Images at Librifly

Paget. Jean, Louis. 41 ans, né le 15/7/52 à Thonon (Haute-Savoie). Cordonnier. Anarchiste. 12/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Bronze portrait bust of a young boy, Early Imperial, Julio-Claudian, ca. A.D. 50–68, Roman, Bronze, silver, H. 11 1/2 in. (29.2 cm), Bronzes, This life-size portrait bust of a young boy, originally affixed to a herm of wood or stone, was

Design for a Ceiling, n.d., Pen and brown ink with brush and grey wash, 8 x 11 9/16in. (20.3 x 29.4cm), Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Design for the decoration of a ceiling with a variation for the right side. Both sides

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 6 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Fish Market, 1568, Oil on Baltic oak, 50 3/8 × 68 1/2 in. (128 × 174 cm), Paintings, Joachim Beuckelaer (Netherlandish, Antwerp 1533–1575 Antwerp), Signed and dated 1568, this masterfully composed view of a daily fish market represents

A Parkland View at Dusk, ca. 1879, Watercolor and graphite, sheet: 8 1/8 x 13 1/4 in. (20.6 x 33.6 cm), Drawings, William Leighton Leitch (British, Glasgow, Scotland 1804–1883 London), Bold shadows from the late-day sun stretch across the

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs, J. M. Osborn (American, active Charleston, South Carolina, 1850s–1860s

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 12v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

La Pratique de l'Aiguille, page 12 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 14 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Hab.t de l'Autriche from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Refectory Bell, 13th century, German, Copper alloy, 9 13/16 × 13 3/4 in., 50 lb. (24.9 × 35 cm, 22.7 kg), Metalwork-Copper alloy, The bell is inscribed in Latin TINNIO PRANSVRIS CENATVRIS BIBITVRIS (“I ring for breakfast, drinks and

Lamp, late 2nd to 3rd century A.D., Roman, Terracotta, mold-made, Overall: 1 5/8 x 3 3/4 in. (4.1 x 9.5 cm), Terracottas

Spoon, ca. 1787, Made in Boston, Massachusetts, United States, American, Silver, L. 8 in. (20.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Amulet, 1820–50, United States, Alaska, Tlingit, Ivory, H. 3 7/8 x W. 2 1/8 x D. 7/8 in. (9.9 x 5.4 x 2.2cm), Bone/Ivory-Sculpture

Vase, ca. 1904–09, Made in New York, New York, United States, American, Porcelaneous earthenware, 7 3/4 in. (19.7 cm), Ceramics, Tiffany Studios (1902–32), Louis Comfort Tiffany employed the motif of Queen Anne’s lace, also known as

Soup Tureen, 1785–90, Made in China, Chinese, for American market, Porcelain, 6 5/16 x 9 7/16 in. (16 x 24 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

'The Prettiest Doll in the World', July 5, 1870, Albumen silver print from glass negative, 7 3/4 x 5 13/16, Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898 Guildford), The Reverend Charles Lutwidge Dodgson, a

A River Landscape with Travellers, 17th century, Pen and brown ink, gray wash, sheet: 6 11/16 x 10 15/16 in. (17 x 27.8 cm), Drawings, Herman van Swanevelt (Dutch, Woerden (?) ca. 1603–1655 Paris

[Trees and Waterfalls], 1860–65, Albumen silver print from glass negative, Image: 13.3 x 10; Mount: 18.9 x 15.6, Photographs, Charles Nègre (French, 1820–1880

Drawings and Prints, cut paper, Dalmany (Slave Belonging to Mr. Dalman), Artist, Auguste Edouart, French, 1789–1861, Edouart, Auguste, French, 1789, 1861, 1844, 1844

Plate, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 10 3/8 in. (26.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Landscape, n.d., Pen and brown ink, brush and green wash and blue and white gouache, 12 11/16 x 14 3/16 in. (32.2 x 36 cm), Drawings, Gillis van Coninxloo, follower of (Antwerp 1544–1607 Amsterdam) (Matthias Merian the Elder

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, German,

Girl in a Straw Bonnet, ca. 1868–70, French, Paris, Terracotta with wood base, Overall without base (confirmed): H. 32 1/2 x W. 22 1/8 x D. 15 1/2 in. (82.6 x 56.2 x 39.4 cm), Sculpture, Albert-Ernest Carrier-Belleuse (French,

Nikare as a scribe, Old Kingdom, Dynasty 5, ca. 2420–2389 B.C. or later, From Egypt, Memphite Region, Saqqara, Djoser Pyramid, south precinct possibly, Granite, paint, h. 31 cm (12 3/16 in), Old Kingdom Egyptians sought to express a

Pensarn Beach, 1860s, Albumen silver print, Image: 12.6 × 19.9 cm (4 15/16 × 7 13/16 in.), Photographs, Francis Bedford (British, London 1816–1894 London

'Pair of Eagles', Folio from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu', ca. 1300, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Painting: H. 5 3/4 in. (14.6 cm), Codices, This folio illustrates

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 26 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Ornamental Brass Lock, 1579, ca. 1880, Graphite on tracing paper, sheet: 5 5/16 x 7 1/2 in. (13.5 x 19 cm), Richardson Ellson & Co. (British

The Milliner, ca. 1882, Pastel and charcoal on warm gray wove paper, now discolored to buff (watermark MICHALLET), laid down on dark brown wove paper, 18 3/4 x 24 1/2 in. (47.6 x 62.2 cm), Drawings, Edgar Degas (French, Paris 1834–1917

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 48 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Wall clock (cartel), Clockmaker: Étienne LeNoir (French, 1675–1739), ca. 1735–40, French, Paris with French, Chantilly case, Case: soft-paste porcelain and partly gilded brass; Dial: white enamel; Movement: brass and steel, Overall: 19

[Courtyard of the Lions, Alhambra, Granada], 1880s–90s, Albumen silver print from glass negative, Photographs, Señan y Gonzalez (Spanish

Head of Christ, late 16th–early 17th century, Pen and brown ink, 6-7/8 x 4-3/4 in. (17.5 x 12.1 cm), Drawings, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem

Design for a Wall Elevation with Five Bays in the Doric Order, 17th century, Pen and brown ink, brush and gray wash, image: 5 7/8 x 12 13/16 in. (15 x 32.6 cm), Anonymous, Italian, 17th century

Figures by the Seashore, late 18th–early 19th century, Pen and ink, with watercolor, sheet: 6 3/8 x 6 1/8 in. (16.2 x 15.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Figure 47: A suggestion of this same weeping, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 27.9 × 20.3 cm (11 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

'Grape' ice pitcher, 1849–53, Made in South Amboy, New Jersey, United States, American, Yellow ware (earthenware) with Rockingham glaze, 10 1/2 in. (26.7 cm), Ceramics, Congress Pottery (1848–1854), Abraham Cadmus

Drawing for Punch, 1841–91, Pen, brush, and brown ink, gray ink wash with touches of white gouache, Sheet: 4 15/16 in. × 7 in. (12.5 × 17.8 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Mummy of Nesmin with plant wreath, mummy mask and other cartonnage elements, Ptolemaic Period, 200–30 B.C., From Egypt, Northern Upper Egypt, Akhmim (Khemmis, Panopolis), Egyptian Antiquities Service/Maspero excavations 1885–86, Human

Three Studies for Spandrel Figures, 17th century, Pen and brown ink, over graphite underdrawing, sheet: 8 11/16 x 10 15/16 in. (22 x 27.8 cm), Drawings, Anonymous, Italian, 17th century

Officers of the Guard, 19th century, Pen and brown ink, black, blue and some brown wash, with touches of yellow and red wash, over traces of graphite, 9 11/16 x 6 11/16 in. (24.6 x 17 cm), Drawings, Constantin Guys (French, Flushing

Essempio di recammi, page 10 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Bermuda No. 4, 1917, Watercolor and graphite on paper, 9 5/8 x 13 3/4 in. (24.4 x 34.9 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Square Dish with Decoration of Cherry Blossoms, Shōwa period (1926–89), early to mid-20th century, Japan, Utsutsugawa ware; stoneware with cobalt-blue and iron-brown design over brushed slip, H. 1 3/8 in. (3.5 cm); Diam. of rim: 6 1/2 in.

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 4 1/2 in. (11.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Round Dish with Birds and Flowers, Yuan (1271–1368)–early Ming (1368–1644) dynasty, second half of the 14th century, China, Carved black lacquer, H. 1 7/16 in. (3.7 cm); Diam. 12 3/8 in. (31.4 cm), Lacquer

Gold ring: on bezel, lion, Late Archaic, early 5th century B.C., Etruscan, Gold, Diam.: 7/8 in. (2.2 cm), Gold and Silver, Ring with intaglio of a lion from a tomb group allegedly from Vulci, one of the richest and most impressive sets of

Piazza e Portici della Basilica Vaticana from: Il Nuovo Teatro delle Fabbriche, et Edificii, in Prospettiva di Rome Moderna (...), 1665–69, Etching, Plate: 7 3/16 x 11 3/8 in. (18.2 x 28.9 cm), Designed by Giovanni Battista Falda (Italian,

La Nuit (Night), Gouache on paper, pasted onto board, 10 3/16 x 7 7/8 in. (25.9 x 20 cm), Drawings, Pierre Antoine Baudouin (French, Paris 1723–1769 Paris

Designs for Two Reliquary Caskets; at top Bishop; at bottom: Skulls and Bones, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite with ruled construction (recto). Negligible scribbles in lead point or graphite

Le Pompe: Opera Nova, page 12 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 8 horizontal registers. Each

The Women of Weinsberg, late 16th–early 17th century, Brush and brown ink, white body color; framing line in pen and brown ink, Sheet: 9 3/8 x 14 in. (23.8 x 35.5 cm), Drawings, Otto van Veen (Netherlandish, Leiden 1556–1629 Brussels

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 93r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 8.4 cm. H. 1.9 cm., Terracottas

Monks in an Interior; Images of Spain Album (F), page 33, ca. 1812–20, Brush and brown wash, Sheet: 8-1/16 x 5- 5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Maison au toit de chaume, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Unknown (French

Tennyson Reading, 1865, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), When Cameron’s husband retired in 1848 from the Calcutta Council of

Essempio di recammi, page 6 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Vassili Blagennoi, Moscow, 19th century, Watercolor, 3 3/8 x 4 3/4 in. (8.6 x 12.1 cm), Drawings, Anonymous, Russian, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 3 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Plate, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Diam. 9 1/2 in. (24.1 cm), Ceramics

Quart Decanter, 1830–70, Made in United States, American, Pressed glass, H. 11 3/4 in. (29.8 cm), Glass

Study for 'Goat', ca. 1934, Watercolor, gouache, and graphite on paperboard, 4 x 6 in. (10.2 x 15.2 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), This watercolor is a study for Dove's oil

“Duval” Cabinet (Model AR 1511 / NR 2300), designed 1924, probably made ca. 1926, Brazilian rosewood, ivory, amboyna burl, mahogany, oak, plywood, 56 × 40 × 19 in. (142.2 × 101.6 × 48.3 cm), Furniture, Émile-Jacques Ruhlmann

Coffee Room Elevation, Pompeian style, 19th century, Graphite and watercolor, sheet: 12 5/8 x 17 7/8 in. (32.1 x 45.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace (British, London 1838–1919

Qur'an Manuscript, late 9th–early 10th century, Attributed to Syria or Iraq, Main support: ink, opaque watercolor, and gold on parchment; Binding: leather; tooled, H. 4 in. (10.2 cm), Codices, This is the second volume of a thirty-part

Landscape with the Village of Lincent, 1675, Pen and brown ink, brown wash., 4 x 6 15/16 in. (10.2 x 17.7 cm), Drawings, Constantijn Huygens the Younger (Dutch, 1628–1697

[Three Men Seated in a Horse-Drawn Buggy in Front of a Building Under Construction], 1850s–60s, Ambrotype, Image: 9.8 x 12.8 cm (3 7/8 x 5 1/16 in.), Photographs, Unknown (American

Glass Palm Cup, 7th–8th century, Frankish, Glass, Overall: 2 3/4 x 3 15/16 in. (7 x 10 cm), Glass-Vessels, This type of cup is known as a palm cup because of the rounded base that made it suitable for holding in the palm of the hand—and

Lea Castle, Worcestershire, Picture Room, Looking West, ca. 1816, Watercolor, sheet: 8 1/2 x 7 in. (21.6 x 17.8 cm), Attributed to John Carter (British, London 1748–1817 London

Guardian Lion, Northern Qi dynasty (550–577), mid-6th century, China, Limestone, H. 25 3/4 in. (65.4 cm); W. 22 in. (55.9 cm); D. 23 in. (58.4 cm), Sculpture, One of a pair, this fierce guardian lion bares his fangs, crouches, and grips

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 13 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

室町時代 楼閣山水蒔絵書箱, Box for Books with Waterfall, Muromachi period (1392–1573), 16th century, Japan, Lacquered wood with gold and silver takamaki-e, hiramaki-e, cut-out gold and silver foil application and silver inlay on

Pantheon, dome, section details; alcove, section and details (recto) Pantheon, rotonda, upper order, elevation and details (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 22 15/16 x 16 3/4 in.

Bellona, Etching with burin, Prints, Angiolo Falconetto (Italian, active ca. 1555–67), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 84, bottom

White Flowers in a Vase, ca. 1884–1904, Watercolor over traces of graphite, Sheet: 14 5/8 x 11 1/4 in. (37.2 x 28.5cm), Drawings, Zacharie Astruc (French, Angers 1835–1907 Paris

Ribbon Torc, 500 B.C.– A.D. 400, Made in Ireland, Celtic, Silver, Overall: 4 × 11/16 × 12 5/8 in. (10.2 × 1.7 × 32 cm), Metalwork-Silver, Silver was a rare commodity in Iron Age Ireland, yet this delicate torc, or neckband, was

Pitcher, 1800–1830, Made in Pennsylvania, United States, American, Earthenware with slip decoration, 2 5/8 x 3 5/8 in. (6.7 x 9.2 cm), Ceramics

Design for Screen, 1841–84, Graphite and ink wash, sheet: 9 13/16 x 6 7/8 in. (24.9 x 17.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

Flower Pot, ca. 1750–1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 15 in. (38.1 cm), Ceramics

Appomattox River, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

The Visitation, 17th century, Red chalk on light brown paper, 6-1/4 x 4-5/16 in. (15.9 x 10.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Tall vase, ca. 1892–94, British, Swadlincote, Derbyshire, Earthenware, Overall (confirmed): 19 5/8 × 12 5/8 × 12 5/8 in. (49.8 × 32.1 × 32.1 cm), Ceramics-Pottery

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 33 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Terracotta brazier, Archaic, ca. 600–530 B.C., Etruscan, Terracotta; Caeretan Red Ware, H. 4 7/8 in. (12.4 cm); diameter 18 11/16 in. (47.5 cm), Vases, One of the braziers is decorated with two different cylinder stamps, one showing a

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 9), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Hexagonal Jug, 6th–mid-7th century, Byzantine, Moulded glass, Overall: 5 15/16 x 3 3/8 x 2 15/16 in. (15.1 x 8.6 x 7.5 cm), Glass-Moulded, The stepped cross on these vessels may represent the large cross erected in 420 by the emperor

Ritual Scene Vessel, A.D. 200–600, Peru, Recuay, Ceramic, H. 8 1/4 x W. 9 in. (21 x 22.9 cm), Ceramics-Containers, Contemporaries of the Moche in Peru’s northern highlands, the Recuay culture is known for lively architectural vessels with

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and light brown wash, over lead point, with ruled construction, 14 11/16 x 9 3/4 in. (37.3 x 24.7 cm), Drawings, Anonymous, Italian, Lombard, 16th century

Portone del Palazzo di Carbogniani, 1710–27, Pen and dark-brown ink, brush, gray and ochre wash, over traces of ruling in graphite, 21 x 15 1/16in. (53.4 x 38.3cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Sword Handle with Scenes of the Goddess Durga Slaying the Buffalo Demon Mahishasura, early Malla period, 13th–14th century, Nepal, Kathmandu Valley, Copper alloy, H. 7 in. (17.8 cm), Metalwork, The detailed elaboration of the

Study of Two Figures: One Seated, the Other Standing (recto); Study of a Head Looking Upwards (verso), 1775–78, Graphite with traces of pen and brown ink at upper right, 11 x 7 11/16 in. (27.9 x 19.5 cm), Drawings, George Romney (British,

Hobnail Sauce Dish, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry and opaque white glass, 1 3/4 x 4 3/4 in. (4.4 x 12.1 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Cup Plate, 1825–60, Made in New England, United States, American, Lacy pressed glass, Glass

Landscape with Two Pilgrims Walking Along a Road, 16th century, Pen and brown ink, 9 9/16 x 12 3/4 in. (24.3 x 32.4 cm), Drawings, Attributed to Pieter Balten (Netherlandish, Antwerp 1526/27–1584 Antwerp

Melchior of the Three Kings from an Adoration Group, before 1489, Made in Swabia, Germany, German, Poplar, paint and gilt, 40 × 28 3/4 × 21 1/4 in., 47 lb. (101.6 × 73 × 54 cm, 21.3 kg), Sculpture-Wood, These three kings along with a

Slave Pen, Alexandria, Virginia, 1862, Albumen silver print from glass negative, Image: 8 x 16 cm (3 1/8 x 6 5/16 in.), Photographs

Bronze mirror with ivory handle, Late Classical, late 4th century B.C., Etruscan, Bronze, ivory, length 11 9/16 in. (29.4 cm); diameter 6 13/16 in. (17.3 cm), Bronzes, Minerva (Etruscan: Menrva) flanked by Thalna (a nymph) and Sime (a satyr