Images at Librifly

Pair of clappers, Middle Kingdom, Dynasty 12, mid - Dynasty 13, ca. 1900–1640 B.C., From Egypt, Memphite Region, Lisht North, cemetery south of pyramid below House A1:1, Pit 885, 1920–21, Hippopotamus ivory, a: L. 17.3 × W. 2.8 ×

Design for a Wall Decoration, 18th century, Ink, wash, and watercolor, 11 x 16-1/2 in, Drawings, Anonymous, Italian, 18th century

Seated Buddha, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Terracotta, 5 x 2 3/4 in. (12.7 x 7 cm), Sculpture, This Buddha image was using a mold. It exemplifies the Khotan taste for Gandharan classical

Allegory of Geometry, late 16th– early 17th century, Pen and black ink and brush and gray ink, yellow watercolor, sheet: 5 3/8 x 7 11/16 in. (13.7 x 19.5 cm), Hans Krumpper (German, Weilheim ca. 1570–1643 Munich

Reclining Nude, 1918, Crayon on paper, 11 3/4 x 18 1/4 in. (29.8 x 46.4 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

[La Comtesse in Lace Shawl], 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm (2 x 3 3/8 in.), Photographs, Alphonse (Jean-Baptiste) Bernoud (French, 1820–1889

Portrait of a Man (Sir Ralph Sadler?), 1535, Oil and gold on oak, Diameter 12 in. (30.5 cm), Paintings, Workshop of Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), During his second sojourn in London (1532–43), Holbein

Buckle, 7th century (?), Made in Niderbreisig, Germany, Frankish, Copper alloy, Overall: 1 3/4 x 7/8 x 3/8 in. (4.4 x 2.3 x 1 cm), Metalwork-Copper

Study of a Child and Two Angels Holding Trumpets, 17th century, Pen and dark brown ink with brush and brown wash over black chalk underdrawing. Composition outlined with black chalk. On light beige paper, 6 x 5-1/16 in. (15.2 x 12.9 cm),

Covered Sugar Bowl, 1820–40, Probably made in Midwest, United States, American, Blown molded lead glass, H. 5 in. (12.7 cm), Glass

[Monkey Temple, Benares], 1860s–70s, Albumen silver print from glass negative, 20.8 x 27.5 cm (8 3/16 x 10 13/16 in.), Photographs, Unknown

Seated Woman, 1716–17, Black, red and white chalk, 9 7/16 x 5 7/16 in. (24 x 13.8 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), One of the most brilliant and innovative draftsmen of the eighteenth

Platter, ca. 1815–ca. 1834, Made in Staffordshire, England, British (American market), Earthenware, transfer-printed, 10 1/2 x 12 7/8 in. (26.7 x 32.7 cm), Ceramics, James and Ralph Clews (British, Cobridge, Stoke-on-Trent, active ca.

Vestal Virgin, 16th century, Pen and brown ink, brush and brown wash, on white paper, 7 x 4-7/16 in. (17.8 x 11.3 cm), Drawings, Giovanni Guerra (Italian, Modena 1544–1618 Rome

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 24), Publisher, Artist, After, Carlo Losi, Jacob

Grammophora Trisignata from The Butterflies and Moths of America Part 4, 1862, Color lithograph, Sheet: 4 1/8 x 2 1/2 in. (10.4 x 6.3 cm

A Mounted Drummer from the Front, 1670–1702, Pen and brown ink on laid paper, sheet: 3 7/16 x 2 1/4 in. (8.8 x 5.7 cm), Drawings, Marcellus Laroon the Elder (French, The Hague 1653–1702 Surrey), Laroon came to London from The Hague in 1674

Designs for Two Sets of Curtains, 1841–84, Graphite and watercolor, sheet: 10 1/4 x 12 3/8 in. (26 x 31.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for a Stained Glass Window, 1608, Pen and black ink, gray and light brown-gray wash, 16 3/16 x 12 5/16 in. (41.1 x 31.2 cm), Christoph Murer (Swiss, Zurich 1558–1614 Winterthur

Bronze statuette of a reclining satyr, Archaic, 6th century B.C., Etruscan, Bronze, H. 1 15/16 in. (5 cm), Bronzes, This delightful pair of satyrs, one playing the Pan pipes while reclining on a wineskin and the other holding a drinking horn,

Ornamento delle belle & virtuose donne, page 15 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 25 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 15 (recto), 1620

'A Raja Seated on a Palace Rooftop Smoking a Huqqa', Folio from a manuscript of the Raga Darshan of Anup, Dated 1214 AH/1799–1800 AD, Attributed to India, Hyderabad, Gouache on paper, H. 14 5/16 in. (36.4 cm), Codices

Openwork Belt Fitting, 6th century, Made in France; Made in Alamania, Frankish, Copper alloy, Overall: 2 1/4 x 1/4 in. (5.7 x 0.6 cm), Metalwork-Copper alloy

Hanged Man, n.d., Pen with brown ink and brown wash on laid paper, Sheet: 7 x 4 5/16 in. (17.81 x 11cm), Drawings, Style of Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

'Prince Killing a Lion', Folio from the Davis Album, 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, This dramatic scene depicts a prince stabbing a wounded lion as his

Strap End, 7th century (?), Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 15/16 x 9/16 x 3/16 in. (5 x 1.5 x 0.5 cm), Metalwork-Copper alloy

Disk Brooch, 650–725, Made in northern France or western Germany, Frankish, Gold sheet, filigree, garnets with patterned foil backings, Overall: 1 15/16 x 1 15/16 x 1/2 in. (4.9 x 5 x 1.2 cm), Metalwork-Gold, The dress of Frankish women

Side chair back and seat cover, 1739, British, Wool, silk on hemp canvas, a: H. 29 1/4 x W. 20 1/4 inches (74.3 x 51.4 cm), Textiles-Embroidered

[Young Woman with Hair Styled in Two Buns], 1850s, Daguerreotype, Image: 12.5 x 9.3 cm (4 15/16 x 3 11/16 in.), Photographs, Attributed to Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts),

清乾隆 剔彩春壽寶盒, Precious Spring Longevity Box, Qing dynasty (1644–1911). Qianlong period (1736–95), 1736–1795, China, Carved red, green, and yellow lacquer, Diam. 13 1/4 in. (33.7 cm), Lacquer, The Qianlong emperor

Lamp, late 2nd to 3rd century A.D., Roman, Terracotta, mold-made, Overall: 1 3/8 x 3 5/8 in. (3.5 x 9.2 cm), Terracottas

Pages of Calligraphy from a Sharafnama (Book of Honour) of Nizami, ca. 1620–30, Attributed to India, Deccan, Golconda, Ink, opaque watercolor, and gold on paper, H. 12 1/16 in. (30.6 cm), Codices

Inscription in Gothic Letters, 1830–62, Graphite, sheet: 6 1/2 x 15 3/8 in. (16.5 x 39.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Window, 1856, Oil on paper, laid down on canvas, 14 3/8 x 9 7/8 in. (36.5 x 25.1 cm), Paintings, Anton Dieffenbach (German, Wiesbaden 1831–1904 Hohwald

Aminadab, November 2, 1771, Etching, plate: 6 3/16 x 4 3/16 in. (15.7 x 10.7 cm), Prints

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 7 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Schon newes Modelbuch...Page 1(r), 1617, Woodcut, plate: 6 7/8 x 10 1/2 in. (17.5 x 26.7 cm

Bust of William Shakespeare, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 5 x 3 1/4 x 2 7/16 in. (12.7 x 8.3 x 6.2 cm), Ceramics

Ritual Ewer with Manasa, the Snake Goddess, Pala period, 10th century, India (probably Bihar), Bronze, H. 5 5/16 in. (13.5 cm), Metalwork

Design for 1/4 of a Ceiling, and Ornamentation of a Section of a Vault, 1700–1780, Pen and black ink, brush and gray wash, over lead point or graphite, with ruled construction. Framing outline at upper, right, and lower borders in brush and

Sketches for Biblical Scenes, Pen and brown ink, 5 1/4 x 4 7/16 in. (13.4 x 11.3 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

분청사기 인화 국화 무늬<경주장흥고>명대접 조선, 粉靑沙器印花菊花文‘慶州長興庫’銘大楪 朝鮮, Dish with inscription and decorated with chrysanthemums and rows of dots, Joseon dynasty (1392–1910), mid-15th

Part of the left foot of a colossal marble statue, Roman, 3rd–2nd century B.C., Greek, Marble, Other: 4 3/4 x 7 5/16 in. (12.1 x 18.6 cm), Stone Sculpture

Bronze helmet with cheek-guards, Late Classical, mid-4th century B.C., Etruscan, Bronze, H.: 7 1/4 in. (18.4 cm), Bronzes, Jockey-cap' type with a hemispherical cap topped with a knob often decorated with a rosette. Cheek-guards are hinged and

Tobacco Pouch, 1850–80, Japan, Lacquer, H. 8 1/4 in. (21 cm); W. 2 7/8 in. (7.3 cm); D. 2 1/2 in. (6.4 cm), Tobacco Pouches

Capette. Joseph, Désiré. 56 ans, né à Paris VI. Maroquinier. Anarchiste. 7/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Kyōgen Overvest (kataginu) with Japanese Lobster, Edo period (1615–1868), 18th century, Japan, Resist-dyed and painted on plain weave hemp, Overall: 65 1/2 x 24 3/4 in. (166.4 x 62.9 cm), Costumes, Sometimes called 'the old man of the sea'

Fauchard of the Bodyguard of Cardinal Scipione Borghese-Caffarelli (1576–1633), ca. 1600–1610, Italian, Steel, copper, gold, silver, wood, textile, L. 108 in. (274.32 cm); blade L. 35 in. (24.13 cm); W. 9.5 in. (88.9 cm), Shafted

Saltcellar, 1780–1825, Possibly made in England; Possibly made in United States, Japan, Blown pattern-molded lead glass, H. 3 in. (7.6 cm), Glass

Design for a Settee, 18th century, Graphite, sheet: 8 1/2 x 12 in. (21.6 x 30.5 cm), Drawings, Anonymous, German, 18th century

Recueil de la diversité des habits, 1562, Woodcuts, Overall: 6 7/8 x 4 3/4 x 1/2 in. (17.5 x 12 x 1.3 cm), Books, François Desprez (French, active 16th century

Bass Ophicleide, ca. 1825, France; Germany, German or French, Brass, Overall: 21.1 x 114.5cm (8 5/16 x 45 1/16in.), Aerophone-Lip Vibrated-horn

Flower Pot, ca. 1750, Made in Mexico, Mexican, Tin-glazed earthenware, H. 12 7/8 in. (32.7 cm), Ceramics

“Mount Utsu” (Utsu no yama), from The Tales of Ise (Ise monogatari), Edo period (1615–1868), ca. 1634, Japan, Poem card (shikishi) mounted as a hanging scroll; ink, color, and gold on paper, Image: 9 11/16 × 8 3/16 in. (24.6 × 20.8

Imhof. Louis, Alfred. 37 ans, né à Mex (Suisse). Journalier. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Design for a Fanciful Organ, late 18th–early 19th century, Pen and black and brown ink, and watercolor, sheet: 7 1/16 x 4 5/16 in. (17.9 x 11 cm), Drawings, Joseph Ignaz Gurk (Austrian, active ca. 1795–ca. 1826

Textile Fragment, 5th–6th century, Made in Byzantine Egypt, Coptic, Linen, wool, Overall: 12 1/2 x 23 3/4 in. (31.8 x 60.3 cm), Textiles-Woven

Snuff Bottle with Landscape, Qing dynasty (1644–1911), late 18th–early 19th century, China, Glazed Yixing earthenware with coral stopper, H. 2 7/8 in. (7.3 cm), Snuff Bottles

Rectangular Plaque, middle of 6th century, Frankish, Copper alloy, 'tinned' surface, Overall: 11/16 x 5/8 x 3/16 in. (1.8 x 1.6 x 0.5 cm), Metalwork-Copper alloy

Scent Bottle, 1779, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 2 3/4 in. (7 cm), Glass

元 剔紅高仕圖菱形漆盤, Lozenge-shaped dish with garden scene, Yuan dynasty (1271–1368), 14th century, China, Carved red lacquer, H. 7/8 in. (2.2 cm); W. 5 3/8 in. (13.7 cm); L. 7 7/8 in. (20 cm), Lacquer, A scholar-gentleman walks

Tumbler, 1860–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 3/4 in. (9.5 cm), Glass, Bakewell, Pears and Company (1836–1882

Seated Nude Male in Profile View Facing Left with Arm Raised; Fragment of Study of Right Hand, 17th century, Red chalk on light brown paper. Partly reworked with red crayon, 8-1/2 x 4-7/8 in. (21.6 x 12.4 cm), Drawings, Anonymous, Italian,

Design for Trade Card [The Sun Life Assurance Society], 1880–89, Pen and brown ink over graphite, sheet: 10 3/8 x 7 1/16 in. (26.4 x 18 cm), Walter Crane (British, Liverpool 1845–1915 Horsham

Disk Brooch, 650–700, Frankish, Gold; green and clear glass; mother-of-pearl; side gold, copper, Overall: 1 1/16 x 5/16 in. (2.7 x 0.8 cm), Metalwork-Gold, The dress of Frankish women generally consisted of a tunic, cinched by a belt from

The Visit of Napoléon III to Boulogne-sur-Mer, 19th century, Pen and black ink, gray wash over graphite; heightened with white gouache, 9 11/16 x 13 3/4 in. (24.6 x 34.9 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

The Diwan-i Khas from the Mussaman Burj, Agra Palace, 1862–64, Waxed paper negative with applied media, 37.1 x 46.4cm (14 5/8 x 18 1/4in.), Negatives, John Murray (British, Blackhouse, Aberdeenshire, Scotland 1809–1898 Sheringham,

Empty Stage, 19th century, Pencil and red ink, 11-5/8 x 13-3/4 in, Drawings, Anonymous, Italian, 19th century

Amada, Temple, 1853–54, Salted paper print from paper negative, Image: 8 3/4 × 11 3/4 in. (22.3 × 29.9 cm), Photographs, John Beasley Greene (American, active France, 1832–1856

Carpet Fragment, 14th–15th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Textile: H. 22 in. (55.9 cm), Textiles-Rugs, This irregular-shaped fragment is decorated with rows of hook motifs and stylized

St. John the Baptist Pointing to Christ, 17th century, Point of the brush and brown ink and wash over traces of black chalk, framing line in point of the brush and brown wash, sheet: 11 1/16 x 8 13/16 in. (28.1 x 22.4 cm), Drawings, Willem van

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 16), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Cup with Eight Daoist Immortals, Qing dynasty (1644–1911), late 18th–19th century, China, Rhinoceros horn, H. 3 1/8 in. (7.9 cm); W. (rim) 6 1/4 in. (15.9 cm); D. 3 1/2 in. (8.9 cm), Horn, By the early thirteenth century a historical group

Design for a Ceiling Decoration: A Gathering of Mythological Figures (recto); Dancing Satyr and Two Seated Figures (verso), 1652–1726, Pen and brown ink, over black chalk (recto); faint red chalk design (verso), 14-3/16 x 11-11/16 in. (36.0 x

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 10v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Side Chair, 1740–90, Probably made in Newport, Rhode Island, United States, American, Walnut, maple, white pine, 40 x 20 1/2 x 18 1/2 in. (101.6 x 52.1 x 47 cm), Furniture

Buddha’s Hand with Dragon, Qing dynasty (1644–1911), 18th century, China, Rock crystal, H. (incl. base) 8 1/4 in. (21 cm); W. 3 3/4 in. (9.5 cm); D. 2 1/2 in. (6.4 cm), Hardstone

[Two Gentlemen Seated on the Grounds of the Palace; The Palace from the Rosary; Cascades and North End of Palace; General View of Gardens and Fountains], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each,

Design for One Quarter of a Ceiling, 1700–1780, Pen and dark brown ink, brush and gray wash, over graphite or lead point, with ruled construction. Scales, at bottom, in pen and brown ink, 11 3/8 x 17 7/16 in. (28.9 x 44.3 cm), Drawings,

Benjamin Franklin, 1770–1800, Made in Bouches-du-Rhône, Marseille, France, French, Faience, Diam. 9 in. (22.9 cm), Ceramics, Pierrette Caudelot Perrin (died 1793

Jar with Ducks in Lotus Pond, Ming dynasty (1368–1644), early 16th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 16 in. (40.6 cm); Diam. 13 in. (33 cm), Ceramics, Ducks and lotuses together

Table decoration in the form of a peacock, 1787, Hungarian, Munkács, Silver, partly gilded, Overall: 7 3/16 x 12 in. (18.3 x 30.5 cm), Metalwork-Silver, The peacock stands with its head slightly tilted, mischievously observing his

Khusrau and Shirin, dated A.H. 904/A.D. 1498–99, Attributed to Turkey, probably Istanbul or Amasya, Main support: ink, opaque watercolor, and gold on paper; binding: leather, Entire sheet:, Codices, Calligraphy and paintings by Suzi, This

Statuette of Re-Harakhty, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 7.7 cm (3 1/16 in.); W. 2 cm (13/16 in.); D. 3.7 cm (1 7/16 in.), The falcon-headed god crowned with a simple sun disk represents the great sun god Re or

Charity, Engraving, sheet: 8 7/16 x 6 3/8 in. (21.5 x 16.2 cm), Prints, Goltzius School (Netherlandish

Anatomical Studies: a left forearm in two positions and a right forearm, ca. 1600- ca. 1605, Pen and brown ink, sheet: 10 15/16 x 7 5/16 in. (27.8 x 18.6 cm), Drawings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), This impressive

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 4v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

A Reconstuction of the Pantheon (above) and a View of its Appearance Around 1700 (below), before 1704, Red chalk, pen and black ink, brush and grey wash., 13 1/16 x 8 5/16 in. (33.2 x 21.1 cm), Drawings, Jan Goeree (Dutch, Middelburg

Pitcher, ca. 1849–79, Probably made in Zanesville, Ohio, United States, American, Mottled brown earthenware, H. 7 5/8 in. (19.4 cm), Ceramics, Probably Pyatt (active 1849–79

Terracotta neck-amphora with twisted handles (jar), Late Classical, ca. 350–325 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. 10 7/16 in. (26.5 cm), Vases, Obverse, young warrior seated on an altar and bearded warrior.

Loie Fuller Dancing, ca. 1900, Gelatin silver print, Image: 3 15/16 × 5 3/8 in. (10 × 13.7 cm), Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 70 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Compote, 1870–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 4 3/4 in. (12.1 cm); Diam. 5 1/2 in. (14 cm), Glass, Adams and Company

Launching the Buoy from the Bow of the Great Eastern on August 8th, 1865, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 9 7/16 × 13 3/4 in. (23.9 × 35 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of

Antique-Style Ornamental Frieze Designs: Grotesques with Winged Infant, Masks, and Fantastic Animals, early 16th century, Pen and brown ink, over leadpoint, on buff laid paper, Overall: 13 1/2 x 6 1/2 in. (34.3 x 16.5 cm), Drawings,

Armchair, designed ca. 1786, woven 1790–91; chair frame second half 19th century, French, Beauvais, Carved and gilded wood; wool, silk, Overall: 37 3/4 × 27 × 24 in. (95.9 × 68.6 × 61 cm), After a composition by Jean Jacques François

Drawings and Prints, Album Prints Ornament & Architecture, Trophées Nouvellement Inventez par J.B. Toro., Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731

Head of a Horse, ca. 1878, Graphite on wove paper, Sheet: 6 9/16 x 4 3/4 in. (16.7 x 12.1cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris