Images at Librifly

Design for the Right Side of a Door with Pediment and Fluted Pilasters, 17th century, Point of brush and gray ink, brush and gray wash, over graphite underdrawing and ruled construction, sheet: 8 3/4 x 3 3/8 in. (22.2 x 8.5 cm), Anonymous,

Stage Set Design: View of a Baldacchino seen through Rounded Arch with Pendentive and Column., 1870–1941, Black chalk over graphite on tan paper, sheet: 14 x 12 in. (35.6 x 30.5 cm), Salvador Alarma Tastás (Spanish, Barcelona, 1870–1941

[Two Seated Young Men Holding Hands], 1880s, Tintype, Image: 8.8 x 5.4 cm (3 7/16 x 2 1/8 in.), Photographs, Unknown (American

Sauce Dish, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Diam. 4 3/8 in. (11.1 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Cabinet Design with Glass Center Door, 19th century, Graphite, watercolor and scratching on beige ground, sheet: 5 1/16 x 6 3/4 in. (12.9 x 17.2 cm), Anonymous, British, 19th century

Dinar of Tughril (r. 1040–63), A.H. 444/A.D. 1052–53, Excavated in Iran, Nishapur. Mint Iran, Nishapur, Gold, Diam. 7/8 in. (2.2 cm), Coins, This gold dirham bears on its obverse an inscription listing the titles and name of the reigning

Hanover Junction Station, Pennsylvania, 1861–65, Albumen silver print from glass negative, Photographs

Naples, 1841 (?), Watercolor, sheet: 13 3/4 x 17 1/2 in. (34.9 x 44.5 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria

Flintlock Sporting Gun of Empress Margarita Teresa of Spain (1651–1673), ca. 1670–73, Vienna, Austrian, Vienna, Steel, wood (burl walnut), silver, copper alloy, gold, L. 52 1/8 in. (132.4 cm); L. of barrel 38 3/8 in. (97.5 cm),

Landscape with Distant Buildings (Smaller Italian Sketchbook, leaf 27 recto), 1774–75 (?), Graphite with brown and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 20 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 6 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Equal-Arm Brooch, ca. 650–750, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 2 3/8 x 13/16 x 11/16 in. (6 x 2.1 x 1.8 cm), Metalwork-Copper alloy

Palette inscribed for Smendes, High Priest of Amun, Third Intermediate Period, Dynasty 21, ca. 1045–992 B.C., From Egypt; Probably from Upper Egypt, Thebes, Wood, ink, reed, Palette: L. 48.6 cm (19 1/8 in.); W. 7.2 cm (2 13/16 in.); Th.

Head of a Bodhisattva, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Red clay with traces of color, 9 x 6 x 5 in. (22.9 x 15.2 x 12.7 cm), Sculpture, The delicate modeling of the hair and face provide a sense of the

Wall Design including an Equestrienne Portrait, 19th century, Ink and watercolor, Anonymous, British, 19th century

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Standing Bodhisattva Maitreya, the Buddha of the Future, 8th–9th century, Thailand (Buriram Province, Prakhon Chai), Bronze, H. 17 1/2 in. (44.5 cm), Sculpture

Limestone male figure in Egyptian dress, Archaic, 3rd quarter of the 6th century B.C., Cypriot, Limestone, H. 51 1/4 in. (130.2 cm), Stone Sculpture, The figure wears the double crown of Egypt with the uraeus (sacred asp) in front, a

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 52 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 5/8 in. (2.5 x 9.2 cm), Terracottas

Ecorché: Two Studies of the Muscles of the Shoulder and of the Arm, Raised, 1810–63, Counterproof of a drawing in red and black chalk on laid paper, sheet: 10 1/4 x 15 9/16 in. (26 x 39.6 cm), Drawings, Eugène Delacroix (French,

Terracotta trefoil oinochoe (jug), Archaic, ca. 625–600 B.C., Etruscan, Terracotta; bucchero sottile, H. 11 3/16 in. (28.4 cm), Vases, Both the shape and decoration of this bucchero sottile (light bucchero) jug are derived from Greek,

Flax Comb, 1750–1800, Made in Pennsylvania, United States, American, Beech, 29 x 9 1/2 in. (73.7 x 24.1 cm), Furniture

A River Estuary, early 17th–mid 17th century, Pen, black ink and gray wash over black chalk., 3 x 5 1/2 in. (7.6 x 14 cm), Drawings, Attributed to Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Glass with aventurine stopper, H. 2 1/4 in. (5.7 cm), Snuff Bottles

Interior Design with a Large Renaissance Style Cabinet against a Green Wall, late 19th century (?), Gouache, sheet: 10 x 12 in. (25.4 x 30.5 cm), Anonymous, British, 19th century

Stupa, mid-15th century, Tibet, Brass, H. 20 in. (50.8 cm); W. 7 1/4 in. (18.4 cm); Diam. 6 7/8 in. (17.5 cm), Sculpture, The stupa (Tibetan: chorten) is the most ancient form of Buddhist art, symbolizing the monumental funerary mounds of

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 10 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt and Sudan, Nubia, Found in Egypt, Antler, bone, paint, h. of skull 14 cm (5 1/2 in); w. of antlers 18.3 cm (7 3/16 in

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 44v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Figure of Harpy, 12th–early 13th century, Made in Iran, Stonepaste; luster-painted on opaque white glaze, molded and applied decoration, H. 25 1/4 in. (64.1 cm), Ceramics, The harpy, or fantastic human-headed bird, was a common motif in

Quilt, 18th century, German or French, Cotton, L. 64 1/2 x W. 45 inches (163.8 x 114.3 cm), Textiles-Embroidered

Patera, Archaic, mid 6th century B.C., Etruscan, Bronze, H. 3 in. (7.6 cm), Bronzes

Plaque, ca. 1895, Made in Brooklyn, New York, New York, United States, American, Earthenware, H. 7/8 in. (2.2 cm); Diam. 11 1/8 in. (28.3 cm), Ceramics, Charles Volkmar (American, Baltimore, Maryland 1841–1914 Metuchen, New Jersey),

Studies of a Seated Nude Male Figure, ca. 1602–05, Black chalk on blue paper, 6 1/16 x 4 5/16in. (15.4 x 11cm), Drawings, Giulio Cesare Procaccini (Italian, Bologna 1574–1625 Milan

Linen mark, corner of sheet, Middle Kingdom, Dynasty 11–12, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Hesem (TT 516), 1922–23, Linen

Design for Spoon, Fork, Two Knives (Crossed over scissors), Scissors, Ear Spoon and Toothpick, 16th century, Pen and brown and black ink, brush with gray and yellow wash over traces of red chalk, 16 3/8 x 11 3/16 in. (41.6 x 28.4 cm),

Stand, Goryeo dynasty (918–1392), first half of the 12th century, Korea, Stoneware with incised decoration of lotus petals under celadon glaze, H. 2 1/8 in. (5.4 cm); Diam. 6 in. (15.2 cm), Ceramics

Figure 36: Scornful laughter and scornful disgust, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.2 × 20.5 cm (11 1/8 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Bowl, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 6 1/4 in. (15.9 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by Justice

Book Cover Plaque with the Crucifixion, ca. 1190–1200, Made in Limoges, France, French, Copper: repoussé, engraved, chased, and gilt, Champlevé enamel, Overall: 9 1/4 x 4 1/4 x 5/16 in. (23.5 x 10.8 x 0.8 cm), Enamels-Champlevé,

A Reconstruction of the Templum Isis (above) and a View of the Ruins (below), before 1704, Pen and black and brown ink, brush and grey wash, red chalk and traces of black chalk., 12 29/32 x 8 5/32 in. (32.8 x 20.7 cm), Drawings, Jan Goeree

Mountainous Landscape, late 16th–early 17th century, Pen and brown ink, brown and blue wash, 7 11/16 x 15 3/8 in. (19.5 x 39 cm), Drawings, Tobias Verhaecht (Netherlandish, Antwerp 1561–1631 Antwerp

Pair of Rowel Spurs, ca. 1650, French or Netherlandish, Iron, right: L. 6 in. (15.3 cm); W. 2 7/8 in. (7.4 cm); Wt. 4.6 oz (130 g); left: L. 5 3/4 in. (14.6 cm); W. 2 3/4 in. (7.0 cm); Wt. 4.35 oz. (124 g), Equestrian Equipment-Spurs, These

Relief fragment, tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/4 in. (7.4 × 8.2 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Javanese Women Preparing Rice, 1860s–70s, Albumen silver print from glass negative, 24.4 x 21.9 cm (9 5/8 x 8 5/8 in.), Photographs, Unknown

Funerary Mask, Roman Period, A.D. 4th century, From Egypt, Plaster, paint, h. 18.5 cm (7 5/16 in); w. 10 cm (3 15/16 in

Reclining Figure of Saint Holding Cross, Supported by Two Angels, 17th century, Black chalk, reclining figure reinforced with pen and dark brown ink. On light beige paper, 3-15/16 x 4-15/16 in. (10.0 x 12.5 cm), Drawings, Anonymous, Spanish,

北魏/北齊 彩繪陶馴鷹人俑, Seated Falconer, Northern Wei (386–534)–Northern Qi (550–577) dynasty, mid-to-late 6th century, China, Earthenware with red and white pigments, H. 6 in. (15.2 cm); W. 5 3/4 in. (14.6 cm), Tomb

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt, Antler, bone, paint, overall h. 24.1 (9 1/2 in); h. of skull 18.3 cm (7 3/16 in); w. of antlers 23.8 cm (9 3/8 in

Memorial Decoration for the Interior of a Building to Honor the Deceased Ernst Ludwig, 1725, 1702–36, Pen and black ink, brush and gray wash, highlighted with pink-brown gouache, over traces of leadpoint; framing lines in black ink, 17-15/16

Case clock, After an original by Jeremias Metsker, 19th century, probably Austrian, after German, Augsburg original, Gilt brass, Overall: 11 3/4 x 7 1/2 x 4 7/8 in. (29.8 x 19.1 x 12.4 cm), Metalwork-Electrotype, After an original by

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 66r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Bligny. André, Eugène. 58 ans, né à Vincennes. Serrurier. Anarchiste. Fiché le 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 31 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Knave of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

北魏/北齊 彩繪陶騎駝俑, Camel and Rider, Northern Wei (386–534)–Northern Qi (550–577) dynasty, mid-to-late 6th century, China, Earthenware with pigment, H. 7 1/4 in. (18.4 cm); W. 7 3/4 in. (19.7 cm), Tomb Pottery

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 1 1/4 x 3 1/4 in. (3.2 x 8.3 cm), Terracottas

House for Henry Whitney, New Haven, Connecticut (plan), ca. 1836, Pen and ink, wash, graphite, Sheet: 8 3/8 × 6 5/16 in. (21.3 × 16.1 cm), Drawings

Spring, Design for a Calendar, late 19th–early 20th century, Pen and black ink, brush and gray wash, white heightening on paper. Laid down on board., 6 3/4 x 10 1/4 in. (17.2 x 26 cm), Drawings, Heinrich Lefler (Austrian, Vienna

Broad Collar of Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah (), Mummy, in wrappings on chest, 1920, Faience, linen thread, H. 34.5 cm (13 9/16 in.); W. 39 cm (15

Joseph and Potiphar's wife, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 7 dwt. (1.6 x 19.7 cm, 0.26kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old

Longcase clock with calendar, Clockmaker: Daniel Delander (British, 1678–1733), probably ca. 1720, British, London, Case: oak veneered with burl walnut and walnut-herringbone inlay; Dial: gilded and silvered brass; Movement: gilded brass and

Plaque with dragon, pheasant, quail, and other birds amidst bamboo and plum blossom, Qing dynasty (1644–1911), late 19th century, China, Ivory with pigment, H. 6 1/8 in. (15.6 cm); W. 21 1/2 in. (54.6 cm); D. 7/8 in. (2.2 cm), Ivories,

Terracotta chalice, Archaic, ca. 575–550 B.C., Etruscan, Terracotta, H. 5 7/16 in. (13.8 cm); diameter 5 7/8 in. (14.9 cm), Vases, On high foot, with stamped design of eight human figures, five-and-one-half times repeated

Design for a Cartouche with an Oval Compartment, 18th century, Pen and brown ink, brush with brown and gray wash, over black chalk? on cream laid paper. Framing lines in brown ink, 5-3/16 x 3-3/8 in. (13.1 x 8.6 cm), Anonymous, Italian, first

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, graphite, gouache and black ink on paper mounted on board in original double matt, Overall: 24 1/8 x 11 1/8 in. (61.3 x 28.3 cm),

Limestone head of a bearded man, Archaic, early 6th century B.C., Cypriot, Limestone, Overall: 35 x 14 x 23 in. (88.9 x 35.6 x 58.4 cm), Stone Sculpture, The head belonged to a figure of over lifesize proportions. The conical cap, identifying

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 26r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Allegorical Figures of Time and Death, 18th century, Oil paint on paper, 8-7/8 x 12-15/16 in. (22.6 x 32.9 cm), Drawings, Anonymous, Italian, first half of the 18th century

Sultan, mid-1850s, Salted paper print from glass negative, Image: 5 3/4 × 6 7/8 in. (14.6 × 17.5 cm); corners trimmed, Photographs, Nevil Story Maskelyne (British, 1823–1911

[General View of Smyrna], 1880s, Albumen silver print, Photographs, Unknown

Le fauteuil, 1860s, Albumen silver print from glass negative, 7.6 x 10.2 cm. (3 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Sketch for the Portrait of Tachihara Suiken, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink and color on paper, 29 1/8 x 17 in. (74 x 43.2 cm), Paintings, Watanabe Kazan (Japanese, 1793–1841), Tachihara Suiken was the

Man Sitting on a Cloud Above a Battlefield, Pointing to a Globe, 1693, Pen and grey ink, brush and grey wash, sheet: 3 1/2 x 5 1/4 in. (8.9 x 13.3 cm), Drawings, Georg Christoph Eimmart the Younger (German, Regensburg 1638–1705 Nuremberg

Design for Proposed Column Lights, St. Jude's Church, Southsea, 1877, Pen and ink, wash and watercolor, sheet: 13 5/16 x 9 15/16 in. (33.8 x 25.3 cm), Richardson Ellson & Co. (British

La vera perfettione del disegno di varie sorti di recami, 1557, Woodcut, Overall: 5 11/16 x 7 1/2 in. (14.5 x 19 cm), Published by Giovanni Ostaus, Venice. First edition. Title page missing, starts with 2 sonnets, 4 pages of designs

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 24 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Crucifixion flanked by Saints, ca. 1270 (probably before 1272), British, Silk, Overall: 7 1/2 x 29 1/4 in. (19.1 x 74.3 cm), Textiles-Embroidered-Ecclesiastical, English embroidery, or opus anglicanum (English work), was present across

Funerary Papyrus Belonging to the Singer Tiye, Third Intermediate Period, Dynasty 21, late, ca. 975–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb, Pit, Burial 3 (Tiye), 1923–24, Papyrus, L. 122.5 cm (48 1/4 in.),

His Excellency is Not at Home ('No recibe in Excel.ª'), 1807–45, Pen and dark brown ink with brush and brown wash on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm), Drawings,

Culver Cliff, Isle of Wight, 1847, Watercolor, colored chalks and gouache over graphite, sheet: 6 11/16 x 10 5/16 in. (17 x 26.2 cm), Drawings, William Dyce (British, Aberdeen, Scotland 1806–1864 London), Dyce is best known for

The Farnese Hercules, 1639, Black chalk heightened with white chalk, on blue paper, sheet: 16 3/4 x 10 7/16 in. (42.6 x 26.5 cm), Drawings, Peter van Lint, Flemish (Antwerp 1609–1690 Antwerp

Study of a Female Figure (Venus), 1711, Pen and black ink. Framing lines in pen and black ink., 14 3/4 x 9 11/16 in. (37.4 x 24.6 cm), Drawings, François Boitard (French, ca. 1670–ca. 1715

The Crevasse, Pen and black ink, 4 3/4 x 3 1/4 in. (12.1 x 8.2 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 6 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Terracotta statuette of a standing woman, Hellenistic, late 4th–early 3rd century B.C., Greek, probably Attic, Terracotta, H. 8 1/16 in. (20.4 cm), Terracottas, Weight on left leg, right foot drawn to side. Enveloping mantle from shoulders

Soldiers in a Cave Receiving Blessings from Heaven, 19th century, Graphite, brush and brown ink, and gouache. Pen and black ink framing lines added when mounted., sheet: 10 1/4 x 8 1/4 in. (26 x 20.9 cm), Drawings, Franz von Hauslab the

法國 十九世紀 玉畢紹普半身肖像, Portrait of Heber R. Bishop, 1898, France, Jade (nephrite), H. 10 in. (25.4 cm); W. 8 in. (20.3 cm), Jade, Berquin-Varangoz Workshop

Map sampler made at Pleasent Valley Quaker Boarding School, 1809, Made in Dutchess County, Pleasant Valley, New York, United States, American, Silk and chenille embroidery on silk, 16 1/8 x 20 in. (41 x 50.8 cm), Textiles, Polly Platt

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, German,

Double Saddle Bag (Khorjin), ca. 1800–25, Country of Origin Northwestern Iran, Wool; sumak brocaded (front), tapestry weave (back), H. 48 1/4 in. (122.6 cm), Textiles-Woven-Brocade

Jug, late 14th–early 15th century, Made in Siegburg, Germany, German, Stoneware, 10 3/8 × 3 9/16 × 3 7/16 in. (26.4 × 9.1 × 8.7 cm), Ceramics-Pottery, The neck and the body of this slender spoutless jug were wheel-turned separately and

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 7 (verso), Publisher, Artist, Previously published by, Published by, Cornelis Bos, Hiérosme de Gormont, Francesco di Pellegrino, Netherlandish, Hertogenbosch ca.

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 49r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Cup, Late Period–Ptolemaic Period, 500–200 B.C., From Egypt, Faience, H. 8 x dia. 9.5 cm (3 1/8 x 3 3/4 in), Faience cups of this type are frequent in the Late Period. A recent study of faience vessels notes that examples were found in the

San Luca dei Colli, 1904, Etching; second state of two, plate: 8 5/8 x 8 3/4 in. (21.9 x 22.2 cm), Prints, Donald Shaw MacLaughlan (American (born Canada), Charlottetown 1876–1938 Marrakesh

Mariana of Austria (1634–1696), Queen of Spain, Oil on canvas, 32 1/4 x 39 1/2 in. (81.9 x 100.3 cm), Paintings, Workshop of Velázquez (Spanish, Seville 1599–1660 Madrid