Images at Librifly

Bronze patera (salver), Archaic, ca. 550 B.C., Etruscan, Bronze, H. 2 1/2 in. (6.4 cm), Bronzes, Shallow flat dish with a wide horizontal lip

The Virgin of Guadalupe, ca. 1918–19, Oil and charcoal on paperboard, 31 7/8 x 23 7/8 in. (81 x 60.6 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Not long after his return to the United States

The Great Elephant, 1885–1900, Albumen silver print from glass negative, Image: 24.1 x 21.2 cm (9 1/2 x 8 3/8 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905

Rahm Bux's Petition, Mhow, Central India, June, 1889, 1889, Watercolor, Image: 7 13/16 × 9 13/16 in. (19.8 × 24.9 cm), Drawings, R. H. Tickell (British, active India 1889

The Seven Words, 1898, Platinum print, 7.9 x 32.8 cm. (3 1/8 x 12 15/16 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts

Schön newes Modelbuch (Page 43r), 1608

Weighted Fastener, Central Javanese period, second half of the 8th–second half of the 10th century, Indonesia (Java), Gold, H. 1 1/8 in. (2.9 cm); Diam. (top) 7/8 in. (2.2 cm); Diam. of base 1 1/16 in. (2.7 cm), Jewelry

Jar, ca. 1850, Made in Mexico, Mexican, Tin-glazed earthenware, H. 7 in. (17.8 cm), Ceramics

Gold Belt Mount (Unfinished), 700s, Avar, Gold, 1 × 1 1/2 × 1/2 in., 0 Troy Ounces (2.5 × 3.8 × 1.2 cm, 9g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Chest of Drawers, 1835–40, Made in Schuylkill County, Pennsylvania, United States, American, White pine, tulip poplar, 45 3/4 x 40 3/4 x 21 3/4 in. (116.2 x 103.5 x 55.2 cm), Furniture, The green background and the red and yellow

Smithy Cupid Appliqué, ca. 1810–30, Possibly made in France; Possibly made in England, Cast brass, lacquer, 2 1/2 x 1 5/8 in. (6.4 x 4.1 cm), Metal

Bronze statuette of a philosopher on a lamp stand, Early Imperial, Augustan, late 1st century B.C., Roman, Bronze, Overall: 10 3/4 in., 2.9kg (27.3 cm, 6.4lb.), Bronzes, Adaptation of a Greek statue of the 3rd century B.C.. Surmounted by a

明晚期 剔彩花鳥紋漆盤, Tray with rock, pheasants, and peonies, Ming dynasty (1368–1644), second half of the 16th century, China, Carved red and yellow lacquer, H. 2 1/8 in. (5.4 cm); W. 10 1/8 in. (25.7 cm); D. 10 1/8 in. (25.7

Head of a Bearded Man, 1884, Graphite, 7 3/4 x 4 15/16 in. (19.7 x 12.6 cm), Drawings, Adolph Menzel (German, Breslau 1815–1905 Berlin

A Mountainous River Landscape with a Hermit and a Chapel, 1570–83, Black chalk, pen and brown ink, brown wash, 7 1/2 x 10 7/16 in. (19.1 x 26.5 cm), Drawings, Matthijs Bril the Younger (Netherlandish, Antwerp 1550–1583 Rome

Overall Pattern of Acanthus Scrolls, 17th century, Brush and gray-brown wash, over graphite underdrawing, image: 8 1/16 x 12 5/16 in. (20.4 x 31.2 cm), Anonymous, Italian, 17th century

Opera Nova Universali intitulata Corona di racammi, page 11 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Design for part of a Vaulted Ceiling of a Church, 17th century, Pen and brown ink, brush and brown wash, highlighted with white gouache, sheet: 11 15/16 x 15 1/16 in. (30.4 x 38.2 cm), Anonymous, Italian, 17th century

Glass jar, Late Imperial or Early Byzantine, 4th–6th century A.D., Roman, Glass; blown and trailed, H.: 4 5/8 in. (11.7 cm), Glass, Translucent cobalt blue; trail in opaque white., Thickened, rounded rim, tooled into a trefoil shape with

Christianity Triumphant over Heresy, ca. 1548–50 (?), Etching, Prints, Etched by Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 45, bottom right

Classical Molding with Human Head, Leaves, Vines and Empty Roundels (recto); Detail of Classical Molding with Eagle In front of a Wreath with Ribbon Below (verso), 1776–79, Graphite, sheet: 7 7/16 x 8 1/4 in. (18.9 x 20.9 cm), Attributed to

Artists' Evening, 1916, Lithograph, image: 8 7/8 x 12 1/8 in. (22.5 x 30.8 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Design of a Room of the Infante Don Carlo, King of Naples, 1737, Pen and watercolor, 9-5/8 x 12-3/4 in, Drawings, Anonymous, Italian, 18th century

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Design for large fireplace white tiles produced in Wedgwood's factory, 19th century, Pen and black ink over graphite, mount: 11 7/16 x 8 1/4 in. (29 x 21 cm), After John Flaxman (British, York 1755–1826 London

Venus and Cupid (r); Studies of a Woman (v.), 1620–60, Pen and brown ink, brown wash and lead white heightening; framing lines in brown ink, 15-3/16 x 12-3/16 in. (38.6 x 31.0 cm), Drawings, Nikolaus Knüpfer (German, Leipzig 1603–1655/60

Limestone flute-player, Archaic, 1st half of the 6th century B.C., Cypriot, Limestone, H. 10 1/2 in. (26.7 cm), Stone Sculpture, The asymmetrical body of the figure stands on a slanting plinth, barefoot. The arms are long and thin. The figure

Judah Giving Tamar his Staff and Bracelets, 16th century, Pen and brown ink, brush and brown wash over traces of black chalk. Tacked down onto white paper mount., 8 3/16 x 10 3/16 in. (20.8 x 25.9 cm), Drawings, Anonymous, Netherlandish, 16th

Design for an Octagonal Cabinet with Shelves and a Pink Interior, 19th century, Ink and watercolor, sheet: 7 x 5 3/8 in. (17.8 x 13.7 cm), Anonymous, British, 19th century

Bowl with Polychrome Decoration on a Black Slip Ground, 10th century, Excavated in Iran, Nishapur, Earthenware; black slip with polychrome slip decoration under transparent glaze, H. 1 5/8 in. (4.1 cm), Ceramics, Bowls made with boldly colored

Bowl with flutes f rom shoulder to rosette at base, Late Period–Ptolemaic Period, 4th century B.C., From Egypt, Lower Egypt, silver, H. 9 × Dia. 11.3 (3 9/16 × 4 7/16 in.), The heavy silver vessels are in created in a decorative style

Key from Norfolk Church, ca. 1880, Graphite on tracing paper, sheet: 4 5/16 x 1 3/4 in. (10.9 x 4.4 cm), Richardson Ellson & Co. (British

Lapis lazuli intaglio: Seated deity, Imperial, 2nd century A.D., Roman, Lapis lazuli, Other: 1/2 x 5/8 x 1/16 in. (1.3 x 1.6 x 0.2 cm), Gems

Flying Panel Metate, 1st–5th century, Costa Rica, Atlantic Watershed, Stone, H.10 x W. 15 x D. 24 in. (25.4 x 38.1 x 61 cm), Stone-Implements, Metates, tablelike objects of stone used in ancient Mesoamerica for the grinding of foodstuffs

Nan va Halva (Breads and Sweets), ca. 1690, Made in India, Deccan, Aurangabad, Ink, opaque watercolor, and gold on paper, H. 9 1/4 in. (23.5 cm), Codices, The text of this book is a series of moralizing poems on the merits of the ascetic

Marble portrait of a young woman, Antonine, 150–175 A.D., Roman, Marble, H. 10 3/16 in. (25.9 cm), Stone Sculpture, The hairstyle, deeply drilled eyes, and expression, all point to a second century A.D. date for this private Roman

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Archives

Marble portrait bust of a man, Early Imperial, Julio-Claudian, mid-1st century A.D., Roman, Marble, H. 17 7/16 in. (44.3 cm), Stone Sculpture, This powerful portrait bust incorporates a large expanse of chest, a stylistic characteristic

Head of a King, Middle Kingdom, first part of Dynasty 13, ca. 1802–1749 B.C., From Egypt, Quartzite, H. 18.3 cm (7 3/16 in.); W. 13.3 cm (5 1/4 in.); D. 17 cm (6 11/16 in.), The recent change in the understanding of this magnificent head

Design for a Corner of a Ceiling, 17th century, Pen and brown ink, brush with brown, blue and green wash, over black chalk, on light tan paper, 9-3/16 x 13-7/8 in. (23.4 x 35.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

[Stereograph of Woman in Apron and Bonnet Grinding Coffee in Kitchen Setting], 1850s, Daguerreotype, Image: 6.5 x 5.5 cm (2 9/16 x 2 3/16 in.), each, Photographs, Unknown (French

Gama. Joseph. 41 ans, né le 5/3/42 à Paris IXe. Graveur. Anarchiste. 6/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

The Lament of the Art of Painting, 1579, Engraving; two plates printed on two sheets, Sheet (upper plate): 14 1/4 × 21 1/8 in. (36.2 × 53.7 cm), Prints, Cornelis Cort (Netherlandish, Hoorn ca. 1533–1578 Rome), after Federico Zuccaro

Ornamento delle belle & virtuose donne, page 20 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

曽我蕭白筆　寿老人図, The God of Good Fortune Jurōjin, Edo period (1615–1868), mid- to late 18th century, Japan, Hanging scroll; ink and color on paper, Image: 52 3/4 x 22 5/16 in. (134 x 56.7 cm), Paintings, Soga Shōhaku

Joseph Storing Grain During the Seven Years of Plenty, 1540–1612, Pen and brown ink, brush and brown wash over black chalk underdrawing. Squared in pen and brown ink, 9-1/2 x 13-9/16 in. (24.1 x 34.4 cm), Drawings, Patrizio Cajés (Italian,

Maat, Third Intermediate Period–Late Period, Dynasty 26–30, 1070–332 B.C., From Egypt, Copper alloy with traces of gilding, h. 3.4 cm (1 5/16 in); w. 1.9 cm (3/4 in); d. 2.5 cm (1 in), This small figure can be identified as the goddess

Drapery Study, 17th century, Red chalk on cream paper, 8-15/16 x 6-3/8 in. (22.75 x 16.2 cm), Drawings, Anonymous, Italian, Florentine, second half of the 16th century

Ruins on North Bank of Canal, Richmond, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 67r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Self-Portrait, by 1857, Black chalk and graphite, heightened with white on heavy beige wove paper, Sheet: 11 3/4 x 9 1/8 in. (29.8 x 23.1cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), Degas portrayed his aloof, slightly pouty,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Plate, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, Diam. 8 1/4 in. (21 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze that was developed in

Fragment, 17th century, Made in Iran, 7 x 10 1/2 in. (17.8 x 26.7 cm), Textiles

View on Tennessee River, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

A Car Load of Texas Corn, ca. 1910, Gelatin silver print, Image: 8.4 x 14 cm (3 5/16 x 5 1/2 in.), Photographs, George B. Cornish

Glass Palm Cup with Relief Inscription, late 7th century, Made in probably northern France, Frankish, Glass, Overall: 3 7/16 x 3 3/4 in. (8.8 x 9.6 cm), Glass-Vessels, The technique of blowing glass within a mold enabled glassmakers to create

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), 1899, Graphite, black and colored pastel, and charcoal on off-white heavy wove paper, 13 3/4 x 9 13/16 in. (35 x 25 cm), Drawings, Henri de Toulouse-Lautrec (French, Albi

[Two Women], ca. 1870, Tintype, 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American

Ornamental Design for a Loggia or Frieze (?), 1700–1780, Pen and brown ink, brush and brown wash, over lead point or graphite, with ruled construction, 6 1/8 x 13 5/8 in. (15.6 x 34.6 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Orchids and Rock, 蘭蕙同芳図, Muromachi period (1392–1573), late 14th–early 15th century, Japan, Hanging scroll; ink on paper, 39 9/16 x 13 1/8 in. (100.5 x 33.4 cm), Paintings, Gyokuen Bonpō (Japanese, ca. 1348–after 1420), In

Stela of the sistrum-player Wedjashu, daughter of the royal scribe Hor, Ptolemaic Period, Ptolemaic Dynasty, 2nd century B.C., From Egypt; Probably from Northern Upper Egypt, Akhmim (Khemmis, Panopolis), Limestone, H. 59 cm (23 1/4 in.); W.

Abraham Lincoln: The Man (Standing Lincoln), 1884–87; reduced 1910; cast 1911, Bronze, 40 1/2 x 16 1/2 x 30 1/4 in. (102.9 x 41.9 x 76.8 cm), Sculpture, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), This

Saint Anne Received in Heaven by Christ and the Virgin, 1634–1705, Red chalk on cream paper, 14-5/16 x 10-1/4 in. (36.4 x 26.0 cm), Drawings, After Luca Giordano (Italian, Naples 1634–1705 Naples

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 25r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Female Allegorical Figure With Cherubs(?), 17th century, Red chalk, brush and red wash on light tan paper, 13-7/8 x 9-13/16 in. (35.2 x 25 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 44 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Serpent, ca. 1820, Paris, France, French, Wood, leather, paint, brass, Overall Height: 93 1/2 in. (237.5 cm), Aerophone-Lip Vibrated, C. Baudouin (French), The serpent is a European bass brasswind instrument that was a predecessor of the

From My Window at the Shelton, West, 1931, Gelatin silver print, 24.2 x 19.1 cm (9 1/2 x 7 1/2 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

La Vera Perfettione del Disegno di varie sorti di recami, page 20 (verso), 1567

Marriage at Cana, 1619, Graphite, pen and black ink, brush and gray wash, and watercolor, 7 3/16 x 11 1/8 in. (18.2 x 28.2 cm), Drawings, Andreas Goeding (German, Dresden ca. 1570–ca. 1625 Dresden

Fox-Head Bottle, 2nd century B.C.–A.D. 1st century, Peru, Topará, Ceramic, Overall: 7 in. (17.78 cm), Ceramics-Containers

Illuminated Initial from Hymnal, 1830–62, Watercolor, pen and black and red ink over graphite with touches of gold and gouache, sheet: 14 1/2 x 9 1/8 in. (36.8 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Terracotta plate, Middle Corinthian, ca. 595–570 B.C., Greek, Corinthian, Terracotta, diameter 3 5/8in. (9.3cm), Vases, A man lies in bed, and his lyre hangs above

Design for a Sleigh, 18th century, Graphite, sheet: 7 7/8 x 9 5/8 in. (20 x 24.5 cm), Drawings, Anonymous, German, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 3 (verso), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

The Contest of Elijah and the Prophets of Baal on Mount Carmel (I Kings 18: 20-46), 1699–1768, Black chalk, highlighted with white chalk, on blue paper faded to brown, 11-9/16 x 18-7/8 in. (29.4 x 48.0 cm), Drawings, Stefano Pozzi (Italian,

Roman Ruins: Part of the Colosseum (?) (Smaller Italian Sketchbook, leaf 11 recto), 1774–75 (?), Pen and grey ink and gray and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Design for a Vignette in Strap-Work, 16th century, Pen and ink on paper, Sheet: 5 5/8 x 3 5/8 in. (14.3 x 9.2 cm), Drawings, Anonymous, Netherlandish, 16th century

Design for Panel Decoration, 1828–40, Pen and black ink, brush and ink wash, sheet: 10 7/8 x 17 5/16 in. (27.7 x 44 cm), J. Hulme (British, active 1828–40

Nude Figure Studies (Recto); Sheet of Figure Studies (Verso), 16th century, Pen and brown ink, sheet: 12 3/4 x 8 7/16 in. (32.4 x 21.4 cm), Drawings, Anonymous, Italian, 16th century

Miniature Square-Headed Brooch, first half 6th century, Made in Kent, England, Anglo-Saxon, Silver-gilt; iron pin, Overall: 1 1/2 x 3/4 x 3/8 in. (3.8 x 1.9 x 0.9 cm), Metalwork-Silver, The affinity of these brooches, found in France, with

Seated Vairochana, the Transcendent Buddha of the Center, Central or Eastern Javanese period, ca. first half of the 10th century, Indonesia (Java), Bronze, H. 6 1/4 in. (15.9 cm), Sculpture, Vairochana is the presiding deity in the group of

Cornu. Eugène. 25 ans, né à Paris XXe le 27/3/94. Cordonnier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Wall Elevation with Three Chapels; Floor Plan with Columns (Verso), late 16th century, Pen and brown ink, brush and gray wash, over black chalk underdrawing (recto); pen and brown ink, over ruled black chalk lines (verso), sheet: 6 7/16 x 11

Architectural Relief with 'Nilotic' Motifs, 6th–8th century, Made in Egypt, Wood; carved and painted, Wood

Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266, April 18, 1833, Lithograph, hand-colored, Image: 11 1/4 × 14 3/8 in. (28.6 × 36.5 cm), Prints, J. J. Grandville

A Bear Walking, ca. 1482–85, silverpoint on light buff prepared paper, 4 1/16 x 5 1/4 in. (10.3 x 13.3 cm), Drawings, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise), Leonardo da Vinci's abundant drawings and notebooks record his keen

Saint Adoring the Madonna and Child, 17th century, Pen and brown ink, brush and brown wash, over charcoal on light tan paper, 6-5/16 x 5-3/4 in. (16 x 14.6 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Ile de Fîleh (Philæ), Édifice de l'Est - Vue Générale Prise du Point C, 1851–52, printed 1853–54, Salted paper print from paper negative, 20.8 x 30.5 cm. (8 3/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Purse Mount in the Form of a Bird, second half 6th century, Frankish, Copper alloy, 'tinned' surface, Overall: 1 5/16 x 1 5/8 x 3/8 in. (3.3 x 4.2 x 0.9 cm), Metalwork-Copper alloy, These objects were used as decorative appliqués on a purse

Snuff bottle with woman in a garden, Qing dynasty (1644–1911), 18th century, China, Black lacquer inlaid with mother-of-pearl, H. 3 1/8 in. (7.9 cm); H. incl. stand 3 5/8 in. (9.2 cm); W. 2 1/8 in. (5.4 cm); D. 3/4 in. (1.9 cm), Snuff

Bull Run. Orange and Alexandria R.R. near Union Mills, 1861–65, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

The Banyan Tree, Calcutta, 1860s–70s, Albumen silver print from glass negative, 18.8 x 24.1 cm (7 3/8 x 9 1/2 in.), Photographs, Unknown

Pier Glasses, 1850–1904, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

The Ascension of the Virgin, 1647–1726, Pen and brown ink, brush and brown and gray wash, 16-1/8 x 10-7/8 in. (41 x 27.6 cm), Drawings, Gregorio de' Ferrari (Italian, Porto Maurizio 1647–1726 Genoa

Kneeling Figure of Saint Catherine of Alexandria, 17th century, Pen and dark brown ink. On off-white paper, 6-1/8 x 4-15/16 in. (15.6 x 12.5 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Beaker, ca. 1805, Made in New York, United States, American, Silver, H. 4 in. (10.2 cm) 5 oz. 20 dwt (186.1g), Silver, Benjamin Halsted (1734–1817

November, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London