Images at Librifly

Washing Linen, Tomb of Djari, First Intermediate Period–Middle Kingdom, Dynasty 11, ca. 2050–2000 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Ink on Paper, h. 49 cm (19 5/16 in); w. 67 cm (26 3/8 in) - as mounted, Unknown Copyist

Fork, 1st–4th century, Roman, Copper alloy, Overall: 4 3/4 x 13/16 x 3/8 in. (12.1 x 2.1 x 0.9 cm), Metalwork-Bronze

('Leda') Design for a Plate: Shame on Those Who Evil Think (Honi Soit Qui Mal y Pense) ; cover illustration for the 'Volpini Suite' entitled Lithographic Drawings (Dessins lithographiques), 1889, Zincograph, colored by hand with watercolor and

Ostrakon, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 1 3/4 x 2 1/16 in. (4.4 x 5.2 cm), Ceramics

Key, 16th century, German, Iron, Overall: 4 7/16 x 1 1/2 x 9/16 in. (11.3 x 3.8 x 1.5 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently

Mitre, 13th century, Made in Salzburg, Austrian, Austrian, Silk & metal thread, silver gilt & coral, 8 5/8 x 10 1/2 in. (21.9 x 26.7 cm), Textiles-Costumes-Ecclesiastical

Trigger Guard of a Gun made for a Prince of the House of the Medici, dated 1643, Reggio Emilia, Italian, Reggio Emilia, Steel, L. 8 1/4 in. (21 cm), Firearms Parts, This trigger guard and a lock in the Odescalchi Collection in Rome formerly

Vinaigrette box, John Bettridge (active 1817–30), 1824, British, Birmingham, Silver, Length: 1 1/4 in. (3.2 cm), Metalwork-Silver, John Bettridge (active 1817–30

Saint Martin, first half 16th century, German, Wood with traces of polychromy, Overall: 26 1/4 x 22 1/2 x 9 1/16 in. (66.7 x 57.1 x 23 cm), Sculpture-Wood

Vinaigrette box, Gervaise Wheeler, 1829, British, Birmingham, Silver, Length: 1 in. (2.5 cm), Metalwork-Silver, Gervaise Wheeler

Panel from an Ivory Casket with Scenes of the Story of Joshua, 900–1000, Made in Constantinople, Byzantine, Ivory, traces of polychromy, a: 2 11/16 x 5 3/8 x 1/4 in. (6.9 x 13.7 x 0.6 cm), Ivories, These panels are from a casket that

Pendant in the form of a Gorgoneion eye charm, Gold, Other: 1/4 x 9/16 x 1/16 in. (0.6 x 1.4 x 0.2 cm), Gold and Silver

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 5 7/8 in. (15 cm); L. of head 2 in. (5.1 cm); W. 1 5/8 in. (4.1 cm); Wt. 0.9 oz. (25.5 g), Archery Equipment-Arrowheads

Arrow Shaft Straightener, 14th century, United States, Oregon, Columbia River region, Columbia River, Granite, H. 5 1/4 x Diam. 1 7/8 in. (13.3 x 4.8 cm), Stone-Implements

Lidded Basket, ca. 1840, United States, New York, Onondaga, Ash splint, wood, pigment, H. 14 1/4 x W. 13 x D. 8 3/8 in. (36.2 x 33 x 21.3 cm), Basketry-Containers

Badge with Martyrdom of Saint Edmund, 15th century, Made in Bury St. Edmunds, England, British, Tin/lead alloy, Overall: 1 5/16 x 1 1/4 x 1/8 in. (3.4 x 3.2 x 0.3 cm), Metalwork-Tin/lead alloy

Copper ingot, Late Bronze Age, ca. 1450–1050 B.C., Cypriot, Copper, width 14 3/8in. (36.5cm), Bronzes, Cyprus is thought to have been the main producer of copper in the Late Bronze Age, although very few ingots, apart from miniature votive

Cutter Yacht 'Scud' of Philadelphia – Modelled by Robert L. Stevens, Esq., 1855, Color lithograph with hand coloring, image: 16 3/4 x 23 1/2 in. (42.5 x 59.7 cm), Prints, Drawn by Charles Parsons (American (born England), Hampshire

Dish, 15th century, Made in probably Manises, Valencia, Spain, Spanish, Earthenware, tin-glaze (lusterware), Overall: 13 5/8 x 1 3/4 in. (34.6 x 4.5 cm), Ceramics

One of a Pair of Temple Pendants, with Busts of Male Saints Holding Martyr's Cross (front) and Leaf and Rosette Motifs (back), 11th–12th century, Made in Kiev, Kievan Rus', Cloisonné enamel, gold, pearls, Overall: 2 1/8 x 1 7/8 x 9/16 in.

Jar, 17th century, Attributed to Iran, Stonepaste; underglaze painted, H. 13 3/4 in. (34.9 cm), Ceramics

Apocalypsis cu Figuris, 1511, Woodcuts, 18 1/8 × 12 5/8 × 1/2 in. (46 × 32 × 1.3 cm), Books

Dish, 17th century, Attributed to Iran, Stonepaste; underglaze painted, D. 13 1/4 in. (33.7 cm), Ceramics

Harness Pendant, 13th–early 15th century, possibly Spanish, Copper, gold, enamel, H. 3 in. (7.6 cm); W. 2 5/16 in. (5.8 cm); D. 5/16 in. (0.8 cm), Miscellaneous-Badges

Agate Lentoid, Late Minoan II, ca. 1450–1400 B.C., Minoan, Agate, diameter 1 1/16 in. (2.7 cm), Gems, Griffin

Key, 15th century, German, Iron, Overall: 2 1/2 x 1 x 1/2 in. (6.4 x 2.5 x 1.3 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn

Standing figure of Amenhotep III, New Kingdom, Dynasty 18, ca. 1391–1353 B.C., From Egypt, Serpentinite, h. 23 cm (9 1/16 in); w. 5.5 cm (2 3/16 in.); d. 10.2 cm (4 in), The portly profile of the king identifies this as a work from late in

Papyri Fragments, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Framed: 2 5/16 x 4 1/2 in. (5.9 x 11.5 cm), Papyrus

Boss or Volute, late 15th century, British or South Netherlandish, Oak with traces of polychromy and gilding, Overall: 18 3/4 x 20 1/2 x 4 3/4in. (47.6 x 52.1 x 12.1cm), Woodwork-Architectural

Christ Enthroned, ca. 1230, French, Ivory, Overall: 4 15/16 x 1 7/8 x 1 1/4 in. (12.5 x 4.7 x 3.2 cm), Ivories, Christ appears in majesty holding a book, signifying his identity as the Word of God incarnate. His right hand was probably raised

Key, 16th century, German, Iron, Overall: 3 7/16 x 1 5/8 x 5/16 in. (8.7 x 4.1 x 0.8 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently

「傾城道中双六　見立よしはら五十三つい」, Album of prints from the series A Tōkaidō Board Game of Courtesans, Fifty-three Pairings in the Yoshiwara (Keisei dōchū sugoroku, Mitate Yoshiwara gojūsan tsui), Edo period

Madonna and Child with Saints Michael and John the Baptist; The Noli Me Tangere; The Conversion of Saint Paul, Tempera on wood, gold ground, Overall, with additions, 18 x 11 5/8 in. (45.7 x 29.5 cm); without additions 17 1/2 x 11 in. (44.5 x

Spindle Whorl, 3rd–5th century, Made in Byzantine Egypt, Coptic, Wood, Overall: 7/8 x 3 1/8 in. (2.2 x 8 cm), Woodwork-Miscellany

Eugénie, Impératrice des Français, 1854, Lithograph, plate: 28 1/4 x 19 1/4 in. (71.8 x 48.9 cm), Prints, Leon-Alphonse Noel (French, 1807–1879), After Franz Xaver Winterhalter (German, Menzenschwand 1805–1873 Frankfurt

Leaders of the Aamu of Shu, Middle Kingdom, Dynasty 12, ca. 1887–1878 B.C., Original from Egypt, Middle Egypt, Beni Hasan, Tomb of Khnumhotep (Tomb 3), 1931, Tempera on paper, Facsimile: H.63.5 × W. 81.5 cm (25 in. × 32 1/16 in.);

Sword Pommel, 16th century, Italian, Bronze, H. 2 15/16 in. (7.5 cm); Wt. 4 oz. (120 g), Swords-Accessories

Harness Ornament, 14th century, possibly British, Copper, gold, enamel, H. 3 3/16 in. (8.1 cm); W. 1 7/16 in. (3.7 cm); D. 3/8 in. (1 cm), Miscellaneous-Badges

Weaning the Calves, 1879, Oil on canvas, 25 5/8 x 32 in. (65.1 x 81.3 cm), Paintings, Rosa Bonheur (French, Bordeaux 1822–1899 Thomery), The scene is probably located on one of the high pasturelands of the Pyrenees. Rosa Bonheur took a trip

Knife, 17th century, Italian, Steel, ivory, L. 12 3/16 in. (30.9 cm); L. of blade 7 1/8 in. (18.1 cm); W. 1 1/4 in. (3.2 cm); W. of blade 7/8 in. (2.2 cm); thickness of blade 3/16 in. (0.5 cm); Wt. 5 oz. (141.8 g), Knives

Square, 3rd–4th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 9 1/4 in. (23.5 cm), Textiles

Papyrus, 7th century, Made in Byzantine Egypt, Coptic, Papyrus and ink, Overall: 4 x 12 5/16 in. (10.2 x 31.3 cm), Papyrus

Portraits for One Hundred Poems about One Hundred Poets (Sugata-e hyakunin isshu), Edo period (1615–1868), 1695, fourth month, Japan, Woodblock printed book; ink on paper, 8 1/4 × 6 1/8 × 3/8 in. (21 × 15.6 × 1 cm), Illustrated Books,

Sheet, New Kingdom, Dynasty 18, early, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose, Linen, ink, L. 488 cm (192 1/8 in.); w. 147 cm (57 7/8 in

Gold and copper alloy spiral, Classical, 5th century B.C., Cypriot, Gold, Diameter: 11/16 x 3/16 x 9/16 in. (1.7 x 0.5 x 1.4 cm), Gold and Silver, Worn in the upper lobe of the ear

Vase fragment, Roman, Terracotta, 1 3/8in. (3.5cm), Vases, Fragment of yellow enamelled vase with embossed duck

Dish with lid, Late Archaic, second half of 6th century B.C., Etruscan, Terracotta; bucchero, Other (height with cover): 5 7/8in. (14.9cm), Vases, Decorated with punctured dots

Cherub, second half 18th century, Italian, Naples, Polychromed wood, H. 8 5/8 in. (22 cm.), Crèche

Comb Morion, ca. 1560–65, Brunswick, Lower Saxony, German, Brunswick, Steel, H. 12 1/2 in. (31.8 cm); W. 9 5/8 in. (24.4 cm); D. 16 5/8 in. (40.3 cm); Wt. 4 lb. 8 oz. (2040 g), Helmets, This helmet is an outstanding example of parade armor

Vase Fragment, Early Imperial, Augustan, ca. 31 B.C.–A.D. 14, Roman, Terracotta, 1 15/16 × 1 11/16 × 1/8 in. (4.9 × 4.3 × 0.3 cm), Vases, Dancing maenad beside altar with relief decoration

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 7 in. (17.8 cm); L. of head 2 1/4 in. (5.7 cm); W. 1/2 in. (1.3 cm); Wt. 0.6 oz. (17 g), Archery Equipment-Arrowheads

Irises at Yatsuhashi (Eight Bridges), 八橋図屏風, Edo period (1615–1868), after 1709, Japan, Pair of six-panel folding screens; ink and color on gold leaf on paper, Image (each screen): 64 7/16 in. x 11ft. 6 3/4 in. (163.7 x 352.4 cm),

Netsuke, 18th century, Japan, Wood, H. 4 1/2 in. (11.4 cm); W. 3/4 in. (1.9 cm); D. 5/8 in. (1.6 cm), Netsuke

Side chair, ca. 1710, British, Walnut, gilt gesso, 39 × 21 1/2 × 22 1/2 in. (99.1 × 54.6 × 57.2 cm), Woodwork-Furniture

Landscape with Sheep, ca. 1648, Black chalk, sepia ink and wash, heightened with white gouache., 7 1/2 x 10 3/8 in. (19.1 x 26.4 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Mirror, Goryeo dynasty (918–1392), Korea, Bronze, Diam. 5 5/8 in. (14.3 cm), Mirrors

Mirror, Heian period (794–1185), Japan, Bronze, Diam. 3 1/4 in. (8.3 cm), Mirrors

Tiraz Textile Fragment, ca. 991–1031, Attributed to Iraq, Linen; plain weave, embroidered in silk, Textile: H. 4 5/8 in. (11.7 cm), Textiles-Embroidered, Inscribed textiles are called tiraz, from the Persian word for 'embroidery.' Many were

Netsuke of Group of Figures, 19th century, Japan, Wood, H. 1 1/2 in. (3.8 cm); W. 1 3/8 in. (3.5 cm); D. 7/8 in. (2.2 cm), Netsuke

Ring with scaraboid, Silver, rock crystal, Other: 7/8 × 7/8 × 9/16 in. (2.3 × 2.2 × 1.4 cm), Gold and Silver

Earring with disks, Greek or Roman, Gold, Other: 11/16 × 9/16 × 5/16 in. (1.7 × 1.4 × 0.8 cm), Gold and Silver

Louis XIV style frame, 19th century copy of Louis XIV style, French, Carved and gilded wood, enlarged and cut, 47 x 38 inches, Frames

Saint Ambrose, 1465–70, Tempera on wood, gold ground, 23 7/8 x 14 1/2 in. (60.6 x 36.8 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena

The Finding of Moses, 18th century, reassembled last half 19th century, probably French (Nevers), Figures of lampworked glass (opaque white, pale pink, yellow, turquoise blue, dark blue, bright blue, brown, dark red, green, black, and

Stylus, Ivory or bone, Diameter: 1/16 x 3 15/16 in. (0.2 x 10.1 cm

Saint Lucy, 18th century, Probably made in Cuzco, Peru, probably Peruvian, Cuzco, Oil on canvas (relined), Overall: 15 3/4 x 12 1/2 in. (40 x 31.8 cm), Paintings

Toilet Implement in the Shape of a Pin, 200–500, Made in Gaul, Northern France, Roman, Ivory, Overall: 4 5/16 x 5/16 x 3/16 in. (11 x 0.8 x 0.5 cm), Ivories

Bowl, Orientalizing- Archaic, mid 6th century B.C., Etruscan, Terracotta; bucchero pesante, Height: 5 9/16 in. (14.1 cm), Vases, Decorated with lions in relief; on shoulder, four spool-like ornaments

Glass and gold inlay, Early Imperial, late 1st century B.C.–1st century A.D., Roman, Glass, Other: 3 1/8 in. (7.9 cm), Glass, Translucent cobalt blue over opaque white, with opaque red, yellow, and pale green inlay., Rectangular plaque

Sherds, Samarra, ca. mid-7th millennium B.C., Mesopotamia, Samarra, Samarra, Ceramic, paint, 7.9 cm x 6.9 cm x 1 cm, Ceramics-Vessels

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, stucco; carved and painted, L 8 cm x W 6.5 x H 2, Stucco

Marble calyx-krater with reliefs of maidens and dancing maenads, Imperial, 1st century A.D., Roman, Marble, Pentelic, H. 31 3/4 in. (80.7 cm), Stone Sculpture, The peristyle courtyards and gardens of the villas belonging to wealthy Romans

Shiva and Parvati with their Sons Karttikeya and Ganesha and the Calf Bull, 9th century, India (Jammu and Kashmir, ancient kingdom of Kashmir), Stone, H. 11 in. (28 cm); W. 6 3/8 in. (16.2 cm), Sculpture, A devotee used this charming rendering

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 10 1/2 in. (26.7 cm); L. of head 3 1/2 in. (8.9 cm); W. 1 7/8 in. (4.8 cm); Wt. 2.4 oz. (68 g), Archery Equipment-Arrowheads

Necklace, 3rd–5th century, Roman (?), Gold beads, green gems, Overall: 24 5/8 x 5/16 x 3/16 in. (62.5 x 0.8 x 0.5 cm), Metalwork-Gold

Miniature Litter Section, 11th–late 15th century, Peru, Chimú or Chancay, Silver (hammered), gilt, Length 4-5/8 in. (11.7 cm), Metal-Sculpture

The Man with the Flute, 1625, Engraving, image: 5 1/2 x 4 5/16 in. (14 x 10.9 cm), Prints, Cornelis Bloemaert (Dutch, Utrecht 1603–?1684 Rome

Pair of flower pots (caisses carrés), 1759, French, Sèvres, Soft-paste porcelain, Overall (each): 5 5/8 × 4 1/8 × 4 1/8 in. (14.3 × 10.5 × 10.5 cm), Ceramics-Porcelain

Design for the Decoration of the Barrel Tang Surround of a Firearm, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 2 7/8 x 3 1/4 in (7.3 x 8.3 cm), Works on Paper-Drawings

Vinaigrette box, John Shaw, 1807, British, Birmingham, Silver, Length: 1 1/4 in. (3.2 cm), Metalwork-Silver, John Shaw

Apothecary jar (albarello), ca. 1480, Italian, probably Faenza, Maiolica (tin-glazed earthenware), Height: 12 15/16 in. (32.9cm), Ceramics-Pottery

Club Head, ca. 1500 B.C.– ?A.D. 1600, Papua New Guinea, Highlands, Komun River, Highlands, Mt. Hagen region, Stone, W. 1 7/8 x L. 3 1/8 in. (4.8 x 7.9 cm), Stone-Sculpture, The earliest known works of Oceanic sculpture are a series of

Chlorite pendant in the shape of an African's head, Cypriot, Gold, Chlorite, Other: 1/4 x 9/16 x 1/2 in. (0.6 x 1.4 x 1.3 cm), Gold and Silver

The Nativity, Tempera on wood, Overall 20 3/4 x 23 5/8 in. (52.7 x 60 cm); painted surface 20 1/2 x 22 1/2 in. (52.1 x 57.2 cm); painted surface of reassembled work 33 1/4 in. (84.5 cm) high at center, Paintings, Francesco di Giorgio Martini

Jacques-Louis Leblanc (1774–1846), 1823, Oil on canvas, 47 5/8 x 37 5/8 in. (121 x 95.6 cm), Paintings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), This portrait of Leblanc and that of his wife were painted in 1823,

Earring, 6th–7th century, Made in Northern France, Frankish, Copper alloy, glass paste, Overall: 1 7/8 x 1 7/16 x 1/2 in. (4.7 x 3.7 x 1.3 cm), Metalwork-Copper alloy

Ornament Print Panel, early 16th century, Woodcut, Prints, Peter Flötner (German, Thurgau 1485–1546 Nuremberg

Félicité Sophie de Lannion, Duchesse de La Rochefoucauld, at the Age of 29 Years (1745–1830), 1774, French, White marble, H. 28-3/4 in. (73 cm.), Sculpture, Jean-Baptiste Lemoyne the Younger (French, Paris 1704–1778 Paris), Félicité

Mosaic glass inlay, Early Imperial, late 1st century B.C.–1st century A.D., Roman, Glass, Overall: 7/8 x 7/8 x 1/8 in. (2.3 x 2.3 x 0.4 cm), Glass, Translucent cobalt blue ground; decoration in opaque white, yellow, red, reddish brown,

Venus, early 16th century, Southern German, Bronze, with yellow-brown natural patina, Height: 11 1/2 in. (29.2 cm), Sculpture-Bronze, The sculptor’s simplified volumetric approach is remarkable even among German bronzes, in which simplicity

Basket Earring, 10th–11th century, Byzantine, Gold, Overall: 1 1/8 x 7/8 x 13/16 in. (2.9 x 2.2 x 2 cm), Metalwork-Gold

Long-necked Bottle, first half 14th century, Attributed to Egypt or Syria, Glass, colorless with green tinge; blown, blown applied foot, applied decoration, enameled and gilded, H. 19 5/8 in. (49.8 cm), Glass, Especially after the Mongol

Finger Ring, 7th century, Frankish, Silver, gold bezel, glass cabochon, Overall: 1 x 13/16 x 3/8 in. (2.6 x 2.1 x 0.9 cm), Metalwork-Silver

Inlay fragment, feather design, Ptolemaic Period–Roman Period, 200 BC–100 AD, From Egypt, Glass, l. 1.3 × w. 0.4 cm (1/2 × 3/16 in.), A mosaic glass technique allowed multiples of an image to be created: a figural or design composition

Fragment of a Bowl, 10th century, Excavated in Iran, Nishapur, Earthenware; white slip with black slip decoration under transparent glaze, 4 15/16 x 2 3/4 in. (12.5 x 7 cm), Ceramics

織部瓜文硯, Inkstone (Suzuri) with Gourd Vine, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Stoneware with copper-green glaze and molded design (Mino ware, Oribe type), L. 5 1/2 in. (14 cm); W. 6 1/8 in. (15.6

Glass mosaic inlay fragment, Late Hellenistic or Early Imperial, ca. 1st century B.C., Greek, Ptolemaic or Roman, Egyptian, Glass; cast, Other: 7/8 x 1/8 x 1 1/8 in. (2.3 x 0.4 x 2.9 cm), Glass, Semi-opaque turquoise blue, with additions in

Architectural Drawing of the Exterior of the Comte de Nieuwerkerke's House, ca. 1870, Paris, French, Paris, Pen on paper, 16 1/8 x 9 3/8 in. (40.9 x 23.8 cm), Works on Paper-Drawings, Studio of Hector-Martin Lefuel (French, Versailles

Plaque, 1880, Made in Philadelphia, Pennsylvania, United States, American, Porcelain, Diam. 11 1/4 in. (28.6 cm), Ceramics

Plaque with nude female in a shrine niche, Late Period–Ptolemaic Period, 600–275 BC, From Egypt, Limestone, paint, H. 9.5 cm (3 3/4 in.); W. 6.5 cm (2 9/16 in.); D. 2.3 cm (7/8 in.), Limestone or terracotta plaques showing nude women in