Images at Librifly

Vase, ca. 1824, Made in France, French, Porcelain, H. 14 7/8 in. (37.8 cm), Ceramics

Pagan Philosophy, 1913, Pastel on paperboard, 21 3/8 x 17 7/8 in. (54.3 x 45.4 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Interior Design witha Gun Cabinet and Two Chairs against a Green Wall Adorned with Trophies, late 19th century (?), Gouache, sheet: 10 x 12 in. (25.4 x 30.5 cm), Anonymous, British, 19th century

Bather Drying Herself, ca. 1883–84, Charcoal and pastel on off-white laid paper, Sheet: 12 5/8 x 9 3/4 in. (32.1 x 24.8cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

View of Rome, n.d., Pen and brown ink, brush and brown and gray wash, sheet: 8 1/4 x 10 15/16 in. (21 x 27.8 cm), Drawings, Willem van Nieulandt II (Flemish, Antwerp 1584–?1635 Amsterdam

A Couple at Table with Servants, 18th–19th century, Pen and ink, with watercolor, sheet: 6 3/8 x 9 9/16 in. (16.2 x 24.3 cm), Drawings, After Thomas Rowlandson (British, London 1757–1827 London

[Bearded Plasterer with Hawk and Trowel], 1860s, Ambrotype, Image: 6.4 x 5.1 cm (2 1/2 x 2 in.), Photographs, Unknown (American

Two Monks Looking up at a Dragon in a Tower, 1500–1550, Pen and brown ink, brush and brown wash, on vellum, 7 3/8 x 5 1/2in. (18.7 x 13.9cm), Drawings, Anonymous, Italian, Tuscan, early 15th century, This scene, loosely sketched in its

Toast rack, 1881, British, Birmingham and London, Silver plate, Overall: 5 × 6 3/4 × 4 in., 0.7 lb. (12.7 × 17.1 × 10.2 cm, 0.2948kg), Metalwork-Silverplate, This toast rack, or letter rack, implicitly demonstrates Dresser's mission to

Sketch for an architectural magazine, ca. 1900, Pen and ink over graphite, sheet: 10 x 7 in. (25.4 x 17.8 cm), Anonymous, British, late 19th to early 20th century

The Temple at Dendur, Nubia, 1848, Watercolor over graphite with gouache on beige wove paper, sheet: 7 11/16 x 10 1/2 in. (19.5 x 26.7 cm), Drawings, David Roberts (British, Stockbridge, Scotland 1796–1864 London), Roberts made this

Roman Galley, 16th century, Pen and brown ink, brown wash, 7-7/8 x 15-3/8 in. (20 x 39.1 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), After Polidoro da Caravaggio (Italian, Caravaggio

Schneider, May–August 1863, Albumen silver print from glass negative, Image: 18.8 × 24.3 cm (7 3/8 × 9 9/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Portrait of Munchen Sangye Rinchen, the Eighth Abbot of Ngor Monastery, late 16th century, Tibet, Distemper and gold on cloth, Image: 30 5/8 x 26 3/16 in. (77.8 x 66.5 cm), Paintings, This tangka belongs to a set of portraits entitled the

Terracotta footed bowl, Geometric, ca. 625–600 B.C., Etruscan, Italo-geometric, Terracotta, H. 8 3/16 in. (20.8 cm), Vases, These two vases of similar shape represent different Etruscan responses to imported Greek geometric pottery. Both

Ruins of Richmond & Petersburg Railroad Bridge, Richmond, Virginia, ca. 1865, Albumen silver print from glass negative, Image: 16.3 × 21.4 cm (6 7/16 × 8 7/16 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882

Bowl with a Majlis Scene by a Pond, dated A.H. 582/ A.D. 1186, Attributed to Iran, Stonepaste; glazed in opaque turquoise, polychrome in-glaze- and overglaze- painted, H. 3 3/16 in. (8.1 cm), Ceramics, Abu Zayd al-Kashani, During the nearly

Portrait of Jnanatapa Attended by Lamas and Mahasiddhas, ca. 1350, Eastern Tibet, Kham, Riwoche monastery, Distemper on cloth, 27 x 21 1/2 in. (68.6 x 54.6 cm), Paintings, This portrait was created for Riwoche monastery in eastern Tibet, a

Profile head of a man looking right, Black chalk, 3 9/16 x 4 in. (9 x 10.2 cm), Drawings, Attributed to Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Leather Shoe with Gilded Decoration, 4th–7th century, From Egypt, Akhmim (former Panopolis), Leather; gilded, 9.25 in. long (23.5 cm long), Leather, Documentary and archaeological sources attest to the variety of footwear in Byzantine Egypt.

[Mother and Father with Three Children, a Boy and Two Girls], 1850s–1860s, Ambrotype, Image: 9 x 11.7 cm (3 9/16 x 4 5/8 in.), Photographs, Unknown (American

Sand Shaker, ca. 1750–80, Made in Mexico, Mexican, Earthenware, Diam. 3 3/4 in. (9.5 cm), Ceramics

Il Monte. Opera Nova di Recami, page 4 (verso), after 1557, Woodcut, Overall: 7 7/8 x 5 11/16 in. (20 x 14.5 cm), Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th

Woodland Road, ca. 1670, Oil on canvas, 37 1/4 x 51 in. (94.6 x 129.5 cm), Paintings, Meyndert Hobbema (Dutch, Amsterdam 1638–1709 Amsterdam), In many of the artist’s earlier works (like the one in Gallery 634), pathways and picturesque

Margit, late 19th–early 20th century, Pen and black ink, 11 x 8 3/4 in. (27.9 x 22.2 cm), Drawings, Anders Zorn (Swedish, Mora 1860–1920 Mora

Design for a Console supported by Putto (recto); Architectural Arcade (verso), 17th century, Pen and brown ink, brush and brown wash, over traces of graphite underdrawing and ruled construction, sheet: 6 7/16 x 3 1/16 in. (16.4 x 7.8 cm),

Design for a Ceiling, an Oval within a Square, having a Criss-cross Border to the Oval, for Ampthill Park, Bedfordshire, ca. 1769, Pen, gray ink, wash, sheet: 15 1/8 x 17 5/8 in. (38.4 x 44.8 cm), Sir William Chambers (British (born

Gemma pretiosa della virtuose donne, (1625), Woodcut, Overall: 5 5/16 x 7 11/16 in. (13.5 x 19.5 cm), Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca5, published by Gugliemo Facciotti, Rome. Title page missing, 31 pages of

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 9 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Opera Nova Universali intitulata Corona di racammi, page 15 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Portrait of the Art Dealer Wisselingh, 1899, Black, white and red chalks on pink paper, sheet: 11 7/16 x 7 5/16 in. (29 x 18.6 cm), Drawings, Charles Haslewood Shannon (British, Lincolnshire 1863–1937 Richmond), An accomplished portraitist,

View of a lake or river with a sailboat, 1820–70, Graphite, pen and black ink and ink wash, sheet: 2 7/8 x 4 3/4 in. (7.3 x 12 cm), Drawings, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland

Letter, late 18th–early 19th century, French, No dimensions recorded., Textiles-Archives

Studio delle virtuose Dame, page 10 (recto), 1597, Woodcut, Overall: 5 1/2 x 8 1/16 in. (14 x 20.5 cm), Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome. From top to bottom, and left to

Soldier Mounting a Horse, 1808 (?), Black chalk, 8 7/8 x 11 7/16 in. (22.6 x 29.1 cm), Drawings, Attributed to Théodore Gericault (French, Rouen 1791–1824 Paris

Basketwork Box for Square Calligraphy Paper (shikishi-bako) with Paulownia, 桐蒔絵竹細工色紙箱, Edo period (1615–1868), early 17th century, Japan, Lacquered bamboo basketry with gold hiramaki-e, H. 2 1/8 in. (5.4 cm); W. 8 1/4 in.

Nicolaas Henneman in Profile, May 2, 1843, Photogenic drawing from paper negative, Image: 3 3/16 × 2 1/2 in. (8.1 × 6.4 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 36 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

View from the street entering beneath the gateway to the city of Pompeii, with the foot paths and the shops, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of

The Finding of Moses, Oil on canvas, 30 1/2 x 52 3/4 in. (77.5 x 134 cm), Paintings, Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1519–1594 Venice), The biblical story of the Finding of Moses was popular in Venice. Tintoretto gives it

Bowl, 19th century, Japan, Clay, partly covered with white slip under transparent glaze; (Kyoto ware), H. 3 1/2 in. (8.9 cm); Diam. 5 5/8 in. (14.3 cm), Ceramics

St. Matthias (?), from Christ and the Twelve Apostles, 1500–1550, Etching, Mount: 4 15/16 × 2 9/16 in. (12.5 × 6.5 cm), Prints, Master F. P. (Italian, active 16th century

Concert Champêtre, ca. 1734, Oil on canvas, 20 1/2 x 26 3/4 in. (52.1 x 67.9 cm), Paintings, Jean-Baptiste Joseph Pater (French, Valenciennes 1695–1736 Paris), This delicate pastel landscape with elegant figures illustrates what Pater

Une Soirée Anseremme, 1876, pen and black ink, 8-3/16 x 12 in. (20.8 x 30.5 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Design for a Mirror and Side Table, 1841–84, Graphite and watercolor, sheet: 14 5/8 x 10 1/2 in. (37.2 x 26.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Camp of Captain Hoff, Rear View, Gettysburg, Pennsylvania, July 1865, Albumen silver print from glass negative, Image: 17.1 x 22.5 cm (6 3/4 x 8 7/8 in.), Photographs, William Morris Smith

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 62r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Bat / Hathor emblem from a sistrum, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, L. 15.5 cm (6 1/8 in); w. 6.4 cm (2 1/2 in); d. 3.7 cm (1 7/16 in), The goddess head appears here above a large collar composed of tube and

Jewelry Elements, late 14th–16th century, Attributed to Iran or Central Asia, Gold sheet; worked, chased, and set with turquoise, gray chalcedony, and glass, Large medallion: H. 2 7/8 in. (7.3 cm), Jewelry, Few examples of medieval

Pear-Shaped Jar, first half 13th century, Made in Syria, Raqqa, Stonepaste; painted under transparent turquoise glaze, H. 8 7/8 in. (22.5 cm); Gr. Diam. 6 1/2 in. (16.5 cm), Ceramics

Wall Panel Design, 19th century, Watercolor, Anonymous, British, 19th century

Lamp, Roman, Terracotta, Overall: 1 3/4 x 3 5/8 in. (4.4 x 9.2 cm), Terracottas

Landing the Shore End of the Atlantic Cable, 1866, Oil on canvas, 22 1/2 x 33 in. (57.2 x 83.8 cm), Paintings, Robert Charles Dudley (British, 1826–1909

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 5 cm ( 1 15/16 in.); W 6.3 cm

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, Jeremias Wachsmuth, German,

Crucifix, 16th–17th century with later additions, Democratic Republic of the Congo; Angola; Republic of the Congo, Kongo peoples; Kongo Kingdom, Solid cast brass (Christ), solid cast copper alloy (halo); hollow cast bronze (three end pieces),

Boston Harbor, 1778, Pen and gray ink, brush and gray wash, 11 11/16 x 24 3/16 in. (29.7 x 61.4 cm), Drawings, Pierre Ozanne (French, Brest 1737–1813 Brest

Alternate Panel Designs with Urn and Putto, 17th century, Pen and brown ink, washed with gray, 4-7/8 x 7-3/8 in. (12.4 x 18.8 cm), Drawings, Anonymous, Italian, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 31r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Design for a Stage Set with Two Thrones (Recto); Landscape (Verso), 1800–1900, Sepia pen and wash, 4-7/8 x 7-15/16 in, Anonymous, Italian, 19th century

The Beheading of Saint John the Baptist, Tempera and gold on wood, 33 3/4 x 34 in. (85.7 x 86.4 cm), Paintings, Spanish (Catalan) Painter (mid-15th century

[Medieval Court; The Walsingham Font; Entrance to English Medieval Court], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 19 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Canopic Jar Representing the Deity Qebehsenuef, New Kingdom, Dynasty 18–20, ca. 1550–1070 B.C., From Egypt; Possibly from Northern Upper Egypt, Abydos, Limestone, paint, H. 26.5 cm (10 7/16 in); Diam. 14.5 cm (5 11/16 in), Canopic jars

Terracotta skyphos (deep drinking cup), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H.: 6 3/8 x 11 7/8 in. (16.2 x 30.2 cm), Vases, Obverse and reverse, men and youths. The subject on each side is probably a departure

'Portrait of Jadun Rai Deccani', Folio from the Shah Jahan Album, recto: ca. 1622; verso: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Hashim (active 1620–60

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Terracotta woman carrying a jar, Cypro-Archaic I, ca. 750–600 B.C., Cypriot, Terracotta; wheel-made and hand-made, H. 7 3/16 in. (18.3 cm), Terracottas, Wheel-made and hollow, the woman carries on her head a two-handled jar that she

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Franz Xavier Habermann, Jeremias Wachsmuth, German,

梅鶯蒔絵硯箱, Writing Box with Warbler in Plum Tree, Edo period (1615–1868), 18th century, Japan, Lacquered wood with gold and silver takamaki-e, hiramaki-e, togidashimaki-e on nashiji ground, H. 2 3/8 in. (6 cm); W. 9 3/8 in. (23.8

Il Monte. Opera Nova di Recami, page 5 (verso), after 1557, Woodcut, Overall: 7 7/8 x 5 11/16 in. (20 x 14.5 cm), Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th

Stucco relief panel, Early Imperial, 2nd half of 1st century A.D., Roman, Stucco, Overall: 21 1/2 x 2 1/2 in. (54.6 x 6.4 cm), Miscellaneous-Stucco, The female figure flying to the right is a maenad . She holds up a tympanum, a large

A male and a female figures (study for 'Golgotha'), late 19th–early 20th century, Coloured chalks, on brownish paper, sheet: 16 5/16 x 9 1/2 in. (41.4 x 24.2 cm), Drawings, Otto Greiner (German, Leipzig 1869–1916 Munich

Essempio di recammi, page 23 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Disk Brooch, ca. 500–600, Frankish, Gold, wire, glass paste cabochons, copper alloy core, Overall: 1 5/16 x 3/8 in. (3.4 x 1 cm), Metalwork-Gold

Syout (Lycopolis), Statue Appartenant au Docteaur Cuny, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.6 x 15.4 cm. (9 5/16 x 6 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Annunciation, 17th century, Pen and brown ink, 11-5/8 x 8-1/4 in. (29.5 x 21.0 cm), Drawings, Anonymous, Italian, 17th century, or Anonymous, Spanish, 17th century

Charles II, third quarter 17th century, British, Silk, metal, beads, H. 12 3/4 x W. 17 1/2 inches (31.1 x 43.2 cm) Framed: H. 16 1/4 x W. 21 x D. 1 1/4 inches (43.2 x 53.3 x 3.2 cm), Textiles-Embroidered

Street Scenes in Kyoto, Edo period (1615–1868), 17th century, Japan, Handscroll; ink and color on paper, Overall: 13 x 257 1/4 in. (33 x 653.4 cm), Paintings

Miss Ide, 1890–1903, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Section from the 'Qur'an of `Umar Aqta', late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 19 1/2 in. (49.5 cm), Codices, This fragment of a page

[Park with Fence], 1886, Photogravure, 16.3 x 11.9 cm (6 7/16 x 4 11/16 in.), Frank Eugene (American, New York 1865–1936 Munich

Compote, 1885, Made in Brooklyn, New York, United States, American, Porcelain, H. 7 in. (17.8 cm); Diam. 9 1/4 in. (23.5 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Pennsylvania Light Artillery, Keystone Battery, 1861–65, Albumen silver print from glass negative, Photographs

Shoe Buckle, late 600's, Made in Northern France, Frankish, Wrought silver plaque, loop, and tongue; silver rivets, Overall: 1 3/16 x 2 9/16 x 1/2 in. (3 x 6.5 x 1.2 cm), Metalwork-Silver, Belts were important features of early medieval

江戸時代 柿本人麻呂蒔絵硯箱, Writing Box with the Poet Kakinomoto Hitomaro (died 715), Edo period (1615–1868), 17th–18th century, Japan, Black lacquer with gold and silver takamaki-e, hiramaki-e, cutout gold and silver foil

Louis-Jacques-Mandé Daguerre, ca. 1860, Albumen silver print from glass negative, Image: 7 7/16 × 5 5/16 in. (18.9 × 13.5 cm), Photographs, John Jabez Edwin Mayall (British, Oldham, Lancashire 1813–1901 West Sussex

Amerapoora: Wooden Bridge, September 1–October 21, 1855, Purchase, The Buddy Taub Foundation, Dennis A. Roach and Jill Roach, Directors, and Alfred Stieglitz Society Gifts, 2012, Image: 22.3 x 32.4 cm (8 3/4 x 12 3/4 in.), Photographs,

Kohl Flask, probably 10th–12th century, Made in Iran or Central Asia, Serpentine; carved, incised, 2 3/16 x 1 7/16 in. (5.5 x 3.6 cm), Stone, This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes.

Extended Cap, 4th–7th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, wool: Tapestry weave in polychrome wool and undyed linen on plain-weave ground in undyed linen; crown decoration in looping technique in polychrome wool; row

Ship at Sea, late 19th century, Watercolor, sheet: 10 3/8 x 16 5/8 in. (26.4 x 42.3 cm), Drawings, Albert Ernest Markes (British, 1865–1901 Newquay

The Four Castles of Neckarsteinach, 1800–1818, Pen and brown ink, brush and brown wash and watercolor, framing line in black ink, sheet: 7 1/2 x 10 1/4 in. (19 x 26 cm), Drawings, Carl Philipp Fohr (German, Heidelberg 1795–1818 Rome

Design for a Fountain with Rivergods and Nymphs., 1511–74, Pen with medium and dark brown ink, brush and gray wash, highlighted with white gouache, over graphite. Traces of framing outlines in pen with brown and black ink, sheet: 15 3/16 x 9

[Five Carpenters], 1870–80s, Tintype, Image: 11.4 x 8 cm (4 1/2 x 3 1/8 in.), Photographs, Unknown (American

Boughs from an Apple Tree with Spiders' Webs, n.d., Watercolor, 12 1/8 x 7 1/8 in. (30.8 x 18.1 cm), Drawings, Jules-August Habert-Dys (French, Fresnes 1850–1930

Mercury Lulling Argus to Sleep in a Landscape, mid 17th century, Pen and brown ink, brown wash, 11 x 8 13/16 in. (27.9 x 22.4 cm), Drawings, Jan de Bisschop (Dutch, Amsterdam 1628–1671 The Hague

Essempio di recammi, page 22 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Bottle Depicting Storks in Blue and Yellow on a White Background, 17th century, Made in Iran, Kirman, Stonepaste; polychrome painted under transparent glaze, Diam. 6 5/16 in. (16 cm), Ceramics

Fort Burnham, front of Petersburg, 1861–65, Albumen silver print from glass negative, Photographs

Armor, 18th century, Chinese, Steel, copper, gold, silk, metallic thread, Helmet (a); H. including nape defense 21 3/4 in. (55.2 cm); H. excluding nape defense 11 1/4 in. (28.6 cm); W. 8 in. (20.3 cm); D. 10 in. (25.4 cm); Wt. 3 lbs. 10.7 oz.