Images at Librifly

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 29 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Initiation Cards (Tsakalis), early 15th century, Tibet, Opaque watercolor on paper, Each 6 1/4 x 5 3/4 in. (16 x 14.5 cm), Paintings, Tsakali cards were used by itinerant teachers moving from one monastery to another in order to evoke Vajrayana

Capital in the Composite Order and Various Architectural Details, ca. 1554–60, Etching, Sheet: 16 3/8 × 19 3/16 in. (41.6 × 48.7 cm), Hugues Sambin (French, Gray ca. 1520–1601 Dijon

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 49 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Stoneman's Station, Virginia, 1861–65, Albumen silver print from glass negative, 12.6 x 20 cm (4 15/16 x 7 7/8 in.), Photographs

Design for Ecclesiastical Embroidery, Vertical Pattern with Tudor Rose, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Saint Michael; The Mass of Saint Gregory; Saint Jerome, Oil on wood, Central panel 6 1/8 x 3 3/4 in. (15.6 x 9.5 cm); left panel 6 1/4 x 3 7/8 in. (15.9 x 9.8 cm); right panel 6 1/4 x 3 3/4 in. (15.9 x 9.5 cm), Paintings, Master of the Saint

Mother and Child Praying at a Roadside Shrine, 1859, Graphite, sheet: 8 1/4 x 10 5/16 in. (21 x 26.2 cm), Drawings, Eduard Jakob von Steinle (Austrian, Vienna 1810–1886 Frankfurt am Main

Funerary Mask, Roman Period, A.D. 1st–4th century, From Egypt, Plaster, paint, h. 20.3 cm (8 in

Equivalent, 1925, Gelatin silver print, 11.8 x 9.2 cm (4 5/8 x 3 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Asia, 16th century (?), Pen and brown ink, brush and brown wash. Squared in black chalk, 9 1/4 x 12 in. (23.5 x 30.5 cm), Drawings, Anonymous, Netherlandish, 16th century ?, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Two Glass Containers for Scientific Experiments with Liquids (Illustrations for 'Saggi di naturali esperienze'), 1666, Black chalk, pen and brown ink, brush and brown and gray wash, black chalk framing lines, sheet: 11 1/16 x 7 3/8 in. (28.1 x

[Reclining Female Nude as Danae], 1850s, Daguerreotype, Image: 8 x 6 cm (3 1/8 x 2 3/8 in.), Photographs, Attributed to Bruno Braquehais (French, 1823–1875

Landscape with Waterfall, 18th–early 19th century, Pen and gray and black ink, brush and gray wash. Framing line in pen and black ink., sheet: 11 5/8 x 16 3/4 in. (29.5 x 42.5 cm), Drawings, Friedrich Wilhelm Gmelin (German, Badenweiler

Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below), before 1704, Pen and black ink, brush and brown wash, traces of red chalk., 13 1/16 x 8 1/8 in. (33.2 x 20.6 cm), Drawings, Jan Goeree (Dutch, Middelburg

Mt. Katahdin (Maine), Autumn #2, 1939–40, Oil on canvas, 30 1/4 × 40 1/4 in. (76.8 × 102.2 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Beginning in the mid-1930s, Hartley, a restless

The Lowering of the Coffin into the Grave with Kneeling Mourners, November 9, 1910, Gelatin silver print, Image: 8.9 x 13.3 cm (3 1/2 x 5 1/4 in.), Photographs, Aleksey Ivanovich Saveliev (Russian, 1883–1923), These six photo-postcards show

Pitcher, 1830–70, American, Mottled brown earthenware, H. 8 1/2 in. (21.6 cm), Ceramics

Arrangement of the Levite Camps around the Tabernacle, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 10 cm. H. 2.5 cm., Terracottas

Infantry Armor, dated 1571; upper plate of the gorget, skirt lames, and cheek pieces, 1917, Italian, Steel, leather, brass, Wt. 33 lb. 11 oz. (15.28 kg), Armor for Man-1/2 Armor, The open-faced burgonet and the absence of a lance rest

금제 귀걸이 삼국, 金製耳飾 三國, Earring (One of a Pair), Three Kingdoms period, Silla kingdom (57 B.C.–A.D. 676), 6th century, Korea, Gold, L. 3 1/8 in. (7.9cm), Jewelry, Gold earrings were worn by both men and women of the

The Water Carriers, 1895, Graphite, Sheet: 17 1/4 x 13 in. (43.8 x 33 cm), Drawings, John Harvard Thomas (British, Bristol 1854–1921 London

Interior of a Courtyard with Figures, early 17th century, Attributed to India, Opaque watercolor, ink, and gold on paper, Image 5 5/8 in x 8 1/4 in, Codices

Ritual Implement Dedicated by a King Senwosret to Nebhepetre Mentuhotep II, Middle Kingdom, Dynasty 12, ca. 1961–1840 B.C., From Egypt, Upper Egypt, Thebes, Hornblende granite, H. 21 cm (8 1/4 in.); W. 6.5 cm (2 9/16 in.); Th. 1 cm (3/8

Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin, ca. 1758–59, Pen and gray wash, sheet: 16 3/8 x 11 3/8 in. (41.6 x 28.9 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Chalice fragment showing a file of nude females in a marshy landscape, inscribed, associated with , Third Intermediate Period, Dynasty 22, ca. 945–712 BC, From Egypt, Faience, 9.9 × 4.8 cm (3 7/8 × 1 7/8 in

Writing Box, 1650–1700, Made in Campeche, Mexico, Mexican (Campeche), Wood with bone, tortoise shell, and ebony inlay; iron hardware, 12 3/16 × 20 1/16 × 12 13/16 in. (31 × 51 × 32.5 cm), Furniture, Unknown

Prayer Bead with the Adoration of the Magi and the Crucifixion, early 16th century, Netherlandish, Boxwood, Open: 4 7/16 × 3 3/16 × 1 1/16 in. (11.2 × 8.1 × 2.7 cm), Sculpture-Miniature-Wood, Carved with astonishingly minute detail, this

Reliquary casket, 1446, Italian, Florence, Gilt copper and champlevé enamel, H. 7 1/2 x W. 7 3/4 x D. 3 1/4 in. (19.1 x 19.7 x 8.3 cm), Metalwork-Copper, Circle of Lorenzo Ghiberti (Italian, Florence 1378–1455 Florence), The strongly

Design for a Mirror in the Form of a Horizontal Oval, Elevation, mid-18th–early 19th century, Pen and wash, sheet: 3 9/16 x 7 1/2 in. (9 x 19 cm), James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

The Risen Christ between the Virgin and St. Joseph, Appearing to St. Peter and other Apostles, Brush and brown wash, over graphite., 6 5/8 x 4 7/8 in. (16.9 x 12.4 cm), Drawings, Jean Daret (French, Brussels 1613/15–1668 Aix-en-Provence

Studies of Ships and Boats, mid-17th–early 18th century, Pen and black ink, sheet: 11 1/4 x 6 15/16 in. (28.5 x 17.6 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Mirror Case with Filled Diagonal Lattice and Swastikas (Wan), Qing dynasty (1644–1911), China, Silk embroidery on silk gauze, Overall: 7 x 7 in. (17.8 x 17.8 cm), Textiles-Embroidered

Les Singuliers et Nouveaux Portraicts... page 70 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

'Shariki, ' or Cart-Pushing Coolies, ca. 1860, Albumen silver print from glass negative, Image: 20.8 x 25.4 cm (8 3/16 x 10 in.), Photographs, Felice Beato (British (born Italy), Venice 1832–1909 Luxor, Egypt

The Feast of Herod, third quarter 17th century, British, Silk and metal thread on silk, H. 17 1/4 x W. 22 3/4 x D. 5/8 inches (43.8 x 57.8 x 1.6 cm); Framed: H. 19 x W. 23 1/2 x D. 1 1/4 (48.3 x 59.1 x 1.6 cm), Textiles-Embroidered

On the Seine, Oil on canvas, 15 1/4 x 25 1/2 in. (38.7 x 64.8 cm), Paintings, Martín Rico y Ortega (Spanish, Madrid 1833–1908 Venice

Two-handled cup with cover, Thomas Bolton (active 1686, died 1736), 1696–98, Irish, Dublin, Silver, Overall: 7 11/16 x 9 1/8 x 4 5/8 in. (19.5 x 23.2 x 11.7 cm), Metalwork-Silver, Thomas Bolton (active 1686, died 1736

Rocks in the Bode Valley; verso: Small Landscape Studies, 1800–1840, Graphite. Framing line in graphite., sheet: 10 13/16 x 8 5/8 in. (27.4 x 21.9 cm), Drawings, Karl Blechen (German, Cottbus 1798–1840 Berlin

Necklace, 11th century, Country of Origin Iran, Gold; granulation, H. 16 in. (40.6 cm), Jewelry, Both men and women wore silver and gold necklaces in Seljuq times, but these resemble women’s chokers. The spherical gold beads of this necklace

Woman with Arms Akimbo, 19th century, Brush and black and gray wash over traces of pen and brown ink. Laid down., 9 1/2 x 7 1/16 in. (24.1 x 17.9 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Herms Supporting and Overdoor with Portrait Oval, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing; Figural scene below begun in graphite, sheet: 11 1/4 x 8 7/16 in. (28.5 x 21.4 cm), Drawings, Anonymous,

Ironstone intaglio: Snake-headed Genius, Imperial, 2nd century A.D., Roman, Basalt, ironstone (limonite), Other: 3/4 x 9/16 x 1/8 in. (1.9 x 1.4 x 0.4 cm), Gems, Snake-headed genius; on reverse. the name of Archangel Michael

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 7r, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Plaque with the Annunciation to the Shepherds, ca. 1165, Made in Meuse Valley, Netherlands, South Netherlandish, Champlevé enamel, copper alloy, gilt, Overall: 4 1/4 x 4 5/16 x 3/16 in. (10.8 x 11 x 0.4 cm), Enamels-Champlevé, Related

Penitent St. Jerome (recto); Notes and Accounts (verso), ca. 1600, Pen and brown ink (recto and verso), 5-9/16 x 8 in. (14.1 x 20.3 cm), Drawings, Vicente Carducho (Italian, 1570/78–1638), Previously attributed to Bartolomé Carducho

Bronze cista (toiletries box), Hellenistic, ca. 300–275 B.C., Praenestine, Bronze, H. 11 in. (27.9 cm), Bronzes, This oval-shaped container has solid-cast feet, each of which terminates in a depiction of a comic theater mask, an unusual

[Painter in Paint-spattered Overalls with Brushes and Paint Can], 1870s–80s, Tintype, Image: 9 x 6 cm (3 9/16 x 2 3/8 in.), Photographs, Unknown (American

Maillabuau. Auguste, Léon. 30 ans, né le 23/8/93 à Paris Vle. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Title Page for the 'Thesavrvs Antiqvitatvm et Historianrvm Italie, Mari Lingvistico et Alpibvs Vicinae Tome Secondi Pars Prior', n.d., Engraved., 12 7/16 x 7 1/4 in. (31.6 x 18.4 cm), Prints, Jan Goeree (Dutch, Middelburg 1670–1731

Pine Mountain, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Christ in Gethsemane, ca. 1490, Pen and brown ink, 10 x 11 in. (25.4 x 27.9 cm) [margin irregular at top], Drawings, Anonymous, German, 16th century, After Hans Pleydenwurff (German, died 1472

Elevation of a Pseudo-Romanesque Hall or Church, 19th century, Pen and ink and wash, sheet: 11 3/4 x 20 in. (29.8 x 50.8 cm), Anonymous, British, 19th century

Decorated ware box illustrating rows of flamingos, Predynastic, Naqada II, ca. 3500–3300 B.C., From Egypt, Pottery, paint, H. 7.2 × W. 15.5 × D. 12.2 cm (2 13/16 × 6 1/8 × 4 13/16 in

Head of a Child, Oil on canvas, 15 3/4 x 12 5/8 in. (40 x 32.1 cm), Paintings, Style of Jacques Louis David (French, first quarter 19th century

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 4r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Design for the Frigate 'La Didion', 18th century, Pen and black ink, brush and gray wash, 14 1/4 x 39 3/8 in. (36.2 x 100 cm), Drawings, Anonymous, French, 18th century

Inlay depicting enthroned god, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 13.7 cm (5 3/8 in.); W. 9.3 cm (3 11/16 in.); D. 2 cm (13/16 in.), Shepsi,

Fragment of a Halo with Buddha Figure, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, H. 4 1/2 in. (11.4 cm); W. 8 1/2 in. (21.6 cm); D. 1 1/4 in. (3.2 cm), Sculpture, These fragments are from an

Flagellation, 18th century, Pen and brown ink, washed, 9-5/8 x 8-5/8 in. (24.4 x 21.9 cm), Drawings, Anonymous, Italian, Venetian, 18th century

Essempio di recammi, page 25 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Design for baptismal font, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on paper mounted on board, Overall: 16 7/8 x 12 1/4 in. (42.9 x 31.1 cm), Drawings, Possibly Tiffany Glass Company

Design for a Bed with Canopy, 1841–84, Graphite and watercolor, sheet: 12 9/16 x 9 7/8 in. (31.9 x 25.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 40r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Guri lacquer cup, Yuan dynasty (1271–1368), 1271–1368, China, Carved black lacquer with red layers (tixi), Diam. of rim: 2 1/4 in. (5.7 cm), Lacquer

'The Fish and the Fisherman', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Buddha’s hand, 清 瑪瑙佛手擺件, Qing dynasty (1644–1911), 18th century, China, Carnelian, H. 4 in. (10.2 cm), Hardstone, The Buddha’s-hand citron takes its common name from the shape of its fruit, which resembles the idealized

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, H.: 3 1/8 in. (7.9 cm), Glass, Translucent pale yellow Knocked-off, uneven rim; bulging collar below; convex sides tapering downwards; plain concave bottom. Four

Temple Model, 200 B.C.–A.D. 500, Mexico, Mesoamerica, Guerrero, Mezcala, Greenstone, Height 5-5/8 in., Stone-Sculpture, Stone models in the Mezcala style come largely from the present-day state of Guerrero, in southwest Mexico. A

[Uncut sheet of reproductions of paintings of children], 1870s, Albumen silver print from glass negative, Photographs, Unknown

Splendore delle virtuose giovani, page 2 (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 4 vertical

Hexagonal Tile Ensemble with Sphinx, ca. 1160s–70s, From Turkey, Konya, Stonepaste; over- and underglaze-painted, gilded, H. 9 1/4 in. (23.5 cm), Ceramics-Tiles, By the early twentieth century, the two-story Konya Kö?k had largely fallen

Le petit Russe, 1860s, Albumen silver print from glass negative, 8.3 x 11.7 cm. (3 1/4 x 4 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Vase with Warrior, Qing dynasty (1644–1911), Kangxi period (1662–1722), late 17th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 10 in. (25.4 cm); Diam. 4 1/2 in. (11.4 cm); Diam. of base 3

The Entombment, after Mantegna, 17th century, Pen and brown ink, brown wash, over preliminary lines in red chalk, heightened with white on Japanese paper., sheet: 10 1/2 x 15 3/8 in. (26.7 x 39 cm), Drawings, School of Rembrandt (Rembrandt

Römische Villa, 1898–1900, Gum bichromate print, 55.8 x 74.5 cm. (22 x 29 5/16 in.), Photographs, Heinrich Kühn (Austrian (born Germany), Dresden 1866–1944 Birgitz

Portrait of a Man, ca. 1520–25, Oil on wood, 18 1/2 x 13 3/4 in. (47 x 34.9 cm), Paintings, Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), This is the only independent portrait by Gossart that is signed;

Loie Fuller Dancing, ca. 1900, Gelatin silver print, Image: 3 × 4 in. (7.6 × 10.1 cm), Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth

Cup Plate, ca. 1835, Made in New England, United States, American, Lacy pressed glass, Glass

Quarter of a Design for a Trompe L'Oeil Ceiling Decoration, 17th century, Pen and brown ink, brush and red-brown and gold watercolor, over graphite underdrawing, sheet: 12 5/16 x 6 5/8 in. (31.3 x 16.8 cm), Anonymous, Italian, 17th century

Hab.t de l'Angleterre from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Dish Depicting Lady with a Parasol, Edo period (1615–1868), ca. 1734–37, Japan, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Hizen ware; Imari type), Diam. 10 1/2 in. (26.7 cm), Ceramics, Design

Classical Molding with Floral Elements, 1776–79, Red chalk, sheet: 9 5/16 x 15 7/16 in. (23.7 x 39.2 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Design for a Chimneypiece, late 18th–early 19th century, Pen and ink and wash, sheet: 14 1/2 x 10 in. (36.8 x 25.4 cm), John Yenn (British, London (?) 1750–1821 London

Head of a Bearded Man, 1579, Pen and orange-brown ink, brush and brown and black washes, heightened with white, 10-7/8 x 8-1/2 in. (27.6 x 21.6 cm), Drawings, Hans Hoffmann (German, Nuremberg ca. 1545/1550–1591/1592 Prague

[Sculptures of Hylas and the Nymphs, Allegorical Figures of the Three Fates, Zephyr wooing Flora, and Michelangelo's Bacchus and Donatello's St. George], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.),

Tile from a Frieze, 13th century, Made in Iran, ceramic; opaque glaze; molded decoration, H. 7 1/8 in. (18.1 cm), Ceramics-Tiles

Lady with a Fan, n.d., Watercolor, Sheet: 10 3/4 x 7 1/4 in. (27.3 x 18.4cm), Drawings, Louis-Robert Cuvillon (French, born Paris 1848

Terracotta grotesque head, Hellenistic, 2nd–1st century B.C., Greek, Asia Minor, Terracotta, H. 1 11/16 in. (2.2 cm), Terracottas, Head of a grotesque with exaggerated features

The Trojans pulling the wooden horse into the city, 1545, Engraving, Sheet (Trimmed): 16 in. × 25 1/8 in. (40.7 × 63.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Francesco Primaticcio (Italian,

[Man in Bottle], ca. 1888, Albumen silver print from glass negative, Image: 13.5 x 10 cm (5 5/16 x 3 15/16 in.), Photographs, John C. Higgins (American, active 1880s–90s

[Frederic William Burton], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Relief of Nebhepetre Mentuhotep II and the Goddess Hathor, Middle Kingdom, Dynasty 11, ca. 2010–2000 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Egypt Exploration Fund excavations, 1907, Limestone,

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/8 in. (7.4 × 8 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Architectural Sketches and a Figure (recto); Figure and Anatomical Sketches (verso), 16th century, Pen and brown ink, brown wash, 10-5/8 x 7-1/4 in. (27 x 18.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy,

The Muiderpoort, Amsterdam, seen from the Plantage, 1771, Black chalk, pen and brown and gray ink and watercolor., 10 x 14 5/16 in. (25.4 x 36.3 cm), Drawings, Hendrick Keun (Dutch, Haarlem 1738–1787 Haarlem

Design for a Book Illustration, late 18th century, Pen and black ink, brush and gray wash, white heightening on light lavender washed paper., 4 x 6 3/16 in. (10.1 x 15.7 cm), Drawings, Franz Sigrist (Austrian, Altbreisach 1727–1803 Vienna

Design for a House Façade, 18th century, Pen and brown ink, brush and gray wash, watercolor, cut-out lower edge, Drawings, Attributed to Anonymous, German, 18th century