Images at Librifly

Male Torso, 1916, Lithograph, image: 15 15/16 x 12 11/16 in. (40.5 x 32.2 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Earflare with condor, 390–450, Peru, Moche (Loma Negra), Silver, gold, gilded copper, shell, Diam. 4 1/4 in. (10.8 cm), Metal-Ornaments, Moche metalworkers were among the most inventive and talented in ancient Peru. They developed

River Scene, early 17th–mid 17th century, Black chalk, gray wash, 6 5/16 x 10 3/4 in. (16.0 x 27.3 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

The Adoration of the Magi, 17th century, Pen and brown ink, brush and brown wash, sheet: 7 1/2 x 11 3/4 in. (19.1 x 29.8 cm), Drawings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam

Lintel of Amenemhat I and Deities, Middle Kingdom, Dynasty 12, ca. 1981–1952 B.C., From Egypt, Memphite Region, Lisht North, Pyramid Temple of Amenemhat I, 1907, Limestone, paint, H. 36.8 cm (14 1/2 in.); W. 172.7 cm (68 in.); D. 13.3 cm

Scribe statuette, Ptolemaic Period, 332–30 B.C., From Egypt, Leaded bronze, h. 6 cm (2 3/8 in); w. 3.8 cm (1 1/2 in), This is an unusual statuette of a scribe. The features indicate a quite late date - a time when seated scribal statues have

Bird-Shaped Brooch, second half 6th century, Frankish, Gold sheet with filigree and granulation and inlays of garnet and glass, Overall: 1 9/16 x 13/16 x 3/16 in. (4 x 2 x 0.5 cm), Metalwork-Gold, The dress of Frankish women generally consisted

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/8 x 3 5/8 in. (2.9 x 9.2 cm), Terracottas

Carved ceremonial palette, Predynastic, Late Naqada III, ca. 3200–3100 B.C., From Egypt, Greywacke, H: 9 cm (3 9/16 in); W: 5.5 cm (2 3/16 in

Inscribed brick: dedicatory inscription of Adad-shuma-usur, Kassite, ca. 1216–1187 B.C., Mesopotamia, Nippur, Kassite, Ceramic, Brick: 13.2 x 10.8 x 7.2 cm (5 1/4 x 4 1/4 x 2 7/8 in.), Ceramics-Architectural-Inscribed, Maintenance of

Pantheon, portico, Corinthian column capital, projection, plan, and details; column shaft, profile; beam architrave, elevation (recto) Pantheon, cella, perspective, details; vault, details; portal, interior, cornice, profile (verso),

Spheroconical Vessel, 9th–10th century, Excavated in Iran, Nishapur, Earthenware; incised, unglazed, H. 3 7/8 in. (9.8 cm) , Ceramics, This distinctive type of vessel has been excavated in many Islamic countries, and its function has

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 9 5/8 x 12 7/8 in. (24.4 x 32.7 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

Cigarette Case, ca. 1925, Dyed and tooled leather, gold leaf, 3 1/8 x 2 1/2 x 1 1/8in. (7.9 x 6.4 x 2.9cm), Leather, Legrain understood the principals and aesthetics of both modern and African art to a degree that most other designers of the

Jacket for a Theatrical Costume, Qing dynasty (1644–1911), 18th century, China, Silk embroidery on silk satin damask; bands: silk and metallic-thread embroidery on silk satin, 30 1/2 x 51 1/2 in. (77.5 x 130.8 cm), Costumes-Embroidered,

Le Grand Russe, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Page from Ein new kunstlich Modelbuch...(Page 11r), 1544

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, Franz Xavier Habermann, German,

The Judgment of Paris, 1583, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper, 14-7/16 x 18-11/16 in. (36.6 x 47.4 cm), Drawings, Alessandro Allori (Italian, Florence 1535–1607

Finger Ring with a Cross, 450–525, Frankish, Gold, Overall: 5/8 x 13/16 in. (1.6 x 2.1 cm), Metalwork-Gold, Most rings were purely decorative in nature, sometimes using Christian symbols. Others, with monograms or names, also served as

Hobnail Finger Bowl, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and opaque cranberry glass, H. 2 3/4 in. (7 cm); Diam. 5 in. (12.7 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Intaglio with head of Serapis (?), Ptolemaic Period, 332–30 B.C., From Egypt, Carnelian, Diam: 2 cm (13/16 in.), Serapis was a combined form of Osiris and Apis who existed apparently he became the god of the Ptolemaic Dynasty with Ptolemy I.

Openwork Belt Fitting, 7th century, Made in Alamania; Made in Northern France, Frankish, Copper alloy, 'tinned' surface, Overall: 2 11/16 x 1/16 in. (6.8 x 0.2 cm), Metalwork-Copper alloy

Tenor valve trombone, ca. 1863, Paris, France, French, Brass, white metal, cork, 29 1/2 × 26 3/4 × 8 3/8 in. (75 × 68 × 21.3 cm), Aerophone-Lip Vibrated-trumpet / trombone, Adolphe (Antoine Joseph) Sax (Belgian, Dinant, Belgium

Christ Bearing the Cross, 17th century, Pen and brown ink, brush and brown wash, over black chalk (?) on brown paper. Framing outlines in pen and brown ink, 6-1/4 x 8-3/8 in. (15.8 x 21.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese,

La Vera Perfettione del Disegno di varie sorti di recami, page 20 (recto), 1567

Drawings and Prints, Books Prints Ornament & Architecture, Les Singuliers et Nouveaux Portraicts... page 63 (recto), Publisher, Sitter, Binder, Designer, Frontispiece portrait of, Portrait of, Jean Le Clerc, Henri III, King of France and

Earrings with ibex head terminal, Ptolemaic Period, 4th–3rd century B.C., From Egypt, Gold, a. As Worn: H. 1.5 × W. 1.6 cm (9/16 × 5/8 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

Strapwork Cartouche with Putti and a Lion's Mask, 17th century, Pen and brown ink, brush and brown wash, over black chalk; silhouetted, 3 1/16 x 3 15/16 in. (7.7 x 10 cm), Anonymous, Italian, 17th century

明早期 剔紅花卉紋漆盤一對, Pair of dishes with flowers, Ming dynasty (1368–1644), late 14th century–15th century, China, Carved red lacquer, Diam. (each) 6 in. (15.2 cm), Lacquer, Dishes decorated with the laborious and

Limestone dog, Late Classical or Early Hellenistic, ca. 4th–3rd century B.C., Cypriot, Limestone, Overall: 17 3/4 x 6 3/8 x 11 in. (45.1 x 16.2 x 27.9 cm), Stone Sculpture, Dogs were a popular subject on Cypriot terracottas of the sixth

Fragment, 5th–6th century, Attributed to Egypt, Linen, wool; tapestry weave, looped embroidery, H. 11 in. (27.9 cm), Textiles

'The Male Dove Pecking the Female Dove', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

A Reclining Peasant (recto); Study of a Young Man (verso), late 16th–early 17th century, Pen and brown ink, sheet: 3 9/16 x 4 5/8 in. (9.1 x 11.7 cm), Drawings, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague

Band, 16th century, Italian, Embroidery on gauze weave; warp: undyed linen, Z spun, S plied, 16 per cm, paired warps; weft: undyed linen, Z spun, S plied, 8 per cm, L. 13 x W. 4 inches, Textiles-Laces, Colorful silk embroidery

Bell Beaker, late 6th–early 7th century, Frankish, Glass, Overall: 4 15/16 x 2 3/8 in. (12.5 x 6 cm), Glass-Vessels

Venus Visiting the Forge of Vulcan, 16th century, Pen and brown ink over black chalk, sheet: 5 3/4 x 8 3/16 in. (14.6 x 20.8 cm), Drawings, Pauwels Franck, called Paolo Fiammingo (Flemish, Antwerp 1540–1596 Venice

Design for the Decoration of the Surround of the Barrel Tang of a Firearm, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 5 1/8 x 3 1/8 in. (13 x 7.9 cm), Works on Paper-Drawings

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 72 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Jar with cover, ca. 1730–50, French, Saint-Cloud, Soft-paste porcelain, Height: 4 in. (10.2 cm), Ceramics-Porcelain

Seated Lady Holding a Shield with an Unicorn, 15th century, Engraving, Diameter: 3 1/16 in. (7.8 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

A Mother and Two Children Playing Blind Man's Bluff, 1835–1903, Pen and dark brown and reddish-brown ink, brush and grey wash over traces of graphite., 7 3/16 x 4 13/16 in. (18.2 x 12.2 cm), Drawings, Lorenz Frølich (Danish, Copenhagen

Cuirass and Tassets (Torso and Hip Defense), ca. 1510–20, Augsburg, German, Augsburg, Steel, leather, H. 41 1/2 in. (105.4 cm); Wt. 19 lb. 8 oz. (8845 g), Armor, The decoration of this armor is an outstanding example of German figural

Study for a Ceiling Panel, 18th century, Pen and brown ink over black chalk on cream paper, 11-1/8 x 16-13/16 in. (28.2 x 42.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 18th century

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 2 1/8 × 3 1/2 × 3/4 in. (5.3 × 8.9 × 1.9 cm), Stone-Sculpture

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 10 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

America, mid-19th century, Graphite, Sheet: 6 3/8 x 13 1/16 in. (16.2 x 33.1cm), Drawings

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

William Langenheim, ca. 1848–50, Daguerreotype, Image: 8.9 x 7 cm (3 1/2 x 2 3/4 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Game Piece with Zodiac Sign of Cancer or Scorpio, mid-12th century, North French, Walrus ivory, Overall: 2 7/16 x 1/2 in. (6.2 x 1.3 cm), Ivories-Walrus, This rare carving of a stylized crab representing the sign for Cancer or Scorpio likely

Madame Lisle, ca. 1866–70, Charcoal and pastel with red, black, and white chalk on beige wove paper, sheet: 8 9/16 x 10 1/4 in. (21.7 x 26 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Serre. Auguste. 37 ans, né à Anonnay (Ardêche) le 13/10/56. Mégissier. Anarchiste. 20/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Snuff Bottle with Lions, Qing dynasty (1644–1911), 19th century, China, Silver, H. 2 3/4 in. (7 cm); W. 2 in. (5.1 cm); D. 1 in. (2.5 cm), Snuff Bottles

Marble head of a god, probably Dionysos, Imperial, 1st or 2nd century A.D., Roman, Marble, H. 16 3/8 in. (41.6 cm), Stone Sculpture, The style of this head looks back to early Greek sculpture known as Archaic. Dionysos was the male deity most

Spouted Vessel with Qur'anic Verses and the Names of the Shi'a Imams, 17th century, Country of Origin India (Golconda or Bidar), Chased and worked copper alloy, H.: 5.1 inches (13 cm) x Diam.: 4.5 inches (11.5 cm), Metalwork, This object is one

Earring Fragment, 7th century, Made in Niederbreisig, Germany, Frankish, Silver, Overall: 1 1/16 x 13/16 x 1/8 in. (2.7 x 2.1 x 0.3 cm), Metalwork-Silver

Sauce Dish, before 1867, Made in Sandwich, Massachusetts, United States, American, Blown glass, Diam. 4 9/16 in. (11.6 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Cupboard, 1683, American, Oak, maple, tulip poplar with oak and pine, 58 1/4 x 49 1/2 x 20 3/4 in. (148 x 125.7 x 52.7 cm), Furniture, Large two-stage oak cupboards were the most elaborate pieces of furniture in seventeenth-century New

Kneeling Female Figure, 15th–early 16th century, Mexico, Mesoamerica, Aztec, Stone, pigment, Overall: 21 1/2 x 10 1/2 in. (54.61 x 26.67 cm), Stone-Sculpture, Aztec sculptors used specific formal and aesthetic conventions to depict the

View of the Thames with Figures in Foreground, 1820–70, Pen and black ink and ink wash over graphite, sheet: 2 15/16 x 4 3/4 in. (7.4 x 12.1 cm), Drawings, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland

Design for the Headpiece of the 'Gazette de France', Red and black chalk, 7 7/8 x 5 in. (20 x 12.7 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Terracotta lamp with gladiator, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Terracotta; mold-made, Overall: 1 x 4 in. (2.5 x 10.2 cm), Terracottas

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, German,

Ox Team, Wharf at Matinicus, 1916, Oil on lumbercore panel, 22 x 28 in. (55.9 x 71.1 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York

Terracotta chalice, Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H.: 7 1/4 in. (18.4 cm), Vases, This highly ornate type of drinking vessel is common at Vulci. The identical heads on the bowl and the truncated figures on the

Sketch of Building and Garden, 19th century, Pencil. Overlaid with orthogonal lines., 7 11/16 x 9 13/16 in. (19.5 x 24.9 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Drawing for a book illustration, 1738–86, Pen, ink, gray wash, sheet: 4 1/2 x 5 7/8 in. (11.4 x 14.9 cm), Drawings, Samuel Wale (British, Great Yarmouth, Norfolk 1721–1786 London

Illuminated Double Page of a Yusuf and Zulaikha of Jami, ca. 1580, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 10 x 5 3/4in. (25.4 x 14.6cm), Codices

Kalamkari Rumal, ca. 1640–50, Attributed to India, Deccan, Golconda, Cotton; plain weave, mordant painted and dyed, resist dyed, Textile: H. 24 in. (61 cm), Textiles-Painted and/or Printed, A number of chintz rumals and large summer

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Lapis lazuli with jadeite stopper, H. 2 3/4 in. (7 cm); W. 1 1/2 in. (3.8 cm); D. 7/8 in. (2.2 cm), Snuff Bottles

Tara, Pala dynasty, 12th century, India (Bihar), Bronze with silver inlay, H. 4 7/8 in. (12.4 cm); W. 3 3/8 in. (8.6 cm); D. 3 in. (7.6 cm), Sculpture, This female bodhisattva holds her hands in dharmachakramudra (gesture of exposition). The

原羊遊斎作・酒井抱一下絵　南天に雀印籠, Inrō with Sparrows in Snow-covered Nandina, Edo period (1615–1868), early 19th century, Japan, Lacquer with gold and silver makie, coral, and applied stained ivory, Overall (inro):

The Emperor Maxentius Ordering the Burning of the Fifty Wise Men..., 1500–1538, Pen and brown ink, and wash over black chalk, sheet: 6 5/8 x 6 5/16 in. (16.9 x 16 cm), Drawings, Albrecht Altdorfer (German, Regensburg ca. 1480–1538

Simonin. Joseph. 26 ans, né à Saint-Maurice (Seine). Gainier. Anarchiste. 6/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 1/8 in. (3.2 x 7.9 cm), Terracottas

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Design for a Door and Stucco Overdoor Decorations, ca. 1740–60 , Pen and black and brown ink with gray wash, over a graphite outline, sheet: 13 x 7 3/8 in. (33 x 18.7 cm), Anonymous, Italian, 18th century ?, This drawing shows a design for

Mater Dolorosa, ca. 1674–85, Spanish, probably Málaga, Partial-gilt polychrome wood, sculpture only, confirmed: 24 13/16 × 23 1/8 × 15 in. (63 × 58.7 × 38.1 cm), Sculpture, Pedro de Mena (Spanish, Granada 1628–1688 Málaga), Carved

Boot with Spur, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 3 1/2 in. (8.9 cm); Diam. 2 1/16 in. (5.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Landscape with Building on a Distant Hill (Smaller Italian Sketchbook, leaf 33 recto), 1774–75 (?), Graphite, pen and gray ink and gray and brown wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby)

屈輪文堆黒軸筆, Writing Brush, Southern Song dynasty (1127–1279), 13th century, China, Carved polychrome lacquer (tixi), L.10 1/8 in. (25.6 cm), Lacquer, This brush handle shows all of the characteristics of early Chinese carved

Fragment, 8th–9th century, Attributed to probably Iran, Silk; samite, Textile: H. 8 1/4 in. (21 cm), Textiles-Woven, This silk textile fragment displays a repeating design executed in green, yellow, and tan against a dark blue ground. The

St. James Minor(?), 16th century, Etching, Prints, Etched by Master F. P. (Italian, active 16th century), In Mariette Album, folio 88 bottom right

Study for a Pieta, 1606–69, Pen and brown ink, sheet: 4 3/4 x 6 11/16 in. (12.1 x 17 cm), Drawings, School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

[U.S. Gunboat]. Brady album, p. 161, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Unloading Supplies at Port Royal, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 8r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Cannon, 1861–65, Albumen silver print from glass negative, Photographs

Five images showing the processes of manufacturing glass, 19th century, Graphite, white chalk and ink on gray paper, sheet: 9 1/8 x 7 1/2 in. (23.2 x 19.1 cm), Drawings, Anonymous, British, 19th century

Myriad Birds:A Playful Poetry Contest (Momo chidori kyōka-awase), 2 vols., 『百千鳥狂歌合』, Edo period (1615–1868), 1790, Japan, Two volumes; woodblock printed books; ink and color on paper, Each: 10 × 7 1/2 × 1/4 in. (25.4 ×

May (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk, sheet: 3 1/4 x 4 3/4 in. (8.3 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Sketch to Illustrate the Passions. Senility or Peevishness, 1855, Watercolor on cream wove paper, sheet: 14 1/8 x 10 3/16 in. (35.9 x 25.8 cm), Drawings, Richard Dadd (British, Chatham, Kent 1817–1886 Berkshire), Between 1853 and 1855 Dadd

Hexagonal dish, 1696, Hungarian, Transylvania, Silver, partly gilded, Diameter: 9 9/16 in. (24.3 cm), Metalwork-Silver, The center of each dish in this set bears an engraved laurel wreath encircling a coat of arms. Small differences in these

Madonna of Mercy, 17th century, Red chalk on cream paper. Squared in red chalk, 11-3/16 x 9-11/16 in. (28.45 x 24.55 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Portrait of the Artist (recto); Fragment of a Landscape Study (verso), n.d., Graphite, Sheet: 13 7/16 x 11 3/16 in. (34.1 x 28.4cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence

Design for a Five Branched Candlestick Supported by Putti, late 19th–mid-20th century, Graphite and wash, sheet: 10 x 3 5/8 in. (25.4 x 9.2 cm), Anonymous, British, late 19th to early 20th century

Book of Prayers, Surat al-Yasin and Surat al-Fath, dated A.H. 1132/A.D. 1719–20, Made in Iran, probably Isfahan, Ink, opaque watercolor, and gold on paper, H. 9 3/4 in. (24.7 cm), Codices, This prayer book reflects the fusion of Indian

Fall Brook Railroad, 1934, Watercolor and graphite on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Half-length Portrait of a Bearded Man in Historical Dress, 1818–28, Brush and brown wash, sheet: 11 x 9 3/16 in. (28 x 23.3 cm), Drawings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), Bonington met

Dish in the Shape of a Lotus, Qing dynasty (1644–1911), 18th–19th century, China, Amber, H. 3 3/4 in. (9.5 cm); W. 2 1/2 in. (6.4 cm), Amber