Images at Librifly

Caricature of a Man with a Dog, ca. 1800, Red chalk, sheet: 6 1/8 x 7 7/8 in. (15.6 x 20 cm), Drawings, Anonymous, British, 19th century

Saucer, 1770–1800, Made in China, Chinese, Porcelain, Diam. 5 3/4 in. (14.6 cm), Ceramics

Rim fragment of relief chalice with inscription and papyrus plants, associated with , Third Intermediate Period, Dynasty 22, ca. 945–712 BC, From Egypt, Blue, green faience, 3.5 × 2.5 cm (1 3/8 × 1 in.), Relief chalices are associated

A Yachtsman, 1806–65, Watercolor over graphite, sheet: 7 13/16 x 5 1/16 in. (19.8 x 12.9 cm), Drawings, Robert Dighton the Younger (British, 1786–1865), formerly attributed to Robert Dighton the Elder (British, London ca. 1752–1814

Infantry Armor, ca. 1600, Nuremberg, German, Nuremberg, Steel, leather, H. 49 1/14 in. (125 cm), Armor for Man-1/2 Armor, The armorers of Nuremberg were famous for their ability to produce large quantities of plate armor relatively quickly.

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772), 1757, Oil on canvas, 31 1/2 x 25 1/2 in. (80 x 64.8 cm), Paintings, François Hubert Drouais (French, Paris 1727–1775 Paris), In

Crespin. Joseph. 40 ans, né à Roquesteron (Alpes-Maritimes). Employé de banque. 25/3/93., 1893, Gelatin silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Checkerboard and Playing Cards, Paris, 1915, Gouache, graphite, and resin on cream-colored wove paper, mounted to paperboard, 8 1/4 x 11 3/4 in. (21 x 29.8 cm), Drawings, Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine), Many

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor and gouache over graphite, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938 Cambridge

Percussion Exhibition Pistol, dated 1849, Paris, French, Paris, Steel, gold, L. 16 in. (40.7 cm); L. of barrel 10 1/4 in. (26.1 cm); Cal. .45 in. (11.4 mm), Firearms-Pistols-Percussion, Commissioned by the renowned Paris gunmaking firm of Le

Stags in a Landscape, early to mid-18th century, Pen and brown ink, brown wash, 9 3/4 × 13 1/4 in. (24.8 × 33.7 cm), Drawings, Johann Elias Ridinger (German, Ulm 1698–1767 Augsburg), Ridinger was the eighteenth-century German animalier

New Modelbüch allen Nägerin u. Sydenstickern (Page 27v), 1556

Design for baptismal font, late 19th–early 20th century, Made in New York, United States, American, Graphite on paper mounted on board in original matt, Overall: 16 1/2 x 13 in. (41.9 x 33 cm), Drawings, Tiffany Studios (1902–32

Study of Lower Legs and an Arm, early to mid-19th century, Pen and brown ink, sheet: 18 1/8 x 10 3/4 in. (46 x 27.3 cm), Drawings, William Pitts (British, London 1790–1840 London

Beaker, late 17th century, Hungarian, Rimaszombat, Silver, partly gilded, Overall: 4 1/2 x 4 in. (11.5 x 10.1 cm), Metalwork-Silver, Floral decoration was very popular on goldsmiths’ work in the later seventeenth century, culminating with

Disk Brooch, second half 6th century, Frankish, Silver-gilt, garnets with patterned foil backings, and pearl, Overall: 15/16 x 1/2 in. (2.4 x 1.3 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in

Henriette-Reneé Patu, ca. 1845, Waxed salted paper print from paper negative, Image: 6 7/8 × 5 3/16 in. (17.5 × 13.2 cm), Photographs, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874

New Book of Twelve Pieces of Fantasy useful for various purposes, [ca. 1736], Etching, Overall: 19 11/16 x 12 3/4 x 13/16 in. (50 x 32.4 x 2 cm), Books, Jacques de La Joue the Younger (French, Paris 1686–1761 Paris

Ecce Homo, 1666–75, Red chalk and charcoal on gray-blue paper, 10-7/16 x 7-3/16 in. (26.5 x 18.3 cm), Drawings, Juan Carreño de Miranda (Spanish, Avilés 1614–1685 Madrid

Inlay of a squatting goddess, probably Hathor, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 7.1 cm (2 13/16 in.); W. 3.8 cm (1 1/2 in.); D. 1.5 cm (9/16

Buddha, Ikshvaku period (ca. 225–ca. 320), 3rd century, South India, Telangana (Andhradesa), probably Nagarjunakonda, Limestone, H. 30 in. (76.2 cm); W. 11 in. (27.9 cm); D. 4 1/2 in. (11.4 cm), Sculpture

Blackware Bowl, 12th–8th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, H. 2 3/8 x Diam. 4 1/8 in. (6 x 10.5 cm), Ceramics-Containers, The blackware bowl, reportedly from Las Bocas, Puebla, Mexico, has a flat bottom and almost

Temptation of St Anthony, 16th century, Pen and black ink, brush and green gray and brown wash, white heightening. Irregular fragment of original drawing pasted down onto rectangular sheet with additions drawn by a later hand (?) in pen and gray

Man and Woman Striding Toward the Left, early 16th century, Italian, Point of the brush and gray ink, heightened with white, on paper washed with blue., 7 15/16 x 10 11/16 in. (20.2 x 27.2 cm), Drawings, Circle of Giovanni Francesco Caroto

Cottage with Figures, Graphite and pen and brown ink with red chalk over traces of black chalk, 8 7/16 x 11 11/16 in. (21.4 x 29.7 cm), Drawings, Imitator of François Boucher (French, Paris 1703–1770 Paris

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 31r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 9r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Bar Bottle, 1840–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Free-blown molded aquamarine glass, H. 10 7/8 in. (27.6 cm), Glass

Wall frieze with row of leaves, Sasanian, ca. 6th century A.D., Mesopotamia, Ctesiphon, Sasanian, Stucco, 6 3/4 x 4 1/4 x 22 in. (17.1 x 10.8 x 55.9 cm), Stucco-Reliefs

Rosette Brooch, 6th century, Frankish, Silver-gilt, beaded filigree edging, garnets with patterned foil backing., Overall: 3/4 x 3/16 in. (1.9 x 0.4 cm), Metalwork-Silver

Plaque, 1796, Made in London, England, Glass paste, wood, 3 1/2 x 2 3/8 in. (8.9 x 6 cm), Glass, James Tassie (British, Glasgow, Scotland 1735–1799 London

Miriam Watching the Finding of Moses in the Bulrushes, 1859, Pen and brown ink, brush and brown wash, over graphite, sheet: 10 x 8 7/16 in. (25.4 x 21.5 cm), Drawings, Simeon Solomon (British, London 1840–1905 London), As the youngest

Galau (ou Gallot). Louis. 53 ans, né à Meriziès (Tarn). Charron. Anarchiste. 21/8/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

A Priest with an Umbrella, 1840–50, brush and ink and watercolor on wove paper, sheet: 9 1/8 x 9 1/4 in. (23.2 x 23.5 cm), Drawings, Anonymous, Peruvian, 19th century

Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

George Washington, 1776–1800, Possibly made in Bouches-du-Rhône, Marseille, France, French, Faience, Diam. 15 in. (38.1 cm), Ceramics, Antoine Bonnefoy (French

Le Pompe: Opera Nova, page 2 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, Jeremias Wachsmuth, German,

St. Jerome in a Landscape, 1495–1500, Pen and brown ink, over leadpoint(?), 5 3/4 x 7 3/16 in. (14.6 x 18.3 cm), Drawings, Anonymous, Italian, Venetian, 15th to 16th century, This delicately cross-hatched, naturalistic scene is quietly

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Horse Bit, 7th–9th century, Made in Andalusia, Spain, Visigothic or Byzantine, Iron inlaid with copper alloy, gold, and silver, Overall: 10 5/8 x 7 1/16 x 5 5/16 in. (27 x 18 x 13.5 cm), Metalwork-Iron, This elaborately decorated bit,

Tray with inlay, Ming dynasty (1368–1644), 1368–1644, China, Lacquer with mother-of-pearl inlay, W. 5 3/4 × L. 15 1/4 in. (14.6 × 38.8 cm), Lacquer

Set of three espagnolettes, 18th century, French, Gilt bronze, Overall (confirmed): 2 1/2 × 7 7/8 × 2 1/8 in. (6.4 × 20 × 5.4 cm), Metalwork-Gilt Bronze

Cabinet Design with a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on grey ground, sheet: 4 5/8 x 6 1/4 in. (11.7 x 15.8 cm), Anonymous, British, 19th century

Crossbow Brooch, 4th century, Late Roman, Bronze-gilt, Overall: 2 13/16 x 1 15/16 x 1 1/8 in. (7.1 x 4.9 x 2.8 cm), Metalwork-Bronze

Oeuvres de Jean Racine, 1801, Printed book with engraved illustrations, Overall: 19 11/16 x 13 3/4 x 2 3/4 in. (50 x 35 x 7 cm), Books, This is the first volume of Didot's three-volume The Works of Racine. It inaugurated the third part of his

Round Negoro Lacquer Tray, 朱漆高盤　（根来塗）, Muromachi period (1392–1573), first half 15th century, Japan, Lacquered wood with coatings of red lacquer over black lacquer (Negoro ware), Diam. 16 3/8 in (41.6 cm), Lacquer, The

Bernini's Fountain of 'Il Tritone, ' Piazza Barberini, Rome., 18th century, Pen and brown ink, brush and gray wash, over graphite, sheet: 7 7/8 x 7 11/16 in. (20 x 19.6 cm), Drawings, Anonymous, Italian, first half of the 18th century

The Drunkenness of Noah, Genesis 9:21-23, 17th–early 18th century, Black chalk, heightened with white gouache, sheet: 7 11/16 x 10 11/16 in. (19.5 x 27.2 cm), Drawings, Daniel Seiter (Austrian, Vienna 1647–1705 Turin

Peace of 1814 and Centennial of the House of Brunswick: 'The Effect Previous to Discovering the Illuminated Temple of Peace and Concord in St. James's Park, London, August 1, 1815' [should be 1814], ca. 1814, Watercolor, Sheet: 3 1/8 × 9 5/16

George Washington, 1800–30, Made in Staffordshire, England, British (American market), Earthenware, H. 14 3/4 in. (37.5 cm), Ceramics

Storage Bag Fragment, mid-19th century, Attributed to Western Turkmenistan, Central Asia, Wool (warp, weft and pile); symmetrically knotted pile, H. 16 1/4 in.. (41.3 cm), Textiles-Rugs

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 17v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Ein new Modelbuch..., page 6 (verso), October 22, 1524, Woodcut, 7 5/16 x 5 3/8 in. (18.5 x 13.6 cm), Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 2 vertical columns. Left

Hanging with Dionysian Figures, 5th–7th century, Said to be from Egypt, Antinopolis, Linen, wool; tapestry-woven, Textile: H. 25 1/2 in. (64.8 cm), Textiles-Woven, Leafy tendrils frame twelve (originally fifteen) busts of satyrs, maenads,

Pair of terracotta volute-kraters (vases for mixing wine and water) with stands, Late Classical, 3rd quarter of the 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, Base: 10 in. (25.4 cm), Vases, Although these

Nude Figure, 1837–75, Red chalk, Sheet: 12 1/2 x 10 1/4 in. (31.8 x 26 cm), Drawings, Alfred George Stevens (British, Blandford Forum, Dorset 1817–1875 London

Decapitation of a Female Martyr (Saint Catherine of Alexandria?), 17th century, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing. On off-white paper, 4-13/16 x 6-5/8 in. (12.3 x 16.8 cm), Drawings, Anonymous,

Jasper intaglio: Standing Anubis, Imperial, 2nd century A.D., Roman, Jasper, green, Other: 13/16 x 9/16 x 1/8 in. (2 x 1.5 x 0.3 cm), Gems, Anubis; Cryptogram

Dune Landscape with Trees, 17th century, Pen and brown ink, framing line in brown ink, 5 9/16 x 7 3/8 in. (14.2 x 18.7 cm), Drawings, Adriaen Hendriksz. Verboom (Dutch, Rotterdam ca. 1627–1673 Rotterdam

Essempio di recammi, page 24 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Terracotta statuette of a dwarf, Hellenistic, 2nd century B.C., Greek, Terracotta, H. 3 7/8 in. (9.8 cm), Terracottas, Figure of a grotesque with fragmentary arms outstretched

Les Singuliers et Nouveaux Portraicts... page 40 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Earring, 6th–7th century, Made in Italy, Byzantine or Langobardic, Gold, glass paste, Overall: 1 5/8 x 13/16 x 3/16 in. (4.2 x 2 x 0.5 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards,

Lion (one of a pair), ca. 1732, German, Meissen, Hard-paste porcelain, Overall (confirmed): 21 x 32 3/4 x 13 1/2 in. (53.3 x 83.2 x 34.3 cm); Pedestal: 45 x 37 x 20 1/2 in. (114.3 x 94 x 52.1 cm), Ceramics-Porcelain

Invitation to the South American Gauchos by the directors of Buffalo Bill's Wild West Show, 1892, Pen and black ink over blue chalk and graphite with touches of white gouache, sheet: 7 1/8 x 10 3/8 in. (18.1 x 26.4 cm), Drawings, Alfred Chantrey

Dress, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, wool, Overall: 37 13/16 × 52 3/4 in. (96 × 134 cm), Textiles-Costumes-Secular

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 106 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 5v, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Table Spoon, 1780–90, Made in Boston, Massachusetts, United States, American, Silver, L. 8 3/8 in. (21.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 9 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Bird Finial, 5th–10th century, Colombia, Zenú, Gold, H. 4 3/4 in. (12.1 cm), Metal-Ornaments, Perched atop a thimble-shaped cap, a bird figure adorns this gold staff finial, a decorative element that would have once crowned a wood staff.

Study for a Book Vignette, 18th century, Pen and gray ink, brush and gray wash, with framing lines, 4 13/16 x 4 15/16 in. (12.3 x 12.6 cm), Books, Pierre Edmé Babel (French, Paris 1720–1775 Paris

Case (Inrō) with Design of Heron in Flight and Flowering Plant (obverse); Hawk Attacking a Crane (reverse), Edo period (1615–1868), 19th century, Japan, Colored togidashi and gold hiramaki-e on black lacquer, 3 5/16 x 2 1/2 x 1 1/16 in. (8.4

Grand Piano, 1720, Florence, Italy, Italian (Florence), Cypress, boxwood, paint, leather, fir, Height (Total): 34 1/16 (86.5 cm), Chordophone-Zither-struck-piano, Bartolomeo Cristofori (Padua 1655–1731 Florence), Bartolomeo Cristofori

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 1/4 x 3 3/8 in. (3.2 x 8.6 cm), Terracottas

Views and Costumes of Japan, 1860s, Albumen silver prints, Albums, Raimund von Stillfried (Austrian, 1839–1911

May Belfort, 1895, Lithograph printed in four colors, 31 1/2 x 24in. (80 x 61cm), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), May Belfort (born May Egan) was an Irish singer who made a name for herself on the

Tray, 1796, Made in Philadelphia, Pennsylvania, United States, American, Silver, 1 1/2 x 22 5/8 x 16 1/4 in. (3.8 x 57.5 x 41.3 cm); 83 oz. 8 dwt. (2594 g), Silver, Christian Wiltberger (American, Philadelphia, Pennsylvania 1766–1851

King Midas Feasting At The Arrival of Silenus, late 17th–early 18th century, Pen and brown ink, brown wash, heightened with white (slightly oxidized) on blue paper., sheet: 6 5/16 x 10 13/16 in. (16 x 27.5 cm), Drawings, Circle of Bernard

Female figurine wearing necklace, Predynastic, Naqada II, ca. 3500–3300 B.C., From Egypt, Bone, H. 3.9 x W. 1.6 x D. 0.8 cm (1 9/16 x 5/8 x 5/16 in

[Stereograph Still-life with Cockatoo, Ornamental Ball, Lace, Statuette], 1850s, Daguerreotype, Image: 7.1 x 5.9 cm (2 13/16 x 2 5/16 in.), each, Photographs, T. R. Williams (British, born 1825

'Calabash' bottle, 1820–50, Possibly made in Ohio, United States; Possibly made in Western Pennsylvania, Pennsylvania, United States, American, Glass; blown-molded, 5 3/4 × 4 in. (14.6 × 10.2 cm), Glass

Essempio di recammi, page 4 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Dolphin Fountain Element, 18th century, Pen and ink, sheet: 5 1/2 x 3 1/2 in. (14 x 8.9 cm), Attributed to Anonymous, British, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 20r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

34. Artistical Groups in Various Poses, ca. 1845, Salted paper print from paper negative, Sheet: 3 13/16 × 4 13/16 in. (9.7 × 12.2 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

[Landscape, Arras], 1852, Salted paper print from paper negative, Image: 16.3 × 14.1 cm (6 7/16 × 5 9/16 in.), Photographs, Adalbert Cuvelier (French, 1812–1871

Saint Peter as the First Pope, before 1348, Made in present-day Spain, Catalan, Pine partially covered with canvas, gesso, and paint, Overall: 79 x 22 5/8 x 13 in. (200.7 x 57.5 x 33 cm), Sculpture-Wood, Indentified by his papal tiara, the

Bamboo, Nanbokuchō (1336–92)–Muromachi (1392–1573) period, Japan, Hanging scroll; ink on silk, 33 x 14 1/4 in. (83.8 x 36.2 cm), Paintings, Attributed to Kao (Ryozen

[Port Scene on the Great Lakes], ca. 1895, Cyanotype, 7.6 x 24.1 cm (3 x 9 1/2 in.), Photographs, Unknown

Saint Jerome in the Wilderness, 17th century, Brush and brown, yellow, gray and red watercolor, touched with white gouache over traces of charcoal on light brown paper. Framing outline in brush and brown wash, 9 x 13-3/8 in. (22.8 x 34 cm),

Design for a Font Cover, late 19th–early 20th century, Pen and black ink, sheet: 10 1/4 x 4 5/8 in. (26.1 x 11.8 cm), Ernest Geldart (British, London 1848–1929

Les Pecheurs Florentins, ca. 1770, Etching, Sheet: 18 7/8 x 13 1/4 in. (48 x 33.6 cm), Prints, Anne-Philiberte Coulet (French, active 18th century), After Joseph Vernet (French, Avignon 1714–1789 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 10, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Tureen with cover and plateau, Pont-aux-Choux, ca. 1755–65 (?), French, Paris, Faience fine (lead-glazed earthenware), Overall (a, b): 14 5/8 × 15 7/8 × 12 in. (37.1 × 40.3 × 30.5 cm), Ceramics-Pottery, Pont-aux-Choux

164th New York Infantry, ca. 1861, Albumen silver print from glass negative, Photographs

The Virgin of El Camino with St. Fermín and St. Saturnino, 1773, Oil on copper, 22 1/4 × 16 1/2 in. (56.5 × 41.9 cm), Paintings, Nicolás Enríquez (Mexican, 1704–1790), According to legend, the sculpture known as 'Our Lady of El Camino'

Barrel-Shaped Jug with a Fox and a Cockerel, late 13th century, Made in Saintonge, France, French, Glazed earthenware, 8 11/16 × 6 3/4 × 4 7/8 in. (22.1 × 17.2 × 12.4 cm), Ceramics-Pottery, This thin-walled barrel-shaped jug is decorated

池田孤邨画　『光琳新選百図』, One Hundred Newly Selected Designs by Kōrin (Kōrin shinsen hyakuzu), Edo period (1615–1868), 1864, Japan, Two volumes of Woodblock printed books; ink on paper, Overall (each): 10 1/16 x 7 3/8 x