Images at Librifly

Pilgrim bottle (one of a pair), 1823/24, British, London, Gilt silver, cork, Overall (confirmed): 17 5/16 × 10 1/8 × 9 1/8 in., 140oz. (44 × 25.7 × 23.2 cm, 3997g), Metalwork-Silver, William Elliott (British, London 1762–1854

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 10 in. (25.4 cm); L. of head 3 1/2 in. (8.9 cm); W. 1 1/8 in. (2.9 cm); Wt. 2.2 oz. (62.4 g), Archery Equipment-Arrowheads

Bowl, 18th century, Made in Iran, Stonepaste; painted and glazed, H. 2 1/2 in. (6.4 cm), Ceramics

Disk with rosette, 7th–5th Century B.C., Etruscan, Gold, Diameter: 5/8 × 1/8 in. (1.5 × 0.4 cm), Gold and Silver

Panel, 15th–17th century, French, Blue flash over colorless glass, silver stain, vitreous paint, and lead, Overall: 9 7/8 x 7 x 3/16 in. (25.1 x 17.8 x 0.5 cm), Glass-Stained

Snuffbox, ca. 1760, German, Meissen, Hard-paste porcelain, silver-gilt mounts., H. 4.3 cm, L. 8.4 cm, D. 6.7 cm, Snuffboxes, The box is closely related in both exterior and interior decoration to one in the Kunstindustrimuseum, Copenhagen,

Relief Depicting the Purification of Queen Kiya (?), New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten), Limestone,

Part of a dress and twenty-five fragments, 18th century, French, Silk, Textiles-Woven

Glass mosaic face bead, Early Imperial, 1st century A.D., Roman, Egyptian, Glass, Diam.: 9/16 in. (1.5 cm), Glass, Uncertain color, appearing black, and opaque white; details in opaque white and red, and translucent blue and deep purple,

Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Copper-gold alloy (shakudō), silver, gold, L. of each 1 1/8 in. (2.9 cm); Wt. of each 0.2 oz. (5.7 g), Sword Furniture-Menuki

Covered Cup and Saucer, ca. 1795–1818 and later, Austrian (Vienna) and probably Bohemian, Hard-paste porcelain, Cup: h. 9.7 cm; saucer: diam. 13 cm, Ceramics

The Last Judgment; The Virgin and Child with a Bishop-Saint and Saint Peter Martyr; The Crucifixion; The Glorification of Saint Thomas Aquinas; The Nativity, ca. 1325, Tempera on wood, gold ground, Overall 26 3/8 x 18 5/8 in. (67 x 47.3 cm);

Fragment of the marble stele (grave marker) of a youth, Archaic, ca. 530 B.C., Greek, Attic, Marble, Hymettian, H. preserved 48 in. (121.9 cm), Stone Sculpture, A nude image of the deceased youth projects in high relief from the concave,

Figure Vessel, 12th–9th century B.C., Mexico, Mesoamerica, Tlatilco (?), Ceramic, H. 13 3/4 x W. 6 1/2 x D. 8 in. (34.9 x 16.5 x 20.3 cm), Ceramics-Containers

Shiva Embracing His Consort, Uma (Alinganamurti), Chola period (880–1279), late 11th century, India (Tamil Nadu), Copper alloy, H. 15 in. (38.1 cm); W. 8 in. (20.3 cm); D. of base: 5 in. (12.7 cm), Sculpture

Netsuke of Omori Hikoshichi, 18th century, Japan, Ivory, H. 6 in. (15.2 cm), Netsuke

Various Plates of Grotesques from Three Series, 1554–57, Etching, 14 7/16 x 11 7/16 x 5/16 in. (36.6 x 29 x 0.8 cm), Books, Cornelis Floris II (Netherlandish, Antwerp before 1514–1575 Antwerp

Jug (boccale), late 14th or early 15th century, Italian, probably Tuscany or Umbria, Maiolica (tin-glazed earthenware), Height: 9 5/8 in. (24.4cm), Ceramics-Pottery

Pair of candlesticks, ca. 1675, British, Silver-gilt filigree, Height (each): 5 13/16 in. (14.8 cm), Metalwork-Silver, The decoration includes a cipher of IMS or JWS, the owner's initials. Thin strips of silver gilt were used for the filigree

Textile with Flower Motif, 15th century, German, Silk, Overall: 4 1/2 x 4in. (11.4 x 10.2cm), Textiles-Woven

Chessmen (32), 1853, British, Ivory, King: each, H. 5 1/4 in. (13.3 cm); Pawn: each, H. 2 1/4 in. (5.7 cm.); Only the tallest and shortest examples of chessmen measured for basic record., Chess Sets

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, Stucco; carved; painted, L 3 cm x W 3 x H 2, Stucco

Ring, Post, 16th century, Spanish, Iron, Overall (as if installed a-c): 6 7/8 x 5 7/16 x 2 3/4 in. (17.5 x 13.8 x 7 cm), Metalwork-Iron

Plate from Belt Buckle, middle of the 6th century, Frankish, Copper alloy, Overall: 13/16 x 11/16 x 1/4 in. (2 x 1.8 x 0.7 cm), Metalwork-Copper alloy

Jar, 13th–14th century, French, Earthenware with slip decoration and partial glaze, Overall: 5 7/8 x 7 5/16 x 6 1/4 in. (15 x 18.6 x 15.9 cm), Ceramics

The Grand Canal with the Rialto Bridge, from the North, ca. 1736–37, Pen and brown ink, gray wash, 10 1/16 x 16 15/16 in. (25.5 x 43 cm), Drawings, Bernardo Bellotto (Italian, Venice 1722–1780 Warsaw

Pendant, 16th century, Spanish, Gold, rock crystal, enamel, verre églomisé, Overall: 2 7/8 × 2 1/8 in. (7.3 × 5.4 cm), Metalwork-Gold and Platinum, One of the hinged sides of the unusually deep case shows the Virgin in Glory; the other,

Side chair (sgabello), possibly 19th or early 20th century (with reused footborads, possibly 16th or 17th century), Italian, Walnut, carved., H. 101.6 cm, W. 34.3 cm, D. 35.6 cm, Woodwork-Furniture

Glass astragal (knucklebone), Hellenistic, 3rd–2nd century B.C., Greek, Glass; cast in a two-part mold, Overall: 13/16 x 3/8 x 3/8 in. (2.1 x 1 x 1 cm), Glass, Colorless., Shaped like the knucklebone of a sheep or goat. Solid with

Ewer, 4th–5th century, Byzantine, Silver, Overall: 14 15/16 x 4 x 5 3/8 in. (38 x 10.1 x 13.7 cm), Metalwork-Silver, Household items such as this ewer combined function and elegance. This piece has an additional gently curved piece of silver,

Shoulder Band Fragment, 5th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 26 1/4 in. (66.7cm), Textiles

Dish (coppa), ca. 1535–40, Italian, Castel Durante and Gubbio, Maiolica (tin-glazed earthenware), Diameter: 10 5/8 in. (27cm), Ceramics-Pottery

Tile with Niche Design and Inscription, early 14th century, Made in Iran, Kashan, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, modeled decoration, H. 19 3/4 in. (50.4 cm), Ceramics-Tiles, Inscribed: 'He is God,

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 4 5/16 x 4 in. (11 x 10.1 cm), Ceramics

Eugène F.-M.-J. Devéria (1805–1865), painter, 1828–38, French, Bronze, Diameter: 5 1/16 in. (12.9 cm), Medals and Plaquettes, Pierre-Jean David d’Angers was the most prolific and one of the most important French sculptors of the first

Textile with Animals, Birds, and Flowers, late 12th–14th century, Eastern Central Asia, Silk embroidery on plain-weave silk, Overall: 14 5/8 x 14 7/8 in. (37.1 x 37.8 cm), Textiles-Embroidered, This textile demonstrates the longevity of

Bowl (part of a set), second quarter 18th century, German, Bayreuth, Earthenware, silver, 2 5/8 × 6 1/4 in. (6.7 × 15.9 cm), Ceramics-Pottery

Charles, Earl Cornwallis, March 15, 1781, Stipple engraving and etching, oval image: 3 1/4 x 2 1/2 in. (8.3 x 6.4 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Hugh Douglas Hamilton (Irish, Dublin

Cherub, second half 18th century, Italian, Naples, Polychromed wood, H. 6 in. (15.2 cm.), Crèche

Earring with chain pendants, Gold, Other: 15/16 x 1/8 x 1 5/16 in. (2.3 x 0.3 x 3.4 cm), Gold and Silver

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 14 in. (35.6 cm); L. of head 4 1/2 in. (11.4 cm); W. 3/4 in. (1.9 cm); Wt. 1.6 oz. (45.4 g), Archery Equipment-Arrowheads

Harness Pendant, 13th–early 15th century, possibly Spanish, Copper, gold, enamel, H. 2 3/4 in. (7 cm); W. 2 5/8 in. (6.7 cm); D.1/16 in. (0.2 cm), Miscellaneous-Badges

Ewer: Neptune and Amphitrite, ca. 1859–1907, probably German (Aachen) or French (Paris), Rock crystal, cut on the wheel, enameled gold., H. 18 cm, w. 16.5 cm, w. of foot 7.4 cm

唐 鑲嵌玉飾（五件）, Set of Five Plaques, Tang dynasty (618–907), early 8th century, China, Jade (nephrite) with bronze and turquoise, (a, b arc-shaped pendants): W. 5/8 in. (1.6 cm); Diam. 2 3/16 in. (5.5 cm), Jade, This

Plaque, 1789, Made in France, Gilt bronze, Diam. 1 1/4 in. (3.2 cm), Metal, Rambert Dumarest (French, 1760–1806

Bead ornaments, 10, Early Hellenistic, late 4th–3rd century B.C., Greek, South Italian, Gold, Diameter (average diameter ): 1/2 in. (1.2 cm), Gold and Silver

Final Study for the Monument to Balzac, modeled 1897, cast 1972, French, Bronze, Overall: 41 3/4 × 17 1/2 × 16 1/2 in. (106 × 44.5 × 41.9 cm), Sculpture-Bronze, Auguste Rodin (French, Paris 1840–1917 Meudon), This study differs little

Netsuke of Fukurokujin with Tall Head and Two Children Climbing on It, 19th century, Japan, Ivory, H. 2 1/4 in. (5.7 cm); W. 5/8 in. (1.6 cm); D. 1 in.(2.5 cm), Netsuke

Dharmapala Standing on a Lion, ca. 16th century, Tibet, Stone with traces of gold paint, inlaid with turquoise, H. 8 1/2 in. (21.6 cm); W. 5 3/4 in. (14.6 cm); D. 2 1/4 in. (5.7 cm); Wt. 6 lbs (2.7 kg), Sculpture, Dharmapalas, defenders of

The Nymph of Fontainebleau, Oil on wood, 26 x 47 3/4 in. (66 x 121.3 cm), Paintings, French (Fontainebleau) Painter (third quarter 16th century

Papyrus Fragment of a Letter from Victor to Psan, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Papyrus with ink, Overall: 3 1/8 x 7 1/16 in. (8 x 17.9 cm), Papyrus

Madonna and Child with Two Angels, ca. 1481–82, Tempera and gold on wood, 21 7/8 x 16 in. (55.6 x 40.6 cm), Paintings, Vittore Crivelli (Italian, Venice, active by 1465–died 1501/2 Fermo), This charming Madonna and Child employs some of

Manuscript Illumination with Tobit, Tobias, and the Archangel Raphael in an Initial O, from an Antiphonary, mid-14th century, Made in Bologna, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 7 1/16 x 6 5/16 in. (18 x 16 cm),

Plate from the 'Service Des Départements', Sèvres Manufactory (French, 1740–present), 1827, French, Sèvres, Hard-paste porcelain, Diameter: 9 1/4 in. (23.5 cm), Ceramics-Porcelain, Sèvres Manufactory (French, 1740–present), The

Standing Woman, Turned to the Left, ca. 1742–57, Pen and brown ink, brown wash, 7 11/16 x 5 9/16 in. (19.6 x 14.1 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Terracotta kylix (drinking cup), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, H. 4 7/8 in. (12.4 cm), Vases, Obverse, Poseidon, the god of the seas, among Greek warriors, Reverse, the stables of Poseidon. The subjects

Chess Piece in the Form of a Knight, ca. 1500, Netherlandish, Elephant ivory, Overall: 2 13/16 x 1 7/8 x 15/16 in. (7.2 x 4.8 x 2.4 cm), Ivories, The knight is represented as a falconer

The Royal Allied Oak and Self-Created Mushroom Kings, May 29, 1815, Hand-colored etching, sheet: 14 15/16 x 10 13/16 in. (38 x 27.4 cm), Prints, William Heath ('Paul Pry') (British, London 1795–1840 Hampstead), After J. Field (British,

Key, 15th century, German, Iron, Overall: 5 1/16 x 1 5/8 x 1/2 in. (12.9 x 4.2 x 1.2 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently

Paris Sketchbook, 1891–94, Conté crayon, pencil, and watercolor sketches, 6 3/4 x 4 1/2 in. (17.2 x 11.5 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New York), Of the 88 recorded

The Preaching of Saint John the Baptist, ca. 1601, Pen and brown ink, brush and blue and brown ink, blue and brown washes, heightened with white (partly oxidized), 9 13/16 x 15 3/4 in. (24.9 x 40 cm), Drawings, Gerrit Pietersz. Sweelink

The Children of Martin Anton Heckscher: Johann Gustav Wilhelm Moritz (1797–1865), Carl Martin Adolph (1796–1850), and Leopold (born 1792), 1805, Oil on canvas, 58 x 45 in. (147.3 x 114.3 cm), Paintings, Johann Heinrich Wilhelm Tischbein

Bead, Roman, Glass, Height: 1/4 x 1/4 in. (0.6 x 0.6 cm), Glass

Fragment of a Bowl, 9th–10th century, Excavated in Iran, Nishapur, Earthenware; white slip with black slip decoration under transparent glaze, H. 3 15/16 in. (10 cm), Ceramics

Table, ca. 1860, Probably made in New York, New York, United States, American, Walnut, marble, 30 1/2 x 30 1/2 x 44 in. (77.5 x 77.5 x 111.8 cm), Furniture, Although the maker of this table is unknown, it was probably produced in New York

Fragment, 14th–15th century, Attributed to Egypt, Earthenware; incised decoration through white slip and coloring under transparent glaze, Ceramics

Stem Vase with Incised and Painted Design, Middle period, 1000–300 B.C., Thailand (Ban Chiang culture), Earthenware with buff slip and red oxide decoration, H. 9 1/2 (24.1 cm); W. 6 7/8 in. (17.4 cm), Ceramics, This elegant stem cup was

Jacket, ca. 1785, French, silk, linen, Differentiated from the full-fledged Pierrot costume, the Pierrot as a shaped bodice flourished in that gasp of Rococo sensibility and extreme silhouette of about 1780 - 1790. The flared peplum extension

Osirid Figure of Iry, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Senenmut (TT 71), below, radim, 1935–36, Wood, paint, H. 18 cm (7 1/16 in.); W. 4.6 cm (1 13/16 in.);

Chamber candlestick, 1714–15, British, London, Silver, H. 2 1/4 x W. 5 1/4 in. (5.7 x 13.3 cm), Metalwork-Silver

Design for Cabriolet or Victoria, no. 4148, 1891, Pen and black ink, watercolor and gouache with gum arabic and metallic ink, sheet: 6 x 9 7/16 in. (15.2 x 24 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History

Console, 16th century, French, Oak, Overall: 15 1/2 x 24 1/2 in. (39.4 x 62.2 cm), Woodwork-Architectural

Christ, 15th–16th century, Italian, Wood, paint, Overall: 35 1/2 x 27 1/2 in. (90.2 x 69.9 cm), Sculpture-Wood

Autumn, from the series The Seasons, n.d., Engraving, Prints, Jan (Pietersz.) Saenredam (Netherlandish, Zaandam ca. 1565–1607 Assendelft), Designed by Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Club (skullcracker), 1870–75, United States, North Dakota or South Dakota, Central Plains Sioux, Stone, wood, rawhide, sinew, H. 26 1/2 x W. 5 in. (67.3 x 12.7 cm), Stone-Implements

Ring with inscription, 1st century B.C.–3rd century A.D., Roman, Gold, Diameter: 11/16 × 3/16 in. (1.7 × 0.6 cm), Gold and Silver

Glass beads, Late Imperial, 4th century A.D., Roman, Glass, Other: 3/4 in. (1.9 cm), Glass

Pin, Silver, Other: 2 5/16 × 7/8 in. (5.9 × 2.2 cm), Gold and Silver

Olearium, first half 16th century, Made in Eger, Bohemia, Bohemian, Silver, Overall: 7 1/8 x 3 7/16 in. (18.1 x 8.8 cm), Metalwork-Silver

Devotional Diptych with the Annunciation, the Virgin and Child, and the Crucifixion, 1400–1425, Made in Padua (?), Italy, Italian, Verre églomisé, wood, gesso, tempera, H. 3 11/16 in. (9.3 cm), Glass-Verre églomis

Medal of James Knox Polk, 1849, Bronze, Diam. 2 7/16 in. (6.2 cm), Metal, Franklin Peale (1795–1870

Mortar with Animal Frieze, 1603, German, Innsbruck, Bronze, Overall (confirmed): 7 1/4 × 7 7/8 × 6 3/4 in. (18.4 × 20 × 17.1 cm), Sculpture-Bronze, Caspar Gras (Austrian, Bad Mergentheim, near Würzburg 1585–1674 Schwaz, near

Fragment, 10th century, Attributed to Egypt, Linen, silk; plain weave, tapestry weave, Textile: L. 13 1/2 in. (34.3 cm), Textiles-Woven

Head of the Virgin, Tempera on wood, gold ground, 8 3/8 x 7 1/8 in. (21.3 x 18.1 cm), Paintings, Emmanuel Tzanès (Greek, active by 1636–died 1690), These exquisitely detailed images of the Virgin and Christ [] are by one of the greatest

'Rows of Animals Alternating with Cut-off Heads', Folio from a Manuscript, 11th–12th century, Found Egypt, Fustat, Opaque watercolor on paper, H. 3 3/4 in. (9.5 cm), Codices

Ichneumon on a base with small cats, inscribed beneath base, Late Period or Ptolemaic Period, 664–30 B.C., From Egypt, Cupreous metal, H. 2.9 cm (1 1/8 in.); W. 3.5 cm (1 3/8 in.); L. 12.3 cm (4 13/16 in.), The ichneumon is a rodent,

They Are Getting Drunk, 1796–97, Brush and gray wash (indian ink) on laid Netherlandish paper, 9-1/4 x 5-3/4 in. (23.5 x 14.6 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Glass Jar, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1323 B.C., From Egypt, Glass, H. 5.5 cm (2 3/16 in

Mirror, Goryeo dynasty (918–1392), Korea, Bronze, H. 5 1/4 in. (13.3 cm); W. 6 1/4 in. (15.9 cm), Mirrors

Earring, trumpet-shaped, 5th–3rd century B.C., Etruscan, Gold, Other (): 1 × 3/8 × 1 1/4 in. (2.6 × 1 × 3.2 cm), Gold and Silver

Abraham and Isaac before the Sacrifice, ca. 1644–45, Dutch, Pen and brush and brown ink., 6 1/8 x 5 11/16 in. (15.6 x 14.4 cm), Drawings, School of Rembrandt van Rijn (Dutch, 1606–1669

Canoe, 16th–17th century, United States, California, Chumash, Stone, shell inlay, H. 1 7/8 x W. 5 in. (4.8 x 12.7 cm), Stone-Sculpture

Ivory Panel with Saint Peter, 5th–6th century, Frankish, Ivory, Overall: 11 1/2 x 4 1/2 x 3/16 in. (29.2 x 11.4 x 0.5 cm), Ivories, Saint Peter appears with his symbol, the keys to heaven

Penannular Earring, New Kingdom, Dynasty 18, ca. 1550–1295 B.C., From Egypt; Probably from Northern Upper Egypt, Deir el-Ballas, Shell, Diam. 1.2 cm (1/2 in

Vase, ca. 1900, Made in Queens, New York, New York, United States, American, Free-blown Favrile glass, H. 22 in. (55.9 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902), This large-scale, baluster-shaped, golden

Relief from casket, Roman, Ivory, Other: 5 11/16 x 2 5/16 x 1/8 in. (14.4 x 5.9 x 0.3 cm), Relief from a casket with Eros walking to left; below, a basket of fruit

Vase in the Shape of Mother Monkey with Her Young, Old Kingdom, Dynasty 6, ca. 2255–2246 B.C., From Egypt, Travertine (Egyptian alabaster), paint, resin and pigment, h. 18.6 cm (7 5/16 in); w. 6.5 cm (2 9/16 in); d. 7.6 cm (3 in),

Three Figures Walking, ca. 1902–4, Black chalk, 6 5/8 x 4 5/16 in. (16.8 x 11 cm), Drawings, George Luks (American, Williamsport, Pennsylvania 1866–1933 New York

Illustrated Single Work, 16th century or later, Attributed to Egypt, Ink and opaque watercolor on paper, H. 1 3/4 in. (4.5 cm), Codices

Drawing of a Ramesside King and Two Standing Figures, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Davis excavations, before 1913, Limestone, ink, 26 x 22.5 x 3.5 cm