Images at Librifly

Cup and Cover, early 20th century (original dated ca. 1480), British, Silver gilt, Overall: 14 1/16 x 5 3/4 in. (35.7 x 14.6 cm), Reproductions-Metalwork

Fragment, 5th–6th century, Attributed to Egypt, Wool, linen (?); plain weave, tapestry weave, 7 7/8 in. high 4 5/16 in. wide (20 cm high 11 cm wide), Textiles

Standing statue of Kaemsenu (?), Old Kingdom, Dynasty 5, ca, 2381–2353 B.C., From Egypt, Memphite Region, Saqqara, Teti Pyramid Cemetery, NW, Kaemsenu tomb probably, Firth, Egyptian Antiquities Service, Wood, gesso, paint, 46 7/16

Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer, probably 1577, Oil on canvas, 38 1/4 x 78 in. (97.2 x 198.1 cm), Paintings, Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1519–1594 Venice), This unfinished sketch records

Tarquin and Lucretia, 1571, Engraving; first state, sheet: 14 5/8 x 10 9/16 in. (37.2 x 26.8 cm), Prints, Engraved by Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), After Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca.

August from a set of the Twelve Months, ca. 1525–28, Flemish, Brussels, Wool, silk (20 warps per inch, 8 per cm.), H. 188 x W. 167 inches (477.5 x 424.2 cm), Textiles-Tapestries, Like the Ages of Man tapestries, the subject of this

Container, Mythic Figures, 6th–9th century, Peru, Wari, Ceramic, H. 6 1/4 x W. 6 1/2 x D. 7 3/8 in. (15.9 x 16.5 x 18.8 cm), Ceramics-Containers

Saint Thomas, ca. 1500, North Netherlandish, Oak with traces of polychromy and gilding, Overall: 25 3/8 x 8 1/2 x 5 1/4in. (64.5 x 21.6 x 13.3cm), Sculpture-Wood

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 11 in. (27.9 cm); L. of head 3 1/2 in. (8.9 cm); W. 3/4 in. (1.9 cm); Wt. 1.8 oz. (51 g), Archery Equipment-Arrowheads

Badge (probably Mounting from Horse Harness), 14th century, possibly Spanish, Copper, gold, L. 2 1/8 in. (5.4 cm); W. 1 3/4 in. (4.4 cm); Wt. 0.5 oz. (14.2 g), Miscellaneous-Badges

Inlay tablet from lid of box containing papyrus, New Kingdom, Dynasty 18, ca. 1400–1390 B.C., From Egypt, Faience, H. 8.3 cm (3 1/4 in.); W. 16 cm (6 5/16 cm.); Th. 1.3 cm (5 3/16 in

Foot covering from a mummy, with scorpions on soles, Ptolemaic Period–Roman Period, late 3rd century BC–1st century AD, From Egypt, Wood, gesso, paint, H. 11.5 cm (4 1/2 in.); W. 11.1 cm (4 3/8 in.); D. 13.6 cm (5 3/8 in.), This is the

Aedes Barberinae, ca. 1650, mid-18th century, French, Paper, ink; red Morocco binding, gold tooled, H. 19 1/4 x W. 15 3/8 in. (48.9 x 39.1 cm), Books and book bindings, Teti, Count Girolamo (Italian

Applique in the shape of a lion's head, Achaemenid, ca. 6th–4th century B.C., Iran, Achaemenid, Gold, H. 1 7/8 x W. 2 1/4 in. (4.8 x 5.7 cm), Metalwork-Ornaments

The Parable of the Mote and the Beam, ca. 1619, Oil on wood, 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm), Paintings, Domenico Fetti (Italian, Rome (?) 1591/92–1623 Venice), Trained in Rome under the Florentine Lodovico Cigoli, Fetti evolved a

Awl, Ivory, Diameter: 3/16 x 4 3/4 in. (0.4 x 12.1 cm

Amber disk with a nereid riding a triton, Imperial, ca. 1st–early 2nd century A.D., Roman, Amber, Diam.: 2 3/4 in. (7 cm), Miscellaneous-Amber, Valued for its rarity and richness, amber was an increasingly favored precious material from the

Onyx Bowl, before 16th century, Mexico, Mesoamerica, Mexican, Onyx marble (tecalli), Height 4-5/8 in., Stone-Containers

Plaque from a Reliquary Shrine, ca. 1150–1200, Made in probably Cologne, Germany, German, Champlevé enamel, copper alloy, gilt, Overall: 2 1/2 x 6 3/4 x 1/8 in. (6.4 x 17.2 x 0.3 cm), Enamels-Champlev

Gold necklace with pendants of amphora and beads, ca. 1840–70, Italian or British, Gold, Other: 6 1/8 in. (15.6 cm), Gold and Silver, Classical jewelry enjoyed great popularity in modern times and inspired the production of pieces that ranged

Osirid Figure of Ahhotep, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Senenmut (TT 71), below, radim, 1935–36, Wood, paint, H. 17.5 cm (6 7/8 in.); W. 1.8 cm (11/16

Fragment of a Tunic, 4th–5th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 14 3/4 in. (37.5 cm), Textiles

Medallion with a Queen Holding a Scepter and Falcon, ca. 1240–60, Made in Limoges, France, French, Copper: engraved and gilt; champlevé enamel: medium and light blue and white, Overall: 3 1/2 x 1/16 in. (8.9 x 0.2 cm), Enamels-Champlev

Chair, ca. 1830, Austrian, Walnut veneer on walnut (?), Overall (confirmed): 36 1/2 × 17 11/16 × 17 in. (92.7 × 44.9 × 43.2 cm), Woodwork-Furniture

The Drinkers, by 1861, Oil on wood, 14 3/8 x 11 in. (36.5 x 27.9 cm), Paintings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois), This painting, which was first exhibited in Paris in 1861, bears a resemblance to an illustration

Silhouette Portrait of John Randolph, 1844, Lithograph with tint stone, Image: 13 3/16 × 9 3/4 in. (33.5 × 24.7 cm), Prints, William Henry Brown (American, Charleston, South Carolina 1808–1883 Charleston, South Carolina

Lock, 14th century, French, Iron, Overall: 5 x 3 15/16 x 2 5/8 in. (12.7 x 10 x 6.7 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently

Santa Maria della Salute, mid- to late 1760s, Oil on canvas, 21 x 33 3/4 in. (53.3 x 85.7 cm), Paintings, Francesco Guardi (Italian, Venice 1712–1793 Venice), One of the most famous sites in Venice, Baldassarre Longhena's church of Santa

Allegory of Taste (Portrait of the Painter Jan Davidsz. de Heem, after a self-portrait), 1615–75, Engraving; between first and second state as described in Hollstein (without 'ex' after Vorstermans), sheet: 10 1/2 x 7 11/16 in. (26.7 x 19.6

宋 緙絲飛鳥走獸紋包首, Scroll Cover with Animals, Birds, and Flowers, Song dynasty (960–1279), 11th–12th century, China, Silk tapestry (kesi), Overall: 14 1/4 x 12 1/2in. (36.2 x 31.8cm), Textiles-Tapestries, A classic example

Candlestick, 19th century (?), in 17th century Flemish or German style, European, Copper alloy of reddish tone., H. 50 cm. (excluding pricket)., Metalwork, This candlestick is one of pair. The coarse casts with deliberate damages suggest a

Cast Copper Figure on Standing on Crescent, 16th–17th century (?), Peru, Peruvian, Copper (cast), H x W: 3 x 1 1/2in. (7.6 x 3.8cm), Metal-Ornaments

Medallion, 13th century (before 1227), Made in Limoges, France, French, Copper, champlevé enamel, Overall: 3 3/8 x 5/16 in. (8.5 x 0.8 cm), Enamels-Champlevé, These medallions probably come from a large traveling chest that belonged to

Two Buffware Bowls and a Fragment of a Footed Buffware Dish, late 8th–first half 9th century, Excavated in Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), Diam. 8 3/16 in. (20.8 cm), Ceramics

Plaque (one of a pair), ca. 1755, Spanish, Alcora, White enameled earthenware, Overall: 9 7/8 × 6 3/8 × 5/8 in. (25.1 × 16.2 × 1.6 cm), Ceramics-Pottery

Rectangular Plaque, 500–700, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 1/16 x 3/4 x 3/8 in. (2.7 x 1.9 x 0.9 cm), Metalwork-Copper alloy

First Merchant's Exchange, New York (plan of main floor), probably 1826, Black and red ink, gray, orange and pink wash, over graphite, sheet: 11 1/4 x 8 15/16 in. (28.6 x 22.7 cm), Alexander Jackson Davis (American, New York 1803–1892 West

Bottle, Qing dynasty (1644–1911), Yongzheng period (1723–35), China, Porcelain with red glaze, H. 9 1/4 in. (23.5 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics

Cup Cover, 15th century, German, Silver-gilt, Overall: 1 9/16 x 3 11/16 in. (4 x 9.3 cm), Metalwork-Silver

Key, 3rd–5th century, Made in Gaul, Late Roman, Iron or copper alloy, Overall: 3 5/8 x 1 5/16 x 3/8 in. (9.2 x 3.4 x 0.9 cm), Metalwork-Iron

Sword-Hilt Collar and Pommel (Fuchigashira), mid-19th century, Japanese, Copper-gold alloy (shakudō), gold, silver, Fuchi (a); H. 1 1/2 in. (3.8 cm); Wt. 0.7 oz. (19.8 g); kashira (b); H. 1 3/8 in. (3.5 cm); Wt. 0.4 oz. (11.3 g), Sword

Scarab with the name Aakheperkare (Thutmose I), New Kingdom, 18, ca. 1504–1492 B.C., From Egypt, faience, L. 1.3 cm (1/2 in

Fragment, dated A.H. 308/A.D. 920–21, Attributed to Iraq, Linen; plain weave, embroidered in silk, H. 7 1/2 in. (19.1 cm), Textiles-Embroidered

North German City, 1930, Gouache and watercolor on gesso on paper mounted on cardboard, 19 in. × 18 3/8 in. (48.3 × 46.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Badge with Hood of Saint Dorothy, 15th century, British, Tin/lead alloy, Overall: 1 1/16 x 3/4 x 1/4 in. (2.7 x 1.9 x 0.6 cm), Metalwork-Tin/lead alloy

Standing Buddha, 7th–8th century, Indonesia (Kalimantan), Bronze, H. 10 1/2 in. (26.7 cm); W. 3 /14 in. (8.3 cm); D. 2 1/4 in. (5.7 cm), Sculpture

Border, last third 16th century, Flemish, Wool and linen, with highlights in silk, in tapestry weave, Height 127 9/16 in. (324cm); top border width: 19 5/16 in. (49cm); side width: 18 5/16 in. (46.5cm), Textiles-Tapestries

Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Gold, copper-gold alloy (shakudō), copper, L. of each 1 1/2 in. (3.8 cm); Wt. of each 0.2 oz. (5.7 g), Sword Furniture-Menuki

Papyrus Fragments of a Letter from John and Pesenthius to Epiphanius, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Papyrus with ink, Framed: 4 11/16 x 10 7/8 in. (11.9 x 27.7 cm), Papyrus

Bottle, 17th century, Attributed to Iran, probably Mashhad, Earthenware; glazed, H. 11 1/2 in. (29.2 cm), Ceramics

Armlet, 5th century B.C., Celtic, Copper alloy, Overall: 3 3/16 x 2 1/2 x 1/4 in. (8.1 x 6.4 x 0.7 cm), Metalwork-Bronze

Crescent Ornament, 390–450, Peru, Moche (Loma Negra), Silvered copper, H. 2 7/16 x W. 3 in. (6.3 x 7.6 cm), Metal-Ornaments

Ostrakon from the Brethren (?) to John, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 4 7/16 × 3 3/8 × 1/2 in. (11.2 × 8.5 × 1.2 cm), Ceramics, Ostraca Ostraca are texts written on broken

Stone Temple Model, 1st–8th century, Mexico, Mesoamerica, Guerrero, Balsas River region, Mezcala, Stone, H. 6 1/8 x W. 4 in. (15.6 x 10.2 cm), Stone-Sculpture

Panel with the Virgin and Gabriel Annunciate, 15th century, Made in Cologne, Germany, German, Silk on linen (?), Overall: 12 5/16 × 7 5/8 in. (31.2 × 19.3 cm), Textiles-Embroidered

Earflare, before 16th century, Mexico, Mesoamerica, Guerrero, Balsas River region, Mexican, Stone, Diameter 4-1/4 in., Stone-Ornaments

Terracotta lamp with gladiatorial equipment, Early Imperial, ca. A.D. 40–80, Roman, Cypriot, Terracotta; mold-made, 15/16 x 3 1/2 in. (2.4 x 8.9 cm), Terracottas, On discus, frieze comprising two shields at bottom behind nozzle, two

Ring, Etruscan, Gold, Diameter: 13/16 × 3/16 in. (2.1 × 0.4 cm), Gold and Silver, Open ring of woven gold, ornamented with granules

Hussar, ca. 1740–45, French, Villeroy, Soft-paste porcelain, Height: 5 in. (12.7 cm), Ceramics-Porcelain

Seventy-Five Hammered Silver Plaques, 8th–mid-16th century, Peru, Peru; north coast (?), Silver, gilt, H x W: 7/8 x 7/8in. (2.2 x 2.2cm), Metal-Ornaments

Roundel with Amazons and a Cross, 7th–9th century (?), Made in Egypt or Syria (?), Byzantine, Weft-faced compound twill (samit) in green, beige, and brownish silk, Overall: 8 3/16 x 8 1/4in. (20.8 x 20.9cm), Textiles-Woven, This silk

Madonna Adoring the Sleeping Child, early 1460s, Tempera on wood, 28 1/2 x 18 1/4 in. (72.4 x 46.4 cm), Paintings, Giovanni Bellini (Italian, Venice, active by 1459–died 1516 Venice), This is an important early work by Giovanni Bellini,

Stud, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Copper, bronze, Diam. 2.4 cm x D. .9 cm, Metalwork-Ornaments

Cuneiform tablet: Utukku lemnutu, tablet 12, Seleucid, ca. late 1st millennium B.C., Mesopotamia, probably from Babylon (modern Hillah), Seleucid, Clay, 2 1/8 x 1 x 3/4 in. (5.4 x 2.4 x 2 cm), Clay-Tablets-Inscribed, The invention of

Terracotta shield, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; wheel-made, diameter 6 1/2 in. (16.5 cm), Vases, The shield is decorated with a scale pattern and has a painted projection in the center. During the Archaic period,

Saint Vincent, Patron Saint of Lisbon, Oil on wood, 64 x 20 7/8 in. (162.6 x 53 cm), Paintings, Frei Carlos (Portuguese, active second quarter 16th century

The Prophets David and Daniel, ca. 1601–2, Red chalk, brush and red and pink wash, bodycolor, heightened with white, 13 7/16 x 11 1/4 in. (34.1 x 28.6 cm), Drawings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), As a young

Asia (one of a pair), ca. 1745–55, German, Meissen, Porcelain, gilt bronze, Overall (confirmed): 22 × 20 1/4 × 9 1/8 in. (55.9 × 51.4 × 23.2 cm); Height (figure): 12 in. (30.5 cm), Ceramics-Porcelain

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, Stucco; carved, L 6 cm x W 4 x H 2, Stucco

Ring with box setting, Gold, Other: 13/16 × 15/16 × 3/8 in. (2.1 × 2.3 × 1 cm), Gold and Silver

September Morn, ca. 1912, Oil on canvas, 64 1/2 x 85 1/4 in. (163.8 x 216.5 cm), Paintings, Paul Chabas (French, Nantes 1869–1937 Paris

Pair of Mittens, 1850–60, Canada, Manitoba, Cree or Cree-Métis, Native-tanned skin, silk, H. 9 1/4 x W. 5 5/8 in. (23.5 x 14.3 cm), Hide-Costumes

Winter, ca. 1760–70, Italian, Florence, Hard-paste porcelain, H. 7 3/4 in. (19.7 cm.), Ceramics-Porcelain, These two figures derive from a set of the Four Seasons originally carved in ivory by Balthasar Permoser. Carlo Ginori (1702–1757),

Prie Dieu (Prayer desk), late 19th century or early 20th century (?) (with earlier parts), Italian (?), Walnut, H. 88.3 cm, W. 65.4 cm, D. 48 cm, Woodwork-Furniture

Papyrus Fragment of a Letter, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Overall: 2 7/8 x 4 1/8 in. (7.3 x 10.4 cm), Papyrus

Still Life of Fruit and Game, 1645, Oil on wood, 32 7/8 x 46 3/4 in. (83.5 x 118.7 cm), Paintings, Pieter van Overschee (Flemish, active ca. 1645–61

Moonlit Landscape, 1900–1910, Charcoal on off-white laid paper, 8 3/4 x 11 1/2 in. (22.3 x 29.2 cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

Earring-hook type with ball pendant and paste setting, Gold, glass paste, Other: 5/16 × 9/16 × 1 in. (0.8 × 1.4 × 2.5 cm), Gold and Silver

Jug with Medallions, 6th–8th century, Byzantine, Copper alloy, Overall: 4 15/16 x 4 x 3 3/8 in. (12.5 x 10.2 x 8.6 cm), Metalwork-Copper, The medallions wrapping around the neck of this jug, which was probably used to store liquids, are

Chamunda, the Horrific Destroyer of Evil, 10th–11th century, India, Sandstone, H. 44 1/2 in. (113 cm), Sculpture, This is a fragment of a full-length sculpture portraying the ferocious Hindu goddess Kali in the form of Chamunda, an epithet

Double-Sided Comb, 7th century, Made in Niederbreisig, Germany, Frankish, Bone, iron pins, Overall: 3 3/8 x 1 3/8 x 1/2 in. (8.6 x 3.5 x 1.2 cm), Ivories-Bone

Andrea Gritti (1454-1538), Doge of Venice (from 1523), 1534, Italian, Bronze, 36.8 mm, Medals and Plaquettes

Crossbow Brooch, early 400s, Late Roman or Byzantine, Cast copper alloy with silver inlay, Overall: 3 11/16 x 2 1/8 x 1 1/4 in. (9.4 x 5.4 x 3.1 cm), Metalwork-Copper alloy, A crossbow brooch of the type worn by civil servants in fifth-century

Ring with hollow hoop, Gold, 3/16 × 11/16 in. (0.4 × 1.8 cm), Gold and Silver

Silver denarius of Septimius Severus, Mid Imperial, Severan, A.D. 202–210, Roman, Silver; Mint of Rome, 3.2g (3.2g), Coins, SEVERVS PIVS AVG, head of emperor/INDVLGENTIA AVGG IN CARTH, Dea Caelestis seated on lion—records some imperial

Portrait of the Holy Roman Emperor Charles V facing right, ca. 1520–1540, Engraving, sheet: 8 1/4 x 6 1/4 in. (20.9 x 15.9 cm), Prints, Anonymous, Italian

Vase fragment, Roman, Terracotta, width 3.71 cm., Vases, Fragment of a yellow glazed vase; rosette

The Crucifixion, Oil on canvas, Arched top, 112 x 75 7/8 in. (284.5 x 192.7 cm), Paintings, Workshop of Francisco de Zurbarán (Spanish, Fuente de Cantos 1598–1664 Madrid

Earring with plain loop and disc, Gold, Diameter: 5/8 x 3/16 in. (1.6 x 0.6 cm), Gold and Silver

Fragment, third quarter 17th century, Attributed to India, Silk, wool, L. 60.5 x W. 15 in. (153.6 x 38 cm), Textiles-Rugs

Ring with hollow hoop, Gold, Diameter: 13/16 × 3/16 in. (2 × 0.5 cm), Gold and Silver

Bowl, fragmentary, Phoenician inscription, ca. 389 B.C., Cypriot, Marble, white, Other: 2 x 2 x 3/4 in. (5.1 x 5.1 x 1.9 cm), Cesnola Inscriptions

Twilight, Oil on canvas, 25 7/8 x 17 7/8 in. (65.7 x 45.4 cm), Paintings, Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem

Fragment of a Base, 12th century, Attributed to Iran, Stucco; molded, Sculpture

Textile with Brocade, 14th century, Made in Venice?, Italy, Italian, Silk, gold thread, Overall: 6 5/16 × 4 1/8 in. (16.1 × 10.5 cm), Textiles-Woven-Brocade

Earring, baule type, 4th century B.C., Etruscan, Gold, Other: 15/16 × 1 1/8 × 15/16 in. (2.4 × 2.8 × 2.3 cm), Gold and Silver

The Road to Calvary, ca. 1440, Made in Middle Rhineland, Germany, German, Alabaster, 7 3/8 × 11 7/16 × 13/16 in. (18.8 × 29 × 2 cm), Sculpture-Stone, Follower of the Master of the Lorsch Calvary, The power of this devotional image of

Jar sherd, Sasanian–early Islamic, ca. 7th–8th century A.D., Mesopotamia, Ctesiphon, Sasanian or Islamic, Ceramic, 3 15/16 x 3 3/4 x 3/8 in. (10 x 9.6 x 1 cm), Ceramics-Vessels

Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Copper-gold alloy (shakudō), gold, copper-silver alloy (shibuichi), Menuki (a); L. 1 1/2 in. (3.8 cm); Wt. 0.4 oz. (11.3 g); menuki (b); L. 1 1/2 in. (5.8 cm); Wt. 0.3 oz. (8.5 g),

Boy Mourner resting on Helmet and Shield, late 15th century, South Netherlandish or Rhenish, Alabaster with traces of paint, Overall: 12 3/4 x 23 x 11 1/8 in. (32.4 x 58.4 x 28.3 cm), Sculpture-Stone