Images at Librifly

Bead, Roman, Glass, Height: 3/4 x 3/8 in. (1.9 x 1 cm), Glass

Emblemata Secularia, 1611, Engraving, woodcut, 7 1/2 x 5 13/16 x 7/8 in. (19.1 x 14.7 x 2.2 cm), Books, Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt

Abbé Charles Bossut (1730–1814), 1772, Enamel, Oval, 2 3/8 x 2 in. (62 x 50 mm), Miniatures, Pierre Pasquier (French, 1731–1806

Garden of Mathematical Sciences, 17th century, Engraving, Prints, Francesco Curti (Italian, 1603–1670

Glass Fragment, 14th century, British, Colorless glass and vitreous paint, Overall: 3 15/16 x 2 15/16 x 1/16 in. (10 x 7.5 x 0.2 cm), Glass-Stained

Badge, 14th century, Spanish, Copper, gold, enamel, H. 2 3/8 in. (6 cm); W. 2 1/8 in. (5.4 cm); Wt. 1 oz. (28.3 g), Miscellaneous-Badges

Roundel, disk with two goddesses, 4th century B.C., Gold, Height: 13/16 x 11/16 x 1/8 in. (2.1 x 1.8 x 0.3 cm), Gold and Silver

Censer with a Lioness Hunting a Boar, 6th–7th century, Made in Byzantine Egypt, Coptic, Bronze, Overall: 5 3/16 x 4 1/8 x 2 1/16 in. (13.2 x 10.4 x 5.3 cm), Metalwork-Bronze, Discovered hidden in a rock crevice, this censer was cast so that

The Miracle of the Loaves and Fishes, ca. 1545–50, Oil on canvas, 61 x 160 1/2 in. (154.9 x 407.7 cm), Paintings, Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1519–1594 Venice), This painting depicts one of two miracles during which

Earring, 7th century, Made in Niederbreisig, Germany, Frankish, Silver, Overall: 1 3/8 x 1 1/2 x 3/16 in. (3.5 x 3.8 x 0.4 cm), Metalwork-Silver

Wall Painting of Male Saint, 12th century, modern restoration, Byzantine, Fresco, Overall: 9 7/16 x 9 5/16 x 1 5/8 in. (24 x 23.7 x 4.2 cm), Paintings-Fresco, The largest of these fresco fragments may represent the late fourth-century saint

Gold necklace, 1st century B.C.–1st century A.D., Roman, Gold, Other: 18 in. (45.7 cm), Gold and Silver, Gold beads and gold links

Statue base, Cypriot, Limestone, Overall: 6 x 10 1/2 x 2 3/4 in. (15.2 x 26.7 x 7 cm), Cesnola Inscriptions, Fragment of a statue base with inscription

Bowl, 9th century, Excavated in Iran, Nishapur, Earthenware; white slip with polychrome decoration under transparent glaze, H. 2 13/16in (7.1 cm), Ceramics

Stained Glass Panel with the Deposition, 15th century, German, Pot metal, white glass, vitreous paint, Overall (with 1 T-bar): 43 1/2 x 29 5/16 x 3/8 in. (110.5 x 74.5 x 1 cm), Glass-Stained, These panels were part of a window depicting the

Stone Pulidor, before 16th century, Mexico, Mesoamerica, Mexican, Stone, Length 1-1/2 in., Stone-Implements

A Peasant Woman Picking Fleas off a Dog, ca. 1626–27, Oil on wood, Oval 7 1/8 x 5 3/8 in. (18.1 x 13.7 cm); set in rectangular panel 8 x 6 1/4 in. (20.3 x 15.9 cm), Paintings, Adriaen Brouwer (Flemish, Oudenaarde 1605/6–1638 Antwerp

Jug, 1855, British, Burslem, Staffordshire, Porcelain, Height: 7 5/8 in. (19.4 cm), Ceramics-Porcelain

Key, 14th century, German, Iron, Overall: 2 x 13/16 x 1/4 in. (5.1 x 2 x 0.6 cm), Metalwork-Iron

Saint Sebastian, late 15th century, Made in possibly Tyrol, Austria, Northern European, European poplar, paint, gesso, Overall: 49 1/4 x 12 3/8 x 9 7/8 in. (125.1 x 31.4 x 25.1 cm), Sculpture-Wood

Gorget for an Officer of the South Carolina Infantry Regiment, late 18th century, American, Brass, gold, H. 4 3/4 in. (12.07 cm); W. 4 1/4 in. (10.8 cm), Armor Parts-Gorgets, The engraving on this gorget incorporates the state of South

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 12 1/4 in. (31.1 cm); L. of head 5 1/4 in. (13.3 cm); W. 1 3/4 in. (4.5 cm); Wt. 3.9 oz. (110.6 g), Archery Equipment-Arrowheads

Bowl, Archaic, 550–500 B.C., Etruscan, Terracotta; bucchero, Height: 2 15/16 in. (7.5 cm), Vases, Small bowl without decoration

Bowl with cover (part of a set), decorated ca. 1725–30, German, Meissen, Hard-paste porcelain, Height: 4 in. (10.2 cm), Ceramics-Porcelain, The ensemble is an assembled one, although one cup and saucer, both painted with riverscapes, are

Family Supper, 1946, Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), Paintings, Horace Pippin (American, West Chester, Pennsylvania 1888–1946 West Chester, Pennsylvania

Candle pricket, 17th century, Spanish, Iron, H. 64-7/8 in. (164.7 cm.), Metalwork

Vita Lydwina, ca. 1498, Books

Mourner, early 20th century (original dated 1450–53), Franco-Netherlandish, Plaster, Overall: 15 in. (38.1 cm), Reproductions-Sculpture

Gold earring with head of a bull, Classical or Hellenistic, 4th–3rd century B.C., Greek, Gold, Other: 9/16 x 1/4 x 11/16 in. (1.5 x 0.6 x 1.7 cm), Gold and Silver

Bowl, ca. 1870, British, Stoke-on-Trent, Staffordshire, Bone china, 3 9/16 × 6 3/8 in. (9 × 16.2 cm), Ceramics-Porcelain, The form of this bowl is reminiscent of early Chinese bronze and ceramic three-legged vessels, while the stylized

清乾隆 青玉雕十二生肖, Twelve Animals of the Chinese Zodiac, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), Overall (each approx.): H. 2 1/4 in. (5.7 cm); W. 1 3/4 in. (4.4 cm), Jade, The twelve animals of the

Self Portrait, ca. 1920, Italian, Bronze, 7 3/4 × 5 3/4 in. (19.7 × 14.6 cm), Medals and Plaquettes

Ensemble, ca. 1867, British, wool, cotton, silk, wood

Earring with head of goat, Hellenistic, 3rd century B.C. or later, Greek, Gold, garnet, Other: 3/4 × 3/16 × 1 3/16 in. (1.9 × 0.5 × 3 cm), Gold and Silver

Laila and Majnun, mid-18th century, Attributed to Iran, Shiraz, Oil on canvas, H. 36.5 in. (90.8 cm), Codices

Bowl with a bull, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Pottery, black and red paint, Diam. .25 m

Handkerchief, 1840–80, French or Swiss, silk on linen, Overall: 15 x 14 3/4 in. (38.1 x 37.5 cm), Textiles

Spindle, 2nd–7th century, Peru, Nasca, Thorn, ceramic, thread, L. 26.5 cm, Textiles-Implements

The First Maine Cavalry Skirmishing, 1845–91, Wood engraving, Prints, Alfred Rudolf Waud (American (born England), London 1828–1891 Marietta, Georgia

Madonna and Child, ca. 1360–65, Tempera on wood, transferred from wood, gold ground, Shaped top, 52 7/8 x 23 1/8 in. (134.3 x 58.7 cm), Paintings, Luca di Tommè di Nuto (Italian, Sienese, active 1356–89), The picture dates from about

Pendants, nail head, from earrings, Cypriot, Silver, Diameter: 9/16 x 1 in. (1.4 x 2.5 cm), Gold and Silver

Jug, 1400–1600, Made in Surrey, England, British, Glazed earthenware, Overall: 5 3/8 x 5 1/2 x 4 3/4 in. (13.6 x 13.9 x 12 cm), Ceramics, This vessel was decorated with bands incised by a stylus on the wet clay while the jug was still

Fish hook, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt; Probably from Northern Upper Egypt, Deir el-Ballas, Copper Alloy, L. 2.7 (1 1/16 in.) W. 1.4 cm ( 9/16 in

清 石濤 (朱若極) 秋林人醉圖 軸 紙本, Drunk in Autumn Woods, Qing dynasty (1644–1911), ca. 1702, China, Hanging scroll; ink and color on paper, Image: 63 3/8 x 27 3/4 in. (161 x 70.5 cm), Paintings, Shitao (Zhu Ruoji) (Chinese,

Netsuke, 19th century, Japan, Ivory, H. 1 1/4 in. (3.2 cm); W. 1 5/8 in. (4.1 cm); D. 1 in. (2.5 cm), Netsuke

Panel, late 16th or early 17th century, Italian, Silk; metal; cotton, 32 3/4 x 37 1/4 in. (83.2 x 94.6 cm) with trim, Textiles-Velvets

Devadatta, Chapter 12 of the Lotus Sutra, 『妙法蓮華経』「提婆達多品第十二」の内, Heian period (794–1185), 12th century, Japan, Handscroll; gold and silver on indigo-dyed paper, 10 1/16 in. x 33 ft. (25.6 x 1005.8 cm),

Solidus, 602–610, Early Byzantine, Gold, Overall: 13/16 x 1/16 in. (2.1 x 0.1 cm), Coins, Coins are important to historians because they generally provide valuable information about the date of their issue, place where they were struck, and

Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Gold, L. of each 1 1/4 in. (3.2 cm); Wt. of each 0.3 oz. (8.5 g), Sword Furniture-Menuki

Two Pectoral Disks, 11th–16th century, Panama, Veraguas (?), Gold (hammered), Diam. 6 7/8 in. (17.6 cm), Metal-Ornaments

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 2 9/16 x 4 5/8 in. (6.5 x 11.7 cm), Ceramics

Seal Ring, 5th–6th century, Made in possibly Egypt, Silver shank, H. 9/16 in. (1.4 cm), Jewelry, Images like this one were adopted for Christian military saints, for instance, Theodore Stratelates. The soldier, a draconarius, holds a

Waste bowl, ca. 1775, German, Hard-paste porcelain, Overall (confirmed): 3 1/8 × 6 7/8 × 6 7/8 in. (7.9 × 17.5 × 17.5 cm), Ceramics-Porcelain, This partial tea and coffee service is distinguished by its relative completeness and its two

Roundel, disk, Bone ?, Diameter: 1 5/16 x 3/16 in. (3.3 x 0.4 cm

Pendant with Scenes from the Life of Christ and Two Saints, ca. 1870–95, German or French, Verre eglomisé with enameled gold mounts and with a pendant pearl, Height: 5 1/4 in. (13.3 cm), Metalwork-Gold and Platinum, The frame of this pendant

Sword Stand (Katana Kake), 18th century, Japanese, Wood, lacquer, H. 15 1/4 in. (38.7 cm); L. 23 1/4 in. (59.2 cm); W. 7 1/8 in. (18.2 cm), Swords-Accessories

Pectoral, 10th–5th century B.C., Peru, Chavín, Gold, H. 9 x W. 9 1/4 in. (22.9 x 23.5cm), Metal-Ornaments, Gold objects in the Chavín style are the earliest significant works in gold known from Peru. The style is associated with the north,

Door knocker in the shape of a salamander, 15th or 16th century, Spanish, Wrought iron, without tang: 7 1/2 × 1 11/16 × 1 1/2 in. (19.1 × 4.3 × 3.8 cm), Metalwork-Iron

Saint Reparata Tortured with Red-Hot Irons, Tempera on wood, gold ground (tooled pattern added possibly in the late nineteenth century), 13 x 16 1/2 in. (33 x 41.9 cm), Paintings, Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence),

Badge (probably from Horse Harness), 14th century, possibly Spanish, Copper, gold, enamel, H. 1 7/8 in. (4.8 cm); W. 1 7/16 in. (3.6 cm); Wt. 0.5 oz. (14.2 g), Miscellaneous-Badges

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, stucco; carved, painted (?), L 5cm x W 5 x H 2, Stucco

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Limestone with ink inscription, 3 3/8 x 3 1/16 in. (8.5 x 7.8 cm), Miscellaneous-Stone

The Triumph of Fame over Death, ca. 1500–1530, South Netherlandish, Wool warp; wool and silk wefts, Overall: 144 x 128 in. (365.8 x 325.1 cm), Textiles-Tapestries, A team of white elephants pulls a chariot in which the winged figure of Fame

Medal of Major General Z. Taylor, 1846, Bronze, Diam. 2 1/2 in. (6.4 cm), Metal

Hatsune Riding Ground, Edo period (1615–1868), 1856–58, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 × 10 × 1 1/4 in. (36.8 × 25.4 × 3.2 cm), Illustrated Books, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Earring, 12th–13th century, Found Iran, Gurgan, Gold wire with filigree, Jewelry

Brooch, 1st–2nd century, Roman, Bronze, Overall: 1 15/16 x 1 13/16 in. (4.9 x 4.6 cm), Metalwork-Bronze

Apple tree bough, Gilded by Jules Barbe (active 1878–99), ca. 1890, British, Stourbridge, Glass, Height: 5 13/16 in. (14.8 cm), Glass, Gilded by Jules Barbe (active 1878–99), Jules Barbe established and headed the gilding and enameling

Ewer, François-Desiré Froment-Meurice (1802–1855), ca. 1850, French, Paris, Silver gilt, Height: 15 in. (38.1 cm), Metalwork-Silver, François-Desiré Froment-Meurice (1802–1855), Froment-Meurice, among the most renowned silversmiths

Medal of the Marquis de Lafayette, 1789, Made in France, Probably brass, Diam. 1 5/8 in. (4.1 cm), Metal, Pierre Simon Benj. Duvivier (1728–1819

Model Chisel from a Foundation Deposit, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Senenmut (TT 353), Foundation deposit 3 and 5a, 1926–27, Wood, bronze or copper alloy, L.

Ostrakon, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Pottery fragments with ink inscription, a: 1 11/16 x 2 1/16 x 1/4 in. (4.3 x 5.3 x 0.6 cm), Ceramics

A Night March, Plate 16 from Life Studies of the Great Army, 1876, Etching, Prints, Edwin Austin Forbes (American, New York 1839–1895 Brooklyn, New York

Floral plaque, Ptolemaic Period–Roman Period, 100 BC–100 AD, From Egypt, Glass, H. 2.1 × W. 3.3 cm (13/16 × 1 5/16 in

Key, 15th century, German, Iron, Overall: 1 7/8 x 13/16 x 3/8 in. (4.8 x 2 x 0.9 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn

Silver bowl, Archaic, 6th century B.C., East Greek, Silver, Diam.: 2 1/4 in. (5.7 cm), Gold and Silver, The lip is sharply set off from the body of the bowl, which is decorated on the shoulder by two grooves

Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85, Oil on canvas, 25 3/4 x 32 1/8 in. (65.4 x 81.6 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), The distinctive silhouette of Mont

Gold earring with disc and pendant, Mid Imperial, 2nd century A.D., Roman, Gold, Other: 5/16 x 3/8 x 1 1/16 in. (0.8 x 1 x 2.6 cm), Gold and Silver

Louis-Jacques-Mandé Daguerre, ca. 1844, Daguerreotype, 8.9 x 7 cm (3 1/2 x 2 3/4 in.), Photographs, Pierre-Ambrose Richebourg (French, 1810–1893), Daguerre's supposed reluctance to be photographed perhaps explains the relatively small

Relief from Platform of Dais, New Kingdom, Ramesside, Dynasty 19, ca. 1279–1213 B.C., From Egypt, Eastern Delta, Qantir (Piramesse), Palace of Ramesses II, Faience, L. 36 cm (14 3/16 in.), W. 34 cm (13 3/8 in.), D. 6 cm (2 3/8 in.),

Broadside, 1833, Hand-colored lithograph, sheet: 25 3/4 x 18 3/8 in. (65.4 x 46.6 cm), Joseph Meeks & Sons (American, New York, 1829–35

Hanging (?) Fragment, late 16th–17th century, Peru, Peruvian, Camelid hair, cotton, H. 48 x W. 23 in. (121.9 x 58.4 cm), Textiles-Woven, This lively and colorful fragment was once part of a large, tapestry-woven table cover, bed cover,

Relief of a head of woman, Ivory, Other: 1 11/16 x 1 1/4 x 1/4 in. (4.3 x 3.2 x 0.7 cm), Portrait head with profile to the right

元 佚名 蓮花圖 軸, Lotus and waterbirds, Yuan dynasty (1271–1368), ca. 1300, China, Pair of hanging scrolls; ink and color on silk, Image (each): 55 3/4 x 26 3/4 in. (141.6 x 67.9 cm), Paintings, Unidentified Artist, active ca.

Santa Francesca Romana Holding the Christ Child, ca. 1445, Tempera on wood, gold ground, inscriptions on parchment laid down on wood, 21 3/4 x 14 7/8 in. (55.2 x 37.8 cm), Paintings, Antonio del Massaro da Viterbo (Italian, ca. 1450–ca.

Vase fragment, Archaic, ca. 580–550 B.C., Etruscan, Terracotta; bucchero pesante, Overall: 1 1/4 x 2in. (3.2 x 5.1cm), Vases, Hind part of a lion in relief

Dog, early 17th century, British, possibly Lambeth, Tin-glazed earthenware, 4 × 5 1/4 in. (10.2 × 13.3 cm), Ceramics-Pottery

Don Quixote and the Dead Mule, after 1864, Oil on wood, 9 3/4 x 18 1/8 in. (24.8 x 46 cm), Paintings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois), This work, one of many versions of the subject that Daumier painted after 1864,

Maiolica: Candlestick (candeliere), ca. 1560–80, Italian (probably Urbino), Maiolica (tin-glazed earthenware), Height: 7 3/8 in. (18.7 cm), Ceramics-Pottery

Hairpin, 7th century, Made in Northern France, Frankish, Gold, Overall: 5 1/16 x 7/16 x 3/16 in. (12.9 x 1.1 x 0.4 cm), Metalwork-Gold

Bowl, 12th–14th century, United States, Mesa Verde, Ceramic, Overall: 2 5/8 x 6 3/8 in. (6.67 x 16.21 cm), Ceramics-Containers

Earring with head of lion, Etruscan, Gold, Other: 7/8 × 1/4 × 7/16 in. (2.2 × 0.7 × 1.2 cm), Gold and Silver, Ring of heavy double twisted wire

Tabernacle, ca. 1200–1210, Made in Limoges, France, French, Copper (plaques): engraved, scraped, stippled, and gilt; (appliqués): repoussé, chased, engraved, scraped, and gilt; champlevé enamel: blue-black, dark, medium, and light

Piece, second half 17th century, Italian, Silk; metal; cotton, 48 1/2 x 29 in. ( 123.2 x 73.7 cm), Textiles-Woven

The Clock Tower of San Marco, from the Front of the Basilica, after 1793, Pen and brown ink, brown-gray wash, 4 15/16 x 8 3/8 in. (12.5 x 21.2 cm), Drawings, Giacomo Guardi (Italian, Venice (?) 1764–1835 Venice

The Chinese and Gothic Architecture... Being Twenty New Plans and Elevations, On Twelve Copper-Plates, 1752, Illustrations: etching and engraving, 11 7/16 × 9 1/4 × 1/2 in. (29 × 23.5 × 1.3 cm

Plaque: Two Portuguese with Manillas, 16th–17th century, Nigeria, Court of Benin, Edo peoples, Brass, H. 18 in. (45.7 cm), Metal-Sculpture, This is an example of the series of cast brass plaques that historically hung on the wooden pillars

The Fletcher Mansion, New York City, 1899, Oil on canvas, 23 3/4 x 32 in. (60.3 x 81.3 cm), Paintings, Jean-François Raffaëlli (French, Paris 1850–1924 Paris

Entry of Maximilian II into Nuremberg, June 7, 1570, 1570, Etching and engraving, Sheet: 9 1/16 × 13 11/16 in. (23 × 34.7 cm), Prints, Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

River Landscape with Rocky Cliffs, after 1647, Pen and brush and washes in tints of brown and gray ink over black chalk; framing line in pen and brown ink probably by the artist., 6 x 9 1/8 in. (15.2 x 23.1 cm), Drawings, Roelant Roghman (Dutch,