Images at Librifly

Chair seat cushion, 17th century, Italian or Spanish, Leather, tooled and painted, 25.5 x 37.5 cm (14 X 14 3/4 in), Leather

[Views of Greek Sculpture Court including Bust of Minerva], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 4.6 cm (1 13/16 in.); W 4.1 cm (1 5/8 in.); D 1.2

Lamp, Early Byzantine, ca. A.D. 550–650, Roman, Terracotta, Overall: 1 x 3 3/4 in. (2.5 x 9.5 cm), Terracottas

Billot. Jean. 23 ans, né le 23/1/71 à Bourges (Cher). Tireur en barre. Anarchiste. 1/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Limestone statuette of a temple girl, Hellenistic or Early Imperial, 3rd century B.C.–1st century A.D., Cypriot, Limestone, Overall: 10 7/8 x 10 1/4 x 5 in. (27.6 x 26 x 12.7 cm), Stone Sculpture, Temple girls are a rare variation on the

Grotesque with a Victory Figure Under an Overgrown Pergola, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 1/2 x 4 1/2 in. (24.1 x 11.4 cm), Anonymous, Italian, 16th century ?, After Cornelis Massys (Netherlandish, Antwerp

Metal Ecclesiastical Object, second half 19th century, Gouache, sheet: 5 1/4 x 3 1/4 in. (13.4 x 8.3 cm), Anonymous, British, 19th century

Design for an Octagonal Table and Top (Recto); Design for altar or tomb monument (Verso), ca. 1530–60, Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso), Overall: 16 1/8 x 10 3/4 in. (41 x

Pietà (Design for an Altar), ca. 1590–1600, Pen and black ink, gray wash, sheet: 10 x 5 7/16 in. (25.4 x 13.8 cm), Drawings, Peter Candid (Pieter de Witte, Pietro Candido) (Netherlandish, Bruges ca. 1548–1628 Munich

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 13r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Interno del Colosseo, ca. 1859, Salted paper print from paper negative, Image: 30.4 × 38.7 cm (11 15/16 × 15 1/4 in.), Photographs, Pietro Dovizielli (Italian, 1804–1885

Design for a Title Page - Angel of the Resurrection, 17th century, Pen and brown ink, brush and brown wash, over red chalk, sheet: 10 9/16 x 8 11/16 in. (26.8 x 22 cm), Drawings, Anonymous, Italian, 17th century (Geonese

Funerary figurine of Saiah, Middle Kingdom, Dynasty 11, ca. 2051–1981 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, South Triangular Court, Pit 13, 1920–22, Wax, H. 12 cm (4 3/4 in.); W. 3.5 cm (1 3/8

Tankard, late 17th century, Hungarian, Brassó, Gilded silver, Overall: 11 3/4 x 5 1/4 in. (29.8 x 13.3 cm), Metalwork-Silver, It is unclear if this tankard was made for private use or if it was always intended to serve as a communion vessel,

明早期 黑漆嵌螺鈿學士圖八方盤, Tray with Eighteen Scholars of the Tang, Ming dynasty (1368–1644), 15th century, China, Black lacquer with mother-of-pearl inlay, H. 1 5/8 in. (4.1 cm); Diam. 11 3/8 in. (28.9 cm); Diam. of foot 9

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, German,

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 30r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Apotheosis of the Arts, ca. 1619, Engraving complete on two sheets; third state of three, 67.8 x 50.1 cm, Prints, Bartholomeus Spranger (Netherlandish, Antwerp 1546–1611 Prague), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

River Landscape with a Man Standing by a Boathouse, mid-17th–late 17th century, Pen and brown ink, reddish-brown (red chalk?), gray wash., 6 1/16 x 8 13/16 in. (15.4 x 22.4 cm), Drawings, Philips Koninck (Dutch, Amsterdam 1619–1688

Favre. Pierre, Maurice. 29 ans, né le 30/11/64. Ciseleur. Anarchiste. 15/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 10 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Two Lohans, ca. 1480, Attributed to Iran, possibly Tabriz, Ink and transparent watercolor on paper, Page: H. 13 9/16 in. (34.5 cm), Codices, Images of ascetic figures such as these, referred to as lohans in Buddhist tradition, appear

Jug with sgrafitto decoration, 14th century, Made in Mill Green, Essex, England, British, Lead glazed earthenware, 15 3/8 × 7 13/16 × 6 7/8 in. (39.1 × 19.8 × 17.5 cm), Ceramics-Pottery, A slightly raised ring marks the base of the neck

Lamentation over the Dead Christ, 1550s, Woodcut, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 21, bottom

Kast, 1740–70, Made in Ulster County, New York, United States, American, cherry and white pine, 77 x 72 x 25 7/8 in. (195.6 x 182.9 x 65.7 cm), Furniture

Pair of orange tubs (caisses carrées), 1753–54, French, Vincennes, Soft-paste porcelain, Overall (.43): 5 7/16 x 4 1/4 x 4 1/4 in. (13.8 x 10.8 x 10.8 cm), Ceramics-Porcelain

[Washington Street, Boston], ca. 1860, Albumen silver print from glass negative, Image: 18 × 15.5 cm (7 1/16 × 6 1/8 in.), dome top, Photographs, James Wallace Black (American, 1825–1896

Seated Male Figure, 2nd–4th century, Mexico, Mesoamerica, Nayarit, Nayarit (Chinesco), Ceramic, H. 21 3/4 x W. 8 in. (55.2 x 20.3 cm), Ceramics-Sculpture, The figure in the Nayarit ‘Chinesco’ style depicts a seated male, nude except

Candle Stand, 1800–1840, Made in New Lebanon, New York, United States, American, Shaker, Cherry, 25 1/2 x 18 x 18 in. (64.8 x 45.7 x 45.7 cm), Furniture, Although several similar stands exist, this example is one of the finest known.

Figure of a Lion, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 16 1/2 in. (41.9 cm); W. 81 /2 in. (21.6 cm); D. 5 3/4 in. (14.6 cm), Ceramics

Raboin. Émile, Pierre. 41 ans, né à Ouzoir-sur-Loire (Loiret). Distillateur. Assoc. de malfaiteurs. 28/2/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

A Man with the Initials JD, 1790, Ivory, Diameter 2 1/2 in. (62 mm), Miniatures, Villers (French, active ca. 1781–93

Beach Scene with Boats, n.d., Pen and brown ink, sheet: 4 1/2 x 7 7/16 in. (11.4 x 18.9 cm), Drawings, Pieter Mulier the Elder (Dutch, Haarlem 1615–1670 Haarlem

Three Nymphs and a Youth: study for a decorative lunette, ca. 1850, Black chalk and graphite on laid paper (trimmed in the shape of an arch), Sheet: 8 7/16 x 12 3/8 in. (21.4 x 31.5cm) (lunette shape), Drawings, Camille Corot (French, Paris

A Kneeling King of France Holding the Scepters of Royal Authority, Black chalk heightened with white on brown washed paper, 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm), Drawings, Jean Boucher (French, Bourges 1568/75–1633

A Silver Urn, inscribed 'MDCCXXIX...John Sudbury...Johanni Bateman', 1828–40, Pen and ink and gray wash, sheet: 9 7/16 x 9 3/16 in. (24 x 23.3 cm), Anonymous, British, 19th century

Four Scenes from the Old Testament, early 18th century, Red chalk, sheet: 13 11/16 x 8 1/16 in. (34.8 x 20.5 cm), Drawings, Paul Decker the Younger (German, Nuremberg 1685–1742 Nuremberg

Comb decorated with a hippo, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt; Said to be from Northern Upper Egypt, Balyana, Ivory (elephant), h. 10 x w. 5.9 x th. 1 cm (3 15/16 x 2 5/16 x 3/8 in

Cup Stand with Floral Design, Edo period (1615–1868), Japan, Porcelain with celadon glaze (Hizen ware, early Imari type), H. 3 in. (7.6 cm); Diam. 6 1/8 in. (15.6 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 19r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Salient with North-west Casemates, Fort Sumter, April 1861, Albumen silver print from glass negative, Image: 6 × 7.3 cm (2 3/8 × 2 7/8 in.), Photographs, J. M. Osborn (American, active Charleston, South Carolina, 1850s–1860s

Study of Head and Shoulders of Woman with Headdress, Pen and ink on paper, sheet: 2 3/4 x 2 1/4 in. (7 x 5.7 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

[Montage of Ecclesiastical Figures Posed in Political Satire], 1860s, Albumen silver print, Image: 14.4 x 18.7 cm (5 11/16 x 7 3/8 in.), Photographs, Unknown (British

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 21 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

[Peary's Ship], 1893–95, Albumen silver print from glass negative, Image: 4 1/2 × 3 11/16 in. (11.4 × 9.4 cm), Photographs, Robert E. Peary (American, 1856–1920

Deer and Tree Against Sunset, 1810–75, Watercolor on wove paper, 10 5/8 x 15 1/8 in. (27 x 38.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Border with Lozenges set within a Pearl Rondel, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, 2 3/4 x 7 1/2in. (7 x 19.1cm), Sculpture, This jeweled border was set above a hamsa molding in a Buddhist

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 19 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

'Unwan', Folio from the Shah Jahan Album, recto and verso: ca. 1630–40, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 99 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Flora and Zephyr, late 18th–19th century, Pen and black ink, gray wash, sheet: 18 7/8 x 12 5/8 in. (48 x 32 cm), Drawings, Josef Klieber (Austrian, Innsbruck 1773–1850 Vienna

Antique-Style Ornamental Oblong Design: Grotesque Figures, Masks, and Amphorae, early 16th century, Pen and two colors of brown ink, over traces of leadpoint underdrawing, on buff laid paper, 13 3/4 x 5 9/16 in. (35 x 14.2 cm), Drawings,

[Zouaves, Camp de Châlons], 1857, Albumen silver print from glass negative, Image: 27.9 x 35.6 cm (11 x 14 in.), Photographs, Gustave Le Gray (French, 1820–1884

Machinery, 1920, Gouache and graphite on paperboard (Beaver Board), 24 x 19 7/8 in. (61 x 50.5 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), This painting was first shown in an

Purse Mount in the Form of a Cross, 600–700, Made in France, Frankish, Silvered Copper alloy, Overall: 1 1/8 x 1 1/8 x 3/8 in. (2.9 x 2.9 x 1 cm), Metalwork-Copper alloy, Belts were important features of early medieval dress. Not only did

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, German,

Second Corps Hospital, Washington, D.C., ca. 1863, Albumen silver print from glass negative, Image: 7.7 × 9.7 cm (3 1/16 × 3 13/16 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Ladle-saucer, or shovel, 4th century B.C., Terracotta, Overall: 2 x 11 1/8 in. (5.1 x 28.3 cm), Terracottas

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 24 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Ornament with Doves and Cornucopia, ca. 1780–1820, Graphite, and black crayon, sheet: 13 3/8 x 8 3/8 in. (34 x 21.3 cm), Drawings, Anonymous, German, 19th century

元 張羽 松軒春靄圖 軸, Spring Clouds at the Pine Studio, Yuan dynasty (1271–1368), dated 1366, China, Hanging scroll; ink and color on paper, Image: 36 1/4 x 12 1/2 in. (92.1 x 31.8 cm), Paintings, Zhang Yu (Chinese, 1333–1385),

Minerva and the Muses, n.d., Etching and drypoint, Plate: 8 11/16 × 6 1/2 in. (22.1 × 16.5 cm), Prints, The Muses, daughters of Zeus and Mnemosyne (Memory), are mentioned by the Greek poets Hesiod and Homer as sources of inspiration for

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 21r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Design for a Mirror to go over a Cabinet, 19th century, Ink and watercolor, sheet: 2 15/16 x 6 1/2 in. (7.4 x 16.5 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 15 (recto), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, 1564, Foresto, Iseppo, Calepino, Italian, 1520,

A New Book of Ornaments, Very Necessary for the Instruction of Those Unacquainted With the Useful Part of Drawing, before 1753, Illustrations: etching, 12 5/16 x 8 1/16 x 3/8 in. (31.3 x 20.5 x 1 cm

Lute, 200–500, Made in Egypt, Roman/Byzantine, Wood with traces of paint, Overall: 4 3/4 x 1 7/16 x 28 13/16 in. (12 x 3.7 x 73.2 cm), Woodwork-Miscellany, Strings ran from the top of this instrument’s long neck to the end of the sound

Cup in the shape of a magnolia blossom, Ming dynasty (1368–1644), early 17th century, China, Rhinoceros horn, H. 4 in. (10.2 cm); H. incl. base 5 3/4 in. (14.6 cm), Horn, Once grown exclusively for the imperial family, magnolias are

March, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

A Reconstructed View of the Palace on the Palantine Hill, before 1704, Pen and black and brown ink, brush and grey wash, over traces of red chalk, squared with black chalk., 6 7/16 x 8 3/8 in. (16.4 x 21.3 cm), Drawings, Jan Goeree (Dutch,

Terracotta lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/8 x 4 1/16 in. (2.9 x 10.3 cm), Terracottas

A Woman Standing at an Open Sash Window, a Small Boy Beside Her, mid-18th–early 19th century, Brush and grey ink. Framing line in pen and black ink., sheet: 6 11/16 x 5 1/16 in. (17 x 12.9 cm), Drawings, Anthonie Andriessen (Dutch, Amsterdam

Brick with inscription of Ashurnasirpal II, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ceramic, 4.49 x 14.02 x 14.49 in. (11.4 x 35.61 x 36.8 cm), Ceramics-Architectural-Inscribed

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, German,

Antique-Style Ornamental Frieze Design: Grotteschi with Figures, Cornucopiae, and Shields., early 16th century, Pen and brown ink, over traces of leadpoint (?), on buff laid paper, 13 1/2 x 6 1/4 in. (34.3 x 15.8 cm), Drawings, Anonymous,

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 36r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Landoin. Antoine, Eugène. 33 ans, né le 16/11/60 à Quincie (Rhône). Comptable. Anarchiste. 16/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Border, 17th century, Italian or Flemish, Bobbin lace, L. 22 x W. 6 1/2 inches (55.9 x 16.5 cm), Textiles-Laces

Shepherd tickling a sleeping Shepherdess with a piece of straw, from Troisieme Livre de Sujets et Pastorales (Third Book of Subjects and Pastorals), plate 3, 18th century, Etching and engraving, Sheet: 13 3/8 x 9 5/8 in. (34 x 24.4 cm), Gabriel

Sketches of Voltaire at Age Eighty-One, 1775, Etching, sheet: 12 1/16 x 10 3/4 in. (30.6 x 27.3 cm), Prints, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris

Mainfroy. Albert, Pierre. 41 ans, né le 7/4/52 à Courbevoie (Seine). Imprimeur. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 50v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Maffet Ledger, ca. 1874–1881, United States, Oklahoma, Southern and Northern Cheyenne, Graphite, watercolor, and crayon on paper, H. 11 3/4 x W. 5 1/4 x D. 1 in. (29.8 x 13.3 x 2.5 cm), Paper-Drawings, The Maffet Ledger, a book of 105

元 剔彩山茶紋漆盒, Box with camellia, Yuan dynasty (1271–1368), 14th century, China, Carved red and green lacquer, H. 1 3/8 in. (3.5 cm); Diam. 4 in. (10.2 cm), Lacquer, The stylized flowers depicted in Chinese lacquer are often

Madonna and Children, 16th century, Pen and ink, brush and wash, 5-1/2 x 4-1/2 in. (14 x 11.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Cedars of Lebanon, 1870s, Albumen silver print, Photographs, Unknown

日本と米国の国旗を纏った日本女性, Sashiko Jacket, Meiji period (1868–1912), second half of the 19th century, Japan, Indigo-dyed plain-weave cotton, quilted and embroidered with white cotton thread, Overall: 51 1/8 x 49 1/2

Bronze portrait bust of a Roman matron, Early Imperial, Julio-Claudian, ca. A.D. 20–50, Roman, Bronze, H. 9 1/2 in. (24.1 cm), Bronzes, This bust of a private individual has often been taken to represent one of the emperor Augustus’s

Buddha, Kizil kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 12 3/4 x 9 3/8 in. (32.4 x 23.8 cm), Paintings

Virgin and Child with Infant St. John the Baptist, 17th century, Black chalk, 5-1/8 x 6-9/16 in. (13.0 x 16.7 cm), Drawings, Anonymous, Italian, 17th century

Design for Window, 16th century, Pen and brown ink, 5 x 3-3/4 in. (12.7 x 9.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Two Horsemen, 17th century, Pen and brown ink and wash, 7-9/16 x 5-1/2 in. (19.2 x 13.9 cm), Drawings, Anonymous, Italian, 17th century

Design for Door Knocker, for the Builder's Journal, 1886–96, Graphite, sheet: 13 7/8 x 9 15/16 in. (35.2 x 25.2 cm), Eleanor Mercer (British, active 1886–96

Designs for a Mirror Frame and Table, 1800–1900, Sheet: 9 5/8 × 12 5/8 in. (24.4 × 32.1 cm), Drawings, Anonymous, Italian, 19th century

Essempio di recammi, page 27 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

University Scepter, early 15th century (1419? with alterations after 1478), Made in possibly Rostock or Lübeck, Germany, North German, Silver and silver gilt on an iron core, Overall: 57 9/16 x 2 3/16 in. (146.2 x 5.6 cm), Metalwork-Silver,

Design of Flower Sprays and Butterflies, ca. 1870, Watercolor, 8-3/8 x 8-3/8 in, Drawings, Anonymous, Italian, 19th century

Boat-shaped palette, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt, Greywacke, L. 25.3 x H. 11.4 x Th. 1.4 cm (9 15/16 x 4 1/2 x 9/16 in

Spoon, 1730–70, Made in New York, New York, United States, American, Silver, 1 3/4 x 8 1/4 in. (4.4 x 21 cm), Silver, Myer Myers (1723–1795