Images at Librifly

Two Design Drawings for Day-Beds, 18th century, Pen and gray ink over black chalk on cream laid paper, 7-5/16 x 9-9/16 in. (18.5 x 24.3 cm), Drawings, Anonymous, Italian, first half of the 18th century

Armed Men, 1855–98, Graphite, heightened with white chalk, sheet: 15 x 9 15/16 in. (38.1 x 25.2 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham

Female Figure, late 3rd millennium B.C., Ecuador, Valdivia, Ceramic, H. 4 5/8 x W. 1 in. (11.7 x 2.5 cm), Ceramics-Sculpture, In the third millennium B.C., inhabitants of Ecuador's southwest coast developed the earliest known ceramic figurine

Flowers of the Four Seasons, Edo period (1615–1868), 1815, Japan, Handscroll; ink and color on paper, 13 3/8 in. x 30 ft. 4 3/16 in. (33.9 x 925 cm), Paintings, After Sakai Hōitsu (Japanese, 1761–1828

Punchinello Retrieving Dead Fowls from a Well, late 18th–early 19th century, Pen and brown ink, brown wash, over black chalk, 13 3/4 x 18 5/16 in. (35 x 46.5 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 56 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Buddha with Two Disciples, Kizil kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 9 1/8 x 10 1/2 in. (23.2 x 26.7 cm), Paintings

American Helmet Model No. 5, 1918, Philadelphia, Pennsylvania, American, Philadelphia, Pennsylvania, Steel, paint, leather, textile, string, H. 9 1/4 in. (23.5 cm); W. 10 3/4 in. (27.3 cm); D. 12 5/8 in. (32.1 cm); Wt. 2 lb. 8 oz. (1130

Border, 16th century, Italian, Embroidered net, L. 42 x W. 5 inches (106.7 x 12.7 cm), Textiles-Laces

The City of Ambitions, 1910, printed 1910–13, Photogravure, 33.8 x 26.0 cm (13 5/16 x 10 1/4 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), This photograph belongs to a series of dynamic images

Upper Panel for Painted Wall Decoration, 18th century, Ink and wash, 10-3/4 x 3-11/16 in, Drawings, Anonymous, Italian, North Italy, 18th century

Essempio di recammi, page 18 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Halved Variant Designs for un Altar with the Virgin of the Immaculate Conception in the Central Cartouche, 1700–1780, Pen and gray ink, brush and gray wash over graphite. Ruled and compass constructions in stylus-incised. (Partly reworked in pen

Imported Cobalt-on-White Bowl, 9th–10th century, Attributed to Iraq or western Iran. Excavated in Iran, Nishapur, Earthenware; painted in blue on opaque white (tin) glaze, H. 2 7/16 in. (6.2 cm), Ceramics, Cobalt blue was popular on certain

[Peary's Ship], 1893–95, Albumen silver print from glass negative, Image: 3 3/4 × 4 13/16 in. (9.5 × 12.2 cm), Photographs, Robert E. Peary (American, 1856–1920

Forest View Near Fontainebleau, 19th century, Black chalk, heightened with white on gray-green paper, 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm), Drawings, Paul Flandrin (French, Lyons 1811–1902 Paris

Essempio di recammi, page 8 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 64 5/8 x 49 1/2 x 3 1/2 in. (164.1 x 125.7 x 8.9 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud

Two-Handled Jar with Lions' Heads, early 15th century, Made in Florence, Italy, Italian, Tin-glazed earthenware, Overall: 9 7/16 x 12 11/16 x 11 1/4 in. (24 x 32.3 x 28.5 cm), Ceramics, This jar, made early in the fifteenth century,

Rama Releases the Demon Spies Shuka and Sarana: Folio from a Ramayana 'Siege of Lanka' Series, ca. 1725, India (Guler, Himachal Pradesh), Opaque watercolor, ink and gold on paper, Page: 23 1/2 x 32 3/4 in. (59.7 x 83.2 cm), Paintings,

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 75 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Teutsche Academie der Bau-Bildhauer-und Maler-Kunst, 1675, Overall: 38 1/2 x 25 1/2 x 8 1/2 in. (97.8 x 64.8 x 21.6 cm), Books

Portrait of Karl Wilhelm Ferdinand, n.d., Brush and brown wash over graphite underdrawing., 6 3/4 X 4 5/8 in. (17.1 x 11.8 cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Sago Palms, 1860s–70s, Albumen silver print from glass negative, 27.4 x 20.2 cm (10 13/16 x 7 15/16 in.), Photographs, Unknown

江戸時代 蟹波蒔絵箱, Box with Crabs and Waves, Edo period (1615–1868), 17th century, Japan, Lacquered wood with gold hiramaki-e and e-nashiji on black lacquer ground, H. 6 3/4 in. (17.1 cm); W .6 in. (15.2 cm); L.12 1/2 in. (31.8

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 5 (verso), Publisher, Artist, Previously published by, Published by, Cornelis Bos, Hiérosme de Gormont, Francesco di Pellegrino, Netherlandish, Hertogenbosch ca.

Soup Tureen, 1750–70, Made in China, Chinese, Porcelain, 12 7/8 x 13 13/16 x 9 5/8 in. (32.7 x 35.1 x 24.4 cm), Ceramics

Terracotta head of a bull, Late Cypro-Archaic II, late 6th–early 5th century B.C., Cypriot, Terracotta; mold-made, H. 8 3/4 in. (22.2 cm), Terracottas, The head is exceptional for its size and careful articulation. Whether it served as a

Sheet with figures, details of hands and feet, ca. 1870, graphite, sheet: 8-3/4 x 6-7/16, Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Pair of gold and rock crystal disks, set with garnet and glass inlays, Late Archaic, early 5th century B.C., Etruscan, Gold, rock crystal, Diam.: 2 7/16 in. (6.2 cm), Gold and Silver, Pair of gold and rock crystal disks with concentric bands

江戸時代 月秋草蒔絵旅櫛箱, Stationery Box with Moon and Autumn Grasses, Edo period (1615–1868), 18th century, Japan, Black lacquer with powdered and sprinkled gold and silver hiramaki-e and silver foil application, H. 5 3/4 in.

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 17 (recto), 1610

Pair of peacocks, ca. 1745–50, French, Villeroy, Soft-paste porcelain, Height (.593): 5 in. (12.7 cm), Ceramics-Porcelain

[Two Identically Dressed Young Girls Standing Next to a Table], 1840s, Daguerreotype, Image: 12.1 x 8.9 cm (4 3/4 x 3 1/2 in.), Photographs, Unknown (American

Design for a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, and ink on paper in original matt, Drawings, Possibly Tiffany Glass Company (1885–92), Possibly Tiffany Glass and Decorating

Opera, 1799, Printed book with engraved headpiece illustrations, 20 1/2 × 14 15/16 × 2 3/16 in. (52 × 38 × 5.5 cm), Books, This is the second book in Didot's five-part project known as the 'Louvre editions' (1798–1816). Situated between

Polyphemus and Galatea, 18th century, Black chalk, highlighted with white chalk, on blue paper faded to gray, 8-5/16 x 13-7/8 in. (21.1 x 35.25 cm), Drawings, Anonymous, Italian, first half of the 18th century

Jasper intaglio: Sol in a quadriga (four-horse chariot), Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, red and green, Overall: 3.2 cm (1 1/4 in.), Gems, This magical gem is engraved on both sides. On the reverse, a female figure

Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, 1888–90, Oil on canvas, 45 7/8 x 35 1/4 in. ( 116.5 x 89.5 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), Of the four portraits that

Ceiling Design with Nymph on Dolphin, 19th century, Ink and watercolor, Anonymous, British, 19th century

Study for the Crucifixion, 1788, Brown ink applied by brush and pen, black chalk underdrawing; laid paper prepared with a light golden brown wash, 18 1/2 x 12 in. (47.0 x 30.5 cm), Drawings, Benjamin West (American, Swarthmore, Pennsylvania

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt, Antler, bone, paint, h. of skill 12 cm (4 3/4 in); w. of antlers 29 cm (11 7/16 in

[Auguste Vacquerie at Marine Terrace], 1855, Salted paper print from glass negative, Image: 4 1/8 × 2 15/16 in. (10.5 × 7.4 cm), Photographs, Charles Victor Hugo (French, 1826–1871

Chess Piece in the Form of a Queen, 13th century, Scandinavian, Whale ivory, Overall: 2 5/8 x 2 3/8 x 1 7/16 in. (6.7 x 6.1 x 3.6 cm), Ivories, Chess pieces in the form of a Queen were one of medieval Europe’s key contributions to the game of

Slave Pen, Alexandria, Virginia, 1863, Albumen silver print from glass negative, Image: 25.6 x 36.5cm (10 1/16 x 14 3/8in.), Photographs, Andrew Joseph Russell (American, 1830–1902), Better known for his later views commissioned by the

Design for a Wall Fountain, 1550–1620, Pen and brown-gray ink, brush and green wash, over in lead point or graphite with compass construction, 14 13/16 x 9 13/16 in. (37.6 x 25 cm), Drawings, Anonymous, Italian, Lombard, 16th century

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 17 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

View of St. Peter's and the Vatican from the Janiculum, 1754, Black chalk with stumping, heightened with white, Sheet: 11 3/16 × 16 7/8 in. (28.4 × 42.9 cm), Drawings, Richard Wilson (British, Penegoes, Wales 1712/13–1782 Denbighshire,

Getting Out One of the Large Buoys for Launching, August 2nd, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 5/16 × 10 3/8 in. (18.6 × 26.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the

Design for a Fireplace, first half 19th century, Graphite, Anonymous, British, 19th century

'Bahram Gur in the Blue Pavilion', Folio from Khamsa (Quintet) of Nizami, early 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices

Le fauteuil, 1860s, Albumen silver print from glass negative, 6.0 x 9.5 cm. (2 3/8 x 3 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Gold earrings with pendant vase and ring, Classical, 4th–3rd century B.C., Etruscan, Gold, Diam.: 2 1/2 in. (6.4 cm), Gold and Silver

Tailpiece, Topsy-Turvy Tales, ca. 1923, Pen and ink, sheet: 4 1/2 x 4 3/8 in. (11.4 x 11.1 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London

Les Singuliers et Nouveaux Portraicts... page 2 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. In the

Neu künstlich Modelbuch (page 13r), 1598

Mordecai overhears the two Conspirators plotting against the King., 16th–mid 16th century ?, Pen and brown ink, brush and black ink on greenish paper, highlighted with white, sheet: 9 1/16in. (irregular shape: circular with the sides cut off),

Glass mosaic perfume bottle (unguentarium), Late Hellenistic, 1st century B.C.–early 1st century A.D., Greek, Eastern Mediterranean, Glass; probably cast and blown, 8 1/4in. (21cm), Glass, Translucent honey brown and opaque white., Thick,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 20v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Pygmalion and Galatea, 17th century, Pen and light brown ink with brush and brown wash over black chalk underdrawing. On off-white paper, 5-1/2 x 4-5/16 in. (13.9 x 11 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Anthology of Persian Poetry in Oblong Format (Safina), dated A.H. 905/A.D. 1499–1500, Attributed to present-day Afghanistan, Herat, Ink, watercolor, and gold on paper., 8 1/4 x 3in. (21 x 7.6cm), Codices, Images of angel-like, winged

Covered Tureen, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, 8 x 12 3/4 x 7 5/8 in. (20.3 x 32.4 x 19.4 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based

Tear-shaped Elements, 11th–12th century, Attributed to Probably Iran, Gold; repoussé, L. 1 9/16 in. (4 cm), Jewelry

Penannular Brooch, 6th–7th century, Irish, Bronze, Overall: 1 13/16 x 4 x 1/2 in. (4.6 x 10.1 x 1.2 cm), Metalwork-Bronze

Don Quixote and Sancho Panza Entertained by Basil and Quiteria, 1863?, Oil on canvas, 36 1/4 x 28 3/4 in. (92.1 x 73 cm), Paintings, Gustave Doré (French, Strasbourg 1832–1883 Paris), Doré, best known as a printmaker and illustrator,

Three Fragments with a Coptic Inscription, 810–1010 (radiocarbon date, 95% probability), Attributed to Egypt, Akhmim (former Panopolis), Tapestry weave in polychrome and undyed wool on plain-weave ground of undyed wool; a row of stitches in

Commodore Perry, Pamunkey River, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Wise Man (from a group with the Adoration of the Magi), ca. 1175–1200, Made in Burgos, Castile-León, Spain, Spanish, Limestone, 54 1/4 × 17 × 18 1/2 in. (137.8 × 43.2 × 47 cm), Sculpture, The Virgin with Christ seated on her lap is

Augendre. Ernest. 37 ans, né à St-Pierre le Moutier (Nièvre). Maçon. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Saz'-style Drawing of a Dragon amid Foliage, ca. 1540–50, Attributed to Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, Painting: H. 6 13/16 in. (17.3 cm), Codices, Shah Quli (Turkish, born Tabriz, Iran, active ca. mid-16th

Standing Woman, ca. 1505–10, Pen and ink, 6.7 x 1.7 in. (17.0 x 4.3 cm), Drawings, Circle of Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

Tumbler, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 3/8 in. (8.6 cm); Diam. 3 3/16 in. (8.1 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 13 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

[Study in Orange], 1904, Gum bichromate print, 22.0 x 14.3 cm. (8 11/16 x 5 5/8 in.), Photographs, René Le Bègue (French, 1857–1914

Whiskey Taster, 1840–60, Lacy pressed glass, painted decoration, H. 1 3/4 in. (4.4 cm), Glass

The Sacrifice of Manoah, 18th century, Red chalk, 11 5/16 x 14 1/2 in. (28.8 x 36.8 cm), Drawings, Jacques Dumont, called le Romain (French, Paris 1701–1781 Paris

Design for a Concave Corner Cabinet (Possibly Part of a Larger Wall-Covering Unit), ca. 1730–40 , Pen and black ink, brush and gray and brown wash, watercolor, traces of ruled graphite lines, sheet: 14 1/8 x 9 5/8 in. (35.8 x 24.5 cm),

Stella, 1860s, Albumen silver print from glass negative, 7.6 x 10.2 cm. (3 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Seven Designs for Vases and Table Silver, 18th century, Pen and wash, 8 x 13-1/4 in, Anonymous, Italian, first half of the 18th century

Design for a Coat of Arms Surmounted by a Ring with Allegorical Figures of Justice and Fortitude, 16th–17th century, Pen and brown ink, brush and brown wash, over black chalk underdrawing, 6 9/16 x 3 3/4 in. (16.7 x 9.5 cm) image, Anonymous,

Shawl, 18th century, Made in Chiclayo, Peru, Peruvian, Silk, cotton, 34 1/2 × 96 1/2 in. (87.6 × 245.1 cm), Textiles

Design for a Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 4 x 4-13/16 in. (10.1 x 12.3 cm), Anonymous, Italian, first half of the 18th century

Groom and Rider, 1540–50, Attributed to Iran, Tabriz, Ink and watercolor on paper, Painting: H. 4 3/8 in. (11.1 cm), Codices, The subject of horseman and groom is common in Safavid art. The rider’s handsome appearance and elegant posture

Tumbler, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 3 5/16 in. (8.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 10 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Round Casket with Daimyo Crest of Hawk Feathers and a Heian Mirror, Edo period (1615–1868), 1615–1868, Japan, Gold maki-e on black lacquer, Diam. 14 7/8 in. (37.8 cm), Lacquer

Velvet Panel with Rows of Flowers, mid-17th century, Attributed to India, Silk, cut and voided velvet, with continuous floats of flat metal thread, Textile: H. 65 7/8 in. (167.4 cm) ), Textiles-Woven, Textiles depicting formally arranged,

Drawings and Prints, Books Prints Ornament & Architecture, La vera perfettione del disegno di varie sorti di recami, page 2 (verso), Publisher, Giovanni Ostaus, Italian, active Venice ca. 1554–91, Venice, Ostaus, Giovanni, Italian,

Camp of 44th New York Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Untitled, ca. 1927, Ink and wax crayon on paper, 4 7/8 x 3 7/8 in. (12.4 x 9.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Design for a Cabinet, ca. 1883, Graphite, W. Strong (British, 19th century

An Orange-Headed Ground Thrush and a Death's-Head Moth on a Purple Ebony Orchid Branch, dated 1778, Made in India, Calcutta, Opaque watercolor and ink on paper, Painting: H. 23.5 in. (59.7 cm), Codices, Shaikh Zain al–Din, This natural

They Centainly Can Use It ('Bien lo han menester'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-1/4 x 5-1/8 in. (18.4 x 13.0 cm), Drawings, Leonardo Alenza y Nieto

Standing Avalokiteshvara, 16th century, Nepal (Kathmandu Valley), Sandalwood, traces of polychrome and gold, H. 6 in. (15.2 cm), Sculpture, Avalokiteshvara, the bodhisattva of this cosmic age, is shown with one hand lowered in the

Design for Library Table, 1835–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

[Seated Woman Wearing Glasses], 1850–55, Daguerreotype, Case: 9.6 × 8.4 cm (3 3/4 in. × 3 5/16 in.), Photographs, Unknown (French

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 24 (recto), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Medea Rejuvenating Aeson, ca. 1760, Oil on canvas, 29 x 21 1/2 in. (73.7 x 54.6 cm), Paintings, Corrado Giaquinto (Italian, Molfetta 1703–1766 Naples), The subject from Ovid's Metamorphoses depicts the sorceress Medea rejuvenating with

Ruins of a Temple by a Lake, Brush and gray wash, over graphite, 7 1/2 X 11 5/8 in. (19.1 x 29.5 cm.), Drawings, Étienne Allegrain (French, Paris 1644–1736 Paris

雁に波文皿　肥前焼・ 柿右衛門様式, Plate with Geese and Waves, Edo period (1615–1868), ca. 1700, Japan, Porcelain with underglaze blue (Hizen ware, Kakiemon type), Diam. 7 3/8 in. (18.7 cm); H. 1 3/8 in. (3.5 cm); Diam.