Images at Librifly

Tumi with Figure, 2nd–7th century, Peru, Moche, Copper (cast), Height 6-7/8 in. (17.5 cm), Metal-Implements

Neith Amulet, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Lapis lazuli, H. 3.2 × W. 1 cm (1 1/4 × 3/8 in

Inlay with stripes, Ptolemaic Period–Roman Period, 200 BC–100 AD, From Egypt, Glass, H. 1.5 × W. 3.5 cm (9/16 × 1 3/8 in.), A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by

Floor Lamp, 1904–15, Made in New York, New York, United States, American, Leaded glass and bronze, H. 63 in. (160 cm); Diam. 22 in. (55.9 cm), Glass, Tiffany Studios (1902–32), Tiffany's love of nature can be seen in many of his

Nymphs Suprised, ca. 1640, Brush and brown and gray ink, brown and gray washes over red chalk and traces of black chalk, some blue chalk., 7 15/16 x 10 11/16 in. (20.2 x 27.2 cm), Drawings, School of Jacob Jordaens (Flemish, Antwerp

Millefiori bead, Roman, Glass, Other: 1/2 x 5/16 in. (1.2 x 0.8 cm), Glass

Modern Furniture. Original and Select, ca. 1820, Lithography, 13 7/8 x 9 13/16 x 1 3/4 in. (35.2 x 25 x 4.5 cm), Books

Token of James Monroe, ca. 1876, Bronze, Diam. 1 3/8 in. (3.5 cm), Metal

Trencher (one of a set), late 16th–early 17th century, British, Oak and sycamore woods, painted, silvered and yellow varnished; inscription: ink (animal or vegetable), Diameter: 5 in. (12.7 cm), Natural Substances, Banquets usually ended

Door handle, early 16th century, German, Iron, Overall (as if installed): 2 x 1 7/8 x 1/2 in. (5.1 x 4.7 x 1.2 cm), Metalwork-Iron

Wine cooler (one of a pair), ca. 1735–36, Chinese with German (Augsburg) mounts, Hard-paste porcelain; silver, Height: 8 in. (20.3 cm); Diameter: 8 1/4 in. (21 cm), Metalwork-Silver In Combination, These wine coolers were produced in China

Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, ca. 1180, Spanish,

[Mussucks for Crossing the Beas River Below Bajoura], 1866, Albumen silver print from glass negative, 23.7 x 29.8 cm. (9 5/16 x 11 3/4 in.), Photographs, Samuel Bourne (British, 1834–1912

Madonna and Child Enthroned, Tempera on wood, gold ground, 32 3/4 x 21 7/8 in. (83.2 x 55.6 cm), Paintings, Italian (Florentine) Painter (fourth quarter 13th century

Fragment, 5th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 6 1/4 in. (15.9 cm), Textiles-Woven

Capital, 12th century, Spanish, Stone, Overall: 14 5/8 x 10 1/4 x 10 in. (37.2 x 26 x 25.4 cm), Sculpture-Stone

Nude with Flowering Branch, 1863, Oil on canvas, 29 1/2 x 24 in. (74.9 x 61 cm), Paintings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz

Pair of Flintlock Pistols, hallmarked for 1800–1801, London, British, London, Steel, wood (walnut), silver, gold, L. of each pistol 16 in. (40.6 cm); L. of each barrel 10 1/8 in. (25.7 cm); Cal. of each pistol in. (15.3 mm), Firearms,

Horse bit with attached cheekpieces, Iron Age III, ca. 8th–7th century B.C., Iran, Iran, Iron, 8.11 x 6.77 in. (20.6 x 17.2 cm), Metalwork-Equestrian

Jizō Bosatsu, 地蔵菩薩像, Kamakura period (1185–1333), late 12th–mid-13th century, Japan, Wood with lacquer, gold leaf, cutout gold foil decoration, and color, Figure with base: H. 71 1/2 in. (181.6 cm); W. 28 1/2 in. (72.4 cm); D.

Bracelet with red glass paste, Late Imperial, 3rd century A.D. ?, Roman, Silver, glass paste, Other: 2 1/16 × 2 3/16 × 3/16 in. (5.2 × 5.5 × 0.6 cm), Gold and Silver

The Madonna of Humility, the Annunciation, the Nativity, and the Pietà, ca. 1465, Tempera and gold on wood, Central panel, overall 23 x 18 in. (58.4 x 45.7 cm); left panel, overall 22 3/8 x 9 1/2 in. (56.8 x 24.1 cm); right panel, overall

Glass eye bead, Late Classical or Early Hellenistic, 4th–3rd century B.C., Phoenician or Carthaginian, Glass; rod-formed and applied, Height: 7/8 in. (2.2 cm), Glass, Dark blue, with opaque yellow and white., Cylindrical, with rounded

Ground Floor Plan, Charlton House, Wiltshire, before 1772, Pen and wash, sheet: 17 1/8 x 11 in. (43.5 x 28 cm

Knife Handle (Kozuka), 18th century, Japanese, Copper-silver alloy (shibuichi), gold, silver, copper-gold alloy (shakudō), copper, L. 3 13/16 in. (9.7 cm); W. 9/16 in. (1.4 cm); thickness 5/16 in. (0.8 cm); Wt. 1.2 oz. (34 g), Sword

Pair of Ear Flares, 11th–13th century, Peru, Lambayeque (Sicán), Gold, Diam. 3 1/2 in. (6.1 cm), Metal-Ornaments

Fragment of a terracotta kylix (drinking cup), Archaic or Classical, late 6th or early 5th century B.C., Greek, Attic, Terracotta; red-figure, Other: 1 x 1 5/8 x 15/16 in. (2.5 x 4.2 x 2.4 cm), Vases

Lidded Box, 1820s–30s, Canada, New Brunswick or Nova Scotia, Micmac, Birchbark, wood, spruce root, porcupine quill, Box: H. 2 1/4 x Diam. 3 3/4 in. (5.7 x 9.5 cm), Basketry-Containers

Bird Pendant, 1st century B.C.–A.D. 1st century, Costa Rica, Guanacaste-Nicoya, Jade (jadeite), H. 1 5/8 x W. 7/8 x D. 1 5/8 in. (4.1 x 2.2 x 4.2 cm), Stone-Ornaments, The jade pendants and other ornaments made in the Central American region

Ornamental Disk, 12th–15th century, Peru, Chimú, Gold, Diam. 5 3/8 in. (1.3 cm), Metal-Ornaments, During the Sican (Lambayeque) and subsequent Chimu era on Peru's northern coast, the use of precious metals in ostentatious ornaments for the

Copper Animal Plaque, 3rd century B.C.–A.D. 2nd century, Peru, Vicús, Copper (hammered), Height 5-1/2 in. (14 cm), Metal-Ornaments

The Dormition of the Virgin, Tempera on wood, 13 1/4 x 11 1/2 in. (33.7 x 29.2 cm), Paintings, Russian Painter (15th/16th century

Fragment of a marble relief from a funerary monument, Classical, ca. 390 B.C., Greek, Attic, Marble, Pentelic, H. 22 1/2 in. (57.2 cm), Stone Sculpture, It has been suggested that this relief once decorated a state funerary monument erected

Pin or Stylus, 5th–8th century, From Palestine, Sbaita, Bone, H. 4 3/16 in. (10.6 cm), Ivories and Bone

Inlay fragment, rosette, Ptolemaic Period–Roman Period, 200 BC–100 AD, From Egypt, Glass, H. 1 × W. 2.1 cm (3/8 × 13/16 in.), A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made

Dish with Diana and the stag, Follower of Bernard Palissy (French, Agen, Lot-et-Garonne 1510–1590 Paris), 17th century or later, French, Lead-glazed earthenware, Overall: 2 1/2 × 19 3/4 in. (6.4 × 50.2 cm), Ceramics-Pottery, Follower of

Livre de Moresques, page 10 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), This book of moresques reproduces designs by the Italian artist Francesco

Mother Goddess (Matrika), Post-Gupta period, mid- 6th century, India (Rajasthan, Tanesara), Gray schist, H. 24 1/2 in. (62.2 cm); W. 9 in. (22.9 cm); D. 4 1/2 in. (11.4 cm), Sculpture, This figure is one of a group of seven mother goddesses

Earring with nail head pendant, 12, Cypriot, Gold, Other: 1/2 x 3/8 x 1 1/8 in. (1.3 x 1 x 2.9 cm), Gold and Silver

Hairpin, 200–500, Roman, Copper alloy, Overall: 3 1/16 x 1/4 x 1/8 in. (7.7 x 0.7 x 0.3 cm), Metalwork-Copper alloy

Tai Kyokuden Temple in Kyoto; Built in 1895, Meiji period (1868–1912), ca. 1895–1900, Japan, Hanging scroll; color on silk, Image: 27 7/8 × 27 3/4 in. (70.8 × 70.5 cm), Paintings

Pickle dish, ca. 1838–48, British, Hanley, Staffordshire, Lead glazed white pottery, Length: 8 3/8 in. (21.3 cm), Ceramics-Pottery

Bead ornaments, rosette-shaped, 4th–3rd century B.C., Greek, Gold, Diameter (average): 5/16 × 1/8 in. (0.8 × 0.2 cm), Gold and Silver

Box, inscribed, Cypriot, Stone, H.: 1 1/2 x 2 1/8 x 1/2 in. (3.8 x 5.4 x 1.3 cm), Cesnola Inscriptions, Fragment of an inscribed box; dedicated to the Lady of Paphos

Flora, 1764, French, Paris, Red terracotta, buff colored wash over grey paint, Height: 23 in. (58.4 cm), Sculpture, Louis Claude Vassé (French, Paris 1716–1772 Paris), Other versions in terracotta exist; in 1765 Vassé adapted the figure

'The Great Abu Sa'ud Teaching Law', Folio from a Divan of Mahmud `Abd-al Baqi, mid-16th century, Attributed to Iraq, Baghdad, Ink, opaque watercolor, and gold on paper, H. 10 1/4 in. (26 cm), Codices, Mahmud 'Abd al-Baqi (1526/27–1600)

Profile Warrior Ornament, 390–450, Peru, Moche (Loma Negra), Silvered copper, Height 9-7/8 in. (25 cm), Metal-Ornaments

La Grenouillère, 1869, Oil on canvas, 29 3/8 x 39 1/4 in. (74.6 x 99.7 cm), Paintings, Claude Monet (French, Paris 1840–1926 Giverny), During the summer of 1869, Monet and Renoir set up their easels at La Grenouillère, a boating and

Cuneiform tablet: fragment of an account record (?), Neo-Babylonian, ca. 604–562 B.C., Mesopotamia, Babylonian, Clay, 2.6 x 4 x 2.3 cm (1 x 1 5/8 x 7/8 in.), Clay-Tablets-Inscribed

Fragment of a Frieze, 6th–7th century, Found Egypt, Thebes, Limestone, H. 7 1/8 in. (18.1cm), Sculpture

Pendant with Charity and Her Children, late 16th–early 17th century, probably German, Augsburg, Gold, partly enameled and set with diamonds, rubies, and an emerald and with pendant pearls, Height: 5 1/16 in. (12.9 cm), Metalwork-Gold and

Medallion, 17th century (in the Byzantine style), European, Boxwood, Overall: 1 15/16 x 3/16 in. (5 x 0.4 cm), Sculpture-Miniature-Wood

Hexagonal table, 19th century (?), Italian, Walnut, carved; partially gilded., H. 82 cm, W. 120.5 cm, D. 141.8 cm, Woodwork-Furniture

Christ and the Woman of Samaria, late 16th or early 17th century, Painted enamel on copper, partly gilt, H. 9.4 cm, diam. 24.8 cm, Enamels, Suzanne de Court (French, active 1575–1625

Study of a Jaguar, 1874–1910, Pastel, sheet: 11 5/16 x 7 3/8 in. (28.7 x 18.7 cm), Drawings, John Macallan Swan (Scottish, Old Brentford 1847–1910 Isle of Wight), After studying at the Royal Academy Schools, entered the Paris studio of

Badge, ca. 1400, Spanish, Copper, gold, enamel, H. 2 1/4 in. (5.7 cm); W. 2 in. (5.1 cm); Wt. 0.5 oz. (14.2 g), Miscellaneous-Badges

Nursing woman, Old Kingdom, Dynasty 5, ca. 2420–2389 B.C. or later, From Egypt; Probably from Memphite Region, Giza, Tomb of Nikauinpu, Limestone, paint traces, h. 10.5 cm (4 1/8 in), This woman sits on the ground with one knee raised.

Paten, 5th–6th century, Byzantine, Silver, partial gilt, Overall: 9 1/8 x 2 1/16 in. (23.2 x 5.3 cm), Metalwork-Silver, Patens and chalices were the essential containers for the bread and wine of the Divine Liturgy (Eucharist) in Byzantium.

Nude Reclining on Curtained Bed [Emma Hamilton (?)], November 1, 1797, Aquatint with watercolor, plate: 12 7/8 x 15 13/16 in. (32.7 x 40.2 cm), Prints, Attributed to Adam Buck (Irish, Cork 1759–1833 London

금제 귀걸이 삼국, 金製耳飾 三國, Earring (One of a Pair), Three Kingdoms period, Gaya federation (42–562), end of 5th century, Korea, Gold, H. 4 1/8 in. (10.5 cm); W. 1 1/4 in. (3.2 cm); D. 1/2 in. (1.3 cm), Jewelry, Gold

Papyrus Fragments of a Letter, 7th century, Made in Thebes, Byzantine Egypt, Coptic, Papyrus with ink, Framed: 1 15/16 x 7 5/16 in. (5 x 18.6 cm), Papyrus

Vase fragment, Roman, Gaul, Terracotta, 2 1/8 × 2 5/8 × 1/4 in. (5.3 × 6.6 × 0.6 cm), Vases, Part of a human figure

Carpet, 17th century, Attributed to Iran, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, L. 78.5 in. (199.4 cm), Textiles-Rugs

Fragment of a Closed Vessel, probably 7th–9th century, Found/excavated Iraq, Ctesiphon, Earthenware; glazed and applied , Ceramics, This ceramic fragment was excavated in Ctesiphon, the Sasanian metropolis and administrative capital

Terracotta lentoid flask, Late Cypriot, ca. 1600–1050 B.C., Cypriot, Terracotta, H. 10 5/16 in. (26.2 cm), Vases, A sign that may be in the undeciphered Cypro-Minoan script was engraved near the base of the handle before firing. There is

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 3 11/16 x 4 in. (9.3 x 10.1 cm), Ceramics

Horus Amulet, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Lapis lazuli, H. 2.5 × W. 1.3 cm (1 × 1/2 in

Rabbits, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 11 1/4 in. (36.2 x 28.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Saints John the Baptist and Matthew, possibly 1433, Tempera on wood, gold ground, 48 5/8 x 29 in. (123.5 x 73.7 cm), Paintings, Bicci di Lorenzo (Italian, Florence 1373–1452 Florence

Gorget for the Bodyguard of Louis XIII, ca. 1610-17, French, Steel, gold, H. 8 5/8 in. (21.9 cm); W. 12 in. (30.5 cm); D. 10 5/8 in. (27 cm); Wt. 2 lb. 13.5 oz. (1289.9 g), Armor Parts-Colletins

Terracotta head of a man, Cypro-Archaic II, ca. 600 B.C., Cypriot, Terracotta; mold-made, H. 6 7/8 in. (17.5 cm), Terracottas, The beardless man is shown wearing a band around his forehead and earrings. The head was made in a mold but

Papyri Fragments of a Letter to Pesenthius, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Framed: 4 3/16 x 6 1/8 in. (10.6 x 15.6 cm), Papyrus

The Horse Fair, 1852–55, Oil on canvas, 96 1/4 x 199 1/2 in. (244.5 x 506.7 cm), Paintings, Rosa Bonheur (French, Bordeaux 1822–1899 Thomery), This, Bonheur’s best-known painting, shows the horse market held in Paris on the tree-lined

Standing man in velvet suit, late 18th–early 19th century, Italian, Naples, Polychromed terracotta head; wooden limbs; body of wire wrapped in tow; various fabrics including velvet, H. 9 1/4 in. (23.5 cm.), Crèche

Dolphin amulet, Ptolemaic or Roman Period, 200 BC–200 AD, From Egypt, Chalcedony, h. 1.5 cm (9/16 in.), This is one of a small group of animals carved in semiprecious stones from the Davis Collection that share share a general liveliness and

Ceramic Vessel in the Form of a Seated Man, 6th–13th century, Ecuador, Rio Napo, Rio Napo, Ceramic, H. 13 11/32 in., Ceramics-Containers

Lamp, concave top, 1st century B.C.–1st century A.D., Cypriot, Terracotta, length 3 1/2 in. (8.9 cm.); H. 1 in. (2.5 cm), Terracottas

Four Seasons (Autumn), 1753–55, British, Chelsea, Soft-paste porcelain, 5 1/4 × 2 3/4 in. (13.3 × 7 cm), Ceramics-Porcelain

Pair of bénitiers, 18th century, Spanish, Valencia, Tin-glazed earthenware, Height (.7): 10 1/2 in. (26.7 cm), Ceramics-Pottery

Standing warrior, Early Bronze Age, ca. late 3rd millennium B.C., Syria-Levant, Copper, H. 41 cm, Metalwork-Sculpture, Standing with arms bent and extended, this figure has distinctive elongated proportions, a pointed head with long braided

Badge (probably from Horse Harness), ca. 1400, Spanish, Copper, H. 3 1/4 in. (8.3 cm); W. 2 3/4 in. (7 cm); Wt. 1.5 oz. (42.5 g), Miscellaneous-Badges

Key, 15th century, German, Iron, Overall: 2 3/4 x 1 1/4 x 3/8 in. (7 x 3.2 x 0.9 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn

Medal, 1869, Silver or white-metal, Diam. 1 1/2 in. (3.8 cm), Metal, William H. Key (active 1864–92

[Puente del Diablo, Martorell], ca. 1856, Albumen silver print from glass negative, Image: 28.4 x 41.5 cm. (11 3/16 x 16 5/16 in.), Photographs, Charles Clifford (Welsh, 1819–1863

Medallion, 1833, Made in France, Bronze, Diam. 1 5/8 in. (4.1 cm), Metal, Jean-Jacques Barre (French, Paris 1793–1855 Paris

Crozier Head, ca. 1350, Made in France, French, Ivory, Overall: 5 13/16 x 3 1/8 x 1 1/2 in. (14.8 x 8 x 3.8 cm), Ivories, This head of a bishop's staff bears two iconic images: on one side, a Crucifixion with the Virgin and Saint John the

Man with bagpipes, 18th century, Italian, Naples, Polychromed terracotta and wood; straw, cloth, metal and leather, H. 15 11/16 in. (39.8 cm), Crèche

Virgin & Child with Donor, ca. 1510, Made in Cologne, Germany, German, Glass, vitreous paint and silver stain, Overall: 9 3/4 x 1/16 in. (24.8 x 0.2 cm), Glass-Stained

Mace Head, 15th–16th century, Ecuador, Inca, Silver (cast), Diameter 3-15/16 in. (10 cm), Metal-Implements

The Attarouthi Treasure - Chalice, 500–650, Made in Attarouthi, Syria, Byzantine, Silver and gilded silver, Overall: 9 9/16 x 6 5/8 in. (24.3 x 16.8 cm), Metalwork-Silver, With a youthful Christ with a cruciform halo, a deacon saint with

Vase (vase chinois) (one of a pair), 1791, French, Sèvres, Hard-paste porcelain, gilt bronze, Overall (confirmed): H. 15-5/8 x W. 5-13/16 x D. 5-5/8 in. (39.7 x 14.8 x 14.3 cm), Ceramics-Porcelain, Fashions changed quickly in France during

Fragment, late 17th century, Attributed to Turkey, Silk, metallic thread, Textile: L. 26 in. (66 cm), Textiles-Woven

Plaque with the Crucifixion, ca. 1060–70, Made in Amalfi, Italy, South Italian, Ivory, Overall: 5 1/16 x 3 3/8 x 3/8 in. (12.9 x 8.6 x 1 cm), Ivories, This plaque probably served as the central panel of a triptych icon

Wessex Penny, 861–866, British, Silver, Overall: 13/16 x 1/16 in. (2.1 x 0.1 cm), Coins

Pendant, vase, 4th–5th century, Egyptian possibly, Glass, 1 3/16 × 9/16 × 7/16 in. (3 × 1.5 × 1.1 cm), Glass

Cassetta-type frame, early 16th century, Veronese, Poplar. Carved, gilt; deep brown-orange bole, coarse blue color in background., Overall, 95 x 77 cm; sight, 41 x 37 cm; rebate, 45 x 39.7 cm., Frames

Saint Mark the Evangelist and Saint Sinibaldus Venerated by Members of a Lay Confraternity, ca. 1425–34, Tempera and gold on parchment, 11 7/16 x 8 5/16 in. (29 x 21.1cm), Manuscripts and Illuminations, Cristoforo Cortese (Italian, Venice,

Escutcheon plate, 15th century, German, Iron, Overall: 3 1/8 x 3 1/4 x 1/4 in. (8 x 8.3 x 0.7 cm), Metalwork-Iron

Silver tetradrachm of Demetrios Poliorketes, Hellenistic, 300–294 BC, Silver, Diameter: 1 × 1/8 in., 0.6oz. (2.6 × 0.3 cm, 16.68g), Coins, Nike with trumpet on ship's prow/Poseidon with his trident. Salamis, Cyprus. Mint of Salamis.

Fragment of a Bowl, 13th–16th century, Attributed to Syria, Stonepaste; painted under transparent glaze, Ceramics