Images at Librifly

Scarab Finger Ring with the Names of Thutmose III and Hatshepsut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the 3 Foreign Wives of Thutmose III, Gold, lapis

Illustrated Biography of Prince Shōtoku, Kamakura period (1185–1333), 14th century, Japan, One from a set of 2 hanging scrolls; ink, color, and gold on silk, Overall: 67 5/8 x 33 1/4in. (171.8 x 84.4cm), Paintings, Prince Shōtoku

Mirror Case, A.H. 1206/ A.D. 1844–45, Attributed to Iran, Exterior: pasteboard, papier-maché; opaque watercolor, gilded and lacquered, Ht. 9 1/4 in.(23.5 cm), Lacquer, Painting by Zain al-'Abidin, During the 18th and 19th centuries Iran

Costume for Sir Olivier McText [a]; Descriptive Sheet of Accessories [b], 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 5/16 in. (31.4 x 23.6 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Acanthus Scroll, 17th century, Brush and brown wash, over graphite or black chalk underdrawing, image: 11 15/16 x 8 3/8 in. (30.4 x 21.2 cm), Anonymous, Italian, 17th century

Pitcher, 1847–48, Made in Bennington, Vermont, United States, American, Parian porcelain, 9 3/4 x 10 3/8 x 7 3/4 in. (24.8 x 26.4 x 19.7 cm), Ceramics, Fenton's Works (1847–1848

Sugar Bowl, ca. 1780, Possibly made in Paris, France, French, possibly, Porcelain, H. 3 3/8 in. (8.6 cm); Diam. 4 in. (10.2 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, title page (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena,

Chattanooga, Tennessee, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Coffin of Nesmin, Ptolemaic Period, 200–30 B.C., From Egypt, Northern Upper Egypt, Akhmim (Khemmis, Panopolis), Egyptian Antiquities Service/Maspero excavations 1885–86, Plastered, painted, and gilded wood, L. 182.9 × W. 42 × D. 41

The Devil's Kitchen Visited by an Angel, mid-17th–late 17th century, Pen and grey ink, brush and grey wash, sheet: 3 3/4 x 5 1/8 in. (9.5 x 13 cm), Drawings, Conrad Meyer (Swiss, Zürich 1618–1689 Zürich

Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520–66), ca. 1555–60, From Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, H. 20 1/2 in. (52.1 cm), Codices, The Ottoman tughra is a calligraphic emblem of

Design for a Firescreen with Picnic Scene and Playing Cards, Late 18th century, Graphite and gouache, 12 7/8 x 10 1/8 in. (32.7 x 25.7 cm), Drawings, Eugène Charpentier

The Four Temperaments, 1500–1537, Pen and dark brown ink, framing line in pen and dark brown ink, Diameter: 9 1/16 in. (23 cm), Drawings, Jörg Breu the Elder (German, Augsburg 1480–1537 Augsburg

Decoratred ware jar depicting rows of flamingos, Predynastic, Naqada II, ca. 3650–3300 B.C., From Egypt, Pottery, paint, H: 16.7 cm (6 9/16 in.); diam: 18.6 cm (7 5/16 in

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 11), Publisher, Artist, After, Carlo Losi, Georges

Portrait of a Man, ca. 1780, Ivory, Diameter 2 in. (49 mm), Miniatures, Edme Quenedey (French, Riceys-le-Haut (Aube) 1756–1830 Paris

Lamp, convex top, Greek or Roman, Terracotta, Overall: 1 x 4 in. (2.5 x 10.2 cm), Terracottas

Female dancer in fairy costume, ca. 1920, Graphite, gouache, watercolor., sheet: 12 11/16 x 9 5/8 in. (32.2 x 24.5 cm), Drawings, Sergey Chekhonin (Russian, 1878–1936

Study for 'The Ferry', after 1829, Watercolor and graphite, sheet: 3 3/4 x 5 in. (9.5 x 12.7 cm), Drawings, Peter De Wint (British, Hanley, Stoke-on-Trent 1784–1849 London), This small work shimmers with intensity. Bold, fluid strokes of

Vase, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 7 1/16 in. (17.9 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 3 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Saint Sebastian in a Landscape, late 15th century, Pen and brown ink, 11 5/8 x 8 1/4 in. (29.5 x 21 cm), Drawings, Ferrara (1470–1499), This sheet is evidence of Andrea Mantegna’s influence on artists in Ferrara. The pose of Saint Sebastian

異国人交易図屏風, Foreign Merchants in Japanese Trade Port, Edo period (1615–1868), early 19th century, Japan, Six-panel folding screen; ink and color on paper, Image: 27 5/8 x 103 7/8 in. (70.2 x 263.8 cm), Screens, Things foreign

Emanuel von Seidl, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Adoration of the Shepherds, 1575–1600, Colored gouache on parchment, 8-11/16 x 6-7/8 in. (22 x 17.5 cm), Drawings, Anonymous, Italian, Cremonese, 16th century

Road Near Singapore, 1860s–70s, Albumen silver print from glass negative, 20.2 x 26.3 cm (7 15/16 x 10 3/6 in.), Photographs, Unknown

Architect in His Study Holding a Compass and Conversing with Three Men, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper. Framing line along right edge in brown ink, 8 x 5 1/16in. (20.3 x 12.8cm),

Ceiling Decoration, 17th century, Pen and brown ink, washed, 7-5/8 x 6-1/2 in. (19.4 x 16.5 cm), Drawings, Anonymous, Italian, 17th century

'The Deposed Monkey King Drops Figs for the Tortoise and the Two Become Friends', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

The Falcon Hunt, ca. 1500–1530, Southern Netherlands, Wool, and silk in slit tapestry weave with some non-horizontal or eccentric wefts., 108 7/16 x 98 1/16 in. (275.5 x 249.1 cm), Textiles-Tapestries, Tapestries with lush floral backgrounds

Game piece in the shape of a baboon, Ptolemaic Period, 332–30 B.C., From Egypt, Bone, H. 3.4 cm (1 5/16 in.); W. 1.9 cm (3/4 in.); D. 1.8 cm (11/16 in.), Animal ankle joints, anatomically termed astragals, were used as gaming pieces. The

Holy Family, 1872, Black and white chalk on grey paper., Diameter 41 in. (104.1 cm.) (sight), Drawings, Carl Müller (German, 1818–1893

Tumbler, 1860–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 1/2 in. (8.9 cm), Glass, Bakewell, Pears and Company (1836–1882

Portrait of Thaddeus Kosciuszko, n.d., Brush and brown wash over graphite underdrawing., 17.1 x 11.3 cm, Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Fragment, 8th century, Attributed to Egypt or Syria, Silk; samite, Textile: H. 8 1/4 in. (21 cm), Textiles-Woven, This silk fragment depicts a mounted hunter aiming at a leaping panther in an oval roundel with scrolling vegetation. The remains

Bungalow drawing -- Eastern elevation and interior, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Brooch with Boar’s-Head, late 8th century, Made in Gotland, Sweden, Vendel, Copper alloy, gilt and cast; copper alloy pin secured in hinge with..., Overall: 1 13/16 x 1 1/4 x 7/8 in. (4.6 x 3.2 x 2.3 cm), Metalwork-Copper

Vor dem Pantheon, 1908, Brush and black ink, white gouache (whiteout, white paint) Touches of silver paint(?), graphite(?), 15 1/2 x 10 15/16 in. (39.4 x 27.8 cm), Drawings, Heinrich Krenes (Austrian, Vienna 1874–1913 Vienna

Eagle Attacking a Mountain Lion, Meiji period (1868–1912), 1885, Japan, Hanging scroll; ink and color on paper, Image: 65 1/2 x 33 in. (166.4 x 83.8 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), In this set of four large

Elevation of a Wall, 1776, Pen and gray ink, brush and gray wash, 20 3/8 x 13 15/16 in. (51.8 x 35.4 cm), Drawings, Attributed to Jean Guillaume Moitte (French, Paris 1746–1810 Paris

Versuche über Photographie mittelst der Röntgen'schen Strahlen, 1896, Photogravures, 50 x 36 cm (19 11/16 x 14 3/16 in.), Portfolios, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian,

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 15r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Scent bottle, ca. 1755, German, Kelsterbach, Hard-paste porcelain, Height: 3 1/4 in. (8.3 cm), Ceramics-Porcelain

Blackburn's Ford / Rapidan River, The Wilderness, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Drawings for scenes from Vanity Fair: 'Jos and Becky', 1800–1819, Watercolor over graphite, sheet: 7 x 5 in. (17.8 x 12.7 cm), Drawings, James Barret (British, London, active 1785–1819 London

Two Alternate Designs for a Doorway, 1700–1780, Brush and gray wash, over ruled and compass constructions in lead point or graphite, 15 9/16 x 10 1/8 in. (39.6 x 25.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Yorktown Landing, 1862, Albumen silver print from glass negative, Photographs, James F. Gibson (American, born 1828

Clocktower, 1840, Graphite, sheet: 7 3/8 x 4 5/8 in. (18.8 x 11.8 cm), Attributed to Sir Charles Barry (British, London 1795–1860 London

Vessel with Mythical Creatures, Flowers, and Birds, Qing dynasty (1644–1911), 17th–18th century, China, Black lacquer painted with red, green, and yellow lacquer, H. 22 3/8 in. (56.8 cm); W. incl. spout 9 1/4 in. (23.5 cm); Diam. 5 7/8

[Grand Army Review, Washington, D.C.], May 1865, Albumen silver print from glass negative, Image: 3 3/4 × 20 1/2 in. (9.5 × 52.1 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Reconstruction of the Mausoleum of Hadrian (above) and a View of the Castel S. Angelo (below), before 1704, Pen and black ink, brush and grey wash, red chalk, lower image squared in black chalk. Incised., 13 x 8 in. (33.0 x 20.3 cm), Drawings,

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 3/4 x 7 5/16 in. (29.8 x 18.5 cm), Drawings, Charles Edmund Brock (British, London 1870–1938

Design for a Papal Throne with Elevations and Sketch of Baldacchino Interior., n.d., Pen and brown ink, brush and gray wash, over black chalk, sheet: 16 1/16 x 11 5/8 in. (40.8 x 29.6 cm), Drawings, Antonio Basoli (Italian, Castel Guelfo di

Two Designs for Floral Panels of Ornament, 1680–1780, Pen and brown ink, brush and gray wash, over traces of lead point or graphite, with ruled construction. Framing outlines in pen and brown ink, Overall: 9 5/8 x 5 7/8 in. (24.5 x 15 cm),

Design for an Ecclesiastical Veil, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 8 7/8 x 8 7/8 in. (22.5 x 22.5 cm), Ernest Geldart (British, London 1848–1929

Footed Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 2 5/8 in. (6.7 cm); Diam. 3 3/4 in. (9.5 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

The Holy Family with Saint Elizabeth and the Infant John the Baptist, 1520–25, Pen and brown ink, brush and brown and grayish brown wash over black chalk with white heightening, traces of squaring in pen and brown ink (especially evident at

Engaged Column Part with Meander Pattern, ca. 6th century, Said to be from Egypt, Bawit, Limestone; carved, H. 12 3/8 in. (31.4 cm), Sculpture, The monastic community of Bawit, founded in the 300s by Apa (Father) Apollo at a small village,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Qur'an Manuscript, 13th century, Attributed to Egypt or Syria, Ink, opaque watercolor, and gold on paper, H. 20 in. (50.8 cm), Codices

Clidière. François. 39 ans, né le 3/2/55 à Miales (Dordogne). Tailleur d'habits. Anarchiste. 9/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Four Studies of Horses, 16th century, Pen and brown ink, 2 3/8 x 5 1/4 in. (6 x 13.4 cm), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 7 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Lantern, ca. 1920, Made in San Francisco, California, United States, American, Patinated copper, 4 3/4 × 15 1/8 × 6 1/4 in., 1.8lb. (12.1 × 38.4 × 15.9 cm, 816 Grams), Metal, Dirk Van Erp (1862–1933), This hand-hammered copper lamp

Linen Mark, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Sirens, Naiads and Tritons, ca. 1540-60, Etching, Prints, Angiolo Falconetto (Italian, active ca. 1555–67), Designed by Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio

Design for a Gothic Bed with Canopy, 1841–84, Pen and black ink, sheet: 11 1/4 x 9 5/16 in. (28.6 x 23.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Costume for a Youth in Yellow and Blue, n.d., Pen and black ink with watercolor, 12 3/8 x 9 7/16 in. (31.4 x 23.9 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Design for wall's decorations., 1700–1780, Brush and red chalk wash over red chalk. Ruled construction in lead point, 8 x 11 in. (20.3 x 28 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Imaginary Hilly Landscape with Ruins, 16th century, Brush and brown wash over traces of black chalk, heightened with white, 10 x 10 3/4 in. (25.4 x 27.3 cm), Drawings, Anonymous, Netherlandish, 16th century

Italian Comedians Performing in a Public Square, 1635–91, Red Chalk, 7 5/16 x 11 13/16 in. (18.6 x 30 cm), Drawings, Jacob Matthias Weyer (German, Hamburg 1620–1691 Hamburg

Plate, 1770–1800, Made in Bouches-du-Rhône, Marseille, France, French, Faience, Diam. 9 in. (22.9 cm), Ceramics, Pierrette Caudelot Perrin (died 1793

'The Queen Ilar (Irakht) Before the King Warning him About the Brahmins (?)', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Headquarters, 10th Army Corps, Hatcher's Farm, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Little Girl Practicing at the Bar, ca. 1878–80, Black chalk and graphite, heightened with white chalk on pink laid paper, Sheet: 12 3/16 x 11 9/16 in. (31 x 29.3cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Estate Figure, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280), serdab, 1920, Wood, gesso, paint, H. 112 cm (44 1/8 in.); W. 17 cm (6 11/16 in.); D. 46.7 cm

Peasants Loading Hay, ca. 1620s, Pen and brown and black inks, watercolor, over black chalk; framing line in pen and brown ink., Overall: 3 x 5 11/16 in. (7.6 x 14.5 cm), Drawings, Hendrick Avercamp (Dutch, Amsterdam 1585–1634 Kampen

Ornamento delle belle & virtuose donne, page 24 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas

Design for wall fixture, ca. 1905–20, Made in New York, United States, American, Graphite and colored pencil heightened with blue and gold watercolor, Overall: 15 7/8 x 11 13/16 in. (40.3 x 30 cm), Drawings, Possibly Tiffany Glass Company

Jar, 4th–early 5th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Glass (green), Overall: 4 5/16 x 4 5/16 in. (10.9 x 10.9 cm), Glass-Vessels

Saint Catherine of Alexandria, probably 1514–24, Italian, Milan, Marble, Overall (wt confimed): 47 7/16 in., 332 lb. (120.5 cm, 1502kg), Sculpture, The head of a Roman Empreror at Saint Catherine's feet symbolizes her defeat of paganism.

Portrait of Honoré Daumier, 1861, Graphite, 12 1/8 x 7 5/8 in. (30.8 x 19.4 cm), Drawings, Étienne Carjat (French, Fareins 1828–1906 Paris

粟鶉蒔絵名刺入れ, Case with Quail and Millet, Edo period (1615–1868), mid-19th century, Japan, Black lacquer ground with gold and silver hiramaki-e, H. 2 1/4 in. (5.7 cm); W. 3 3/8 in. (8.6 cm), Lacquer

Emperor Maximilian, 1520, Etching and engraving, plate: 10 1/8 x 7 5/8 in. (25.6 x 19.4 cm) (trimmed within plate line except at bottom, where trimmed to line), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), This

Mocking of Christ, late 16th–early 17th century, Pen and brown ink, brush and brown wash, over graphite. Framing line in pen and brown ink., 9 3/4 x 6 1/2 in. (24.7 x 16.5 cm), Drawings, Johann Heintz (Austrian, Zerbst ca. 1580–1635 Graz

四天王立像, Guardian King of the Four Directions, Heian period (794–1185), 12th century, Japan, Wood with traces of color, Overall (figure): H. 33 7/8 in. (86 cm); W. 11 1/2 in. (29.2 cm); D. 87/8 in. (22.5 cm), Sculpture, This statue

Terracotta kantharos (drinking cup with high handles), Geometric-Archaic, ca. 700–675 B.C., Etruscan, Terracotta; buccheroid impasto, H. without handles 2 3/8 in. (6 cm), Vases, Reddish-brown two-handled cup with narrow bands of incised

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 6 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Tureen, 19th century, Pen and wash, 13 x 15-1/2 in, Drawings, Anonymous, Italian, 19th century

Bracteate Pendant, 700–800, Made in Gotland, Vendel, Copper alloy, gilt, Overall: 2 5/16 x 3/16 in. (5.9 x 0.4 cm), Metalwork-Copper, Pendants such as these with stamped designs were the most popular kind of jewelry from the 600s through

Juno on Her Chariot VIsiting a Young Woman and a Rivergod, late 17th–mid 18th century, Pen and brown ink, brush and gray ink, corrected with white gouache; framing line in pen and brown ink, possibly by the artist, Sheet: 7 x 9 3/8 in. (17.8

Vase, 1891–95, Made in Wheeling, West Virginia, United States, American, Porcelain, 14 1/2 in. (36.8 cm), Ceramics, Ohio Valley China Company (1891–1895

Glass jar, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 2 1/4 in. (5.7 cm), Glass, Translucent cobalt blue. Almost vertical rounded rim; shallow, sloping shoulder with concave curve at base; folded horizontal flange; cylindrical

Lamp Design for 27 Old Steyne, Brighton, 1885, Ink on tracing paper, sheet: 7 5/16 x 6 9/16 in. (18.6 x 16.7 cm), Attributed to Richardson Ellson & Co. (British

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 14 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 3 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Design for a Loveseat, 1841–84, Pen and black ink, black ink wash, sheet: 10 x 12 3/8 in. (25.4 x 31.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

古満安匡作 孔雀蒔絵印籠, Inrō with Peacocks and Flowers, Edo period (1615–1868), 19th century, Japan, Black lacquer and nashiji ground with gold and silver iroe togidashi and hiramaki-e, 3 x 3 1/8 x 13/16 in. (7.6 x 7.9 x 2 cm),