Images at Librifly

Jar, Geometric Pattern, 9th–14th century, Colombia, Quimbaya, Ceramic, slip, Height 9-3/8 in., Ceramics-Containers

Dagger, late 15th century, French, Steel, bronze, bone, L. 13 9/16 in. (34.5 cm); W. 1 3/4 in. (4.5 cm); D. 1 1/4 in. (3.2 cm), Daggers

The Crucifixion, probably mid-1450s, Tempera on wood, gold ground, Shaped top, central panel, overall, with engaged frame, 18 x 11 in. (45.7 x 27.9 cm); central panel, painted surface 16 1/2 x 9 1/2 in. (41.9 x 24.1 cm); left wing, overall,

Animal Ornament, 390–450, Peru, Moche (Loma Negra), Gilded copper, H. 6 5/16 x W. 6 3/4 in. (16 x 17.2 cm), Metal-Ornaments

Bowl with Green Pseudo-Inscriptions and Clusters of Spots, 9th–10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; yellow slip with green decoration under transparent glaze, H. 2 3/4 in. (7cm), Ceramics

Textile, 14th century, Italian (?), Silk, gilt thread, Overall: 3 15/16 × 6 5/8 in. (10 × 16.8 cm), Textiles-Woven

Jar, 12th–13th century, Found/excavated Syria, Raqqa, Stonepaste; underglaze painted, H. 10 7/16 in. (26.5 cm), Ceramics

Ostrakon with a Letter, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Limestone with ink inscription, 3 1/16 x 3 in. (7.7 x 7.6 cm), Miscellaneous-Stone

Bronze furniture attachments with silver inlay, Late Hellenistic or Early Imperial, 1st century B.C.–early 1st century A.D., Greek or Roman, Bronze, silver, Overall: 1 5/8 x 1 11/16 x 19 1/16 in. (4.1 x 4.3 x 48.4 cm), Bronzes, The bars

Netsuke of Demon Carrying a Gourd on His Back, Edo period (1615–1868), 18th century, Japan, Wood, H. 2 1/8 in. (5.4 cm), Netsuke

Badge (probably from Horse Harness), 14th century, Spanish, Copper, gold, enamel, H. 2 3/8 in. (6 cm); W. 2 in. (5.1 cm); Wt. 0.5 oz. (14.2 g), Miscellaneous-Badges

Figure Vessel, 6th–9th century, Peru, Wari, Ceramic, H. 15 in. (35.1 cm), Ceramics-Containers

Cistern or Fountain, early 20th century (original dated 15th century), German, Bronze or brass, Overall: 15 3/4 x 10 1/2 x 8in. (40 x 26.7 x 20.3cm), Reproductions-Metalwork

Pinhead, Roman, Glass, Height: 1/2 x 15/16 in. (1.2 x 2.5 cm), Glass, Circular opaque brown and white millefiori pinhead

Allegory of Virtue, probably early 16th century, Italian, Padua, Gilt bronze, Diameter: 2 in. (5.1 cm), Medals and Plaquettes, Attributed to Andrea Briosco, called Riccio (Italian, Trent 1470–1532 Padua

The Crucifixion and the Entombment, 18th century, probably French (Nevers), Figures of lampworked glass (opaque white, black, red, yellow, brown, pink, green, light green, blue, bright blue, light blue, gold aventurine, and colorless),

Door Knocker, 15th century, French, Iron, Overall: 13 x 3 3/8 x 2 1/2 in. (33 x 8.5 x 6.4 cm), Metalwork-Iron

Venus Anadyomene, early 17th century, French, Paris, Bronze, H. 9-7/8 in. (25.1 cm.), Sculpture-Bronze, Barthélemy Prieur (French, Berzieux ca. 1536–1611 Paris

Saint Andrew (?), ca. 1500, North Netherlandish, Oak with traces of polychromy and gilding, Overall: 25 3/4 x 9 1/4 x 5 5/16in. (65.4 x 23.5 x 13.5cm), Sculpture-Wood

Gold earring with head of a dolphin, Classical or Hellenistic, 4th–3rd century B.C., Greek, Gold, Other: 11/16 x 3/16 x 1/2 in. (1.8 x 0.4 x 1.3 cm), Gold and Silver

Plate (tagliere), 1539, Maiolica (tin-glazed earthenware), Diameter: 11 11/16 in. (29.7cm), Ceramics-Pottery, Francesco Xanto Avelli da Rovigo (Italian, Rovigo ca7–1542

Ring, Silver, electrum, Diameter: 13/16 × 1/4 in. (2.1 × 0.6 cm), Gold and Silver

Key, 15th century, German, Iron, Overall: 5 9/16 x 1 3/4 x 13/16 in. (14.2 x 4.4 x 2.1 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently

Ostracon, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Western Desert; Kharga Oasis, Hibis, 1908–10, Pottery, ink, 6.9 x 6.5 x 1.1 cm (2 11/16 x 2 9/16 x 7/16 in

Knife Blade, Early Dynastic Period ?, Dynasty 0–2, ca. 3100–2650 B.C., From Egypt; Probably from Northern Upper Egypt, Deir el-Ballas, Flint, L. 14.6 cm (5 3/4 in.); w. 3.6 cm (1 7/16 in

Bracelet, 1st century B.C., Celtic, Copper alloy, Overall: 2 11/16 x 2 9/16 x 1/4 in. (6.8 x 6.5 x 0.7 cm), Metalwork-Bronze

Folding armchair (sedia a Savonarola), late 15th century, mostly, with later alterations, Italian (or Spanish?), Walnut, carved., H. 81.8 cm, W. 64 cm, D. 49 cm, Woodwork-Furniture

Hairpin, 1st–4th century, Roman, Glass, Overall: 3 3/8 x 1/8 in. (8.5 x 0.3 cm), Glass

Jean d'Albon de Saint-André (1472–1549), Oil on wood, 6 7/8 x 5 3/4 in. (17.5 x 14.6 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons

Ball, 15th–16th century, Peru, Inca, Brass (cast), copper, Diameter 25/32 in., Metal-Implements

Bone pyxis (box with lid), Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Bone, Overall (box): 15/16 x 2 1/16 in. (2.5 x 5.3 cm); diameter of lid 2 1/8 in. (5.4 cm), Most Roman pyxides made from pieces of animal bone are,

Dish, Deep, 16th century, French, Earthenware, Overall: 2 1/4 x 7 3/8 in. (5.7 x 18.7 cm), Ceramics

Henri d'Albret (1503–55), King of Navarre, 1556, French, Limoges, Enamel, painted on copper and partly gilded, 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm), Enamels, Léonard Limosin (ca. 1505–1575/1577), Léonard Limosin was the greatest enamel

Terracotta lamp, Roman, Terracotta, Other: 3 5/8 x 7 1/2 x 8 1/2 in. (9.2 x 19.1 x 21.6 cm), Terracottas

Mace, 17th century, Indo-Persian, Steel, gold, L. 26 1/2 in. (66.7 cm), Shafted Weapons

Necklace, 10th–16th century, Colombia, Tairona, Gold, W. 1 1/8 x H. 1 3/8 in. (2.9 x 3.5 cm), Metal-Ornaments, The fifty-four beads forming this necklace are cast of a copper-gold alloy known as tumbaga. The relatively high copper content in

Badge (probably from Horse Harness), ca. 1400, Spanish, Copper, gold, enamel, H. 1 1/2 in. (3.8 cm); W. 7/8 in. (2.2 cm); Wt. 0.5 oz. (14.2 g), Miscellaneous-Badges

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 6 5/8 in. (16.8 cm); L. of head 1 1/4 in. (3.2 cm); W. 1/4 in. (0.6 cm); Wt. 0.4 oz. (11.3 g), Archery Equipment-Arrowheads

Small View of Yedo, 1817–58, Japanese, Print, Sheet: 35.9 cm x 24.4 cm, Image 34 cm x 22.6 cm, Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Large Boston Public Garden Sketchbook: Two women conversing on the street, 1895–97, Watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

Glass eye beads, Glass, Other: 4 in. (10.2 cm), Glass

Goblets with Applied Decoration, 11th–early 12th century, Attributed to Iran, Glass, colorless; blown, applied decoration, Glass, These matcing goblets are each formed by a conical cup attached to a small, solid, and splayed stemmed foot

Pendant with a Triton Riding a Unicorn-like Sea Creature, ca. 1870–95, probably German or French, Baroque pearl mounted with enameled gold set with pearls, emeralds and rubies and with pendent pearls, Height: 4 1/2 in. (11.4 cm),

Morning - The Bathroom, 1906, Platinum print, 22.3 x 18.0 cm. (8 3/4 x 7 1/16 in.), Photographs, Clarence H. White (American, 1871–1925), This ingratiating vision of youthful feminine grace demonstrates White’s ability to find sentiment

Stained-glass window, ca. 1656, Made in New York, New York, United States, American, Painted leaded glass, Framed: 22 3/8 x 15 1/2 in. (56.8 x 39.4 cm), Glass, Evert Duyckinck (ca. 1620–ca. 1700), Evert Duyckinic was one of the earliest

Loincloth, 12th–14th century, Peru, Chancay, Camelid hair, cotton, Length 14-5/32 in., Textiles-Woven

Harvesting Sicamore Figs, Tomb of Djari, First Intermediate Period–Middle Kingdom, Dynasty 11, ca. 2050–2000 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Ink on Paper, H. 52 cm (20 1/2 in); w. 66 cm (26 in) - as mounted, Unknown

Doors, 15th century, French, Oak, Overall: 96 x 47 in. (243.8 x 119.4 cm), Woodwork-Furniture

Terracotta calyx-krater (bowl for mixing wine and water), Classical, ca. 440 B.C., Greek, Attic, Terracotta; red-figure, Overall: 14 1/4 x 14in. (36.2 x 35.5cm), Vases, Above, obverse, Odysseus pursuing Circe; reverse, women and king,

Bowl, 1720–40, Japanese, for European market, Hard-paste porcelain, 3 7/16 × 5 5/8 in. (8.7 × 14.3 cm), Ceramics-Porcelain-Export

Billon Quattrino of Paul III (?), 1534–49, Made in Rome, Italy, Italian, Copper alloy (billon), Overall: 5/8 x 1/16 in. (1.6 x 0.1 cm), Coins

Backplate of a Belt Buckle, 6th–7th century, Frankish, Iron, silver inlay, Overall: 1 15/16 x 1 7/8 x 1/4 in. (4.9 x 4.7 x 0.7 cm), Metalwork-Iron

Portrait of a Man with a Pointed Collar, Oil on wood, 5 5/8 x 4 3/4 in. (14.3 x 12.1 cm), Paintings, Attributed to Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons

Portrait of a Woman Holding a Book, Oil on canvas, 32 1/4 x 25 7/8 in. (81.9 x 65.7 cm), Paintings, French Painter (mid-18th century

Study of a Woman and Two Children, 18th century, British, Pen and brown ink over traces of pencil, 8 7/8 x 7 3/16 in. (22.5 x 18.3 cm), Drawings

Bowl Base with Miracle Scenes, ca. 350–400, Roman or Byzantine, Glass, gold leaf, Overall: Diam. 3/16 x 4 3/16 in. (0.5 x 10.7 cm), Glass-Gold glass, Commemorations of the dead held at the deceased’s tomb focused on bidding farewell to

Earring with Eros and paste beads, Gold, glass paste, 7/16 × 11/16 × 1 in. (1.2 × 1.7 × 2.5 cm), Gold and Silver, Earrings with figure of Eros on each; hanging bead of blue and white paste

Bead, Roman, Glass, Diam.: 13/16 x 5/16 in. (2 x 0.8 cm), Glass

Saint Nicholas Resuscitating Three Youths, 1433–35, Tempera and gold on wood, 12 x 22 1/4 in. (30.5 x 56.5 cm), Paintings, Bicci di Lorenzo (Italian, Florence 1373–1452 Florence), In the top scene, Saint Nicholas, Bishop of Myra

Pinhead, 1st century B.C.–5th century A.D., Roman, Glass, Height: 5/16 x 13/16 in. (0.8 x 2 cm), Glass

Saucer (part of a set), decorated ca. 1725–30, German, Meissen, Hard-paste porcelain, Diameter: 6 1/2 in. (16.5 cm), Ceramics-Porcelain, The ensemble is an assembled one, although one cup and saucer, both painted with riverscapes, are a

賢江祥啓筆山水図, Landscape with Pavilion, Muromachi period (1392–1573), 1478–80, Japan, Hanging scroll; ink and color on paper, Image: 19 13/16 x 13 13/16 in. (50.3 x 35.1 cm), Paintings, Kenkō Shōkei (active ca. 1470–after

Snuffbox, 1748–49, French, Paris, Gold, enamel, 2 3/4 × 2 1/8 × 1 3/8 in. (7 × 5.4 × 3.5 cm), Metalwork-Gold and Platinum, This enameled and engraved gold snuffbox dates to the mid-eighteenth century. The wavy stripes have been created

Illustrated Book of Outings in Edo, Edo period (1615–1868), 1802, Japan, Three volumes; ink and color on paper, Each: 10 1/4 × 6 3/4 × 1/4 in. (26 × 17.1 × 0.6 cm), Illustrated Books, Katsushika Hokusai (Japanese, Tokyo (Edo)

Vase with overlapping pattern and three bands of palm trees, ca. mid- to late 3rd millennium B.C., Persian Gulf region or southern Iran, Chlorite, H. 23.5 cm, Stone-Vessels, Vessels carved of a gray-green stone in what is called the

Ceremonial Arrowhead (Yanonē), dated 1645, Japanese, Steel, L. 10 1/2 in. (26.7 cm); L. of head 3 7/8 in. (9.8 cm); W. 2 in. (5.1 cm); Wt. 3.5 oz. (99.2 g), Archery Equipment-Arrowheads, Large arrowheads, pierced and elaborately chiseled with

Folding armchair (sedia a Savonarola type), 15th century (textile); 19th century (chair, with various earlier parts), Italian, Walnut, partly turned and carved; red plain velvet., H. 98.2 cm, W. 64 cm, D. 55.2 cm; Cushion: 34 x 44 cm

Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Copper-gold alloy (shakudō), gold, copper, L. 1 5/16 in. (3.3 cm); Wt. 0.3 oz. (8.5 g);L. 1 3/16 in. (3 cm); Wt. 0.3 oz. (8.5 g), Sword Furniture-Menuki

Candle pricket, 17th century, Spanish, Iron, H. 64-7/8 in. (164.7 cm.), Metalwork

Cover, 17th century, Italian, silk; metal, Including tape and edging: 157 x 54.5 cm (61 7/8 x 21 1/2 in), Textiles-Velvets

Dish from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08, Pottery, hematite

Ring, Gold, Diameter: 3/4 × 1/4 in. (1.9 × 0.7 cm), Gold and Silver

Fibula, bow-shaped, 7th–6th century B.C., ETRUSCAN, Silver, Other: 1 1/2 × 3/8 × 2 3/16 in. (3.8 × 0.9 × 5.6 cm), Gold and Silver

Pair of sconces, ca. 1720, British, Gilt gesso on pine, brass, colored silk, wool tent and cross stitch on canvas, Overall (each): 23 × 15 1/4 in. (58.4 × 38.7 cm), Woodwork-Furniture

Relief of Eros, Bone, Other: 2 1/4 x 2 5/16 x 5/8 in. (5.8 x 5.8 x 1.6 cm

Box, 16th century, Spanish, Iron, wood core, Overall: 3 13/16 x 5 x 6 9/16 in. (9.7 x 12.7 x 16.7 cm), Metalwork-Iron

Stands, spool-shaped, pair, Archaic, late 6th–5th century B.C., Greek or Etruscan, Gold foil, Diameter: 1 5/16 × 2 × 1 3/8 in. (3.3 × 5.1 × 3.5 cm), Gold and Silver

Frontlet of gold leaf, Gold, Other: 15/16 × 4 5/8 in. (2.5 × 11.8 cm), Gold and Silver

Badge (probably from Horse Harness), ca. 1400, Spanish, Copper, gold, enamel, Diam. 2 9/16 in. (6.5 cm); Wt. 1.5 oz. (42.5 g), Miscellaneous-Badges

Madonna and Child Enthroned with Saints Peter and Paul and Angels, Tempera on wood, gold ground, Overall, with engaged frame, 13 1/8 x 8 5/8 in. (33.3 x 21.9 cm); painted surface 11 3/4 x 7 3/8 in. (29.8 x 18.7 cm), Paintings, Lippo Vanni

Plaque with Saints James, Matthew, and Thomas, ca. 1150–75, Made in Meuse valley, Netherlands, South Netherlandish, Champlevé enamel, copper alloy, gilt, Overall: 2 1/2 x 6 5/16 x 1/8 in. (6.3 x 16 x 0.3 cm), Enamels-Champlevé, The

Ecce Homo, (reverse) Christ Blessing; The Disrobing of Christ, (reverse) Saint John the Baptist, Oil on wood, Each 16 1/2 x 8 3/4 in. (41.9 x 22.2 cm), Paintings, Workshop of Cornelis Engebrechtsz (Netherlandish, ca. 1461–1527

Environs of Fontainebleau: Woodland and Cattle, Oil on canvas, 104 1/2 x 157 1/4 in. (265.4 x 399.4 cm), Paintings, Auguste-François Bonheur (French, Bordeaux 1824–1884 Bellevue

Plaque with Christ In Majesty, 14th century, Made in Catalonia, Spain, Catalan, Basse taille enamel, silver, Overall: 2 3/8 x 2 1/2 x 1/16 in. (6.1 x 6.3 x 0.1 cm), Enamels-Basse taille

The Trinity, 15th–16th century, Spanish (?), Ivory, Overall: 3 5/16 x 1 3/8 x 1 in. (8.4 x 3.5 x 2.6 cm), Ivories

Mantle, 2nd–1st century B.C., Peru, Ocucaje, Camelid hair, H. 54 1/4 x W. 74 3/8 in. (188.9 x 137.8cm), Textiles-Woven, Images of twelve 'oculate beings' are worked into this mantle by a technique called sprang, which replicates the pattern

Harp Tuning Key, 19th century, Paris, France, French, Wood, metal, 9.5 cm (3 3/4 in.) x 8 cm (3 1/8 in.) x 1.7 cm (11/16 in.), Accessory, Érard (French, ca. 1780–1959

Virgin, ca. 1300, French, Ivory, Overall: 4 9/16 x 2 3/16 x 1 9/16 in. (11.6 x 5.5 x 3.9 cm), Ivories

Netsuke of Woman, 19th century, Japan, Ivory, H. 2 5/8 in. (6.7 cm); W. 1 3/8 in. (3.5 cm); D. 1 in. (2.5 cm), Netsuke

Chest with Relief Figures of Saints Sebastian and Blaise, early 16th century, Italian, Pine, iron mounts, Overall: 28 1/4 x 81 1/8 x 19 in. (71.8 x 206.1 x 48.3 cm), Woodwork-Furniture, The front panel shows the martyrdom of Saint Sebastian

Earring, 7th century, Made in Niederbreisig, Germany, Frankish, Silver, Overall: 2 1/2 x 2 7/16 x 3/16 in. (6.4 x 6.2 x 0.4 cm), Metalwork-Silver

Fibula, bow-shaped, Italic, Gold, Other: 7/16 × 1/8 × 3/4 in. (1.1 × 0.4 × 2 cm), Gold and Silver

Fragment, 3rd–4th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 6 11/16 in. high 3 3/4 in. wide (17 cm high 9.5 cm wide), Textiles

Sword-Hilt Collar and Pommel (Fuchigashira), 18th century, Japanese, Copper-silver alloy (shibuichi), gold, copper-gold alloy (shakudō), copper, Kashira (a); H. 1 1/4 in. (3.2 cm); Wt. 0.5 oz. (14.2 g); fuchi (b); H. 1 3/8 in. (3.5 cm); Wt.

Portrait of a Young Man, Oil on wood, 46 1/4 x 30 3/4 in. (117.5 x 78.1 cm), Paintings, Benedetto Pagni (Italian, Pescia, active by 1524–died 1578

Pilgrim's Badge, 14th century, Made in Italy?, European, Lead, wax, Overall: 2 3/16 x 2 9/16 x 3/8 in. (5.6 x 6.5 x 1 cm), Metalwork-Lead

In the Oise Valley, 1878–80, Graphite, gouache, and watercolor, 12 3/4 x 19 11/16 in. (32.4 x 50 cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence

Lamp, 5th–6th century, Earthenware; molded, Overall: H. 1 13/16 in. (12.7 cm), Ceramics

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand, ca. 1663–1664, Etching and drypoint, Sheet: 13 13/16 x 9 3/16 in. (35.1 x 23.3 cm), Prints,

Goddess and Attendants, 1st century B.C.–1st century A.D., India (West Bengal, Chandraketugarh), Terracotta, H. 10 1/2 in. (26.7 cm); W. 7 7/8 in. (20 cm), Sculpture, Considerable numbers of such molded plaques have beenexcavated at the