Images at Librifly


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Netsuke of Thirteen Masks, 19th century, Japan, Ivory, H. 1 1/2 in. (3.8 cm); W. 1 3/8 in. (3.5 cm), Netsuke
Foundation figure of a deity, Early Dynastic IIIb, ca. 2500–2350 B.C., Southern Mesopotamia, Sumerian, Copper, H. 10 7/8 x W. 2 1/16 in. (27.6 x 5.2 cm), Metalwork-Sculpture
The 'Shipwreck Medal', 1845–57, Made in New York, New York, United States, American, Bronze, Diam. 2 5/8 in. (6.7 cm), Metal, Salathiel Ellis (1803–1879
Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 4 5/16 x 4 7/16 in. (10.9 x 11.2 cm), Ceramics
Jar with lid, Archaic, 550–500 B.C., Etruscan, Terracotta; grey ware, .a: 3 1/8 × 4 3/8 in. (7.9 × 11.1 cm), Vases, Three small pierced handles; no decoration
Earring, crescent-shaped, Gold, Other: 7/16 x 5/8 in., 140g (1.2 x 1.7 x 0.1 cm), Gold and Silver
Madonna and Child, Tempera on wood, Overall, with added strips, 15 3/8 x 10 in. (39.1 x 25.4 cm); painted surface 14 1/4 x 9 in. (36.2 x 22.9 cm), Paintings, Italian (Venetian) Painter (second quarter 15th century
Virgin and Child, ca. 1550–60, Made in Troyes, French, Limestone, traces of polychromy, Overall: 15 7/16 x 6 x 4 3/4 in. (39.2 x 15.3 x 12 cm), Sculpture-Stone, Atelier of the Juliots
Pendant with ball, Etruscan, Gold, Diameter: 3/8 × 1 3/8 in. (1 × 3.5 cm), Gold and Silver, With ball on the end of a stem
Still Life with Flowers, 1925, Oil on canvas, 28 7/8 × 23 3/4 in. (73.3 × 60.3 cm), Paintings, Félix Vallotton (Swiss, Lausanne 1865–1925 Paris
Bow Brooch, mid-1st century, Roman, Copper alloy, Overall: 2 3/16 x 1/2 x 3/4 in. (5.5 x 1.2 x 1.9 cm), Metalwork-Bronze
Basin with Stylized Lotus Blossoms, 17th century, Attributed to India, Marble, H. 16 5/8 in. (42.2 cm), Stone, Lyrical patterns of stylized lotus blossoms flanked by leaf forms comprise the upper and lower bands of this nearly square marble
Rinaldo Persuaded by Ubaldo and Guelfo to Abandon Armida, mid-18th–late 18th century, Pen and brown ink, brown wash, over black chalk, 8 11/16 x 7 1/16 in. (22 x 18 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804
Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 5 1/4 in. (13.3 cm); L. of head 1 3/16 in. (3 cm); W. 3/8 in. (1 cm); Wt. 0.3 oz. (8.5 g), Archery Equipment-Arrowheads
Netsuke, 19th century, Japan, Ivory inlaid, H. 3/4 in. (1.9 cm); Diam. 1 3/4 in. (4.4 cm), Netsuke
Vessel, 17th–18th century, Nigeria, Yoruba peoples, Owo group, Ivory, wood or coconut shell inlay, Height 5 in., Bone/Ivory-Containers
Toddy Jug, 1800–1820, Made in China, Chinese, for American market, Porcelain, H. 10 in. (25.4 cm), Ceramics, The initials ET in gold under the spout of this jug are those of Edward Tilghman (1750–1815), a prominent lawyer in
Vanity case, ca. 1760–1800, British, Staffordshire, Enameled copper, Overall (confirmed): 4 × 1 1/2 × 1 1/2 in. (10.2 × 3.8 × 3.8 cm), Enamels
Medallion with Return from a Spring Outing, Ming dynasty (1368–1644), late 16th–early 17th century, China, Ivory, H. 1 1/4 in. (3.2 cm); Diam. 3 1/4 in. (8.3 cm), Ivories, The richly carved scene of a scholar gentleman riding in a
Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 7 1/2 in. (19.1 cm); L. of head 2 in. (5.1 cm); W. 2 7/16 in. (6.2 cm); Wt. 1.8 oz. (51 g), Archery Equipment-Arrowheads
Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 11 5/8 in. (29.5 cm); L. of head 4 1/4 in. (10.8 cm); W. 1 3/4 in. (4.5 cm); Wt. 2.6 oz. (73.7 g), Archery Equipment-Arrowheads
Self-Portrait with Waroquy, 1889, Oil on canvas, 36 1/2 x 28 1/2 in. (92.7 x 72.4 cm), Paintings, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule), In his sober, high-collared garment, the pensive twenty-three year old Vuillard
Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Copper-gold alloy (shakudō), silver, gold, copper, L. of each 1 3/8 in. (3.5 cm); Wt. of each 0.3 oz. (8.5 g), Sword Furniture-Menuki
Heraldic Lion, 19th century, Spanish, Gold, enamel and pearls., L. 9 cm, W. 7.4 cm
Chasuble Back with an Orphrey, ca. 1350–1500, German(?) and Italian, Cut velvet, red silk, gilt-metal-strip-wrapped silk, linen., From center back to hem: 35 1/2 x 23 1/2 in. (90.2 x 59.7 cm), Textiles-Velvets
Plate, late 15th century, German, Brass, Overall: 15 1/2 x 2 1/8 in. (39.4 x 5.4 cm), Metalwork-Brass
The Annunciation, ca. 1610–15, Black chalk, pen and brown ink, brush and gray wash, heightened with white. The architectural elements along the upper margin, including the cornice and the coat of arms, were drawn on a separate sheet,
Weaving Sword, 10th–16th century (?), Peru, Peruvian, Bone, pigment, Length 7 in., Bone/Ivory-Implements
Bust of a Women, 14th century, French, Oak, Overall: 13 3/4 x 9 1/2 x 6 1/8 in. (34.9 x 24.2 x 15.5 cm), Sculpture-Wood
Wine cooler, 1801–25, Russian, St. Petersburg, Hard-paste porcelain, Height: 7 in. (17.8 cm), Ceramics-Porcelain
Armchair (one of four) (part of a set), ca. 1770, French, Paris, Carved and gilded mahogany, modern silk damask, H. 43 1/2 x W. 28 1/2 x D. 24 1/2 in. (110.5 x 72.4 x 62.2 cm), Woodwork-Furniture
Copper Knife with Sickle Shaped Blade, 3rd century B.C.–A.D. 2nd century, Peru, Vicús (?), Copper, H x W: 8 1/16 x 5 13/16in. (20.5 x 14.7cm), Metal-Implements
Large Boston Public Garden Sketchbook: Design for an advertisement for a tearoom, 1895–97, Recto: pen and brush and black ink over pencil, bordered in pen and black ink over pencil; Verso: watercolor over pencil, bordered in pencil and
Vase Fragment, 1st century B.C.–1st century A.D., Roman, Terracotta, 1 3/4 × 2 1/16 × 3/16 in. (4.5 × 5.2 × 0.5 cm), Vases, Fragment of a vase; Nike writing on a shield. Signed by Certus as workman for Rasinius
Emma Alexander Sheafer (1891–1973), 1925, Pastel on canvas, 44 3/8 x 34 3/8 in. (112.7 x 87.3 cm), Drawings, Hoëy(?) (active 1925
Cassetta frame, early 17th century, Italian, Lombardy, Poplar, Overall: 24 1/8 x 20 1/2 in, Frames
Jael, ca. 1560, Pen and black ink over black chalk; traced for transfer; remains of original borderline at the top and bottom left, 7 5/16 x 9 3/4 in. (18.6 x 24.7 cm), Drawings, Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574
Vase fragment, Archaic, 2nd half of the 6th century B.C., Etruscan, Terracotta; bucchero pesante, 3 9/16 × 3 13/16 × 3/16 in. (9.1 × 9.7 × 0.6 cm), Vases, Showing the head of an animal and conventional design in relief
Squat lekythos, Classical, 5th century B.C., Greek, Attic, Terracotta; red-figure, Diameter: 1 3/4 × 1 × 1 5/8 in. (4.4 × 2.6 × 4.1 cm), Vases
Bottle, second half 17th century, Attributed to Iran, Stonepaste; luster-painted on opaque blue glaze under transparent colorless glaze, H. 12 1/4 in. (31.1 cm), Ceramics
Panel, 15th century, Italian or Spanish, Silk; metal, 44 1/2 x 25 1/2 in. (114.6 x 66.2 cm) with fringe, Textiles-Velvets
Panel, ca. 1520–50 and later, Flemish, Stained glass, 18 1/4 x 16 in. (46.4 x 40.6 cm), Glass-Stained
[Woman in Black Taffeta Dress and Lace Shawl], ca. 1850, Daguerreotype, 21.6 x 16.5 cm (8 1/2 x 6 1/2 in.), Photographs, Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts), Josiah Johnson Hawes
Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 7 in. (17.8 cm); L. of head 2 5/8 in. (6.7 cm); W. 1 in. (2.5 cm); Wt. 0.9 oz. (25.5 g), Archery Equipment-Arrowheads
Large Boston Public Garden Sketchbook: Two women stopping to converse with an acquaintance riding in a carriage, 1895–97, Recto: watercolor over pencil, bordered in watercolor and pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings,
Bronze plate, Archaic, 2nd half of the 6th century B.C., Greek, Bronze, H. 11 1/4 in. (28.6 cm), Bronzes, Greek craftsmen were expert at incorporating animal forms into the design of showy bronze vessels. Here, the foreparts of winged horses
Medal of Captain Truxtun's Engagement with a French Cruiser in 1800, 19th century, Made in United States, American, Bronze, Diam. 2 1/4 in. (5.7 cm), Metal, Moritz Fürst (born 1782, active United States, 1807–ca. 1840
Relief from casket, Roman, Ivory, Other: 6 5/16 x 2 3/16 x 1/16 in. (16 x 5.6 x 0.2 cm), Relief from a casket with Herakles holding a club
Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 8 5/8 in. (21.8 cm); L. of head 3 1/4 in. (8.3 cm); W. 2 1/8 in. (5.4 cm); Wt. 1.5 oz. (42.5 g), Archery Equipment-Arrowheads
Terracotta head of a wreathed youth, Early Hellenistic, early 3rd century B.C. ?, Cypriot, Terracotta; mold-made, H. 5 5/8 in. (14.3 cm), Terracottas, The type of the wreathed figure was made in Cyprus from the sixth century B.C. into the
Medallion with Hunting Dog Attacking Boar Crossing Water, ca. 1240–60, Made in Limoges, France, French, Copper: engraved and gilt; champlevé enamel: medium and light blue and white, Overall: 3 1/2 x 1/16 in. (8.9 x 0.2 cm),
Terracotta Panathenaic prize amphora, Archaic, ca. 525–500 B.C., Greek, Attic, Terracotta; black-figure, H. 25 in. (63.5 cm), Vases, Obverse, Athena, Reverse, chariot race. In addition to stylistic criteria, the device of a flying horse
Badge (probably from Horse Harness), 14th century, Spanish, Copper, H. 2 3/8 in. (6 cm); W. 1 1/2 in. (3.8 cm); Wt. 0.5 oz. (14.2 g), Miscellaneous-Badges
Ewer with Sailing-ship Design, early 17th century, Made in Turkey, Iznik, Stonepaste; polychrome painted under a transparent glaze, H. 8 5/8 in. (21.9 cm), Ceramics
The Judgment of Solomon, 1649–50, Pen and brush and brown ink, brown wash, over black chalk, with traces of corrections in white., 9 1/8 x 12 7/8 in. (23.2 x 32.7 cm), Drawings, Constantijn Daniel van Renesse (Maarsen 1626–Eindhoven 1680
The Rape of Tamar, probably ca. 1640, Oil on canvas, 74 1/2 x 63 1/2 in. (189.2 x 161.3 cm), Paintings, Eustache Le Sueur (French, Paris 1616–1655 Paris), The painting represents Tamar being raped by her brother, Amnon. According to II
Necklace, 10th century, Byzantine, Gold enamel, and semi-precious stones., Overall: 22 13/16 x 1/4 x 1/4 in. (58 x 0.7 x 0.7 cm), Metalwork-Gold
Horus falcon figure, Late Period or Ptolemaic Period, 664–30 B.C., From Egypt, Northern Upper Egypt, Abydos, Egypt Exploration Fund excavations, 1898, Cupreous metal, H. 8.2 cm (3 1/4 in.); W. 2.5 cm (1 in.); L. 6.3 cm (2 1/2 in.), The
Phantom Perspective, 1920, Ink on paper mounted on cardboard, 9 7/8 × 12 7/8 in. (25.1 × 32.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno
Bead, Glass, Other: 3 5/8 x 1 in. (9.2 x 2.5 cm), Glass
Desk and Bookcase, 1805–10, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, satinwood veneer with white pine, 94 11/16 x 45 x 22 3/8 in. (240.5 x 114.3 x 56.8 cm), Furniture, John Davey (active ca. 1797–1822),
Trencher (one of a set), late 16th–early 17th century, British, Oak and sycamore woods, painted, silvered and yellow varnished; inscription: ink (animal or vegetable), Diameter: 5 in. (12.7 cm), Natural Substances, Banquets usually ended
Beads, 12, Roman, Glass, Other: 3 1/16 x 3/8 in. (7.7 x 0.9 cm), Glass
Hare, 5th–6tth century (?), Made in Egypt, Byzantine, Ivory, Overall: 3/4 x 3 1/8 x 5/16 in. (1.9 x 8 x 0.8 cm), Ivories
Jug, 15th century, French, Earthenware, Overall: 7 1/8 x 4 13/16 in. (18.1 x 12.3 cm), Ceramics
Alte und neue Kinderlieder, Fabeln, Sprüche und Räthsel, 1849, Etchings, Overall: 9 5/16 x 7 5/16 x 15/16 in. (23.6 x 18.5 x 2.4 cm), Books, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden), Wilhelm von Kaulbach (German,
Illustrated Single Work, 9th–10th century, Attributed to Egypt, Ink and opaque watercolor on parchment, Gr. Diam. 12 1/2 in. (31.8 cm), Codices
Madonna and Child with Saints Jerome, Bernardino, John the Baptist, and Anthony of Padua and Two Angels, ca. 1465–70, Tempera on wood, gold ground, Overall, with engaged frame, 29 1/8 x 20 3/8 in. (74 x 51.8 cm); painted surface 24 3/8 x
Glass beads, Glass, Other: 5 1/2 in. (14 cm), Glass
Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 10 1/2 in. (26.7 cm); L. of head 3 1/2 in. (8.9 cm); W. 2 in. (5.1 cm); Wt. 2.2 oz. (62.4 g), Archery Equipment-Arrowheads
Nude Model Reclining (Nude Model Resting), 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; third state of three (Chicago); printed in black ink on cream laid paper, Image: 4 1/2 × 8 7/16 in. (11.5 × 21.4 cm),
Cavalier and Shepherd, Oil on canvas, 25 5/8 x 32 in. (65.1 x 81.3 cm), Paintings, Francesco Casanova (Italian, London 1727–1803 Brühl
Mosaic glass inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 1 9/16 x 1 5/8 in. (3.9 x 4.1 cm), Glass, Translucent deep purple, appearing black, and opaque white., Fragment of thick,
Marble Decorative Panels, 10th–11th century, Made in possibly Constantinople, Byzantine, Marble, Overall: 27 1/2 x 33 1/2 x 1 1/8 in. (69.9 x 85.1 x 2.9 cm), Sculpture-Architectural, Marble panels like these were used throughout the
Roundel, 15th and 17th century, Italian or Spanish, linen, silk, and gilt metal thread appliquéd to silk cut velvet embroidered with silk and gilt metal thread in padded couching and couching of gilt metal strips., Including tape: 54.5 x 43 cm
Gold earring with woman's head and glass beads, Hellenistic, 3rd?2nd century B.C., Greek, Gold, glass paste, Other: 1 1/16 x 7/16 x 1 5/16 in. (2.6 x 1.2 x 3.3 cm), Gold and Silver
Adze, before 16th century, Mexico, Mesoamerica, Chiapas, Maya (?), Stone, Height 4-7/16 in., Stone-Implements, Greenstone axe heads, commonly known as “celts, ” were some of the most important works of art across ancient Mesoamerica and
Vinaigrette box, Possibly by Matthew Boulton (British, Birmingham 1728–1809 Birmingham), 1808, British, Birmingham, Silver, Length: 1 in. (2.5 cm), Metalwork-Silver, Possibly by Matthew Boulton (British, Birmingham 1728–1809 Birmingham
Double-gourd vase (one of a pair, part of a garniture), ca. 1690, Dutch, Delft, Tin-glazed earthenware, Height: 19 11/16 in. (50 cm), Ceramics-Pottery, Garnitures consisting of three, five, or seven vases were made for decorative purposes
Smallsword with Scabbard, hallmarked 1773–74, Paris, French, Paris, Gold, steel, wood, fish skin, L. with scabbard 38 1/2 in. (97.8 cm); L. without scabbard 38 1/8 in. (96.8 cm); W. 4 in. (10.2 cm); D. 2 7/8 in. (7.3 cm); Wt. 1 lb. 13 oz.
Hanging, 18th century, Attributed to Syria, Damascus, Wool; design in wool applique outlined in silk, broken scrolls in silver thread couched in brickwork pattern; lining of brown satin., H. 70 in. (177.8 cm), Textiles-Embroidered
The Rommelpot Player, 18th century, Red chalk, 6 3/4 x 4 7/16 in. (17.1 x 11.2 cm), Drawings, French (?) (eighteenth century), This drawing was probably executed in France at a time when the vogue for seventeenth-century Dutch painting inspired
Illustrations of Various Professions (Shoshoku e-zukushi), Edo period (1615–1868), 1685, second month, Japan, Woodblock printed book; ink and color on paper, 10 3/8 × 7 3/8 × 3/16 in. (26.4 × 18.7 × 0.5 cm), Illustrated Books, Hishikawa
Bowl of Figs, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Senenmut (TT 353), Foundation deposit, 1926–27, Pottery, diam. 7.5 cm (2 15/16in
Dropper flask, probably 3rd–4th century, Roman, Almost colorless glass. Blown (the body blown in a dip mold), tooled, the rim finished at the furnace., H. 9.2 cm; diam. of rim 4.4 cm; diam. of body 6.6 cm, Glass
Das ist der Spiegel der menschen behaltnis mit den evangelien und mit epistelen nach der zyt des iars, 1479–81, Woodcut, Overall: 13 3/8 x 9 1/4 x 2 9/16 in. (34 x 23.5 x 6.5 cm), Books, Attributed to Erhard Reuwich (German, Utrecht ca.
Chamber candlestick, 1762–63, British, London, Silver, H. 3 1/2 x W. 5 3/8 in. (8.9 x 13.7 cm), Metalwork-Silver, John Parker (British, active 1759–77), Edward Wakelin (British, active before 1748, died 1784
Medallion of the Marquis de Lafayette, 1831, Made in France, Bronze, Diam. 6 3/4 in. (17.1 cm), Metal, Pierre Jean David d'Angers (French, Angers 1788–1856 Paris
Sword-Hilt Collar and Pommel (Fuchigashira), late 18th–early 19th century, Japanese, Copper, gold, copper-gold alloy (shakudō), Fuchi (a); H. 1 1/2 in. (3.8 cm); Wt. 1 oz. (28.3 g); kashira (b); H. 1 3/8 in. (3.5 cm); Wt. 0.5 oz. (14.2 g),
Gold Strip, 700s, Avar, Gold, 25 1/2 × 3/16 × 1/16 in., 0 Troy Ounces (64.7 × 0.4 × 0.1 cm, 31g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some
Stone Temple Model, 1st–8th century, Mexico, Mesoamerica, Guerrero, Balsas River region, Mezcala, Stone, H. 2 13/16 × W. 2 1/8 in. (7.1 × 5.4 cm), Stone-Sculpture
Pair of Moccasins, 1790–1815, Canada, Quebec, Huron, Native-tanned and dyed skin, silk, quill, deer and moosehair, metal, H. 4 1/2 x L.10 1/2 in. (11.4 x 26.7 cm), Hide-Costumes
Fragment of a Storage Bag, first half 19th century, Attributed to Turkmenistan, Central Asia, Wool (warp and weft), cotton (weft and pile), wool (pile), silk (pile); asymmetrically knotted pile, H. 32 1/2 in. (82.5 cm), Textiles-Rugs
Landscape with Thatched Cottages, Oil on wood, 5 3/4 x 7 3/4 in. (14.6 x 19.7 cm), Paintings, Workshop of David Teniers the Younger (Flemish, Antwerp 1610–1690 Brussels
Relief Fragments Depicting a Court Scene, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten), Limestone, paint,
Pair of Sword-Grip Ornaments (Menuki), 18th century, Japanese, Gold, L. of each 1 13/16 in. (4.6 cm); Wt. of each 0.2 oz. (5.7 g), Sword Furniture-Menuki
Bowl, Old Kingdom, Dynasty 5–6, ca. 2465–2150 B.C., From Egypt; Said to be from Fayum Entrance Area, Meidum, Red polished pottery, Diam. 17 cm
Sansovino-style frame, ca. 1570, adapted ca. 1960, Venetian, Pine back frame with lime upper moldings. Gilt; dark red-brown bole, blue background., Overall, 150 x 117 cm; sight, 104 x 74.2 cm; rebate 108 x 78.2 cm., Frames
Papier-mâché side chair, ca. 1830–60, British (?), Wood, papier-mâché, black lacquer, painted and gilded, mother-of-pearl, caned seat., H. 79.5 cm, W. 42 cm, D. 38.4 cm, Woodwork-Furniture
Hip-joint armchair (Dantesca type), 16th century (with later repairs), Italian, Elm (?), bone, carved; leather (?), tooled embroidery, silk velvet, metal., H. 84.5 cm, W. 45.4 cm, D. 65 cm, Woodwork-Furniture

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