal Ornament, 390–450, Peru, Moche (Loma Negra), Gilded copper, H x W: 4 9/16 x 4 7/16in. (11.5 x 11.3cm), Metal-Ornaments

Pendant in the shape of a striding lion, Early Bronze Age, ca. mid-3rd millennium B.C., Syria, Silver, bronze, H. 1 1/2 x W. 1 3/4 x D. 2 3/8 in. (3.8 x 4.5 x 6.1 cm), Metalwork-Ornaments

Angel, second half 18th century, Italian, Naples, Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics, H. 14 3/8 in. (36.5 cm.), Crèche

Spirals, Cypriot, Gold, Diameter: 1/2 x 1/16 in. (1.2 x 0.1 cm), Gold and Silver

Dish, 12th century, Made in Syria, Stonepaste; carved, incised, polychrome painted under a transparent glaze (Laqabi ware), Diam. 7 7/8 in. (20 cm), Ceramics, The white bodied stonepaste introduced into Syria by potters from Egypt after ca.

Grisaille Panel, ca. 1265, Made in Rouen, Normandy, France, French, White glass, pot-metal glass, and vitreous paint, Overall: 21 3/4 x 23 7/16 in. (55.2 x 59.6 cm), Glass-Stained, These grisaille panels are part of a set of eight from a

Candlestick (candeliere), 1535, Italian, Urbino, Maiolica (tin-glazed earthenware), Height: 8 1/16 in. (20.5cm), Ceramics-Pottery, workshop of Guido Durantino (Italian, Urbino, active 1516–ca. 1576

Crozier Head, ca. 1350–75, Made in possibly Lombardy, Italy, Italian, Ivory, gilding, Overall: 7 5/16 x 4 1/16 x 1 1/4 in. (18.6 x 10.3 x 3.1 cm), Ivories, A crozier, the principal emblem of a bishop's pastoral role, was often decorated

Youthful Falconers in a Landscape, second half 16th century, Attributed to Iran, Ink, transparent and opaque watercolor, silver, and gold on paper, H. 6 3/4 in. (17.2 cm), Codices

Hammered Silver Miniature Drum, 11th–mid-15th century, Peru, Chimú or Chancay, Silver (hammered), gilt, Width 15-16 in. (2.4 cm), Metal-Ornaments

愛染明王像, Aizen Myōō, Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; ink, color, gold, and cut gold leaf on silk, 53 5/16 x 32 7/16 in. (135.4 x 82.4 cm), Paintings, The blood-red body and flaming halo of

Ostrakon with a Letter from Isaac to Thello, 600, Made in Thebes, Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 5 5/8 x 5 5/16 in. (14.3 x 13.5 cm), Ceramics

Cross of Cong, early 20th century (original dated 11th century), Irish, Copper, gold, enamel, glass, silver on oak, Overall: 33 3/4 x 18 15/16 x 2 11/16 in. (85.7 x 48.1 x 6.9 cm), Reproductions-Metalwork

Dish, Jeffreyes Hammet O'Neale (Irish, 1734–1801), 1753–54, British, Chelsea, Soft-paste porcelain, Diameter: 7 1/8 in. (18.1 cm), Ceramics-Porcelain, Jeffreyes Hammet O'Neale (Irish, 1734–1801

Mask of Coffin of Pakherenkhonsu, Late Period, Kushite, Dynasty 25, ca. 712–664 B.C., From Egypt, Upper Egypt, Thebes, Khokha, Tomb of Aafenmut, Pit 1, 1914–15 (White), Wood, paint, l. 34 cm (13 3/8 in); w. 30 cm (11 13/16 in

Icon with the Deesis, mid-900s, Made in probably Constantinople, Byzantine, Ivory, Overall: 6 5/16 x 5 1/8 x 1/4 in. (16 x 13 x 0.6 cm), Ivories, This representation of Christ joined with the Virgin and John the Forerunner (the Baptist), one

The Laundress, 186[3?], Oil on wood, 19 1/4 x 13 in. (48.9 x 33 cm), Paintings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois), This painting depicts a subject visible from Daumier’s studio on the quai d'Anjou in Paris:

Portrait of a Man with a Rosary, 1545, Oil on wood, 20 x 16 1/4 in. (50.8 x 41.3 cm), Paintings, Copy after Jan Cornelisz Vermeyen

Netsuke of Tiger and Cub, 19th century, Japan, Ivory, H. 1 in. (2.5 cm); W. 1 1/2 in. (3.8 cm), Netsuke

Cosmetic jar, 1874–75, British, London, Silver, glass, Overall: 2 1/2 x 2 1/2 x 2 1/2 in. (6.4 x 6.4 x 6.4 cm), Metalwork-Silver, The building of railroads during the first half of the nineteenth century led to a tremendous increase in

Length, ca. 1720, British, Spitalfields, Silk and metal thread, H. 42 3/8 x W. 20 1/4 in. (107.6 x 51.4 cm), Textiles-Woven, This piece is comparable to silk designs by James Leman (ca. 1688–1745), whose ancestors probably emigrated from

String of Disk Beads, New Kingdom, Dynasty 18, late, ca. 1425–1295 B.C., From Egypt; Probably from Northern Upper Egypt, Deir el-Ballas, Faience, L. 29.3 cm (11 9/16 in

Dancer at a Café Concert, 1892–93, Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board, 17 1/16 x 14