Images at Librifly

Fonduco, the Seat of Captain Thomas James Maling, 19th century, Ink and watercolor, sheet: 5 1/8 x 11 1/4 in. (13 x 28.6 cm), Anonymous, British, 19th century

Floral Design, n.d., White chalk with graphite, 11 11/16 x 10 1/4in. (29.7 x 26.1cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, 1820, Oil on canvas, 40 1/4 x 32 in. (102.2 x 81.3 cm), Paintings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), After recovering from a serious

Seated Female Figure. Study for the Figure of the Iliad in: The Apotheosis of Homer, ca. 1827, Graphite and black chalk heightened with white chalk on brown paper., 12 3/8 x 10 5/8 in. (31.4 x 27 cm), Drawings, Jean Auguste Dominique Ingres

The Baptism of Christ, 18th century, Black chalk, heightened with white, on blue-gray paper., 15 1/4 x 8 11/16 in. (38.8 x 22.1 cm), Drawings, Noël Hallé (French, Paris 1711–1781 Paris

Brig on the Water, 1856, Albumen silver print from glass negative, 32.1 x 40.5 cm (12 5/8 x 15 15/16 in. ), Photographs, Gustave Le Gray (French, 1820–1884), In later seascapes such as The Great Wave (1857), Le Gray would famously resolve

Tea Bowl with Hare’s-Fur Decoration, Muromachi period (1392–1573), 16th century, Japan, Stoneware with iron-oxide glaze; metal rim (Seto ware), H. 2 7/8 in. (7.3 cm); Diam. 4 7/8 in. (12.4 cm); Diam. of base 1 3/4 in. (4.4 cm), Ceramics

Designs for borders and corners, acanthus, 1830–1900, Ink, Robert William Hume (British, London 1816–1904 Long Island City

Bottle, 1760–70, Probably made in Bristol, Bristol, England, British, Opaque glass, H. 5 1/8 in. (13 cm), Glass

[Portrait of a Man], ca. 1857, Salted paper print from glass negative, Mount: 11 3/16 in. × 9 1/8 in. (28.4 × 23.2 cm), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), The identity of this soberly dressed man

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 6r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Sketch for Ceiling Decoration, 16th century, Pen and brown ink, 6-7/8 x 4-1/4 in. (17.5 x 10.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Roast Platter, 1885–86, Made in Brooklyn, New York, United States, American, Porcelain, 18 11/16 x 12 5/16 in. (47.5 x 31.3 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Bowl, 5th–4th century B.C., Peru, Paracas, Ceramic, post-fired paint, Overall: 2 5/16 in. (5.95 cm), Ceramics-Containers

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, German,

Louis XVI (1754–1793), King of France, 1787, Ivory, Diameter 2 5/8 in. (67 mm), Miniatures, Attributed to Antoine François Callet (French, Paris 1741–1823 Paris

Lamp, 1220–72, near Acre, Crusader, Earthenware, glaze, H. 2 1/8 in. (5.4 cm); W. 4 5/16 in. (11 cm); D. 2 3/8 in. (6 cm), Miscellaneous

Gourd-shaped ewer decorated with waterfowl and reeds, 청자 양각 갈대물새 무늬 표주박 모양 주전자 고려, Goryeo dynasty (918–1392), early 12th century, Korea, Stoneware with carved and incised design under celadon glaze, H.

Study for an Engraving of 'Songs in the Opera of Flora', 1737, Pen and blue and brown ink, black chalk, and slight traces of red chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Beaker (Krautstrunk), 1480–1510, German or Netherlandish, Free-blown glass with applied decoration, Overall: 2 1/8 x 3 1/4 in. (5.4 x 8.3 cm), Glass-Vessels

Landscape, 17th century, Red chalk on light tan paper. Framing outline in red chalk. Partial framing outline? in pen and brown ink at lower right edge, 7-7/8 x 10-1/2 in. (20 x 26.7 cm), Drawings, Attributed to Aureliano Milani (Italian,

Kneeling Youth in Armour, 1611–89, Red chalk on beige paper, 16-7/16 x 11-1/4 in. (41.8 x 28.5 cm), Drawings, Baldassarre Franceschini (il Volterrano) (Italian, Volterra 1611–1690 Florence

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

De dissectione partium corporis humani libri tres, 1545, Woodcut, Overall: 14 1/8 x 9 3/16 x 1 5/16 in. (35.9 x 23.4 x 3.4 cm), Books, Possibly Jean 'Mercure' Jollat (French, ca. 1490–ca. 1550), Possibly Estienne de la Rivière (French,

Landscape with a Rock Wall, 1800–1849, Brush and gray wash, on gray green paper, 9-13/16 x 13-1/8 in. (24.9 x 33.3 cm), Drawings, Attributed to Peter De Wint (British, Hanley, Stoke-on-Trent 1784–1849 London

The Ascension of Christ, 1513, Oil on fir, Overall 24 1/4 x 15 in. (61.5 x 38.1 cm); painted surface 24 1/4 x 14 1/8 in. (61.5 x 35.9 cm), Paintings, Hans Süss von Kulmbach (German, Kulmbach ca. 1480–1522 Nuremberg), This Ascension of

Plate, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 10 3/8 in. (26.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex, 1588, Vellum laid on card, Oval, 1 5/8 x 1 3/8 in. (40 x 33 mm), Miniatures, Nicholas Hilliard (British, Exeter ca. 1547–1619 London

Gold funerary wreath, Classical, 4th–3rd century B.C., Etruscan, Gold, length 13 1/8in. (33.3cm), Gold and Silver, Gold funerary wreath of leaves, rosette in center and figure of owl embossed on each end

Florentine Woman Wearing a Butterfly Cap and Holding a Hand Warmer, 1755, Pen and black ink, brush and gray wash, over traces of graphite., 7 15/16 x 5 3/8 in. (20.1 x 13.6 cm), Drawings, Jean-Baptiste Greuze (French, Tournus 1725–1805

Marble torso of the so-called Apollo Lykeios, Mid-Imperial, Hadrianic or Antonine, A.D. 130–161, Roman, Marble, Island, H. 38 in. (96.5 cm), Stone Sculpture, Copy of a Greek bronze statue of the mid-4th century B.C. often attributed to

Saint Henry (Emperor Henry II), 1800–1876, Pen and black ink, brush and gray and yellow wash, over graphite; framing line in pen and ink over graphite., sheet: 9 1/16 x 7 1/16 in. (23 x 18 cm), Drawings, Joseph von Führich (Austrian,

Double bird palette, Predynastic, Naqada II, ca. 3500–3300 B.C., From Egypt, Greywacke, H: 21 cm (8 1/4 in); W: 11.8 cm (4 5/8 in

Departure for the Hunt, Pen and black ink, 6 5/16 x 4 3/8 in. (16 x 11.1 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Edith, Ina and Alice Liddell on a Sofa, Summer 1858, Albumen silver print from glass negative, Mount: 4 3/16 in. × 6 7/16 in. (10.7 × 16.3 cm), Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898 Guildford

Mrs. Palmer, 1785, Watercolor, colored chalk over graphite, sheet: 8 1/8 x 7 3/8 in. (20.6 x 18.7 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales

Corona delle Nobili et Virtuose Donne: Libro I-IV, 1601, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice. Title page of each book with printer's mark and

Government Saw Mill (Chattanooga), 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Virgin and Child with an Apple, ca. 1475, Engraving, Sheet: 6 13/16 x 4 5/8 in. (17.3 x 11.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Chimney Scaffold, 1860, Tintype, Image: 6.7 x 5.5 cm (2 5/8 x 2 3/16 in.), Photographs, J. Jeane

Emancipated Slaves Brought from Louisiana by Colonel George H. Banks, December 1863, Albumen silver print from glass negative, Image: 13.2 x 18.3cm (5 3/16 x 7 3/16in.), oblong oval, Photographs, Myron H. Kimball (American, active 1860s), In

Gold Belt Buckle and Gold Strap End, ca. 600, Langobardic, Gold, Overall: 2 1/16 x 1 3/16 x 9/16 in. (5.3 x 3 x 1.4 cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/4 in. (7.4 × 8.2 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Cor d'orchestre, 1845–50, Lyon, France, French, Brass, Aerophone-Lip Vibrated, Pierre Piatet (French, ca. 1796–1868), This type of natural horn was used in Classical and early Romantic orchestras. It is often referred to as the 'hand

Design for a Metal Bag or Purse Handle with Stacked Coin Motif and Central Rosette, 17th century, Pen and brown ink, over graphite underdrawing, sheet: 3 1/8 x 4 15/16 in. (8 x 12.5 cm), Anonymous, Italian, 17th century

Decorative study of a play, 1830–80, Graphite, sheet: 9 1/2 x 3 1/8 in. (24.2 x 7.9 cm), Drawings, François-Claudius Compte-Calix (French, Lyon 1813–1880 Chazay d'Azergues

Terracotta column-krater (bowl for mixing wine and water), Archaic, ca. 560–500 B.C., Etruscan, Terracotta; bucchero pesante, H. 16 1/8 in. (41 cm); diameter of mouth 13 9/16 in. (34.5 cm), Vases, Large column-kraters with decorative straps

The Art Work of Louis C. Tiffany (Book), 1914, Leather paper, gilt metal, cardboard, with vellum and textblock, 12 3/4 x 10 1/4 x 2 7/8 in. (32.4 x 26 x 7.3 cm), Drawings, Louis Comfort Tiffany (American, New York 1848–1933 New York

Private George Ruoss, Co. G, 7th New York Volunteers, 1865–1866, Albumen silver print from glass negative, Image: 16.6 × 21.7 cm (6 9/16 × 8 9/16 in.), Photographs, Reed Brockway Bontecou (American, 1824–1907), According to the medical

[Four Workmen Holding Different Tools: Square, Hatchet, Wood Plane, and Trowel], 1860s–70s, Tintype, Image: 9.8 x 6.2 cm (3 7/8 x 2 7/16 in.), Photographs, Unknown (American

Disk Brooch, 7th century, Frankish, Gold, wire, paste, copper alloy rim, iron pin, Overall: 7/8 x 5/16 in. (2.3 x 0.8 cm), Metalwork-Gold

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 6, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Spoon, 1599 or earlier, Hungarian, Silver, Length: 7 7/8 in. (20 cm), Metalwork-Silver, The birth of a child was a great event, especially during times with high infant mortality rates, and special gifts were associated with the occasion. A

Armor, ca. 1520 and later, Nuremberg, German, Nuremberg, Steel, leather, H. as mounted 5 ft. 9 in. (175.26 cm); Wt. 57 lb. 10 oz. (26.15 kg), Armor for Man, At the turn of the sixteenth century, German armorers abandoned the slender lines

Jasper intaglio: Lion-headed god, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, red and green, Other: 3/4 x 9/16 x 1/16 in. (1.9 x 1.4 x 0.2 cm), Gems

Erment (Hermonthis), Vue Générale des Ruines -Temple et Mammisi, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.3 x 30.2 cm. (9 9/16 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Design for a Chimneypiece, late 18th–early 19th century, Pen and ink and wash, sheet: 12 x 10 1/4 in. (30.5 x 26 cm), John Yenn (British, London (?) 1750–1821 London

Roundel with Adoration of the Kings, 1510–20, Made in Amsterdam (?), North Netherlands, North Netherlandish, Colorless glass, vitreous paint and silver stain, Overall: 8 3/4 in. (22.2 cm), Glass-Stained

Resurrection, Etching, Sheet: 8 7/16 × 5 3/8 in. (21.5 × 13.7 cm), Prints, Anonymous, Italian, 16th century, In Mariette Album, folio 1, bottom right

Tumbler, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/8 in. (10.5 cm); Diam. 3 1/8 in. (7.9 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Coral root with amber stopper, H. 3 in. (7.6 cm), Snuff Bottles

Adolescent John the Baptist with a Lamb in the Wilderness, 17th century, Pen and dark brown ink. On off-white paper, 4-1/4 x 4-1/2 in. (10.8 x 11.4 cm), Drawings, Anonymous, Spanish, 17th century

Saint John Preaching in the Wilderness, late 16th–mid-17th century, Pen and brown ink, light brown wash on brown washed paper with pink tones; traces of framing line in pen and brown ink, 7 7/8 x 12 13/16 in. (20 x 32.5 cm), Drawings, After

Chaise rustique (autre), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Russian Bassoon in C, ca. 1800–1825, St. Omer, France, French, Wood, brass, Overall: 21 x 99.5cm (8 1/4 x 39 3/16in.), Aerophone-Lip Vibrated-horn, Cuvillier (French, St. Omer before 1792–early 19th century

Venus Dipping an Arrow Into a Pot with Cupid to the Left, 1725, Gray wash, sheet: 2 5/8 x 3 1/4 in. (6.7 x 8.3 cm), Drawings, S. Watson (British, active early 18th century

Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink, brush and brown wash over black chalk, over graphite underdrawing, 10 5/8 x 14 1/2 in. (27 x 36.8 cm), Drawings, Heinrich Friedrich Füger (German, Heilbronn

Right Half of Mirror Frame Design, 17th century, Pen and brown ink, over graphite underdrawing and ruled construction, sheet: 10 15/16 x 6 9/16 in. (27.8 x 16.6 cm), Drawings, Anonymous, Italian, 17th century

Design for a frame with foliates and putti, 17th century, Pen and brown ink, Sheet: 7 9/16 x 6 15/16 in. (19.2 x 17.7 cm), Anonymous, German, 17th century

Jar with Motifs of Plants and Water, Late Naqada II, ca. 3450–3300 B.C., From Egypt, Northern Upper Egypt, Abadiya, Cemetery R, Tomb R40H, EEF excavations 1898–99, Pottery, paint (Decorated ware), H: 21 cm (8 1/4 in.); diam: 20 cm (7

Schaeffer. Ignace. 42 ans, né à Berheim (Bas-Rhin) le 31/10/51. Ébéniste. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Christ on the Road to Calvary, 1731–93, Pen and ink, brush and wash on brown paper, sheet: 8 x 5 3/16 in. (20.3 x 13.1 cm), Drawings, Thaddäus Kuntz (Polish, Grünberg 1731–1793 Rome

Fragment, 4th–5th century, Said to be from Egypt, Antinopolis, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 40 3/16 in. (102 cm), Textiles-Rugs, This rug fragment is a rare example of an early textile that most certainly

No. 193a. Old Ponton Bridge at Prairie du chien, Wisconsin, 1885, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Tiger, 1810–75, Watercolor, Sheet: 4 11/16 x 6 15/16 in. (11.9 x 17.6cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Doorknob, ca. 1850, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, Diam. 2 1/2 in. (6.4 cm), Ceramics

Tablet with Design for a Carpet, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Ivory with pigment, 3 15/16 x 6 5/8 in. (10 x 16.8 cm), Ivories, The use of a precious material such as ivory to make a model of a carpet was

Studies for European-Style Portrait Miniatures and a Damsel Arranging Flowers, ca. 1870, Made in India, probably Rajasthan, Ink and watercolor on paper, Page: 12 x 10 1/8 in. (30.5 x 25.7 cm), Codices, This page comprises a series of

Headquarters of Capt. E.E. Camp, A.Q.M., at City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Disk Brooch, ca. 550–650, Frankish, Gold, wire, paste, iron core, cabochon, Overall: 1 1/8 x 3/8 in. (2.9 x 1 cm), Metalwork-Gold

Artillery Camp, City Point, Virginia, 1861–65, Albumen silver print from glass negative, 9.6 x 9.9 cm (3 3/4 x 3 7/8 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Zanini. Marie (veuve Milanaccio). 28 ans, née à Turin (Italie). Cuisinière. Vol. 18/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Holy Family with Angel, ca. 1550–53, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 33

Illustration for 'La Belle Vassilissa' [The Red Knight passes Vassilissa in the Forest], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 13/16 x 8 1/16 in. (27.4 x 20.5 cm), Drawings, Boris

晚清 青花釉裏紅戲劇故事圖鼻煙壺, Snuff bottle with scene of Peking Opera, Qing dynasty (1644–1911), late 19th century, China, Porcelain with underglaze red and blue, jadeite stopper, 3 5/8 x 1 1/4 in. (9.2 x 3.2 cm), Snuff

Woman Holding a Jug and a Study of her Head Seen from the Left, mid-17th century, Black chalk, heightened with white on blue paper., 6 13/16 x 5 1/16 in. (17.3 x 12.9 cm), Drawings, Cornelis Bega (Dutch, Haarlem 1631 or 1632–1664 Haarlem

Spechio di pensieri delle belle et Virtudiose donne, page 11 (verso), 1546, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top bottom, and left to right: Design composed of 6

Les Singuliers et Nouveaux Portraicts... page 49 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Feeding Cup, Late Middle Kingdom, Dynasty 12, late –13, ca. 1850–1700 B.C., From Egypt, Memphite Region, Lisht North, cemetery south-west of pyramid, 'toilet basket II, ' deposited, not with burial, Blue faience, paint, H. 3.5 cm (1

Ladies Amusement: Or, The Whole Art of Japanning Made Easy, 1760, Illustrations: etching and engraving, hand-colored, 7 7/8 x 12 5/16 x 1 3/16 in. (20 x 31.2 x 3 cm), Jean Pillement (French, Lyons 1728–1808 Lyons

Rear Wheel and Part of the Carved Wooden Structure of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over black chalk, sheet: 10 3/8 x 7 1/2 in. (26.4 x 19.1 cm), Anonymous, Italian, 18th century

Lucidario di Recami, page 16 (recto), 1564

Stole with Various Saints, 14th century, British, Silk & metal thread on velvet, Overall: 97 x 7 1/2 in. (246.4 x 19.1 cm), Textiles-Costumes-Ecclesiastical

Camp of Construction Corps, U.S. Military Railroad at City Point, 1861–65, Albumen silver print from glass negative, 14.4 x 20.8 cm (5 11/16 x 8 3/16 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Designs for borders and corners, acanthus, 1830–1904, Ink, graphite, Robert William Hume (British, London 1816–1904 Long Island City

'Asvatthama Fires the Narayana Weapon (Cosmic Fire) at the Pandavas', Folio from a Razmnama, ca. 1616–17, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: 15 1/16 x 9 7/16 in. (38.2 x 24 cm), Codices

Plate, ca. 1750–60, British, Tin-glazed earthenware, Diameter: 8 11/16 in. (22.1 cm), Ceramics-Pottery

[Major General William Tecumseh Sherman Wearing Mourning Armband], 1865, Albumen silver print from glass negative, Image: 8.5 x 5.4 cm (3 3/8 x 2 1/8 in.), Photographs, Among the first formal portraits to appear after President Lincoln’s

Fire-Offering Ladle, Ming dynasty (1368–1644), Yongle period (1403–24), Eastern Tibet, Derge, for China, Iron inlaid with gold and silver, L. 31 1/4 in. (79.4 cm), Metalwork, This ladle and its companion were used to make offerings of