Images at Librifly

Vase with decoration of dragons among clouds (one of a pair), Qing dynasty (1644–1911), Yongzheng mark and period (1723–35), China, Porcelain with incised decoration (anhua) under a transparent glaze (Jingdezhen ware), H. 4 1/4 in. (10.8

Saint Celestine V Renouncing the Papacy, after Mattia Preti, 1761, Black chalk, over a black chalk counterproof, 7 11/16 x 7 5/8 in. (19.5 x 19.3 cm.), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Mattia Preti

Landscape with the Calling of St. Peter, 17th century, Pen and brown ink, sheet: 7 15/16 x 11 5/16 in. (20.1 x 28.7 cm), Drawings, Jacob Pynas (Dutch, Amsterdam 1592/93–after 1650 Amsterdam

Portrait of a Man, 1760, Black and white chalks on beige paper, 15-7/8 x 12-11/16 in. (40.4 x 32.3 cm), Drawings, Thomas Frye (Irish, Edenderry 1711/12–1762 London), Frye moved to London from Ireland in his twenties to work as a portrait and

Winged Hippocamp supporting a Vase (recto); Figure Studies and Architectural Design (verso), 16th–early 17th century, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink, brush and gray wash, over red chalk., 4

Three Dancing Women in a Restaurant Watched by Cupid, late 19th–early 20th century, Pen and brush and black ink over traces of black chalk., Image: 14 13/16 x 11 1/2 in. (37.6 x 29.2 cm), Drawings, Franz von Bayros (Austrian, Zagreb

Library Table, 1879–82, Made in New York, New York, United States, American, Rosewood, brass, mother-of-pearl, and abalone, 31 1/4 x 60 x 35 3/4 in. (79.4 x 152.4 x 90.8 cm), Furniture, Herter Brothers (German, active New York,

Target Crossbow with Windlass, crossbow, probably mid-18th century; windlass, dated 1741, probably Belgian or Dutch, Steel, wood (boxwood, pearwood, and possibly paduk), copper alloy, staghorn, horn, mother-of-pearl, hemp, crossbow, L.

The Poet Kiyohara Motosuke, from the Tameshige Version of the Thirty-six Poetic Immortals, 為重本時代不同歌合絵巻断簡　「清原元輔」, Muromachi period (1392–1573), early 15th century, Japan, Section of a handscroll mounted

Carved Panel and Border Ornament (recto); Sketches of Leaves (verso) (Smaller Italian Sketchbook, leaf 21), 1774–75 (?), Recto: graphite, blue and yellow wash; verso: graphite, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph

Provincial Dance, from Images of Spain Album (F), 89, 1812–20, Brush and brown wash on laid paper, 8-1/8 x 5-5/8 in. (20.6 x 14.3 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Vase, ca. 1890, French, Paris, Stoneware, 17 3/4 × 10 1/4 in., 15.7 lb. (45.1 × 26 cm, 7.1 kg), Ceramics-Pottery

Storm shade (one of a pair), ca. 1560, Italian, Venice or Austrian, Innsbruck, Glass, Height: 22 in. (55.9 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 35 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Les Singuliers et Nouveaux Portraicts... page 8 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Brush washer in the shape of lotus leaf with feline dragons, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 12th–14th century, China, Jade (nephrite), H. 2 1/4 in. (5.7 cm); W. 6 3/4 in. (17.1 cm); D. 2 3/4 in. (7 cm), Jade, Two

The Six Prophets of the Coming of Christ, mid-16th–early 17th century, Pen and brown ink, brush and brown wash, over black chalk. Framing line in pen and brown ink, 16 3/16 x 11 5/16 in. (41.1 x 28.7 cm), Drawings, Jan van der Straet,

Relief of offering bearers carrying boxes, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, ), 1923–25, Limestone, paint, H. 21 cm (8 1/4 in.); W. 53 cm (20 7/8

Erminia and the Shepherds (a scene from Torquato Tasso's Gerusalemme Liberata), 1650–1700, Pen and brown ink, brush and brown wash, over red chalk on light tan paper, 8-15/16 x 8-15/16 in. (22.7 x 22.7 cm), Drawings, Anonymous, Italian,

Eglinton Tournament Magic Lantern Slide, ca. 1839, British, Glass, paint, wood, 16 7/8 x 4 in. (42.9 x 10.2 cm), Miscellaneous, This lantern slide is an interesting and previously unknown example of one of the many categories of ephemera that

Plate, ca. 1885, Made in West Midlands, England, British, Blown satin green with white opaque glass, Diam. 5 in. (12.7 cm), Glass

Candlestick, 1840–50, Made in Sandwich, Massachusetts, United States, American, Pressed yellow glass, H. 9 5/8 in. (24.4 cm), Glass, Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Silk textile with Seraphim and Crosses, 17th century, Ottoman, Silk, lampas weave (ground in satin, pattern in twill), 43 × 22 1/2 in. (109.2 × 57.2 cm), Textiles-Woven

Madonna in Glory with Two Saints, late 16th century, Pen and brown ink, brush and brown wash; highlighted with white (mostly oxidized), sheet: 15 3/4 x 10 7/16 in. (40 x 26.5 cm), Drawings, Anonymous, Italian, late 16th century

'Virgin and Child', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, Dimensions of entire page: H. 17 7/8 in. (45.4 cm), Codices

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 36 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

[Meyer George von Bremen], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs, Heinrich Graf (German, active 1860s

A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below), before 1704, Pen and black and brown ink, brush and grey wash, red chalk. Incised?, 13 1/8 x 8 1/4 in. (33.3 x 21.0 cm), Drawings, Jan Goeree (Dutch, Middelburg

Design for a Triumphal Arch with Three Arches, 16th century, Pen and brown, brush and brown wash; over ruled stylus lines, sheet: 10 13/16 x 14 5/8 in. (27.5 x 37.1 cm), Drawings, Anonymous, Italian, 16th century

[Two Men, One Dressed in Women's Attire, Holding Hands], 1870s–80s, Tintype, Image: 8.6 x 5.2 cm (3 3/8 x 2 1/16 in.), irregular, Photographs, Unknown (American

Horse bit, Archaic, ca. 550 B.C., Etruscan, Iron, Other: 7 1/2 in. (19.1 cm), Miscellaneous-Iron, Two U-shaped side elements; perforated for the attachment of a leather harness

Flagon (one of a pair), Attributed to Richard Blackwell II (British, active ca. 1646–1670), 1646–47, British, London, Silver gilt, Overall (confirmed): 14 × 9 1/4 × 7 1/4 in., 58 oz. 18 dwt. (35.6 × 23.5 × 18.4 cm, 1.8 kg),

Head of a King, ca. 1230–35, French, Limestone, 13 1/2 × 11 5/8 × 11 5/8 in. (34.3 × 29.6 × 29.5 cm), Sculpture-Stone, This noble bearded head of a king is a striking example of the courtly style associated with the reign of Louis IX

Vase with Two Female Hybrid Figures, 18th century, 8-3/8 x 4-5/8 in, Anonymous, French, 18th century

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carreaux de Rosemond (died 1788), 1785, Oil on canvas, 83 x 59 1/2 in. (210.8 x 151.1 cm), Paintings, Adélaïde Labille-Guiard (French, Paris 1749–1803

December, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Story Title Page, 'Snegurochka' [Snow Maiden]; verso, text, ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., 13 11/16 x 10 9/16 in. (34.7 x 26.8 cm), Drawings, Boris Zvorykin (Russian, Moscow

Shaped Inlay Pieces, 9th century, Excavated in Iraq, Samarra, Glass; mold blown and tooled, a) H. 2 1/4 in. (5.7 cm), Glass, These small shaped inlay pieces made of clear glass were once embedded in plaster with mother-of-pearl to create

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

Textile with Cartouche Design, 18th century, Attributed to Turkey, Silk, metal wrapped thread; lampas (kemha), Textile: H. 53 3/4 in. (136.5 cm), Textiles-Woven

Virgin Interceding for Those in Purgatory, 1601–67, Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On

Design for the Decoration of a Cornice with Putti holding a Garland (recto); Red Chalk Sketches (verso), 17th century, Pen and brown ink over ruled lines and black chalk underdrawing, with gray and blue wash (recto); red chalk (verso), sheet: 3

Saint Adoring the Madonna and Child, 17th century, Line drawing in pen and brown ink over traces of black chalk on cream paper. Framing outline in pen and brown ink, 14-15/16 x 9-1/8 in. (38 x 23.1 cm), Drawings, Anonymous, Italian,

[Self-Portrait with Zoé Closier], probably 1895, Gelatin silver print, Image: 5.8 x 8.8 cm (2 5/16 x 3 7/16 in.), Photographs, Edgar Degas (French, Paris 1834–1917 Paris

Lyre Guitar, early 19th century, France, French, Spruce, cedar, ebony, brass, ivory, Total L. 85.1 cm.; String L. 64.7 cm., Chordophone-Lute-plucked, This instrument bears a label for Francisco Lupot, but is unlikely to have been made by

Design for the right half of a chimneypiece, 17th century, Pen and brown ink, brush and brown wash, over leadpoint., 11 7/16 x 3 5/16 in. (29 x 8.4 cm) maximum dimensions; strip has been added to the top, Drawings, Anonymous, Italian, 17th

Standing Figure of Mercury, 17th century, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing. Partial reinforcements in pen and dark brown ink. On off-white paper, 6-3/8 x 3-9/16 in. (16.2 x 9.1 cm), Drawings,

Fragment with an Interlace Medallion and Bands, 3rd–6th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, Ht. 30 11/16 in. (78 cm), Textiles, Two bands with a scroll of heart-shaped leaves and two birds are paired with a

Bronze cauldron, Archaic, ca. 550 B.C., Etruscan, Bronze, H. 12 1/2 in. (31.8 cm) diameter 16 5/16 in. (41.5 cm), Bronzes, Rounded top and flat lip. May have been used for cooking or heating food

Turreen on a Plate, 1800–1900, Pen and grey wash, 11-3/8 x 17-1/2 in, Drawings, Anonymous, Italian, 19th century

Easy Chair, 1790–1800, Made in Philadelphia, Pennsylvania, United States, American, Mahogany and pine with original muslin-covered foundation, 45 x 33 x 34 1/2 in. (114.3 x 83.8 x 87.6 cm), Furniture

Triclinium, Excavated in the House of Actaeon, Pompeii, ca. 1824, Pen and black ink; watercolor, Sheet: 5 9/16 x 5 7/16 in. (14.2 x 13.8cm), Drawings, Chalres Frédéric Chassériau (French, Port-au-Prince, Haiti (Saint-Dominigue)

Highland Hut, Loch Katrine, October 1844, Salted paper print from paper negative, Sheet: 3 15/16 × 4 1/2 in. (10 × 11.4 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Project for a Façade Decoration (recto); Architectural Studies (verso), 16th century, Pen and brown ink, brush and brown wash, over black chalk, sheet: 9 1/2 x 12 5/8 in. (24.2 x 32 cm), Drawings, Attributed to Lattanzio Gambara (Italian,

Minuet, 1900, printed 1909, Photogravure, 12.7 x 17.7 cm (5 x 7 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Saint Jerome and the Lion, 17th century, Pen and brown ink, brush and brown washes? over charcoal on light tan paper, 10-13/16 x 8-1/16 in. (27.5 x 20.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

One of a Pair of Wine Cups (Sakazuki) with Mount Hōrai, Edo period (1615–1868), 19th century, Japan, Red lacquer ground with gold and silver hiramaki-e and gold and silver foil, H. 1 in. (2.5 cm); Diam. 4 1/8 in. (10.5 cm); Diam. of foot 1

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, title page, Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Studies of Animals, 1810–63, Graphite on wove paper, 8-3/16 x 5-3/8 in. (20.8 x 13.7 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 16 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

An Audience (recto); Sketch of a nude woman (verso), 17th century, Pen and brown ink, brush with blue-green wash, over black chalk? on light tan paper. Fragments of brown ink framing outlines at left, top, right edges, 10-1/4 x 7-11/16 in.

Angel of the Revelation (Book of Revelation, chapter 10), ca. 1803–5, Watercolor, pen and black ink, over traces of graphite, Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm), Drawings, William Blake (British, London 1757–1827 London), This

Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso), 16th century, Pen and brown ink, brush and brown wash, 10-11/16 x 7-9/16 in. (27.1 x

[Boat in Harbor, Algeria], 1853–54, Salted paper print from paper negative, 8 7/8 x 11 1/8, Photographs, John Beasley Greene (American, active France, 1832–1856

Adumbration of Capitoline Hill., before 1704, Red chalk, brush and grey wash, pen and black ink. Banderole with inscriptions at center is on a separate sheet which is glued to the drawing., 8 7/8 x 13 1/2 in. (22.5 x 34.3 cm), Drawings, Jan

Fragments from the Funerary Papyrus of Khaemhor, New Kingdom, Ramesside–Late Period, Dynasty 19–26, ca. 1295–525 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb TT 57, 1923–24, Papyrus, ink, Various

Hilly landscape with rocks, 1780–1827, Pen and ink, brush, sheet: 5 1/2 x 8 1/2 in. (14 x 21.6 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Bronze kyathos (single-handled cup), Archaic, 6th century B.C., Etruscan, Bronze, H. with handle 8 1/2 in. (21.6 cm), Bronzes, This elegant bronze cup, its handle decorated with a lotus finial, represents a type that frequently appears in

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 22 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 18r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 53), Publisher, Artist, After, Carlo Losi, Georges

Mandolin, 1898, Kalamazoo, Michigan, United States, American, Walnut, spruce, ebony, pearl, tortoiseshell, bone, 26 1/4 × 11 × 3 1/4 in. (66.7 × 27.9 × 8.3 cm), Chordophone-Lute-plucked-fretted, Orville Gibson (American,

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

Plate from Book of Vases, 18th century, Etching, Plate: 13 7/8 × 8 15/16 in. (35.3 × 22.7 cm), Jacques de La Joue the Younger (French, Paris 1686–1761 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 2 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Sheets of Verses: Priamel vom Schuldenbot, late 18th–early 19th century, Pen and brown ink, brush and watercolor. Framing lines in pen and brown., 13 9/16 x 8 15/16 in. (34.5 x 22.7 cm), Drawings, Johann Martin Usteri (Swiss, Zurich

A Warning To Be Careful While Working (Eine Mahnung zur Vorsicht bei der Arbeit), n.d., Photo-lithograph, sheet: 16 1/8 x 22 1/16 in. (41 x 56 cm), Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

Drawings and Prints, Drawing, Study for Divine Justice, Artist, James Barry, Irish, Cork 1741–1806 London, Barry, James, Irish, 1741, 1806, ca. 1802, 1797, 1807

The Holy Family, ca. 1510–20, Pen and two shades of brown ink over remains of black chalk, 6 1/8 x 5 in. (15.5 x 12.7 cm), Drawings, Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), In this drawing, Gossart

Flowers in a vase, 16th century, Pen and brown ink, brush and brown ink over traces of black chalk, sheet: 16 1/8 x 10 11/16 in. (41 x 27.2 cm), Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague), formerly attributed to Anonymous,

Inrō with Goose Flying across the Full Moon, 山田常嘉斎作・狩野晴川院筆　満月に鵞鳥図印籠, Edo period (1615–1868), 19th century, Japan, Lacquer, kinji, gold, silver, black and red hiramakie, togidashi, aogai inlay;

Bowl, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 17 1/2 in. (44.5 cm), Ceramics

Design for a Cornice, 1800–1900, Pen and wash, 1-3/4 x 12 in, Anonymous, Italian, 19th century

Study of an Old Tree, 17th century, Pen and brown ink, sheet: 9 3/16 x 7 3/16 in. (23.3 x 18.2 cm), Drawings, Gillis Neyts (Flemish, Overijse 1623–1687 Antwerp

Design for 'Orthographia', pl.2, late 17th–mid-18th century, Pen and gray ink, brush and gray wash over traces of black chalk. Inlayed on paper mount with green and black framing lines. Incised(?), 5 15/16 x 11 in. (15.1 x 28 cm), Johann

Beaker, ca. 1676, Hungarian, Brassó, Silver, partly gilded, Overall: 9 7/16 x 6 7/8 in. (24 x 17.5 cm), Metalwork-Silver, Engraved letters and numerals on this beaker date the work and may one day identify its patron. They surround a

January (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk over faint traces of black chalk, 3 5/16 x 4 3/4 in. (8.3 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Model of a 'plano-convex' brick, Ur III, ca. 2112–2004 B.C., Mesopotamia, Nippur, Neo-Sumerian, Bituminous limestone, H. 2.5 x W. 6 x D. 9.7 cm (1 x 2 3/8 x 3 7/8 in.), Stone-Sculpture

Cabinet Design with Doors Adorned with Porcelain Plaques, 19th century, Ink and watercolor, sheet: 4 15/16 x 6 15/16 in. (12.5 x 17.6 cm), Anonymous, British, 19th century

Sketch of the Monastery of St. George Chalkis, 19th century, Pencil on tracing paper mounted on laid paper., 6 11/16 x 18 7/8 in. (17 x 48 cm) (irregular), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Carpet, 18th century, Attributed to Caucasus, Wool, H. 196 in. (497.8 cm), Textiles-Rugs

Costume Design for a Cavalier (?) in Blue and Burgundy with Feathered Cap and Sword, n.d., Pen and black ink, watercolor, and blue pencil, 12 5/16 x 9 7/16 in. (31.3 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Spoon, 1685–1700, Made in Boston, Massachusetts, United States, American, Silver, 15/16 x 7 3/4 in. (2.4 x 19.7 cm); 1 oz. 10 dwt. (47.4 g), Silver, Marked by S. C

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 7 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Jar with cover, ca. 1770, British, Worcester, Soft-paste porcelain, Overall (confirmed): 16 11/16 × 7 5/16 × 6 9/16 in. (42.4 × 18.6 × 16.7 cm), Ceramics-Porcelain

Plate, 1730–70, Made in China, Chinese, Porcelain, Diam. 15 1/4 in. (38.7 cm), Ceramics

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 10), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Wine Bottle with Three Friends of Winter, Edo period (1644–1911), 19th century, Japan, Porcelain painted with cobalt blue under transparent glaze , H: 8 3/8 in. (21.3 cm); Diam. 3 3/4 in. (9.5 cm); Diam. of rim: 1 1/4 in. (3.2 cm); Diam. of

The Great Elephant Saluting, 1885–1900, Albumen silver print from glass negative, Image: 21.1 x 27.3 cm (8 5/16 x 10 3/4 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905