Images at Librifly

Page from Ein new kunstlich Modelbuch...(Page 17r), 1544

Boats Moored Near Cliffs of Dover, 19th century, Graphite on paper, sheet: 9 3/4 x 3 5/8 in. (24.8 x 9.2 cm), Drawings, T. H. Yudin (British (?), 19th century

Lefebvre. Eugène, Anatole. 28 ans, né le 2/7/66 à St Pierre (Eure). Sculpteur sur bois. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 7/8 x 4 1/2 in. (4.8 x 11.4 cm), Terracottas

Jean Marc Nattier (1685–1766), Oil on canvas, 30 1/2 x 23 1/4 in. (77.5 x 59.1 cm), Paintings, Louis Tocqué (French, 1696–1772), The sitter is Jean Marc Nattier, a fashionable portrait painter whose work is also displayed in this gallery.

Battle-ax, Middle Kingdom, Probably Dynasty 12, ca. 1981–1802 B.C., From Egypt, Bronze, restored shaft and lashing, Total length: 64.1 cm (25 1/4 in.); W. 7.8 cm (3 1/16 in.); Diam. 2.5 cm (1 in.), The traditional Egyptian ax had a round or

Statuette of Kary, New Kingdom, Ramesside, Dynasty 19, ca. 1304–1237 B.C., From Egypt; Probably from Upper Egypt, Thebes, Deir el-Medina, Wood, H. 48 cm (18 7/8 in), The 'great craftsman in the place-of-truth' Kery was one of the artists

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 26r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 19 (recto), 1610

Apothecary Jar, ca. 1750–1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 9 7/8 in. (25.1 cm); Diam. 3 1/16 in. (7.8 cm), Ceramics

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/8 in. (7.4 × 8 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Medallion, 16th century, Italian, Silk and metal thread, L. 10 1/2 x W. 9 1/2 inches (26.7 x 24.1 cm), Textiles-Embroidered

'Portrait of Mulla Muhammad Khan Vali of Bijapur', Folio from the Shah Jahan Album, recto: ca. 1620; verso: 1537–47, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Hashim

Fragment, 12th century, Made in Egypt, Cotton, 12 1/8 x 12 1/2 in. (30.8 x 31.8 cm), Textiles

Abduction (plate nine from Paraphrase on the Finding of a Glove), 1881, Etching, drypoint and aquatint on chine collé; first edition; state two of five, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints, Max Klinger (German, Leipzig

Nativity, 18th century, Pen and brown ink, washed, highlighted with white, 10 x 10-1/4 in. (25.4 x 26.0 cm), Drawings, Anonymous, Italian, Venetian, 18th century

Drawing for a Harpsichord Top, 18th century, Pen and brown ink, brush and gray wash, over graphite, 9-7/16 x 16-3/4 in (24 x 42.5 cm), Anonymous, Italian, 18th century

The Falls of Lodore, 1764–1828, Ink and grey wash, Sheet: 10 3/4 x 14 13/16 in. (27.3 x 37.6 cm), Drawings, Thomas Sunderland (British, Whittington Hall, Lonsdale 1744–1828 Littlecroft

Votive cone with cuneiform inscription of Lipit-Eshtar, Isin-Larsa, ca. 1934–1924 B.C., Mesopotamia, Isin-Larsa, Clay, Top: 16 cm (6 1/4 in.), Clay-Tablets-Inscribed, Votive cones are one type of royal foundation deposit, objects that were

元 剔紅牡丹紋漆盤, Dish with peonies, Yuan dynasty (1271–1368), 14th century, China, Carved red lacquer, H. 2 1/4 in. (5.7 cm); Diam. 5 3/8 in. (13.7 cm), Lacquer, The deep carving of the peonies and leaves in this small dish is

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 2, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Peasant with Child, 17th century, Black chalk and watercolor, sheet: 3 5/16 x 2 1/16 in. (8.4 x 5.2 cm), Drawings, Herman Saftleven II (Dutch, Rotterdam 1609–1685 Utrecht

Evening, from the series The Times of the Day, 1807, Engraving, second state of two, sheet: 31 1/8 x 21 3/4 in. (79 x 55.2 cm), Prints, After Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg), Johann Adolph Darnstedt (German, Auma

Morel. Benoit. 33 ans, né le 6/11/61 à St Laurent d'Orringt (Rhône). Ébéniste. Anarchiste. 8/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Dish, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, H. 7 1/4 in. (18.4 cm); Diam. 6 in. (15.2 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze that

The Last Song ('El aria final'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-1/4 x 5-1/8 in. (18.4 x 13.0 cm), Drawings, Leonardo Alenza y Nieto (Spanish, Madrid

Marble two-sided relief, Imperial, 1st century A.D., Roman, Marble, 9 7/8 x 14 3/4 x 2 1/4 in. (25.1 x 37.5 x 5.7 cm), Stone Sculpture, The peristyle gardens of Roman houses and villas were filled with decorative marble reliefs such as this

Marble portrait of a man, Hadrianic or Early Antonine, ca. A.D. 117–161, Roman, Marble, H. 9 5/8 in. (24.4 cm), Stone Sculpture, This striking young man wears the short beard that became popular in Rome during the early second century A.D.

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 5 1/2 x 2 3/4 in. (14 x 7 cm), Ceramics

Corona delle Nobile et Virtuose Donne, Libro Terzo, title page (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Garden Gathering, 1640–50, Attributed to Iran, probably Isfahan, Stonepaste; painted and polychrome glazed (cuerda seca technique), Panel with tabs: H. 41 in. (104.1 cm), Ceramics-Tiles, At the center of this scene, a lady leans on a

Gaja Lakshmi, Goddess of Fortune, 6th century, India (Jammu and Kashmir, ancient kingdom of Kashmir), Stone, H. 9 7 /8 in. (25.1 cm), Sculpture, The enthroned goddess holds a lotus in her left hand and a lotus cornucopia in her right, while

A Knight of the d'Aluye Family, after 1248–by 1267, Made in Loire Valley, France, French, Limestone, 13 × 33 1/2 × 83 1/2 in., 1197 lb. (33 × 85.1 × 212.1 cm, 543 kg), Sculpture-Architectural, Across three generations, men of the

Loggia, 17th century, Pen and brown ink, brush and brown wash over red chalk on light tan paper. Fragmentary framing outlines in black chalk, 3-15/16 x 5-1/4 in. (10 x 13.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bacchanalian Scene, 1651, Red chalk. Framing line in graphite, sheet: 10 1/4 x 16 1/4 in. (26 x 41.2 cm), Drawings, Attributed to Hendrick Berckman (Dutch, Klundert 1629–1679 Middelburg

[Portrait of Seated Man], 1850s, Salted paper print from paper negative, 19.6 x 11.2 cm (7 3/4 x 4 7/16 in.), Photographs, Unknown (British

Landscape with Figures, 1659, Black chalk, over brush and gray-brown ink, sheet: 7 1/4 x 11 3/4 in. (18.4 x 29.8 cm), Drawings, Pieter de Molijn (Dutch, London 1595–1661 Haarlem

Case (Inrō) with Design of Lute and Maple Leaves, Edo period (1615–1868), 19th century, Japan, Case: powdered gold (maki-e), colored and black lacquer, and gold leaf on lightly grooved wood; Fastener (ojime): glass; Toggle (netsuke): gold

策彦周良筆 墨跡, Account of the Three Springs of Jiangsu Province in China, Muromachi period (1392–1573), late 16th century, Japan, Hanging scroll; ink on paper, Image: 11 1/2 x 16 3/4 in. (29.2 x 42.5 cm), Calligraphy, Sakugen

Mars and Pomona, 1539–91, Pen and black, brown, green, red, purple and grey ink, sheet: 4 1/8 x 6 1/8 in. (10.5 x 15.6 cm), Drawings, Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

Scene in an Inn, 1625–85, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 6 15/16 x 10 1/16 in. (17.6 x 25.5 cm), Drawings, Attributed to Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Plaque, Southern Song (1127–1279) to Yuan (1271–1368) dynasty, 13th–early 14th century, China, Carved black lacquer, H. 3/8 in. (1 cm); Diam. 12 7/8 in. (32.7 cm), Lacquer

Band with Vine Scroll, 4th–6th century, Attributed to Egypt, Tapestry weave in purple wool (dyed with indigotin-containing dye and madder) and undyed linen on plain-weave ground of undyed linen; details in flying shuttle with undyed linen,

Elevation of Rustic Doric Doorway, early to mid-18th century, Pen and black ink, gray wash with touches of graphite, sheet: 9 1/8 x 6 3/16 in. (23.1 x 15.7 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Allée bordée d'arbres, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Charles Marville (French, Paris 1813–1879 Paris

Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.4 cm (11 3/16 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de

Petrus Scriverius (1576–1660), 1626, Oil on wood, 8 3/4 x 6 1/2 in. (22.2 x 16.5 cm), Paintings, Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem), Scriverius was a distinguished historian, poet, and scholar of classical literature. His

Bronze oinochoe (jug), Classical, 5th century B.C., Etruscan, Bronze, H. 5 9/16 in. (14.1 cm), Bronzes, The body of this small jug is ornamented with meticulously incised tongue patterns that flank a delicate cable frieze. On the base of the

Essempio di recammi, page 23 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Adam in the Garden of Eden, Naming the Animals, ca. 1605–10, Pen and black ink and gray wash heightened with white, sheet: 12 13/16 x 8 1/4 in. (32.5 x 21 cm), Drawings, Joachim Wtewael (Netherlandish, Utrecht 1566–1638 Utrecht

Hunting Sword (Shamshir Shikargar) with Modern Scabbard, 18th–mid-19th century, Rajasthan, Indian, Rajasthan, Steel, gold, textile (velvet), wood, H. without scabbard 36 1/2 in. (92.7 cm); W. 4 3/4 in. (12.1 cm); Wt. 2 lb. 3.5 oz. (1006.4

Side Chair, 1840–60, Possibly made in New Lebanon, New York, United States; Possibly made in Watervliet, New York, United States, American, Shaker, Maple, 26 x 17 1/4 x 12 1/4 in. (66 x 43.8 x 31.1 cm), Furniture

River View with Figures, 17th century, Pen and brown ink over black chalk on light tan paper. Fragmentary framing outlines in black chalk?, 5-3/16 x 7-3/4 in. (13.2 x 19.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

A pair of glass drinking cups, Early Imperial, 1st century A.D., Roman, Glass; blown and decorated with marvered blobs, Height (a ): 4 1/16 in. (10.3 cm), Glass, Translucent cobalt blue, with same color handles; blobs in opaque white, red,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 11r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

東山遊楽図屏風, Amusements at Higashiyama in Kyoto, Edo period (1615–1868), ca. 1620s, Japan, Pair of six-panel screens; ink, color, gold, mica, and gold leaf on paper, Image (each screen): 33 1/16 in. × 8 ft. 11 1/2 in. (84 ×

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/8 x 3 7/8 in. (2.9 x 9.8 cm), Terracottas

Dutch Men Of War, 17th century, Pen and brown ink, brush and gray wash, sheet: 7 1/4 x 11 7/8 in. (18.4 x 30.1 cm), Drawings, After Willem van de Velde I (Dutch, Leiden 1611–1693 London

Design for Vessels, early 16th century, Ink, outline, sheet: 12 1/4 x 8 5/8 in. (31.1 x 21.9 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Ornamental Design with Two Urns and a Trophy, 1700–1780, Pen and brown ink, brush with gray and brown wash, over lead point or black chalk, with some ruled construction. Framing outlines in pen and brown ink, Sheet: 7 7/8 x 10 9/16 in. (20 x

Chrysanthemums in the Garden at Petit-Gennevilliers, 1893, Oil on canvas, 38 5/8 × 23 1/2 in. (98 × 59.8 cm), Paintings, Gustave Caillebotte (French, Paris 1848–1894 Gennevilliers), Although Caillebotte was a lifelong gardener, his

Agony in the Garden, 1600–1633, Pen and black ink and gray wash (squared in red chalk), sheet: 9 1/2 x 7 1/4 in. (24.2 x 18.4 cm), Drawings, Caspar Strauss (German, Augsburg 1595–1633 Augsburg

Flying Angel, 17th century, Pen and brown ink, brush and brown wash, over red chalk, with white gouache highlighting. On gray-brown paper., sheet: 9 x 5 1/2 in. (22.8 x 14 cm), Drawings, Anonymous, Italian, 17th century

Saints Peter and John Healing the Lame Man, 1655, Oil on canvas, 49 1/2 x 65 in. (125.7 x 165.1 cm), Paintings, Nicolas Poussin (French, Les Andelys 1594–1665 Rome), At the temple in Jerusalem where the old and infirm beg alms, Peter and

Textile with a Pattern of Stars and Birds, Originally from a Cap, 11th–12th century, Attributed to Iran, Silk; samite, Textile: H. 5 in. (12.7 cm), Textiles-Woven, This textile was part of a cap, whose paper lining shows words of an

Allegories of Faith, Hope, and Charity, 1819, Graphite, pen and brown ink, brush and brown wash heightened with white (partly oxidized), in an inscribed arch on brown paper, sheet: 12 1/2 x 14 1/16 in. (31.8 x 35.7 cm), Drawings, Heinrich

The First Day (Dies I), from the series The Creation of the World, 1589, Engraving; second state of two, Diameter: 10 3/8 in. (26.4 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Hendrick Goltzius

Illuminated Initial and Saint, 1830–62, Watercolor, pen and brown and red ink, and gold over graphite, sheet: 14 5/8 x 9 1/8 in. (37.1 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Costume design, 18th–19th century, Prints, Robert Dighton the Elder (British, London ca. 1752–1814 London

Hunting Creek, near Alexandria, Virginia, 1861–65, Albumen silver print from glass negative, 14.8 x 20.6 cm (5 13/16 x 8 1/8 in. ), Photographs

Congressional Presentation Sword and Scabbard of Peleg K. Dunham (1794–1822), 1817, American, Steel, copper alloy (brass), gold, leather, L. with scabbard 39 5/16 in. (99.8 cm); L. without scabbard 38 1/2 in. (97.8 cm); L. of blade 32 5/16

Tavern scene, 1780–1827, Watercolor, graphite, pen and ink, sheet: 5 1/16 x 6 11/16 in. (12.8 x 17 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Eight-light chandelier, ca. 1710, French, Paris, Chased bronze and gilt, iron, Height: 32 3/8 in. (82.2 cm); , Metalwork-Bronze, Richly ornamented with satyr masks and female busts, this type of early eighteenth-century chandelier has often

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 2 7/8 in. (3.2 x 7.3 cm), Terracottas

Madonna and Child and Worshippers, 1500–1640, Red chalk, brush and red wash on cream paper, 13-1/16 x 9-1/16 in. (33.2 x 23 cm), Drawings, Anonymous, Italian, 16th to early 17th century

The Hat Pinned with Flowers (Le Chapeau Épinglé), 1898, Lithograph on off-white laid paper, image: 24 3/16 x 19 9/16 in. (61.5 x 49.7 cm), Prints, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

Fort Darling, James River, 1865 (?), Albumen silver print from glass negative, 16.4 x 20.9 cm (6 7/16 x 8 1/4 in.), Photographs, Attributed to William Frank Browne (American

Jupiter and the Sphinx, 1868, French, Paris, Tinted plaster, Overall (confirmed): 46 × 44 1/8 × 23 3/4 in. (116.8 × 112.1 × 60.3 cm), Sculpture, Auguste Préault (French, 1809–1879), This group is the sculptor's working model for one

Covered Box, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Painted enamel on copper, H. 3 1/2 in. (8.9 cm); Diam. 4 1/2 in. (11.4 cm), Enamels

Pair of Minbar Doors, ca. 1325–30, Attributed to Egypt, Cairo, Wood (rosewood and mulberry); carved, inlaid with carved ivory, ebony, and other woods, H. 77 1/4 in. (196.2 cm), Wood, A minbar, or pulpit, consists of a podium reached by

Gardner's Photographic Sketchbook of the War, Volume 2, 1863, Albumen silver prints from glass negatives, Images approx: 17.4 × 22.5 cm (6 7/8 × 8 7/8 in.), Albums, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Rescue (plate four from Paraphrase on the Finding of a Glove), 1881, Etching, drypoint and aquatint on chine collé; first edition; state four of seven, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints, Max Klinger (German, Leipzig 1857–1920

[Pont d'Ouilly on the Orne River, Normandy], 1850–51, Salted paper print from paper negative, Image: 17.9 x 22.2 cm (7 1/16 x 8 3/4 in.), Photographs, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874

Linga with Face of Shiva (Ekamukhalinga), Gupta period, first half of the 5th century, India (Madhya Pradesh), Sandstone, H. 6 7/8 in. (17.5 cm), Sculpture

Brosselin. Jean-Baptiste. 32 ans, né le 10/1/62 à Aulay (Côte d'Or). Menuisier. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Finger Ring, 7th century, Made in Niederbreisig, Germany, Frankish, Silver, Overall: 7/8 x 3/4 x 11/16 in. (2.3 x 1.9 x 1.7 cm), Metalwork-Silver

Storm God Vessel, 200–700, Mexico, Teotihuacan, Stone, H. 6 3/8 × W. 4 1/8 × D. 4 3/8 in. (16.19 × 10.48 × 11.11 cm), Stone-Containers, This vessel is carved entirely from steatite, or soapstone. The artist invested a considerable

Design for a Facade, 1710–27, Pen and brown ink, over ruling in graphite, 17-1/4 x 12-3/4 in. (43.8 x 32.4 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 29r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

'The Rogue's Father Emerges from the Tree', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Leboucher. Edouard, Léon. 43 ans, né à Paris XIVe. Cordonnier. Anarchiste. 7/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Bordes. Guillaume, Auguste. 40 ans, né à Centrayes (Aveyron). Tailleur. Pas de motif. 29/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Adoration of the Magi, 1553, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper, 15 x 11-1/4 in. (38.1 x 28.5 cm), Drawings, Bernardino Lanino (Italian, Vercelli or Mortara

Teacup and Saucer, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, Cup: H. 2 1/8 in. (5.4 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics

Kettle, 12th century, Attributed to Iran, probably Hamadan, Bronze; engraved and inlaid with copper, H. 7 in. (17.78 cm), Metal

Tumbler, 1860–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 4 3/16 in. (10.6 cm), Glass, Bakewell, Pears and Company (1836–1882

139th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Lise Lotte Lindström, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Zacharias and the Angel, 1606–69, Pen and brown ink, brush and brown wash, with indications of black chalk., sheet: 10 1/4 x 7 7/8 in. (26 x 20 cm), Drawings, School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 5 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.