Images at Librifly

L'accoudée, 1856–57, Albumen silver print from glass negative, 11.1 x 7.6 cm (4 3/8 x 3 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), To elongate her figure, the countess stood on a stool that is half- hidden under her

Textile Fragment with Interlace Pattern, 3rd–4th century, From Egypt, Wool, linen; plain weave, tapestry weave, 18 7/8 in. high 17 9/16 in. wide (48 cm high 44.6 cm wide), Textiles, The composition of the purple panel recalls patterns used

Terracotta chalice, Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H.: 11 3/8 in. (28.9 cm), Vases, Goblet-shaped vase with incised lines and pointed bosses on edge of rim

Saucer, ca. 1790, Made in China, Chinese, Porcelain, Diam. 5 3/4 in. (14.6 cm), Ceramics

Asia and Africa, ca. 1752, French, Vincennes, Soft-paste porcelain, Overall (confirmed): 11 3/16 × 10 3/8 × 7 1/8 in. (28.4 × 26.4 × 18.1 cm), Ceramics-Porcelain, Asia and Africa is one of a relatively small number of glazed porcelain

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 29r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Gatinet. Pierre, Adrien. 50 ans, né le 13/10/43 à Bourges (Cher). Charpentier. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

May Belfort, 1898, Crayon lithograph on china paper, pasted onto green linen portfolio cover, sheet: 11 7/16 x 9 7/16 in. (29.1 x 24 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Pierlay. Louis, Victor. 53 ans, né à Paris XVIle. Sculpteur. Anarchiste. 8/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Section of a Columbarium, 1710–27, Pen and brown ink, brush and brown wash, over ruling in graphite, 12-1/2 x 16-5/8 in. (31.8 x 42.3 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Fragment, 5th century, Attributed to Egypt, Wool, linen; plain weave, weft loop weave, H. 64 15/16 in. (165 cm), Textiles

Textile with Brocade, 14th–15th century, Spanish or Near Eastern, Satin and plain weave; silk and metal threads, Overall: 21 x 7 in. (53.3 x 17.8 cm), Textiles-Woven-Brocade

Plaque with Masked Figure, 8th–12th century, Panama, Coclé Province, Macaracas, Gold, H. 5 1/2 x W. 5 3/4 in. (14 x 14.6 cm), Metal-Ornaments

Study of Three Flowers, 1781, Gouache, sheet: 9 1/4 x 13 3/8 in. (23.5 x 33.9 cm), Drawings, Johann Christian August Birnbaum (German, Dresden 1729–1807 Meißen

Stamp seal: worshiper kneeling before mushhushshu-dragon and standard, Neo-Babylonian, ca. 6th–5th century B.C., Southern Mesopotamia, Chalcedony, blue, Seal Face: 2.41 x 1.55 cm, Stone-Stamp Seals-Inscribed, This stamp seal depicts a

Portrait of Fleury, Graphite, 9 x 7 7/8in. (22.8 x 20cm), Drawings, Georges-Edmond Dargouge (French, born Paris 1897

The Maid of Athens (May Prinsep), 1866, Albumen silver print from glass negative, 28.9 x 23.2 cm (11 3/8 x 9 1/8 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Ein ney Furmbüchlein, Page 16, recto, ca. 1525–29

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 35v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

[Man], ca. 1900, Gelatin silver print, 8 3/4 x 6 2/3, Photographs, Wilhelm von Gloeden (Italian, born Germany, 1886–1931

Study of a Male Figure, 1849, Pen and brown ink, sheet: 13 3/4 x 8 1/4 in. (35 x 21 cm), Drawings, Julius Schnorr von Carolsfeld (German, Leipzig 1794–1872 Dresden

Footed Cup with handle: Scheuer, ca. 1500–1525, Made in Lower or Middle Rhine, Germany, German, Free-blown glass with applied decoration, 4 3/4 × 4 3/16 × 3 9/16 in. (12 × 10.6 × 9 cm), Glass-Vessels, The shape of this footed drinking

Tea Caddy, 1760–70, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 5 5/16 in. (13.5 cm), Glass, Possibly Michael Edkins

The Sawdust Trail, 1917, Lithograph, image: 25 1/2 x 20 1/16 in. (64.8 x 51 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Summer Headquarters of General Grant, City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs

Vase, 16th century, Red chalk, 6-1/8 x 5-1/2 in. (15.6 x 14.0 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580) (Giacomone da Faenza

Design for a Four-poster Bed with Hangings, 18th century, Graphite, sheet: 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm), Anonymous, British, 18th century

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Sugar Tongs, ca. 1888, Made in New York, New York, United States, American, Silver, 5/8 x 5 in. (1.6 x 12.7 cm); 1 oz. 10 dwt. (47 g), Silver, Tiffany & Co. (1837–present), An 1898 article in The Jewelers’ Circular lauds this service as

Charola, ca. 1830, Made in Guanajuato, Mexico, Mexican, Earthenware, lead-glazed, 12 15/16 x 10 1/4 x/ 1 5/8 in., Ceramics

Salome, 1916, Brush and brown ink and brown wash, graphite., 7 5/16 x 10 9/16 in. (18.6 x 26.8 cm), Drawings, Willem Arondeus (Dutch, Naarden 1894–1943 Haarlem

Terracotta stamnos (jar), Classical, ca. 470–460 B.C., Greek, Attic, Terracotta; red-figure, H. 16 in. (40.7 cm); width with handles 14 5/8 in. (37.2 cm); H. without cover 14 3/16 in. (36.1 cm), Vases, Obverse, warrior arming, possibly

Drawings and Prints, Drawing, Thomas Cole's Plan as Altered and Executed; and Plan for the Capitol of Ohio, by Davis, Arc't 1837, Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander

Landscape with Fishermen, 1818, Graphite, pen and brown ink, brown and blue wash, 8 3/4 x 8 1/16 in. (22.25 x 20.45 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

Man in a Toga, 1630–40, Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso), 8 3/8 x 3 15/16 in. (21.2 x 10.0 cm), Drawings, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652

Apothecary Jar, ca. 1750, Made in Mexico, Mexican, Tin-glazed earthenware, H. 5 in. (12.7 cm), Ceramics

Design for Curtains, 1841–84, Graphite and watercolor, sheet: 13 1/4 x 10 3/8 in. (33.7 x 26.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/8 x 3 1/8 in. (2.9 x 7.9 cm), Terracottas

Opening Folio of the 26th Volume of the 'Anonymous Baghdad Qur'an', A.H. 706/ A.D 1306–7, Made in Iraq, Baghdad, Ink, opaque watercolor, and gold on paper, 17 x 13 7/8in. (43.2 x 35.2cm), Codices, This is the right half of a double page

Sherbet Dish, ca. 1885, Made in West Midlands, England, British, Blown satin white opaque glass, H. 2 1/4 in. (5.7 cm), Glass

[White picket fence with buildings in background]. Brady album, p. 123, 1861–65, Albumen silver print from glass negative, Photographs

Design for a Chandelier, 18th century, Gouache on black prepared paper, sheet: 15 5/8 x 12 7/16 in. (39.7 x 31.6 cm), Drawings, Anonymous, German, 18th century

Dish with Heron Design, Edo period (1615–1868), late 17th century, Japan, Porcelain with underglaze blue decoration (Hizen ware, Nabeshima type), H. 1 1/8 in. (2.9 cm); Diam. 5 5/8 in. (14.3 cm), Ceramics

Emmy G., 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Aquia Creek Landing, 1863, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Bowl, 13th century, Attributed to Iran, Kashan, Stonepaste; overglaze luster-painted on an opaque white glaze, 3.5 in. high (8.9 cm high), Ceramics, This bowl combines the most distinctive features of lusterware produced in Kashan: moon-faced

La Vera Perfettione del Disegno di varie sorti di recami, page 19 (recto), 1567

Plate with Egrets in a Lotus Pond, Qing dynasty (1644–1911), late 19th century, China, Porcelain painted with cobalt blue under, and copper red over, transparent glaze (Jingdezhen ware), H. 2 1/4 in. (5.7 cm); Diam. 16 3/4 in. (42.5 cm),

Butterfly Badge, mid-19th–early 20th century, Pen, ink, watercolor, Drawings, Pickford Robert Waller (British, London 1849–1930 Bournemouth

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 3/8 in. (8.6 cm); Diam. 3 3/16 in. (8.1 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Portrait of a Young Man in Three-Quarter View Looking over His Left Shoulder, 17th century, Red and black chalk on cream paper, 8-11/16 x 6-5/16 in. (22 x 16.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Off to War (Henderson Ledger Artist B), ca. 1882, United States, Arapaho, Pencil, colored pencil, and ink on paper, H. 5 3/8 x W. 11-7/8 in., Paper-Drawings, Frank Henderson (Native American, Hinono'eiteen (Arapaho), 1862–1885

Fragment of woven silk, early 18th century, probably Chinese, Silk and metal thread; satin foundation weave, Overall: 15 1/2 x 8 1/2 in. (39.4 x 21.6 cm), Textiles-Woven

Portrait head of a woman, Imperial, Flavian or Trajanic, 69–117 A.D., Roman, Marble, H. 10 1/4 in. (26 cm), Stone Sculpture, It has been argued that this portrait represents Diva Julia Augusta, the daughter of the Emperor Titus, but her

Various Ornamental Designs, 19th century, Pen and brown ink over black chalk. Inlaid into paper mount with gray wash framing lines., 7 13/16 x 5 3/16 in. (19.9 x 13.2 cm), Anonymous, German, 19th century

Cup Plate, 1825–60, Made in Midwest, United States, American, Lacy pressed glass, Glass

Design for Gothic Curtains and Curtain Rod, 1841–84, Graphite with touches of white gouache, sheet: 14 3/16 x 10 1/4 in. (36.1 x 26 cm), Charles Hindley and Sons (British, London 1841–1917 London

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 47 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Terracotta antefix (roof tile) with female head, 5th century B.C., Etruscan, Cerveteri, Terracotta, Overall: 7 7/16 x 6 5/8in. (18.9 x 16.8cm), Terracottas

Marble portrait bust of a boy, Early Imperial, Julio-Claudian, ca. A.D. 35–50, Roman, Marble, H. 12 1/2 in. (31.8 cm), Stone Sculpture, The reduced scale of this bust and the carefully combed hair, with bangs parted in the center, are

Hilly Landscape with Trees and a Road on the Right, 1833, Black chalk, pen and black ink, brush and brown ink, some white heightening, sheet: 11 11/16 x 16 3/4 in. (29.7 x 42.6 cm), Drawings, Georg Heinrich Busse (German, Bennemuhlen

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, German,

北魏/北齊 彩繪陶馴鷹人俑, Seated Falconer, Northern Wei (386–534)–Northern Qi (550–577) dynasty, mid-to-late 6th century, China, Earthenware with red and white pigments, H. 6 1/8 in. (15.6 cm); W., 6 in. (15.2 cm), Tomb

Falmouth, Virginia. Abandoned Camp, 1862, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902), Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Spechio di pensieri delle belle et Virtudiose donne, 1546, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. Illustrated title page with printer's mark, 26 pages of designs used for

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/8 x 2 3/4 in. (2.9 x 7 cm), Terracottas

Bronze mirror, Late Classical, early 4th century B.C., Etruscan, Bronze, length 9 1/2 in. (24.1 cm.); diameter 6 1/16 in. (15.4 cm.), Bronzes, Inscribed: Alcsentre (Paris/Alexandros), Turan (Aphrodite), Elinai (Helen

Floral Design, n.d., White, orange, green and black chalk, 12 x 10 1/2in. (30.5 x 26.6cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 62 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Temple Model, 200 B.C.–A.D. 500, Mexico, Mesoamerica, Guerrero, Balsas River region, Mezcala, Greenstone, H. 7 1/16 x W. 6 x D.2 1/8 in. (18 x 15.2 x 5.4 cm), Stone-Sculpture, Stone models in the Mezcala style come largely from the

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 28 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 65 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Bottle, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 4 5/16 in. (11 cm), Glass

'The Concourse of the Birds', Folio 11r from a Mantiq al-tair (Language of the Birds), ca. 1600, Attributed to Iran, Isfahan, Ink, opaque watercolor, gold, and silver on paper, Painting: H. 10 in. (25.4 cm), Codices, Painting by Habiballah

Ringold, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Plate of Benjamin Franklin, 1776–1883, Made in France, French, Faience, Diam. 8 3/4 in. (22.2 cm), Ceramics, After Jean Antoine Houdon (French, Versailles 1741–1828 Paris

Courtyard of a Farmhouse, 1629–77, Brush and gray wash over black chalk., sheet: 10 15/16 x 16 3/4 in. (27.8 x 42.5 cm), Drawings, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

[Konstantin Cretius], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Lord Justice James, ca. 1870, printed ca. 1905, Carbon print, 33.3 x 26.6 cm. (13 1/8 x 10 1/2 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Terracotta lamp: on discus, myrtle wreath, Early Imperial, ca. A.D. 50–100, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 7/8 in. (3.2 cm, 3 7/8 in.), Terracottas

Study for frontispiece for 'Les Jeunes France' by Theophile Gautier, Graphite and ink on paper, sheet: 2 9/16 x 4 in. (6.5 x 10.2 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

King Lear Alotting His Kingdom to His Three Daughters, 1872, Albumen silver print from glass negative, Mount: 18 1/2 × 14 7/8 in. (47 × 37.8 cm), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara,

Saucer, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 5 1/8 in. (13 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by Justice

Velvet Panel with Flowering Plants, first half 17th century, Attributed to Iran, Silk, cotton, flat metal thread; cut and voided velvet, brocaded, Textile: H. 45 in. (114.3 cm), Textiles, During the seventeenth century, rows of flowering

Medal of Kolman Helmschmid (1471–1532), dated 1532, Augsburg, German, Augsburg, Lead, Diam. 1 15/16 in. (50 mm); Wt. 1.6 oz. (44.96 g), Medals, This is an exceedingly rare example of a Renaissance medal of an armorer, which celebrates the

Country house, 19th century, Watercolor, sheet: 4 3/4 x 6 in. (12.1 x 15.2 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 89 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Sketch of an "Inviting Rain" Mandala, 請雨経曼荼羅図像, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink on paper, Overall: 59 1/2 x 25 3/4 in. (151.1 x 65.4 cm), Paintings, This unusual mandala, a sketch from a

Storage Box in Nanban (Southern Barbarian) Style, Muromachi period (1392–1573) or Momoyama period (1573–1615), 16th century, Japan, Gold maki-e on black lacquer, inlaid with mother-of-pearl; silver mounts, H. 5 1/2 (14 cm); W. 12 5/8 in.

Textile Sample Book, 1890–91, French, Silk, H. 15 1/2 x W. 10 x Th. 2 3/16 inches, Textiles-Sample Books

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 19.4 cm ( 7 5/8 in.); W 24 cm

Terracotta footed cup, Early Minoan II, ca. 2600–2200 B.C., Minoan, Terracotta, H. 3 11/16 in. (9.4 cm), Vases, Mottled red and black ware cup with stemmed foot

Boats upon Waves, 波に舟図屏風, Edo period (1615–1868), mid- to late 17th century, Japan, Six-panel folding screen; ink, color, and gold on paper, 61 1/8 x 141 3/4 in. (155.2 x 360 cm), Screens, Studio of Tawaraya Sōtatsu

Nefertum Amulet, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Blue faience, H. 9.4 cm (3 11/16 in

Primer, 18th century, Rajasthan, Indian, Rajasthan, Horn, ivory, L. 9 5/8 in. (24.5 cm); D. 1 in. (2.5 cm); Wt. 2.8 oz. (79.4 g), Firearms Accessories-Flasks & Primers, A priming flask is used to hold and pour fine gun powder into the

View opposite the entrance gate of all of the shops to the right and left of the street of the City of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of

Seated Figure with Cloak and Turban, 1493–1560, Pen and brown ink, 14-11/16 x 10-3/8 in. (37.3 x 26.3 cm), Drawings, Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560 Florence

Nutmeg Grater, 1775–ca. 1800, Probably made in United States, American, Silver and steel, 3 1/8 x 1 7/16 x 1 1/8 in. (7.9 x 3.7 x 2.9 cm); 1 oz. 11 dwt. (48.7 g), Silver

Architectural Support, 1500–1510, British or French, Oak, Overall: 83 1/16 x 9 1/2 x 9 1/4in. (211 x 24.1 x 23.5cm), Woodwork-Architectural