Images at Librifly

Trees by the Lake, Peamore Park, near Exeter, Devon, 1790–1810, Watercolor over traces of graphite, sheet: 5 11/16 x 7 1/2 in. (14.5 x 19 cm), Drawings, Francis Towne (British, Isleworth, Middlesex 1739–1816 Exeter), Towne often

Terracotta head from a statue, Archaic, ca. 525–500 B.C., Greek, South Italian, Terracotta, H. 6 3/16 in. (15.72 cm), Terracottas, This superlative fragment is attributed to Metauron, an ancient settlement not far from Medma

Opera Nova Universali intitulata Corona di racammi, page 21 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Fragment of a ceremonial palette illustrating a man and a type of staff, Predynastic, Late Naqada III, ca. 3200–3100 B.C., From Egypt, Greywacke, H: 5.2 cm (2 1/16 in.); w: 4.7 cm (1 7/8 in

Covered Vase, 1886–90, Made in Brooklyn, New York, New York, United States, American, Earthenware, H. 16 1/4 in. (41.3 cm); Diam. 8 1/2 in. (21.6 cm), Ceramics, Faience Manufacturing Company (American, New York, 1881–1892), Through

南蛮人蒔絵印籠, Inrō with Portuguese Figures, Edo period (1615–1868), late 18th–early 19th century, Japan, Four cases; lacquered wood with gold hiramaki-e and cut-out gold foil application on black ground, H. 3 3/4 in. (9.5 cm); W.

Snuff Bottle with Antiquarian Design, Qing dynasty (1644–1911), late 18th–early 19th century, China, Blue glass with rose quartz stopper, Gr. H. 2 11/16 in. (6.8 cm); Gr. W. 1 5/16 in. (3.3 cm); Gr. D. 1 3/8 in. (3.5 cm), Snuff Bottles

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 19 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Grotesque Decoration and Ceiling Designs (Recto); Geometric Design (Verso), 16th century, Pen and brown ink, brush and gray-brown wash, over ruled black chalk or graphite lines (recto); brush and gray-brown wash, sheet: 16 1/16 x 10 7/8 in.

Joachim's Daughter, 1899, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Gold Slide for a Belt, 700s, Avar, Gold, cast., 1 5/16 × 1 × 3/8 in., 1 Troy Ounces (3.3 × 2.6 × 1 cm, 40g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830

南宋 黑漆葵瓣盞（一對）, Pair of Plum-Blossom-Shaped Cups, Northern Song dynasty (960–1127), 11th–12th century, China, Black lacquer, Each: Diam. 3 1/8 in. (8 cm), Lacquer

View of a Hill Town with a Crucifix, possibly 1830s, Graphite on cream wove paper, Sheet: 7 1/4 x 14 3/4 in. (18.4 x 37.4cm), Drawings, Camille Corot (French, Paris 1796–1875 Paris

Limestone torso of a hunter, Imperial, 1st or 2nd century A.D., Roman, Black limestone, H. 23 3/8 in. (59.3 cm), Stone Sculpture, This figure of a hunter, thrusting his spear as he lunges forward, was probably part of a sculptural group that

Bronze statuette of a youth carrying a pig, Classical, early 5th century B.C., Etruscan, Bronze, H.: 3 3/8 x 4 3/8 in. (8.6 x 11.1 cm), Bronzes, Statues of youths or gods carrying animals to sacrifice are common in Greek art but relatively

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 4 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Portrait of Jan Hus, mid-16th–early 17th century, Pen and brown ink, brown wash, incised for transfer, sheet: 6 1/2 x 4 3/4 in. (16.5 x 12.1 cm), Drawings, Christoffel van Sichem I (Netherlandish, 1546–1624

The Crucifixion, Tempera on wood, gold ground, 20 3/4 x 38 1/2 in. (52.7 x 97.8 cm), Paintings, Andrea di Bartolo (Italian, Siena, active by 1389–died 1428 Siena

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 23r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Mary Macdowell, 1880s, Platinum print , Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Chasse with Christ in Majesty and the Lamb of God, ca. 1180–90, Made in Limoges, France, French, Champlevé enamel: blue-black; dark, medium, and light blue; turquoise, dark and light green, yellow, red, translucent wine red, and white;

Monument to Sir Walter Scott, Bart., after 1832, Graphite, sheet: 15 3/16 x 11 1/4 in. (38.6 x 28.6 cm), Charles Harriott Smith (British, 1792–1864

Rebel Works in Front of Atlanta, Georgia No. 3, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 7 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

'The Trapped Cat and the Frightened Mouse (Rat ?)', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Sautoir, ca. 1908, Made in New York, New York, United States, American, Gold, opal, and enamel, Approximately 18 in. (45.7 cm), Jewelry, Marcus and Co. (American, New York, 1892–1942), This superb sautoir, consisting of a

Kunstbüchlein. Wie man auff Marmelstein, Kupffer, etc. etzen und Künstlich vergülden sol ..., 1593, Text only, 6 1/16 x 3 3/4 x 3/8 in. (15.4 x 9.6 x 1 cm), Books

Vigil Light, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 3 1/2 in. (8.9 cm); Diam. 3 in. (7.6 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

The Sacrifice of Isaac, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 5/8 in., 7 oz. 7 dwt. (1.6 x 19.4 cm, 0.229kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the Old

Bench Figure, 5th–2nd century B.C., Mexico, Mesoamerica, Epi-Olmec, Greenstone (muscovite-paragonite phyllite), H. 6 7/8 x W. 3 5/8 x D. 2 1/4 in. (17.5 x 9.2 x 5.7 cm), Stone-Sculpture, This stolid figure seated on a bench is reported to

Vase, 1835–50, Probably made in New York, United States, American, Blown non-lead aquamarine glass with applied decoration, H. 6 1/2 in. (16.5 cm); Diam. 2 1/2 in. (6.4 cm), Glass

The Animals Going into the Ark from The Story of the Family of Seth, 1586, Engraving, Sheet: 8 1/16 × 10 3/4 in. (20.4 × 27.3 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Johann Sadeler I (Netherlandish,

Rievaulx Abbey, Yorkshire, 1803, Watercolor and graphite with scratching out, sheet: 11 15/16 x 8 1/4 in. (30.3 x 21 cm), Drawings, John Sell Cotman (British, Norwich 1782–1842 London), Cotman helped to reshape British watercolor painting

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 3r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

The Old Cock, ca. 1882, Watercolor over black chalk, 13 1/16 x 11 7/16 in. (33.1 x 29.1 cm), Drawings, Félix Bracquemond (French, Paris 1833–1914 Sèvres

The Interior of an Atelier of a Woman Painter, 1789, Oil on canvas, 45 7/8 x 35 in. (116.5 x 88.9 cm), Paintings, Marie Victoire Lemoine (French, Paris 1754–1820 Paris), The most important exhibitions in eighteenth-century Paris were the

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 71 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 12 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Les Chiens, 1875–80, Albumen silver print from glass negative, 22 x 16.8 cm (8 11/16 x 6 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), From the 1870's, when her son Giorgio left home, the coutness lavished her

[Two Elderly Men Conversing], ca. 1850, Daguerreotype, oberall: 9 1/16 × 6 15/16 in. (23 × 17.7 cm), Photographs, John Adams Whipple (American, 1822–1891

Le feste o balli from Habiti d'huomeni et donne Venetiane, ca. 1610, Engraving, Plate: 9 13/16 x 6 1/2 in. (24.9 x 16.5 cm), Prints

Design for a Firescreen with a Table with a Vase of Flowers, Books, and Teapot, late 18th century, Graphite and gouache, 12 7/8 x 10 1/8 in. (32.7 x 25.7 cm), Drawings, Eugène Charpentier

Two Atlantes in Conversation, ca. 1855, Graphite on laid paper, sheet: 10 1/2 x 7 1/2 in. (26.7 x 19 cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Groupe dans le parc du château de La Faloise, 1857, Salted paper print from glass negative, Mount: 41.6 × 55.3 cm (16 3/8 × 21 3/4 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), This photograph and eight others

Feline Altar, 1st century B.C.–A.D. 1st century, Mexico, Mesoamerica, Chiapas (?), Izapan, Stone, H. 20 x W. 24 1/2 x D. 32 1/4 in. (50.8 x 62.2 x 81.9 cm), Stone-Sculpture, This large relief sculpture of a feline was carved from an

Female dancer in cubist costume, n.d., Graphite, watercolor, gouache., sheet: 12 13/16 x 9 13/16 in. (32.5 x 25 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

U.S. Monitor Lehigh, James River, 1861–65, Albumen silver print from glass negative, Photographs

In Olden Times, if Folks Were Good, the Stork Would Bring a Baby Sweet and Fair, 1907, Gelatin silver prints, Image: 7.8 x 6.5 cm (3 1/16 x 2 9/16 in.) each, Photographs

[The Wilderness Battlefield], 1865–67, Albumen silver print from glass negative, Image: 4 15/16 × 3 1/4 in. (12.5 × 8.2 cm), Photographs, Unknown, Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.),

Nightmare; Witches and Old Women; Album (D), page 20, ca. 1819–23, Brush, black ink, and wash on Netherlandish laid paper, sheet: 9 3/16 x 5 11/16 in. (23.4 x 14.4 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Marble head of a girl from a small statue, Hellenistic, 3rd century B.C., Greek, Marble, Island, H. 8 3/4 in. (22.2 cm), Stone Sculpture, Said to be from Greece. The oval face with delicately indicated features and gentle transition to the

Sphinx in a Grotto (Poet, King and Warrior), 1840–98, Watercolor and gouache on paper, varnished, 12 3/8 x 16 3/8 in. (31.4 x 41.6 cm), Drawings, Gustave Moreau (French, Paris 1826–1898 Paris

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 27v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Recueil de Decorations Intérieures, 1812, Engravings, 19 5/16 × 13 × 1 3/16 in. (49 × 33 × 3 cm), Books, Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris), Charles Percier (French, Paris 1764–1838 Paris), This

Terracotta lamp, Early Byzantine, late 5th–6th century A.D., Roman, Terracotta, Overall: 3/4 x 3 1/4 in. (1.9 x 8.3 cm), Terracottas

Stucco relief with goat, Early Imperial, Augustan, 1st century A.D., Roman, Stucco, Overall: 5 1/2 x 5 x 1 1/4 in. (14 x 12.7 x 3.2 cm), Miscellaneous-Stucco, This small painted stucco fragment probably comes from a well-appointed house or

The Introduction of the arts in German by Christianity, 1839, Etching and engraving; second state of two, plate: 16 3/8 x 26 1/2 in. (41.6 x 67.3 cm), Prints, Eugen Eduard Schäffer (German, 1802–1871), After Philipp Veit (German, Berlin

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 12.6 (4 15/16 in.); W. 12.1 cm (4 3/4 in.); D.

Design for an Oval Mirror, late 18th–early 19th century, Pen and ink and wash, sheet: 15 5/8 x 8 1/4 in. (39.7 x 21 cm), John Yenn (British, London (?) 1750–1821 London

Cylinder seal and modern impression: ritual scene before a temple facade, Late Uruk, ca. 3500–3100 B.C., Mesopotamia, Bituminous limestone, H. 4.5 cm (1 3/4 in.), Stone-Cylinder Seals, Although engraved stones had been used as early as the

Relief fragments from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

The Nine Pierides Transformed into Magpies after Their Unsuccessful Competition with the Muses (Ovid, Metamorphoses, V, 294 ff.), n.d., Red chalk, red and gray wash, framing lines in pen and brown ink., 10 11/16 x 8 3/4 in. (27.1 x 22.2 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 20 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

February, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Plate, Possibly made at Imperial Porcelain Manufactory (Vienna, 1744–1864), probably ca. 1750, Austrian, probably Vienna, Hard-paste porcelain, Diameter: 8 3/8 in. (21.3 cm), Ceramics-Porcelain, Possibly made at Imperial Porcelain

Ointment jar and cover, Middle Kingdom, late Dynasty 12–early Dynasty 13, ca. 1878–1749 B.C., From Egypt, Northern Upper Egypt, Abydos, Cemetery V, Tomb V21, Egypt Exploration Fund excavations, 1904, Anhydrite, H. 8.4 cm (3 5/16 in.);

Snuff Bottle with Two Boys and Lotus, Qing dynasty (1644–1911), late 18th century, China, Nephrite (jade), H. 2 in. (5.1 cm), Snuff Bottles

Gateway to a shrine, preceded by two baboons, Ptolemaic Period, 332–30 B.C., Probably from Egypt, Faience, H. 9 × W. 6 × D. 7 cm (3 9/16 × 2 3/8 × 2 3/4 in.), This delicate faience model depicts the essential elements of a shrine or

Covered Vase, 1736–95, Made in China, Chinese, Porcelain, H. 19 in. (48.3 cm), Ceramics

Flintlock Pistol, ca. 1650, possibly Liege, possibly Belgian, Liege, Steel, iron, wood (walnut), L. 24 3/4 in. (62.7 cm); L. of barrel 17 1/16 in. (43.3 cm), Firearms-Pistols-Flintlock, This pistol is one of a small group of flintlock guns

Bell Beaker, late 5th–early 6th century, Frankish, Glass, Overall: 4 5/8 x 3 3/16 in. (11.8 x 8.1 cm), Glass-Vessels

Cordial Glass, 1865–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 3 1/4 in. (8.3 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Windsor from Dachet, ca. 1887, Watercolor, Sheet: 8 1/2 x 13 3/4 in. (21.6 x 34.9 cm), Drawings, William Collingwood Smith (British, Greenwich 1815–1887 London), Smith received some training from James Duffield Harding, but was largely

Vulcan Presenting Arms for Aeneas to Venus from the set The Loves of the Gods, possibly 1771, French, Beauvais, Silk, wool, Overall (confirmed): 118 5/8 x 217 in. (301.3 x 551.2 cm), Textiles-Tapestries

Relief fragments from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 5.3 cm ( 2 1/16 in.); W 8.5 cm ( 3 3/8

Three figures on horseback with indications at right, graphite, 9 x 8-7/8 in. (22.9 x 22.5 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

A Vase, 16th century, Red chalk, 7-1/2 x 6-3/8 in. (19.1 x 16.2 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Tiraz Fragment, ca. 892–902, Attributed to Eastern Iran or Khurasan, Silk warp and cotton weft (mulham); plain weave, embroidered, Textile: H. 14 3/4 in. (37.5 cm), Textiles-Embroidered, Like many tiraz textiles, the kufic inscription

View of a Bridge at Angers, ca. 1903, Watercolor and black chalk over graphite, sheet: 7 13/16 x 16 7/16 in. (19.9 x 41.7 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 2r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

'Khusrau and Shirin Conversing in Landscape at Night', Folio from a Khamsa (Quintet) of Nizami, ca. 1625–30, Attributed to India, Deccan or Rajasthan, Ink, opaque watercolor, and gold on unpolished paper, Page: 11 7/8 x 7 7/16in. (30.2 x

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, Jeremias Wachsmuth, German,

Façade of Palace decorated for the Marriage of the King of Naples to the Archduchess of Austria, 1700–1773, Pen and black-gray ink, brush and gray wash, over freehand underdrawing in graphite and compass and ruled construction lines in

Lamp, Greek or Roman, Terracotta, Overall: 1 1/8 x 3 3/4 in. (2.9 x 9.5 cm), Terracottas

Study for a Male Figure Lowered into a Grave (recto); Kneeling Female Figure in Profile to Left (verso), 1607–1613, Point of brush, blue wash, highlighted with white, over black chalk, on blue paper, 9-13/16 x 15-3/8 in. (24.9 x 39.1 cm),

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Crystal painted inside, coral stopper, H. 2 3/8 in. (6 cm), Snuff Bottles

Design for a Frieze with Putti and Garland, 19th century, Pen and black ink over graphite, sheet: 7 3/8 x 24 1/16 in. (18.8 x 61.1 cm), Drawings, Anonymous, French, 19th century

Dish with Flowers and Butterfly, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Painted enamel on copper, Diam. 6 3/8 in. (16.2 cm), Enamels

Diverses Pieces de Serruriers, ca. 1663, Engraving, Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Gabriel Ladame (French, active 1645–68), After Hugues Brisville (French, born ca.

Portrait of Marc Liotard-Sarasin, 1720–89, Red and black chalk., 8 7/8 x 6 5/8 in. (22.5 x 16.9 cm), Drawings, Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

[Cremation Ground at Manikarnika Ghat, Varanasi, India], 1860s–70s, Albumen silver print from glass negative, 20.2 x 27.3 cm (7 15/16 x 10 3/4 in.), Photographs, Lawrie & Co., G.W. (British

Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating, 1591–1652, Pen and brown ink on off-white paper. Sheet is set into a thin mat (with annotations on the mat), 9-13/16 x 7-1/2 in. (24.9 x 19.1 cm), Drawings,

[Sir David Brewster], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Drawings and Prints, Print, A Witch Sailing to Aleppo in a Sieve, Engraver, Artist, After, Charles Turner, John James Halls, British, Woodstock, Oxfordshire 1774–1857 London, British, 1776–1853, Turner, Charles, Halls, John James,

Design for a Gothic Interior, 1841–84, Brush and brown ink wash over graphite, sheet: 14 1/4 x 10 3/8 in. (36.2 x 26.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

Aqueduct near Petersburg, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 17), Artist, Publisher, After, Jacob Floris, Georges

The 'Hell Hole' New Hope Church, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Young Pilgrim with Guardian Angel, 1820–71, Pen and brown ink, sheet: 7 1/8 x 4 7/16 in. (18.1 x 11.3 cm), Drawings, Attributed to Sir George Hayter (British, London 1792–1871 London