Images at Librifly

A landscape with travelers, a ruined building and a fortified town, mid-17th–early 18th century, Pen and brown ink, brown and blue-gray washes; framing line in pen and brown ink, Sheet: 9 1/4 x 14 9/16 in. (23.5 x 37 cm), Drawings, Adriaen

Designs for borders and corners, acanthus, 1830–1904, Graphite, Robert William Hume (British, London 1816–1904 Long Island City

Lewis Powell [alias Lewis Payne], April 27, 1865, Albumen silver print from glass negative, 22.4 × 17.4 cm (8 13/16 × 6 7/8 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), At roughly the

Terracotta lamp, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta; mold-made, Overall: 1 x 3 1/8 in. (2.5 x 7.9 cm), Terracottas

Dupit. Paul. 20 ans, né le 13/3/74 à Paris XVIIe. Garçon boucher. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Betrothal of the Virgin, ca. 1770, Pen and brown ink, brown wash, over black chalk., 19 x 15 3/16 in. (48.3 x 38.6 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice), The elder son of the gifted and

Tile, second half 17th century, Attributed to Iran, Stonepaste; polychrome glaze within wax resist outlines (cuerda seca technique), H. 8 in. (20.3 cm), Ceramics-Tiles

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 10r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Jar, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 17 7/8 in. (45.4 cm), Ceramics, These two jars, which were probably used to store water, are decorated with lively scenes centered on the public fountains that provided water

Opera Nova Universali intitulata Corona di racammi, page 25 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Arrowhead, Iron Age, ca. early 1st millennium B.C., Transcaucasia, Bronze, L. 6-1/4 in. (15.9 cm) x W. 1-1/4 in. (3.1 cm), Metalwork-Implements, In the early first millennium B.C., the area of the Transcaucasia and northwestern Iran was

Sample of Cloth, Late Period, Dynasty 30, 390–343 B.C., From Egypt, Memphite Region, Saqqara, Linen, 10 x 10 cm (3 15/16 x 3 15/16 in

Snuff bottle with Buddhist emblems, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Carved red lacquer, H. 2 7/8 in. (7.3 cm), Snuff Bottles, The parasol and flaming jewel carved deeply into the surface of this object are two

Revolving Chair, 1840–70, American, Shaker, Maple, white oak, pine, birch, 28 x 16 3/4 x 15 in. (71.1 x 42.5 x 38.1 cm), Furniture, Revolving chairs, also known as stools or swivel chairs, were produced by Shakers in many styles and

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, German,

蘇軾騎驢図, Su Shi Riding a Donkey, Muromachi period (1392–1573), early 15th century, Japan, Hanging scroll; ink and gold on paper, Image: 22 1/2 × 10 1/4 in. (57.2 × 26 cm), Paintings, Bokudō Sojun (Japanese, 1373–1459), This

Coffret (Minnekästchen), ca. 1325–50, Made in Upper Rhineland, Germany, German, Oak, inlay, and tempera; wrought-iron mounts, Overall: 4 3/4 x 10 3/4 x 6 1/2in. (12.1 x 27.3 x 16.5cm), Woodwork-Furniture, The inside of this coffret's lid

River Landscape, 1800–1900, Pen and black and brown ink, gray wash, 7-3/8 x 10-1/8 in, Drawings, Anonymous, Italian, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 9r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Opera Nova Universali intitulata Corona di racammi, page 24 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Design for an Altar, 18th century, Pen, brown ink and wash, 8-1/16 x 7-1/8 in, Drawings, Anonymous, Italian, 18th century

Amulet: Woman Playing Lyre, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Light blue faience, H. 5.4 cm (2 1/8 in.); W. 2.1 cm (13/16 in.); D. 1.7 cm (11/16in.), This figure is a late example of a repertoire of figures mostly

Textile Fragment, 6th century, Made in Byzantine Egypt, Coptic, Linen, wool, Overall: 2 5/8 x 2 1/2 in. (6.7 x 6.4 cm), Textiles-Woven

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 19 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 42r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Empress Eugénie, ca. 1864, Albumen silver print, Sheet: 10.5 × 6 cm (4 1/8 × 2 3/8 in.), Photographs, Sergei Luvovich Levitsky (Russian, 1819–1898

Ortiz. Léon. 25 ans, né à Paris. Commis d'architecte. Anarchiste. Voyage ordinairement en bicyclette., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Curtain Knob, 1850, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 4 1/4 in. (10.8 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics

Limestone male figure in Egyptian dress, Archaic, mid-6th century B.C., Cypriot, Limestone, 41 1/4 × 19 × 10 in. (104.8 × 48.3 × 25.4 cm), Stone Sculpture, The worshiper wears bracelets, a belt, and a kilt decorated with uraei. He may

Scene on the Grand Canal, Venice, 19th century, Watercolor and gouache over graphite, Sheet: 4 1/4 × 7 1/4 in. (10.8 × 18.4 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

Rummer Tumbler, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 4 1/4 in. (10.8 cm), Glass, Bakewell, Pears and Company (1836–1882

Bronze mirror, Late Classical, ca. 350–300 B.C., Etruscan, Bronze, diameter 6 1/2in. (16.5cm), Bronzes, At base, man-boar, one of Odysseus' men

Seated Bishop with Arms Extended and Three Attendant Figures (recto); Head of a Lion and Perspective Diagrams (verso), 1613–99, Red chalk, brush and red wash (recto); red chalk (verso), on beige paper, 12-1/4 x 11-9/16 in. (31.1 x 29.4 cm),

Tableau synoptic des traits physionomiques: pour servir a l'étude du 'portrait parlé', ca. 1909, Gelatin silver print, Image: 39.4 x 29.5 cm (15 1/2 x 11 5/8 in.), Photographs, Alphonse Bertillon (French, 1853–1914), Nineteenth-century

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 36 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 92r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

A Woman Reading, after Pieter Janssens Elinga, 1846–47, Watercolor and gouache, Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm), Drawings, François Bonvin (French, Paris 1817–1888 Saint-Germain-en-Laye), Pieter Janssens Elinga

Coin of Ptolemy III from a Ptolemaic hoard, Ptolemaic Period, 246–222 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Diam. 3.4 cm, A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II, III, and

Gardner's Gallery, 7th and D Streets, Washington, D.C., 1864, Albumen silver print from glass negative, Image: 2 15/16 × 4 1/8 in. (7.5 × 10.5 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

[Contact sheet of four group portraits in a doorway], ca. 1850, Salted paper print from paper negative, Image: 7 3/16 in. × 9 in. (18.2 × 22.8 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Carpet, 16th century, Attributed to Northwestern Iran, Cotton (warp and weft), wool (pile); asymmetrically knotted pile , Rug: L. 487 1/2 in. (1238.3 cm), Textiles-Rugs

S. Maria in Trastevere, Ionic capital, side elevation (recto); Unidentified, Ionic capital volute, construction diagram (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 8 3/4 x 11 9/16 in. (22.2 x

[Paper Silhouette Portrait of a Woman], 1840s–50s, Daguerreotype, Image: 8.3 x 7 cm (3 1/4 x 2 3/4 in.), Photographs, Unknown (American), After T. P. Jones (American), Silhouettes and photographs share a similar origin in the cast shadow.

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 14 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Cup, 19th century, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 2 1/2 in. (6.4 cm); Diam. 2 3/8 in. (6 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Figure of Admiral Samuel Hood, ca. 1785, Made in Staffordshire, England, British (American market), Earthenware, basalt, H. 12 3/8 in. (31.4 cm), Ceramics, Pierre Stephan (French, active ca. 1770–95

11:00 A.M. Monday, May 9th, 1910. Newsies at Skeeter's Branch, Jefferson near Franklin. They were all smoking. Location: St. Louis, Missouri., May 9, 1910, Gelatin silver print, 9.1 x 11.9 cm (3 9/16 x 4 11/16 in.), Photographs, Lewis Hine

London Chair-Makers' and Carvers' Book of Prices, for Workmanship..., 1807–8, Illustrations: engraving, 10 13/16 x 8 7/8 x 1 7/8 in. (27.5 x 22.5 x 4.8 cm

Bottle, 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 10 3/4 in. (27.3 cm), Ceramics

Reed Mat, first half 10th century, Attributed to present-day Israel, Tiberias, Hemp (warp), straw (weft); weft faced plain weave, brocaded, Rug: L. 63 3/8 in. (161 cm), Textiles-Rugs, Woven mats were commonly used throughout the Middle East

The Holy Women at the Sepulchre, 1585–1620 (?), Pen and brown ink, brush and brown wash, highlighted with white, 11 3/4 x 16 1/2in. (29.8 x 41.9cm), Drawings, Sisto Badalocchio (Italian, Parma 1585–after 1619 Rome or Parma

Ein new getruckt model Büchli...Page 26, recto, 1529

The Orchard, 1902, Platinum print, Image: 24 x 19.1 cm (9 7/16 x 7 1/2 in.), Photographs, Clarence H. White (American, 1871–1925), Made in the year that the Photo-Secession was formed, Clarence White's 'The Orchard' perfectly embodies the

Ecce Homo, early 18th century, Pen, brown ink and gray wash on paper, 11 3/16 x 8 1/8 in. (28.4 x 20.6 cm), Drawings, After Charles Antoine Coypel (French, Paris 1694–1752 Paris

Two fragments of a terracotta oinochoe, Archaic, ca. 520 B.C., Greek, Attic, Terracotta; red-figure, Other: 8 15/16 x 1 3/8 in. (22.7 x 3.5 cm), Vases, By the last decade of the sixth century B.C., there were artists who had achieved a

Carpet, first half 17th century, Made in Iran, probably Kashan, Silk, metal-wrapped thread; tapestry weave, H. 93 in. (236.2 cm), Textiles-Rugs, This carpet was among those produced for export to Europe and was formerly in the collection of

Design for a Cup(?), 19th century, Pen and black ink. Incised for transfer. Laid paper., 5 3/16 x 4 7/8 in. (13.2 x 12.4 cm) (fan shaped), Drawings, Anonymous, German, 19th century

'The Monkey Tries Carpentry', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

The Samian Sibyl, 16th century, Engraved, Prints, Engraved by Master with the Name of Jesus (Italian, 16th century), In Mariette Album, folio 61, bottom rt

Dumout. Henri, Victor. 29 ans, né à Issy (Seine). Mécanicien. Anarchiste. 8/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Ein ney Furmbüchlein, Page 17, recto, ca. 1525–29

Terracotta figure wearing a bull mask, Cypro-Archaic I, ca. 750–600 B.C., Cypriot, Terracotta, H. 5 1/8 in. (13.0 cm), Terracottas, The flaring cylindrical body is wheel-made and hollow. The upper part of the body and the head are handmade

Stage Set with Peasants Meeting in Village Setting, 19th century, Pencil and red ink, 11-5/8 x 13-3/4 in, Drawings, Anonymous, Italian, 19th century

Three Arches, late 17th century, Northern India, Wood, H. 97 in. (246.4 cm); W. 158 1/4 in. (402 cm); D. 11 1/2 in. (29.2 cm), Sculpture, The baluster pillars supporting these arches became popular during the reign of Shah Jahan, in the

Beauty and the Beast, 18th–19th century, Watercolor, sheet: 5 1/8 x 9 in. (13 x 22.9 cm), Drawings, Attributed to Thomas Rowlandson (British, London 1757–1827 London

Saint Carl Borromäus, late 17th–18th century, Graphite, pen and brown ink, brush and gray ink, heightened with white on brown buff paper, sheet: 11 1/4 x 16 5/8 in. (28.5 x 42.3 cm), Drawings, Melchior Steidl (Austrian, Innsbruck

Inkstone, Qing dynasty (1644–1911), Kangxi period (1662–1722), 1622–1722, China, Argillite (Songhua river stone) and mother-of-pearl, W. 2 11/16 in. (6.8 cm); L. 3 5/8 in. (9.2 cm), Inkstone

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 73 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Princeps Maria Henrici VIII Regis Angliæ Filia, 1647, Etching; first state of four, sheet: 5 9/16 x 4 1/4 in. (14.1 x 10.8 cm), Prints, After Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), after a Hans Holbein the younger

Design for a Goblet with the Three Graces, 17th century, Pen and black and brown ink, wash, and gold paint, sheet (a): 22 9/16 x 8 3/16 in. (57.3 x 20.8 cm), Anonymous, German, 17th century

Joseph Sold by His Brothers, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 10-7/16 x 8-9/16 in. (26.5 x 21.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bowl with hydrangeas, Edo period (1615–1868), 19th century, Japan, Stoneware with polychrome enamels, Diam. 6 1/2 in. (16.5 cm), Ceramics, Nin'ami Dōhachi (Dōhachi II) (Japanese, 1783–1855

Swiss Farm ('Hirtenhof'), 19th–20th century, brush and brown ink over graphite, sheet: 11 13/16 x 16 1/8 in. (30 x 41 cm), Drawings, Robert Zünd (Swiss, Lucerne 1827–1909 Lucerne

Scroll from the Compendium of Iconographic Drawings (Zuzōshō), 真言諸尊図像抄, Heian (794–1185) or Kamakura (1185–1333) period, late 12th century, Japan, Handscroll; ink and color on paper, 11 7/8 in. x 25 ft. 7 1/2 in. (30.2 x 781

Standing man with beer mugs, black chalk, 11-1/4 x 8-1/4 in. (28.6 x 21.0 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Dutch Gap Canal, 1865, Albumen silver print from glass negative, Photographs, Egbert Guy Fowx (American, born 1821), Andrew Joseph Russell (American, 1830–1902

Autumn Color, ca. 1910, Oil on paperboard, 12 1/4 × 14 1/8 in. (31.1 × 35.9 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine

News Received Through the Atlantic Cable From All Parts of the World, etc., 1866, Watercolor over graphite with touches of gouache, Sheet: 9 5/16 × 12 5/8 in. (23.7 × 32 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of

The Visitation, 1625–74, Engraving, sheet: 25 1/2 x 19 11/16 in. (64.8 x 50 cm), Prints, Pieter de Jode II (Flemish, 1606–ca. 1674), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Candlestick, ca. 1740–50, Made in Boston, Massachusetts, United States, American, Silver, 6 1/16 x 3 15/16 in. (15.4 x 10 cm); 9 oz. 6 dwt. (289.7 g), Silver

Portrait of James McNeill Whistler, ca. 1875, Graphite and black ink wash, sheet: 11 1/16 x 7 11/16 in. (28.1 x 19.5 cm), Drawings, Walter Greaves (British, London 1841–1930 London

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 13/16 × 2 15/16 in. (7.1 × 7.4 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Jérusalem. (Environs) Montagne de Sion. Cenacle et Maison de Caiphe., 1860 or later, Albumen silver print from paper negative, Image: 11 in. × 8 1/2 in. (28 × 21.6 cm), Photographs, Louis de Clercq (French, 1837–1901

Old Tombstones, 1935, Watercolor, gouache, and ink on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

白綸子地牡丹縞模様夜着, Kimono-shaped Comforter (Yogi) with Peonies and Stripes, Meiji period (1868–1912), early 20th century, Japan, Silk damask, silk floss wadding, 75 1/4 x 83 1/2 in. (191.1 x 212.1 cm), Textiles-Woven, A

Anacléto. Joseph, Jean-Baptiste. 36 ans, né le 14/7/57. Coiffeur. Anarchiste. 16/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Classical Sculpture of a Lion, Front and Side Views, 1776–79, Graphite, sheet: 12 1/16 x 9 3/16 in. (30.7 x 23.3 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Elevation of a Gothic Pinnacle with a Hexagonal Plan, late 15th century, Engraving, Mat: 39 15/16 x 15 in. (101.5 x 38.1 cm), Wenzel von Olmutz (German, Moravian, active ca. 1481–1500

Purse Clasp, 500–600, Made in Northern France, Frankish, Copper alloy, garnets and green glass with patterned foil backings, Overall: 4 3/8 x 1 5/16 x 1/4 in. (11.1 x 3.4 x 0.7 cm), Metalwork-Copper

Disk Brooch, 6th century, Frankish, Silver-gilt, garnets with patterned foil backings, diam. 3/4 x 1/4in. (1.9 x 0.6cm), Metalwork-Silver

Glass cylindrical beaker, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, H.: 3 11/16 in. (9.4 cm), Glass, Translucent deep turquoise blue., Plain, vertical rim; vertical but slightly convex sides,

Trionfo Di Virtu. Libro Novo..., page 8 (verso), 1563

The Rape of the Sabines, 1585, Chiaroscuro woodcut in three sections (joined), each printed from four blocks, Sheet (left panel, trimmed to block line): 29 3/8 × 10 1/4 in. (74.6 × 26 cm), Prints, Andrea Andreani (Mantua, 1558/1559–1629),

Design for an Inkstand, ca. 1540–60, Pen and brown ink, brush and brown wash, over black chalk, sheet: 16 15/16 x 10 15/16 in. (43 x 27.8 cm), Attributed to workshop of Ottavio Strada (Italian (naturalized), Nuremberg (?) 1550–1606

'The Mi'raj or The Night Flight of Muhammad on his Steed Buraq', Folio 3v from a Bustan of Sa`di, ca. 1525–35, Attributed to present-day Uzbekistan and Afghanistan, probably Bukhara and Herat, Ink, gold, and colors on paper, Painting: H. 7

Standing Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion, pre-Angkor period, 8th–early 9th century, Thailand or Cambodia, Bronze inlaid with obsidian(?), H. 30 1/2 in. (77.5 cm), Sculpture

Splendore delle virtuose giovani, page 14 (verso), 1564

Snuff Bottle with Two Figures, Qing dynasty (1644–1911), early 19th century, China, Chalcedony with glass stopper, H. 3 1/8 in. (7.9 cm), Snuff Bottles

Washington. Harewood Hospital, 1861–65, Albumen silver print from glass negative, Photographs

U.S. Gunboat 'Mendota', James River, 1861–65, Albumen silver print from glass negative, Photographs