Images at Librifly

Pussy's Return, 1874–78, Hand-colored lithograph, image: 8 1/2 x 12 1/2 in. (21.6 x 31.8 cm), Prints

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 4 11/16 x 4 7/16 in. (11.9 x 11.2 cm), Ceramics

Bowl, Fluted, 10th century, Byzantine, Earthenware, glazed, Overall: 3 3/16 x 6 3/4 in. (8.1 x 17.2 cm), Ceramics

Toe Cap and Lames for a Right Foot Defense (Sabaton), 16th century, German, Steel, H. 4 3/4 in. (12.1 cm); W. 12 in. (30.5 cm), Armor Parts-Sollerets

The Temptation of Saint Anthony, Oil on wood, 43 x 59 in. (109.2 x 149.9 cm), Paintings, Attributed to Pieter Huys (Netherlandish, Antwerp, active by 1545–died 1584 Antwerp

Glass pendant with lion, Late Imperial, 4th–5th century A.D., Roman, Glass; stamped, Diam.: 13/16 in. (2.1 cm), Glass, Translucent amber yellow., Oval disk with thick rounded edge on right half; uneven, flat bottom; pierced suspension loop

Gold necklace, Gold, Other (58 elements): 14 in. (35.6 cm), Gold and Silver

Bottle with cover, F. P., London (ca. 1875), 1874–75, British, London, Silver gilt, glass, H. 4 5/8 in. (11.7 cm), Metalwork-Silver, F. P., London (ca. 1875

Stand, first half 14th century, Attributed to Egypt or Syria, Brass; inlaid with silver, H. 9 5/8 in.(24.4 cm), Metal

Inlay fragment, rows of zigzag lines, Ptolemaic Period–Roman Period, 200 BC–100 AD, From Egypt, Glass, H. 0.9 × W. 2.2 cm (3/8 × 7/8 in.), A mosaic glass technique allowed multiples of an image to be created: a figural or design

Key, 15th century, German, Iron, Overall: 9 3/4 x 3 1/4 x 13/16 in. (24.8 x 8.3 x 2 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently

Opera Mathematica ou Oeuvres Mathematiques Traictant de Geometrie, Perspective, Architecture, et Fortification, 1617, Engraving, Overall: 11 7/8 x 15 3/16 x 2 9/16 in. (30.2 x 38.5 x 6.5 cm), Books

Portrait of a Yellow Man, 1921, Watercolor, transferred printing ink, and ink on paper mounted on cardboard, 23 1/8 × 16 1/2 in. (58.7 × 41.9 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Earring, 6th–7th century, Frankish, Copper alloy, silver, glass paste, Overall: 1 15/16 x 1 13/16 x 11/16 in. (4.9 x 4.6 x 1.7 cm), Metalwork-Copper alloy

Escutcheon Plate, early 15th century, German, Iron, Overall: 3 1/4 x 3 x 1/4 in. (8.2 x 7.6 x 0.6 cm), Metalwork-Iron

Rural Architecture, or a Series of Designs for Ornamental Cottages, 1823, Illustrations: lithography, 10 9/16 × 8 1/8 × 1 3/16 in. (26.9 × 20.7 × 3 cm

Glass bracelet, Imperial, ca. 2nd–4th century A.D., Roman, Glass; drawn and tooled, Diam.: 2 1/2 in. (6.3 cm), Glass, Translucent cobalt blue, appearing black. Circular band; rectangular in section, with rounded edges; ends of rod pressed

Cuneiform tablet: fragment of Syllabary A, ca. late 1st millennium B.C., Mesopotamia, Clay, 1 3/4 x 1 1/4 x 3/4 in. (4.5 x 3.2 x 1.8 cm), Clay-Tablets-Inscribed

Handkerchief, 1840–80, French or Swiss, silk on linen, Overall: 17 x 17 1/4 in. (43.2 x 43.8 cm), Textiles

Reliquary Casket with the Deesis, Archangels, and the Twelve Apostles, 950–1000, Made in probablly in Constantinople, Byzantine, Ivory, with gilt-copper alloy mounts, Overall (with mounts): 2 13/16 x 7 3/16 x 4 1/4 in. (7.1 x 18.3 x 10.8

大和絵づくし, Compendium of Yamato-e Painting Themes (Yamato-e zukushi), Edo period (1615–1868), 1686, ninth month, Japan, Woodblock printed book; ink on paper, 10 3/4 x 7 3/8 in. (27.3 x 18.7 cm), Illustrated Books, Hishikawa

Agricultural Scenes, Tomb of Nakht, New Kingdom, Dynasty 18, ca. 1400–1390 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, Facsimile H. 169 cm (66 9/16 in); w. 226 cm (89 in), Norman de Garis Davies (1865–1941), Lancelot

Book-Cover, 15th century, French, Plaster cast, Overall: 15 7/16 x 12 3/8 x 1 9/16 in. (39.2 x 31.4 x 4 cm), Reproductions-Ivories

Side chair (one of a pair), ca. 1730, British, Walnut, walnut veneer, 40 × 20 3/4 × 20 in. (101.6 × 52.7 × 50.8 cm), Woodwork-Furniture

Hammered Silver Arc Ornament, 12th–15th century, Peru, Chimú, Silver (hammered), gilt, Width 8-3/4 in. (22.2 cm.), Metal-Ornaments

Candlestick in the Form of a Kneeling Angel, ca. 1590–1600, Reddish copper alloy covered with a natural, warm brown patina, H. 27.5 cm, Metalwork-Bronze, Close collaborator of Giambologna (Netherlandish, Douai 1529–1608 Florence) ,

Terracotta tripod, Cypro-Geometric I, ca. 1050–950 B.C., Cypriot, Terracotta, H. 7 in. (17.8 cm), Vases, The lozenge and checker motifs evoke the openwork of bronze furnishings. Two of the three legs have figural motifs: a man between two

Arrowhead (Yanonē), 18th century, Japanese, Steel, L. 8 1/2 in. (21.6 cm); L. of head 3 1/4 in. (8.3 cm); W. 1 1/2 in. (3.8 cm); Wt. 1.1 oz. (31.2 g), Archery Equipment-Arrowheads

A Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrifice, ca. 1743, Pen and brown ink, 7 11/16 x 11 in. (19.5 x 28 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Pair of Torah finials (rimonim), ca. 1740–50, Italian, Venice, Parcel-gilt silver, Overall ( confirmed): 26 9/16 × 6 3/16 × 6 in., 90oz. (67.5 × 15.7 × 15.2 cm, 2579.1g), Metalwork-Silver

Tondo mirror frame, ca. 1490–1500, Italian, Siena, Poplar; carved, gilt; deep red-brown bole., Overall, 61.5 x 36 cm; sight diam. 15.2 cm; rebated diam. ca. 17.9 cm., Frames, Italian, Siena, Round, or tondo, frames housing mirrors or

Ring with Enamel Bezel, 19th or 20th century (12th–13th century style), Byzantine, Painted enamel, gold, Overall: 1 x 7/8 x 7/8 in. (2.6 x 2.2 x 2.2 cm), Enamels

Distaff (?), 3rd–5th century, Made in Byzantine Egypt, Coptic, Wood, Overall: 13 11/16 x 1 in. (34.7 x 2.6 cm), Woodwork-Miscellany

Madonna and Child Enthroned, 1472, Tempera on wood, gold ground, 38 3/4 x 17 1/4 in. (98.4 x 43.8 cm), Paintings, Carlo Crivelli (Italian, Venice (?), active by 1457–died 1495 Ascoli Piceno), These three panels are from an altarpiece

Arrowhead (Yanonē), 15th–16th century, Japanese, Steel, L. 9 1/2 in. (24.1 cm); L. of head 3 1/8 in. (7.9 cm); W. 5/8 in. (1.6 cm); Wt. 1.1 oz. (31.2 g), Archery Equipment-Arrowheads

Saint Paul, ca. 1450–70, Southern Netherlandish or Northern France, Alabaster, H. 34.1 cm (excluding base), h. 6.4 cm (base)., Sculpture-Alabaster, Southern Netherlands, or Northern France

Guitar, ca. 1755–60, Barcelona, Spain, Spanish, Pine top, figured maple back and sides, rosewood binding, ivory nut, rosewood, mastic, and mother-of-pearl inlaid decoration, Chordophone-Lute-plucked-fretted, José Massague (Spanish,

Finger Ring, 6th–7th century, Made in Gaul, Late Roman, Gold, Overall: 15/16 x 13/16 x 9/16 in. (2.4 x 2.1 x 1.4 cm), Metalwork-Gold

Necklace, 3rd–12th century, Attributed to Egypt, Amethyst, feldspar, L. 20 1/8 in. (51.1 cm), Jewelry

Key, 15th century, German, Copper alloy, Overall: 2 11/16 x 1 3/16 x 5/16 in. (6.8 x 3 x 0.8 cm), Metalwork-Iron, The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were

Sugar bowl with cover, Étienne Modenx (master 1777, recorded 1793), 1786–87, French, Paris, Silver, H. 5-1/8 in. (13.0 cm.); W. 4-1/16 in. (10.3 cm.); L. 8-1/8 in. (20.6 cm.), Metalwork-Silver, Étienne Modenx (master 1777, recorded

Suit, 1865–70, British, wool, silk, cotton

Apothecary jar (albarello), ca. 1480–90, Italian, Faenza, Maiolica (tin-glazed earthenware), Height: 22.9 cm. (9 inches), Ceramics-Pottery

Triptych with Christ, Virgin, St. John The Baptist, 18th century, Russian, Brass, surrey enamel, Overall (opened): 7 7/16 x 18 1/2 x 9/16 in. (18.9 x 47 x 1.5 cm), Enamels-Translucent

Earring, delta-shaped, Gold, Other: 11/16 × 1/16 × 3/4 in. (1.7 × 0.2 × 1.8 cm), Gold and Silver

Tubular Bead, 10th–4th century B.C., Mexico, Mesoamerica, Olmec (?), Stone, Height 2-7/8 in., Beads-Ornaments

Oil or vinegar cruet, ca. 1737, German, Meissen, Hard-paste porcelain, Height: 6 7/8 in. (17.5 cm), Ceramics-Porcelain

Philip II, King of Spain, from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 1/2 x 15 1/8 in. (52 x 38.4 cm), Prints, Engraved by Cornelis Visscher

Brocade Textile, 14th century, Made in Lucca (?), Italy, North Italian, Silk and metal thread, Overall: 7 1/2 × 9 1/16 in. (19 × 23 cm), Textiles-Woven-Brocade

Pinhead, Glass, Height: 1/16 x 9/16 in. (0.1 x 1.4 cm), Glass

Ring with intaglio of a bird, 1st century A.D., Roman, Gold, gem, Other: 9/16 × 11/16 × 7/16 in. (1.5 × 1.8 × 1.1 cm), Gold and Silver

Large Boston Public Garden Sketchbook: The Huntington Avenue Streetcar, 1895–1897, Watercolor over pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland 1858–1924 New

Teapot (part of a set), second quarter 18th century, German, Bayreuth, Earthenware, silver, Height (with cover): 3 15/16 in. (10 cm), Ceramics-Pottery

Weathercock and Stand, 15th century, French, Copper-gilt, iron stand, Overall: 102 1/2 x 39 3/8 x 12 (diam. of stand-25 1/4 in.) (260.4 x 100 x 30.5 (diam. of stand- 64.1 cm), Metalwork-Copper

Bracelet, 5th–8th century, From Palestine, Sbaita, Silver, H. 1/2 in. (1.3 cm), Metal

Badge (probably from Horse Harness), ca. 1400, Spanish, Copper, gold, enamel, H. 2 3/8 in. (6 cm); W. 2 1/16 in. (5.2 cm); Wt. 0.5 oz. (14.2 g), Miscellaneous-Badges

Ostrakon, 7th century, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 4 x 5 5/16 in. (10.2 x 13.5 cm), Ceramics

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, Length: 1 in. (2.5 cm), Gold and Silver, Of plain wire with two turns

Ostrakon, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 2 1/4 x 2 3/4 in. (5.7 x 7 cm), Ceramics

Necklace of Rock Crystal Beads, 3rd–6th century, Peru, Moche, Rock crystal, Height 43-1/4 in., Beads-Ornaments

Key, 9th century (?), Carolingian (?), Iron, Overall: 2 3/8 x 13/16 x 3/4 in. (6.1 x 2 x 1.9 cm), Metalwork-Steel

The Journey of the Magi, ca. 1433–35, Tempera and gold on wood, 8 1/2 x 11 3/4 in. (21.6 x 29.8 cm), Paintings, Sassetta (Stefano di Giovanni) (Italian, Siena or Cortona ca. 1400–1450 Siena), This scene, by the leading painter of

Dragons Chasing Flaming Pearls, 13th century, Central Asia, Silk, metallic thread, 18 1/4 x 12 3/4 in. (46.4 x 32.4 cm), Textiles-Tapestries

Aristide Bruant, dans son cabaret, 1893, Lithograph (before text) printed in four colors; machine wove paper, 54-15/16 x 39-3/16 in. (139.5 x 99.5 cm), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Vase, ca. 1879–90, Made in Trenton, New Jersey, United States, American, Porcelain, H. 13 in. (33 cm), Ceramics, Probably John Moses and Company (1864–after 1902

Plaque of St. Thomas, mid-12th century, Lower Rhenish or Saxon, Champlevé enamel, copper-gilt, Overall: 5 1/16 x 2 7/8 x 1/16 in. (12.9 x 7.3 x 0.2 cm), Enamels-Champlev

Table carpet with unicorns, ca. 1600, Dutch, Wool, silk (14-16 warps per inch, 6 per cm.), H. 60 x W. 92in. (152.4 x 233.7cm), Textiles-Tapestries

Earring or spiral, Classical, 5th century B.C., Cypriot, Gold, bronze, Diameter: 5/8 x 3/16 x 9/16 in. (1.6 x 0.5 x 1.4 cm), Gold and Silver, Gold plated bronze

Ostrakon with a Letter from Gennadius to Peter, 580–640, Made in Byzantine Egypt, Coptic, Pottery fragment with ink inscription, 5 13/16 × 3 3/4 × 7/16 in. (14.8 × 9.5 × 1.1 cm), Ceramics, Ostraca are texts written on broken pottery,

Daybed, Attributed to Georges Jacob (French, 1739–1814), ca. 1780–85, French, Paris, Carved and gilded oak; gilt bronze, Overall: 55 3/4 × 59 1/4 × 88 in. (141.6 × 150.5 × 223.5 cm), Woodwork-Furniture, Attributed to Georges Jacob

Beads, 23, Archaic or Classical, 6th–5th century B.C., Greek or Etruscan, Gold foil, Other: 6 1/4 in. (15.9 cm), Gold and Silver

Tinian, 1785–90, British, Cotton, L. 84 x W. 75 1/2 (213.4 x 191.8 cm); Breadth: 34 13/16 (88.5 cm), Textiles-Printed

Stele of Ushumgal, Early Dynastic I, 2900–2700 B.C., Mesopotamia, probably from Umma (modern Jokha), Sumerian, Gypsum alabaster, H. 22.4 x W. 14.7 x D. 9.5 cm (8 7/8 x 5 3/4 x 3 3/4 in.), Stone-Reliefs-Inscribed, Among the earliest written

Roundel, 7th–8th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 5 1/8 in. (13 cm), Textiles

Ten-light Grecian-style candelabrum (one of a pair), probably ca. 1857–75, French, Bronze, Overall: 24 3/4 x 14 x 13 in. (62.9 x 35.6 x 33 cm), Metalwork-Bronze

The Theological Virtues: Faith, Charity, Hope, Tempera and gold on wood, (1) 29 1/8 x 17 7/8 in. (74 x 45.4 cm); (2) 29 1/8 x 18 in. (74 x 45.7 cm); (3) 29 1/8 x 18 in. (74 x 45.7 cm), Paintings, Italian (Umbrian) Painter (ca. 1500), Each

Door handle, early 16th century, German, Iron, Overall (as if installed): 1 5/8 x 1 3/4 x 9/16 in. (4.1 x 4.4 x 1.4 cm), Metalwork-Iron

Bowl, 9th–10th century, Excavated in Iran, Nishapur. Attributed to Iran, Nishapur, Earthenware; purplish red slip, white slip decoration, green glaze, H. 3 1/8 in. (7.9 cm), Ceramics

Gold earring with pearl pendant, Imperial, 1st?2nd century A.D., Roman, Gold, Other: 9/16 x 1/4 x 15/16 in. (1.5 x 0.6 x 2.4 cm), Gold and Silver

West Point (No. 16 of The Hudson River Portfolio), 1825, Aquatint printed in color with hand-coloring; first state (Koke), Image: 14 1/16 x 20 3/16 in. (35.7 x 51.3 cm), Prints, after William Guy Wall (Irish, Dublin 1792–after 1864 Ireland

Inlay, palmette, Ptolemaic Period–Roman Period, 100 BC–100 AD, From Egypt, Glass, H. 1.8 × W. 2.9 cm (11/16 × 1 1/8 in.), A mosaic glass technique allowed multiples of an image to be created: a figural or design composition was made by

Fragment, probably 8th–12th century, Excavated in Iran, Nishapur, stucco; carved; painted, L 3.5cm x W 2 x H 1, Stucco

Tureen with cover, ca. 1735, Austrian, Vienna, Hard-paste porcelain, 10 5/8 × 16 3/8 × 8 7/8 in. (27 cm, 22.5 cm), Ceramics-Porcelain, This tureen belongs to one of the most splendid services produced at the Du Paquier manufactory. It was

Mourner, mid-15th century, Made in Burgundy, French, Limestone, Overall: 15 3/8 x 5 1/2 x 4 3/4 in. (39 x 13.9 x 12 cm), Sculpture-Stone

Miniature Stone Metate, 1st–8th century, Mexico, Mesoamerica, Guerrero, Balsas River region, Mezcala, Stone, H. 2 13/16 x W. 2 1/8 in. (7.1 x 5.4 cm), Stone-Implements

Buckle or Stud, 100–300, Roman, Champlevé enamel, copper alloy, Overall: 2 1/16 x 1 3/8 x 3/8 in. (5.2 x 3.5 x 1 cm), Enamels-Champlev

Snuffbox, 1769–1770, Gold and enamel, H. 4.1 cm, L. 8.4 cm, D. 6.4 cm, Snuffboxes, Louis Roucel (French, active ca. 1756–1784, died 1787

Belt Buckle, 7th century, Frankish, Iron, silver inlay, bronze nails, Overall: 5 5/16 x 2 11/16 x 13/16 in. (13.5 x 6.9 x 2 cm), Metalwork-Iron

Hearth and Home, 1868–70, Illustrations: engraving, 16 5/16 x 11 1/4 in. (41.5 x 28.5 cm), Books

Plaque from a Book Cover or Portable Altar with Saint Thomas and the Lion of Saint Mark, mid to late 12th century, Made in Meuse Valley, Netherlands, South Netherlandish, Champlevé enamel, copper alloy, gilt, Overall: 1 3/8 x 4 9/16 x 1/8

Convalescente (autre), 1860s, Albumen silver print from glass negative, 9.9 x 6.9 cm (3 7/8 x 2 11/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Folios from a Qur'an Manuscript, 10th century, Attributed to Iran, Ink and gold on parchment, 4 7/8 x 7in. (12.4 x 17.8cm), Codices, These two leaves from an early Qur'an are written in kufic script in dark brown ink, with vowel markings in

Snuffbox, Samuel Pemberton, 1803, British, Birmingham, Silver, Length: 1 in. (2.5 cm), Metalwork-Silver, Samuel Pemberton

Frontlet of gold leaf, Gold, Other: 2 5/16 × 4 1/8 in. (5.8 × 10.5 cm), Gold and Silver

Stand with perforated base, 그릇받침 삼국, 신라, Three Kingdoms period, Silla Kingdom (57 B.C.–A.D. 676), 5th–6th century, Korea, Stoneware with traces of ash glaze, H. 16 in. (40.6 cm), Ceramics

Textile with Brocade, 13th century, Made in Sicily, Italy, Spanish or Italian, Silk, metal thread, Overall: 25 1/4 × 8 3/8 in. (64.1 × 21.3 cm), Textiles-Woven-Brocade

Ladle, 580–640, Made in Thebes, Byzantine Egypt, Coptic, Earthenware, Overall: 9 5/16 x 3 1/2 x 1 15/16 in. (23.6 x 8.9 x 4.9 cm), Ceramics

Open Your Mouth and Shut Your Eyes (Harper's Weekly), May 16, 1874, Wood engraving, Image: 13 1/2 × 9 1/16 in. (34.3 × 23 cm), Prints, After John George Brown (American (born England), Durham 1831–1913 New York

Virgin and Child with Saint Catherine of Alexandria, ca. 1630, Oil on canvas, 43 x 35 3/4 in. (109.2 x 90.8 cm); with added strips 44 1/8 x 37 in. (112.1 x 94 cm), Paintings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London), The infant

Earring, Etruscan, Gold, Diameter: 5/16 × 1/8 in. (0.8 × 0.3 cm), Gold and Silver, Ring shaped with ball at one end, edged and ornamented with beaded wire