Images at Librifly

Cattle and Figures in a Landscape, mid-17th–late 17th century, Black chalk, sheet: 7 3/16 x 11 3/8 in. (18.2 x 28.9 cm), Drawings, Nicolaes Berchem (Dutch, Haarlem 1621/22–1683 Amsterdam

清 翡翠鼻煙壺, Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, White and green jadeite with coral stopper, H. 2 1/2 in. (6.4 cm), Snuff Bottles

Plate with Geese in a Lotus Pond, Ming dynasty (1368–1644), Wanli period (1573–1620), late 16th–early 17th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Diam. 14 1/4 in. (36.2 cm),

Head of a Young Woman in Three-Quarter View Facing Left, 1670–1700, Brush and brown wash, highlighted with white and cream gouache (partly oxidized), over a preliminary freehand and ruled underdrawing in charcoal, outlines stylus-incised for

Chalice with Enamel Ornament, second half 19th century, Graphite and watercolor on tracing paper, sheet: 6 7/16 x 4 5/16 in. (16.3 x 11 cm), Anonymous, British, 19th century

Design for a Pedentive Decoration: two women with musical instruments, 18th century, Pen and brown ink over lead point, 8 3/8 x 13 3/8 in. (21.3 x 33.9 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 1 1/2 x 3 1/2 in. (3.8 x 8.9 cm), Terracottas

Portrait of a Woman, 1597, Vellum, Oval, 1 7/8 x 1 1/2 in. (47 x 39 mm), Miniatures, Nicholas Hilliard (British, Exeter ca. 1547–1619 London

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 110 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Study of a Standing Peasant, 17th century, Black and white chalk on blue paper, 6 5/16 x 3 3/8 in. (16 x 8.5 cm), Drawings, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

The Monkey Bridge in Kai Province (Kōyō Saruhashi no zu), 「甲陽猿橋之図」, Edo period (1615–1868), ca. 1841–42, Japan, Vertical ōban diptych mounted as a hanging scroll; ink and color on paper, Overall: 38 3/8 x 13 3/8 in. (97.5

Schouppe. Placide. (dit Ricken, Franz). , 1889–94, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 6 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Square with Putti in a Nilotic Landscape, 4th–5th century, Attributed to Egypt, Akhmim (former Panopolis), Linen, wool; plain weave, tapestry weave, 6.87 in. high 5.50 in. wide (17.5 cm high 14 cm wide), Textiles, Images of the fertility

Le liseur, 1860s, Albumen silver print from glass negative, 8.6 x 12.1 cm. (3 3/8 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Label, 1757–60, Made in New York, New York, United States, American, Paper, 5 1/2 x 8 1/4 in. (14 x 21 cm), Furniture, Workshop of Joseph Cox (active ca. 1756–1773

Head of a Bearded Man, 1588/89–1623, Black chalk, red, yellow, and pink pastel, highlighted with white on gray-green paper, 13-/4 x 9-11/16 in. (34.9 x 24.6 cm), Drawings, Domenico Fetti (Italian, Rome (?) 1591/92–1623 Venice),

Pomegranates, 清 瑪瑙石榴擺件, Qing dynasty (1644–1911), 18th century, China, Agate, H. 4 1/2 in. (11.4 cm); W. 7 1/2 in. (19.1 cm), Hardstone, As the Chinese character for “seed” (zi) is the same as that for “son, ” the

Wayside Temple Near Seville, 1886, Graphite, Sheet: 11 1/2 × 9 3/16 in. (29.2 × 23.3 cm), Drawings, John Bagnold Burgess (British, Chelsea, London 1830–1897 London

Bacchanale, 1918, Lithograph, image: 18 3/8 x 24 in. (46.7 x 61 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Brazen Sea, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9 3/4 in. (41.9 x 24.8 cm), Manuscripts and

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 6r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Antefix, head of satyr, Classical, 5th century B.C., Etruscan, Terracotta, H. 9 in. (22.9 cm), Terracottas

Case (Inrō) with Design of Squid, Shells and Seaweed, Edo period (1615–1868), early 19th century, Japan, Case: powdered gold (maki-e) and colored lacquer on black lacquer with mother-of-pearl and gold inlays; Fastener (ojime): ivory carved

Buckle, first half 6th century, Visigothic, Copper alloy, with glass, Overall: 5 1/8 x 2 1/4 x 1/2 in. (13 x 5.7 x 1.2 cm), Metalwork-Bronze

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 8 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Sketchbook Page: Figures and Sculpture, 19th century, Graphite, Drawings, Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 13, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

桃山時代 縞人物蒔絵螺鈿重箱, Food Box with Striped Decoration and Chinese Figures, Momoyama (1573–1615), early 17th century, Japan, Black lacquer with gold and silver maki-e and mother-of-pearl inlay, H. 10 5/8 in. (27 cm); W. 7

A Radish Plant, Seed, and Flower, late 18th century, Made in India, Calcutta, Ink and opaque watercolor on paper, H. 18 3/4 in. (47.6 cm), Codices, This painting is from the collection of Major James Nathaniel Rind, an enthusiastic

Tea Spoon, ca. 1775, Made in Boston, Massachusetts, United States, American, Silver, L. 5 in. (12.7 cm), Silver, Joseph Edwards Jr. (1737–1783

Drawings and Prints, Book Prints Ornament & Architecture, Plate from Ornament Designs Invented by J. Berain (page 71), Artist and publisher, Dedicatee, Publisher, Engraver, Jean Berain, Jules Hardouin Mansart, Thuret, M. Daigremont,

Wine Glass, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 4 5/16 in. (11 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Opera Nova Universali intitulata Corona di racammi, page 32 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

花草蒔絵笄, Lacquer Hairpin with Flowers, Meiji period (1868–1912), second half of the 19th century, Japan, Lacquered wood with gold, silver hiramaki-e, gold, silver foil application and mother-of-pearl inlay on black ground, L. 6 1/4

Design for Half of Frame with Helm, Putti, Mask, 17th century, Pen over leadpoint, sheet: 10 3/8 x 6 5/8 in. (26.4 x 16.8 cm), Drawings, Anonymous, Italian, 17th century

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/2 in. (7.4 × 8.9 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 25), Publisher, Artist, After, Carlo Losi, Jacob

[Two Men Seated in a Horse-Drawn Carriage in Front of Niagara Falls], 1860s, Ambrotype, Image: 13.4 x 18.5 cm (5 1/4 x 7 5/16 in.), Photographs, Unknown (American

Dish with Floral Designs, 1670s, Made in Iran, Kirman, Stonepaste; polychrome painted under transparent glaze, H. 2 1/2 in. (6.4 cm), Ceramics, This dish is part of a group of polychrome ceramics which were produced in Kirman, Iran. The

Mahler. Jacob, Henri, Jean. 61 ans, né à Hanovre (Duché de Hesse). Couvreur. Anarchiste. 3/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Flagellation of Christ, 1632, Black chalk, pen and brown ink, brush and brown wash, heightened with white, sheet: 16 1/16 x 10 11/16 in. (40.8 x 27.1 cm), Drawings, Matthäus Gundelach (German, Hessen ca. 1566–1653/4 Augsburg

Open-Ring Brooch, early 800s, Made in Galway, Ireland, Pictish or Irish, Silver, cast and partially gilded; amber cabochons, Overall: 2 1/16 x 3 11/16 x 11/16 x 3 3/4 in. (5.2 x 9.3 x 1.8 x 9.5 cm), Metalwork-Silver, This silver penannular

Lamp, Roman, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas

Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), ca. 1653, Pen and brown ink, brush and brown wash, over red and traces of black chalk (recto); red chalk, pen and brown ink, brown

Design for a stained glass window, 1866–92, Watercolor, pen and brown ink over graphite, sheet: 13 3/16 x 4 in. (33.5 x 10.2 cm), Alexander Gibbs (British, active 1866–1882

'Draperies' Textile, ca. 1919, Cotton, 45 x 51 1/2 in. (114.3 x 130.8 cm), Textiles-Printed

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 4(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

A Reconstruction of the Thermae of Novitian (above) and a View of the Ruins (below), before 1704, Pen and black ink, brush and brown wash, red chalk, over traces of black chalk., 13 1/16 x 8 -1/8 in. (33.2 x 20.6 cm), Drawings, Jan Goeree

Elizabeth Ford, later Lady Colville of Culross, 1785, Watercolor, colored chalk, and graphite, sheet: 17 x 13 in. (43.2 x 33 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Dowman represents Elizabeth,

Snuff bottle in the shape of a hot pepper, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain with copper red glaze (Jingdezhen ware) and glass stopper, H. 2 3/4 in. (7 cm), Snuff Bottles

Pier Glasses, 1850–1904, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Solitude, 1917, Lithograph, image: 17 3/16 x 15 7/16 in. (43.7 x 39.2 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, Jeremias Wachsmuth, German,

Terracotta column-krater (bowl for mixing wine and water), Late Archaic or Early Classical, ca. 480–450 B.C., Etruscan, Terracotta; superposed red, H.: 13 7/8 in. (35.2 cm), Vases, Obverse, komos (revel). Reverse, 2 youths The subject,

Goblet, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 6 11/16 in. (17 cm); Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques,

Avalokiteshvara, the Bodhisattva of Infinite Compassion, 17th century, Tibet, Ivory, H. 6 3/4 in. (17.1 cm); W. 3 3/8 in. (8.6 cm); D. 3 1/2 in. (8.9 cm); Wt. 1 lb (.5 kg), Sculpture, Attributed to Chosying Dorje (the Tenth Karmapa)

Desseins a Plusieurs Usages Inventés par M. B. Toro, 1718 or after

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and green wash, over lead point or graphite with ruled construction; framing lines in lead point or graphite, 14 11/16 x 9 3/4 in. (37.3 x 24.8 cm), Drawings, Anonymous,

Cup with figures in a landscape, Qing dynasty (1644–1911), 18th century, China, Rhinoceros horn, H. 6 in. (15.2 cm), Horn, The gateway at the base of the cup is most likely part of a private estate or large garden set in a remote but

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 21 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Beauty by the Shore, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on paper, Image: 32 x 11 15/16 in. (81.3 x 30.3 cm), Paintings, Kubo Shunman (Japanese, 1757–1820), Shunman, who was known primarily as a

Christ Surrounded by Angels, 18th century, Pen and brown ink, brush and gray wash, over black chalk, on cream laid paper, 10-3/16 x 7-1/16 in. (25.8 x 18 cm), Drawings, Anonymous, Italian, Venetian, 18th century

Cased Pair of Percussion Target Pistols with Loading and Cleaning Accessories, Made for Henri Charles Ferdinand Marie Dieudonné d'Artois, Duke of Bordeaux, Count of Chambord (1820–1883), dated 1829, Paris, French, Paris, Steel, gold,

Les Singuliers et Nouveaux Portraicts... page 23 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Man and Boys, 17th century, Red chalk on cream paper, 3-1/2 x 5-5/16 in. (8.85 x 13.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Openwork Pendant, 10th–4th century B.C., Mexico, Mesoamerica, Olmec, Jade, H. 4 3/8 in. (11.1 cm), Stone-Ornaments, This jade pendant is carved with an axe-like profile and thinned into a translucent plaque. A drilled hole at the top of the

Shaivite Saint, Chola period (880–1279), 11th century, India (Tamil Nadu, Madurai region), Copper, H. 22 1/2 in. (57.2 cm), Sculpture, Cults of saints are prominent in South Indian Hinduism. Saints who follow Shiva are called nayanars, and

Tankard with man drinking from jug, ca. 1885, French, Paris, Stoneware, Overall (confirmed): 13 1/4 × 5 7/8 × 3 7/8 in., 3.9 lb. (33.7 × 14.9 × 9.8 cm, 1.7 kg), Ceramics-Pottery, This vessel recalls sixteenth-century German salt-glazed

U.S. Monitor Lehigh, James River, 1861–65, Albumen silver print from glass negative, Photographs

Tracing of a Ballet Costume: Woman in Ruffles, [1923], Pencil on two sheets of tracing paper glued together, 13 1/8 x 9 5/8 in. (33.3 x 24.5 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris), Drawing with a tracing for a ballet costume for

Terracotta lamp with gladiators, Early Imperial, 1st half of 1st century A.D., Roman, Terracotta; mold-made, Overall: 1 1/4 x 4 3/8 in. (3.2 x 11.1 cm), Terracottas, On discus, two gladiators

Section of a Columbarium, 1710–27, Pen and brown ink, brush and brown wash, over ruling in graphite, 12-13/16 x 15-13/16 in. (32.6 x 40.2 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Wine Glass, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 4 7/16 in. (11.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Return of the Prodigal Son, from The History of the Prodigal Son, ca. 1540, Engraving, sheet: 2 1/4 x 3 3/4 in. (5.7 x 9.6 cm), Prints, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

'Khusrau Spies Shirin Bathing', Folio from a Khamsa (Quintet) of Nizami, 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, Page: 8 11/16 x 5 11/16 in. (22.1 x 14.4 cm), Codices

Footed beaker, ca. 1670, Hungarian, Fogaras, Silver, partly gilded, Overall: 9 7/16 x 5 11/16 in. (24 x 14.5 cm), Metalwork-Silver, This substantial beaker could hold large quantities of wine. The polished scrolls and fruit clusters that

Costume Drawing: Lady and Gentleman Dancing, 1760–1800, Pen and black ink, brush and gray wash, over graphite, sheet: 11 9/16 x 8 1/8 in. (29.3 x 20.7 cm), Drawings, Attributed to Louis Binet (French, Paris 1744–1800 Paris

George Washington, ca. 1825, Probably made in England, Glass, ceramic paste, Diam. 2 1/4 in. (5.7 cm), Ceramics

Design for a Book Illustration: a Soldier Approaching a Couple, 19th century, Pen and black ink, brush and brown wash., 3 5/8 x 2 11/16 in. (9.2 x 6.8 cm), Drawings, Anonymous, German, 19th century

Angels Ministering to St. Sebastian, 1601–67, Black chalk on off-white paper. On lower left traces of unrelated lines in pen and dark brown ink, 5-3/4 x 5 in. (14.6 x 12.7 cm), Drawings, Alonso Cano (Spanish, Granada 1601–1667 Granada

Frieze Design with Acanthus Scrolls, Hybrid Creatures and a Winged Putto, ca. 1545–60, Pen and brown ink with brown wash, 3-1/8 x 7-1/2 in. (7.9 x 19.1 cm), attributed to Andrés de Melgar (Spanish, documented S. Domingo de la Calzada, died

Left Side of the Design for a Table with the Figure of a Siren, 17th century, Pen and brown ink, over black chalk, sheet: 5 1/2 x 5 3/16 in. (14 x 13.2 cm), Anonymous, Italian, 17th century

Sulfur Peacock Moth from The Butterflies and Moths of America Part 2, 1862, Color lithograph, Sheet: 4 x 2 3/8 in. (10.2 x 6.1 cm), Prints

Design for Oval Cartouche, 18th century, Pen and black and gray ink with brush and gray and rose wash, over graphite, 13 3/16 x 8 1/8 in. (33.5 x 20.6 cm), Drawings, Attributed to Gautier d'Agoty (French

A Woman Playing a Harp, Ivory, Diameter 3 1/2 in. (90 mm), Miniatures, Joseph Marie Bouton (French (?), 1768–1823

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 4 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

[Hiram Powers's Sculpture of the Greek Slave], ca. 1850, Daguerreotype, Image (visible): 9 × 6.6 cm (3 9/16 × 2 5/8 in.), Photographs, Unknown (American

The Review, ca. 1800, Pen and ink washed with color, Sheet: 8 1/4 x 12 1/2 in. (21 x 31.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Penitentiary, Richmond, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Sketch for the Rear Arched Area of a Chapel, with an Angel and Three Putti Holding Up a Plate with the Head of the Baptist, 1700–1780, Graphite with compass and ruled constructions. Scale below in graphite, 10-1/2 x 14-15/16 in. (26.6 x 38 cm),

'Design for a Clock in the Form of an Elephant with an Indian Driver', Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, dated A.H. 715/A.D. 1315, Attributed to probably Syria, Ink, opaque watercolor, and gold on

The Penitent Magdalene, ca. 1783–90, German, Meissen, Hard-paste biscuit porcelain, 8 3/4 × 11 13/16 × 6 7/16 in. (22.2 × 30 × 16.4 cm), Ceramics-Porcelain, The pose of the Magdalene is derived from a painting by Pompeo Batoni

Flip Glass, 1830–70, Made in United States, American, Pressed glass, H. 4 9/16 in. (11.6 cm); Diam. 3 3/4 in. (9.5 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

A Chinese Vase, mid-19th century, Graphite, 12 5/8 x 9 1/2 in. (32.1 x 24.1 cm), Drawings, Jules-Ferdinand Jacquemart (French, Paris 1837–1880 Paris

Fournier. Émile, Christophe. 26 ans, né à St-Martial (Creuse). Serrurier. Vol. 13/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci, 1761, Black chalk, framing lines in pen and brown ink, 8 1/16 x 11 9/16 in. (20.4 x 29.3 cm), Drawings, Jean Honoré Fragonard (French,

Syrup Jug, 1852–58, Made in Bennington, Vermont, United States, American, Parian porcelain, pewter, 5 5/8 x 4 1/4 x 3 3/8 in. (14.3 x 10.8 x 8.6 cm), Ceramics, United States Pottery Company (1852–58