Images at Librifly

Design for a Metal Footed Vessel (for liturgical use?), second half 19th century, Pen and reddish brown ink, sheet: 6 13/16 x 10 1/4 in. (17.3 x 26.1 cm), Anonymous, British, 19th century

Poem by Fujiwara no Okikaze with Underpainting of Clematis, 松花堂昭乗書・伝俵屋宗達下絵　鉄線下絵和歌色紙　藤原興風, Edo period (1615–1868), early 17th century, Japan, Hanging scroll; ink, gold, and silver on

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 76r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 13 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

[Court of French and Italian Sculpture; Avenue in Front of Fine Arts Courts; View into Classical Sculpture Gallery; Avenue in Front of Sheffield Court], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each,

Gustav Karl Ludwig Richter, after 1867, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Sacrifice of Noah (?), 18th century, Pen and brown ink, brush and yellow, red, green, blue, brown and gray watercolor, over black chalk on cream laid paper, 5-3/8 x 7-11/16 in. (13.7 x 19.5 cm), Drawings, Anonymous, Italian, first half

Portrait of Sir Benjamin Thompson, Count von Rumford, n.d., Brush and brown wash over graphite underdrawing., 6 5/8 x 4 1/2in. (16.8 x 11.4cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 3.6 cm ( 1 7/16 in.); W 2.3 cm

The Knight and His Companion, 1887, Graphite, Sheet: 11 1/4 x 7 5/8 in. (28.6 x 19.4 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London), Tenniel's drawing for a related wood engraving published in the periodical 'Punch' on

夢窓疎石筆 消息, Letter to Suwa Daishin, Officer of the Shogun, Nanbokuchō period (1336–92), ca. 1339–51, Japan, Hanging scroll; ink on paper, Image: 11 5/16 × 14 1/16 in. (28.7 × 35.7 cm), Calligraphy, Musō Soseki (Japanese,

Petersburg, 1864, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Madonna and Child with Worshipper, 17th century, Pen and brown ink over black chalk on cream paper. Framing outline in brown ink, 4-1/4 x 5-7/8 in. (10.8 x 14.9 cm), Drawings, Anonymous, Italian, 17th century

Opera Nova Universali intitulata Corona di racammi, page 35 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Scarab, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Faience, L.2.8 cm (1 1/16 in.); W. 2 cm (13/16 in.); H. 1.1 cm (7/16 in.), The underside of this scarab depicts two standing feline-headed goddesses. Both

Monsieur Le Frizeur, May 21, 1771, Etching, plate: 6 x 4 3/16 in. (15.3 x 10.6 cm), Prints, Attributed to Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

Surcoat (Jinbaori), ca. 1866, Japanese, Cotton, silk, gold, silver, H. 42 1/8 in. (107 cm); W. 26 3/8 in. (67 cm), Surcoat, The Tokugawa family mon (heraldic badge), consisting of a circle enclosing three holly leaves, is applied to the

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 26 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Cope, early 17th century, From India, Bengal, Satgaon-Hugly, Cotton; embroidered in tasar or muga silk, Ht. 81 in. (206.1 cm), Textiles-Costumes

Wall Design with Flying Putto, n.d., Pen and brown ink, brush and brown wash, sheet: 7 7/8 x 5 1/4 in. (20 x 13.3 cm), Drawings, Anonymous, Italian, 17th or 18th century

Wine Bottle with Landscape Scenes, Edo period (1615–1868), 19th century, Japan, Porcelain painted with cobalt blue under transparent glaze, H. 8 1/4 in. (21 cm); Diam. 4 in. (10.2 cm); Diam. of rim 1 in. (2.5 cm); Diam. of base 2 1/4 in. (5.7

Design for an Altar, 17th century, Pen and brown ink, brush and gray wash over leadpoint? on cream paper, 9-3/4 x 7-1/4 in. (24.8 x 18.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Study of a Figure with Headress, Graphite on paper, sheet: 7 1/8 x 4 in. (18.1 x 10.2 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

The Return of the Prodigal Son, 1540, Pen and black ink, grey wash, 2 5/16 x 3 7/8 in. (5.9 x 9.8 cm), Drawings, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

A Walking Musketeer, seen from behind, 17th century, Black chalk, brush and brown ink, brown wash, some spots of blue watercolor along the edges. Framing line in pen and brown ink., 8-1/16 x 6 inches (20.5 x 15.2 cm), Drawings, Anthonie

Glass Cutter, 1900–1907, Made in New York, New York, United States, American, Metal, Glass, Tiffany Studios (1902–32), Tiffany Studios (1902-1932) became well-known for its leaded-glass products, including lampshades. During the course

[St. Peter's, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

[Colonel Lawrence Monument, Lucknow, India], 1860s–70s, Albumen silver print from glass negative, 20.6 x 27.1 cm (8 1/8 x 10 11/16 in.), Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 5r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Earflare with Condor, 390–450, Peru, Moche (Loma Negra), Silver, gold, gilded copper, shell, Diam. 3 15/16 in. (10 cm), Metal-Ornaments, Moche metalworkers were among the most inventive and talented in ancient Peru. They developed

Ornamento delle belle & virtuose donne, page 4 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

La Colombe et le Tigre, 1860s, Albumen silver print from glass negative, 14.9 x 17.8 cm. (5 7/8 x 7 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 12v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 20 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Terracotta chariot krater, Late Helladic IIIB, ca. 1300–1230 B.C., Helladic, Mycenaean, Terracotta, H. 16 3/8 in. (41.6 cm), Vases, The chariot was an important motif in art from the Greek mainland; its frequency on Mycenaean pictorial

Lamp, 1st century B.C.–1st century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 7/8 in. (3.2 x 9.8 cm), Terracottas

Windsor Great Park, 1790–99, Watercolor and gouache, sheet: 9 x 12 3/16 in. (22.9 x 30.9 cm), Drawings, Paul Sandby (British, baptized Nottingham 1731–1809 London), Sinuous tree trunks frame this view of a dense wood where a bull drinks

Vase, ca. 1889–1900, Made in Boston, Massachusetts, United States, American, Porcelain, 22 in. (55.9 cm), Ceramics, James Callowhill (1838–1917

Urn in the form of a hut, Modern, Modern after Villanovan, Bronze, Other: 11 9/16 x 14 1/4 in. (29.4 x 36.2 cm), Bronzes

Cottage on the Road from Lausanne to Geneva, ca. 1800, Pen, brown ink and gray wash on light green paper, 3-3/4 x 6-5/8 in. (9.5 x 16.9 cm), Drawings, Possibly by Joseph Farington (British, Lancashire 1747–1821 Lancashire

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink, black chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Illustration for 'Snegurochka' [Snegurochka before Tsar Berendei], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 13/16 x 8 1/16 in. (27.5 x 20.5 cm), Drawings, Boris Zvorykin (Russian,

Frieze Design with Grotesque Figures (recto); Grotesque Design with Two Nymphs (verso), ca. 1545–60, Pen and brown ink (recto); Pen and brown ink (verso), 7-13/16 x 13 in. (19.8 x 33.7 cm), attributed to Andrés de Melgar (Spanish, documented

Frontispiece, 18th century, Red chalk, 9-1/2 x 6-1/2 in; sheet: 10-5/16 x 7-1/16 in, Drawings, Anonymous, Italian, 18th century

Serpent, ca. 1810, France, French, Wood, leather cover, Height (Without bocal): 32 7/8 in. (83.5 cm), Aerophone-Lip Vibrated-horn, Unknown, France

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 5.1 (2 in.); W. 4.4 cm (1 3/4 in.); D. 0.8 cm

Endymion Porter (1587–1649), ca. 1630, Vellum, Oval, 3 1/8 x 2 5/8 in. (80 x 66 mm), Miniatures, John Hoskins (British, active by ca. 1615–died 1665

Oval cup with feline dragons, Jin (1115–1234) to Yuan (1271–1368) dynasty, 12th–14th century, China, Jade (nephrite), L. 4 5/8 in. (11.7 cm), Jade, Two long, sinuous dragons, of a type known as chihulong, are carved along the edges of

recto: 'Portrait of Prince Danyal', Folio from the Shah Jahan Album, recto: late 16th century; verso: ca. 1500, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Miscellaneous, Painting by Manohar

Traveller's Palm or Fan Palm, Singapore, 1860s–70s, Albumen silver print from glass negative, 11.8 x 16.5 cm (4 5/8 x 6 1/2 in.), Photographs, Unknown

Punch Pot, ca. 1790, Made in Yorkshire, England, British, Earthenware, H. 7 1/4 in. (18.4 cm), Ceramics

Design for Curtains, 1841–84, Graphite with touches of white gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Fort Putnam, South Carolina, 1861–65, Albumen silver print from glass negative, Photographs

Rosette Brooch, first half 6th century, Frankish, Silver-gilt, beaded filigree, garnets with silver-gilt patterned, Overall: 1 1/4 x 1/4 in. (3.2 x 0.7 cm), Metalwork-Silver

[Group of 107 Stereograph Views of Animals], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.3 x 17.2 cm (3 1/4 x 6 3/4 in.) to 11.4 x 17.7 cm (4 1/2 x 6 15/16 in.), Photographs, George Barker (American, born Canada,

Right Half of a Cantle Plate from a Saddle, 16th–18th century, Tibetan or Chinese, Iron, gold, silver, Approx. 9 x 3 in. (22.9 x 7.6 cm), Equestrian Equipment

[Sculptures of Cain, a Hunter Defending his Family, the Massacre of the Innocents, and Allegorical Figures of the First Whisper of Love], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each,

Double-flute player, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Faience, H. 6 × W. 4.5 × D. 2.9 cm (2 3/8 × 1 3/4 × 1 1/8 in.), This figure is part of a repertoire of figures created in a

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Section of the Loggia in the Villa of Pope Julius [III.], 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 12-1/4 x 15-7/8 in. (31.1 x 40.4 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Il Monte. Opera Nova di Recami, page 3 (verso), after 1557, Woodcut, Overall: 7 7/8 x 5 11/16 in. (20 x 14.5 cm), Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th

Suggestion for Three Upper Windows in Large Hall for Residence of Mr. T. Eaton, Toronto, Canada, ca. 1904–11, Made in New York, United States, American, Gouache and watercolor on transparent paper over photograph collage (probably gelatin

Bronze handle from a cista (toiletries box), Late Classical, 4th century B.C., Praenestine, Bronze, H.: 4 1/2 in. (11.4 cm), Bronzes, The solid-cast handle is in the form of two nude male wrestlers. Wrestling was a popular sport, and the

The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso), ca. 1535, Pen and brown ink, brush and light gray-brown wash (faded from violet?), sheet: 6 1/8 x 8 7/16 in. (15.5 x 21.4 cm), Drawings, Master of

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 16 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Drawings and Prints, Books Prints Ornament & Architecture, La vera perfettione del disegno di varie sorti di recami, page 3 (recto), Publisher, Giovanni Ostaus, Italian, active Venice ca. 1554–91, Venice, Ostaus, Giovanni, Italian,

Bernini's Fountain of the Four Rivers in Piazza Navona, Rome., 18th century, Pen and brown ink, brush and gray and blue wash, over graphite, sheet: 7 11/16 x 6 7/8 in. (19.6 x 17.5 cm), Drawings, Anonymous, Italian, first half of the 18th

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 23 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Empress Eugénie, ca. 1864, Albumen silver print, Sheet: 10.5 × 6 cm (4 1/8 × 2 3/8 in.), Photographs, Sergei Luvovich Levitsky (Russian, 1819–1898

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 39 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted, so-called 'mina'i' ware, 3 5/8 x 8in. (9.2 x 20.3cm), Ceramics

Design of architectural constructions ( fantasy), 1700–1780, Red chalk, brush and red chalk wash over lead point, with ruled and compass construction. Scale at bottom of drawing in pen and dark brown ink, 15-3/16 x 9-7/8 in. (38.6 x25.1 cm),

Bellon. Joseph, Alexandre. 54 ans, né à Granville (Meuse) le 19/6/39. Journalier. Anarchiste. 17/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Equivalent, 1925, Gelatin silver print, 11.8 x 9.2 cm (4 5/8 x 3 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Footed beaker, ca. 1680, Hungarian, Gilded silver, Height: 7 7/8 in. (20 cm), Metalwork-Silver, On this beaker, bold auricular scrolls form cartouches with bundles of foliage and fruits. It seems that the goldsmith intended the points where

Head of a Male Pilgrim, 1840, Pen and black ink, Sheet: 7 5/8 x 5 1/4 in. (19.4 x 13.3 cm), Drawings, Sir George Hayter (British, London 1792–1871 London

Swiss mountain landscape with small bridge spanning a brook, 1751–81, Watercolor and gouache, over graphite, sheet: 10 9/16 x 15 3/8 in. (26.8 x 39 cm), Drawings, Franz Schütz (German, Frankfurt am Main 1751–1781 Genf

[Bazaar, Rug Merchants], 1870s, Albumen silver print from glass negative, 20.2 x 26.9 cm (7 15/16 x 10 9/16 in.), Photographs, Unknown

Casket top, 17th century, British, Silk, spangles, metal thread, H. 16 1/8 x W. 20 1/16 inches (41 x 51 cm), Textiles-Embroidered

Harbor scene, 1775–1827, Pen and ink, sheet: 10 3/4 x 16 3/4 in. (27.3 x 42.5 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Head of Buddha, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Red clay with traces of color, H. 10 in. (25.4 cm); W. 7 in. (17.8 cm); D. 7 in. (17.8 cm), Sculpture, This unfired head is related to fifth- to

Fragment, mid-16th century, Made in Turkey, probably Istanbul, Silk, metal wrapped thread; lampas (kemha), Textile: H. 24 in (61 cm), Textiles-Woven, Woven silk was an integral part of the Ottoman economy and an important trade item that

Studies of a Kid or Fawn, 19th–20th century, Pastels on blue paper, sheet: 12 5/16 x 10 in. (31.2 x 25.4 cm), Drawings, John Macallan Swan (Scottish, Old Brentford 1847–1910 Isle of Wight), Swan's paintings and sculptures were firmly based

Drawing of the Peacock Room at 49 Prince's Gate, ca. 1900, Watercolor over graphite, sheet: 10 11/16 x 7 3/4 in. (27.1 x 19.7 cm), Pickford Robert Waller (British, London 1849–1930 Bournemouth

Woman in a Tiered Gown with a Large Bow, 19th century, Brush and gray, pale red, blue, and yellow wash over, traces of graphite. Laid down., 12 11/16 x 8 9/16 in. (32.2 x 21.7 cm), Drawings, Constantin Guys (French, Flushing 1802–1892

Epitaph with Cover for Master Xu, Tang dynasty (618–907), dated 689, China, Limestone, Overall (a): H. 22 13/16 in. (58 cm); W. 23 1/4 in. (59 cm); D. 4 15/16 in. (12.5 cm), Sculpture

Widcoq. Fulgence, Ignace. 36 ans, né à Fressenneville (Somme). Mécanicien. Anarchiste. 10/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Sauce Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 2 5/8 in. (6.7 cm); Diam. 4 in. (10.2 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, Publisher, Author, Francesco de' Franceschi, Giovanni Battista Ciotti, Italian, active 16th century, Italian,

Double Virginal, 1581, Antwerp, Flemish, Flemish, Pine, beech, poplar, mahogany, paint, gesso, metal, parchment, brass, Width: 71 3/4 in. (182.2 cm), Hans Ruckers the Elder (Flemish, Mechelen ca. 1545–1598 Antwerp), This double

View Looking Aft from the Port Paddle-box on the Deck of the Great Eastern: Showing the Trough for the Cable, etc., 1865–66, Watercolor with touches of gouache, Sheet: 8 15/16 x 6 1/4 in. (22.7 x 15.9 cm), Drawings, Robert Charles Dudley

Coiling the Cable in the After-tank on Board the Great Eastern at Sheerness: Visit of H.R.H. the Prince of Wales on May 23rd, 1865, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 11/16 in. × 10 in. (17 × 25.4 cm),

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, 1556, Woodcut, Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. Illustrated title page with dedication on verso, 29 pages of designs,

Design for Loo-Table, with plans of top and pedestal, 1835–1900, Ink, graphite, Robert William Hume (British, London 1816–1904 Long Island City

Gold kantharos (drinking cup with two high vertical handles), Late Helladic I, ca. 1550–1500 B.C., Helladic, Mycenaean, Gold, Overall: 3 1/8 x 6 5/8 x 3 1/2 in. (7.9 x 16.8 x 8.9 cm), Gold and Silver, The kantharos, one of the oldest Greek

Henry Taylor. Author of 'Philip Van Artevelde', 1864, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), Cameron’s photographs were not universally

Tree Branches (Smaller Italian Sketchbook, leaf 30 recto), 1774–75 (?), Graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby

Bracelet spirals, pair, Archaic, 7th–6th century B.C., Etruscan, Electrum, 7: 1/4 × 1 3/4 in. (0.6 × 4.4 cm), Gold and Silver