Images at Librifly

Stucco relief panel, Early Imperial, Neronian, mid-1st century A.D., Roman, Stucco, H. 14 in (35.6 cm); width 13 3/8 in (34 cm); depth 2 3/4 in (7 cm), Miscellaneous-Stucco, Stucco played an important role in Roman construction and interior

Venus, Anchises and Cupid, 1780–1827, Watercolor, Sheet: 8 13/16 x 6 9/16 in. (22.4 x 16.7 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Battle Scene: a Cavalry Engagement, 17th century, Pen and brown ink, brush and gray wash over faint traces of black chalk, 7 5/16 x 11 5/16 in. (18.6 x 28.8 cm), Drawings, Jacques Courtois (French, Saint-Hippolyte 1621–1676 Rome

[Moorish Vase, Granada], 1880s–90s, Albumen silver print from glass negative, Photographs, Señan y Gonzalez (Spanish

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 3/4 × 3 1/8 in. (12.1 × 8 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Pint flask, 1850–60, Made in Lancaster, New York, United States, American, Free-blown molded aquamarine glass, H. 6 5/8 in. (16.8 cm), Glass, Lancaster Glass Works (1849–ca. 1881

Face from Half of Double Saddle Bag (Khorjin), ca. 1800, Country of Origin Northwestern Iran, Wool; sumak brocaded, pile weave, symmetrically knotted pile, H. 17 in. (43.2 cm), Textiles-Woven-Brocade

Serpent, 17th century (?), Italy?, possibly Italian, Wood, leather, Overall: 9.3 x 173cm (bell diameter x length of tube) (3 11/16 x 68 1/8in.), Aerophone-Lip Vibrated-horn

Vase, 1840–60, Made in New England, United States, American, Pressed amethyst glass, H. 9 5/8 in. (24.4 cm), Glass

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 3/4 in. (2.2 x 9.5 cm), Terracottas

Marble portrait of Marciana, sister of the emperor Trajan, Hadrianic, ca. A.D. 130–138, Roman, Marble, H. 12 1/4 in. (31.1 cm), Stone Sculpture, During the last quarter of the first century A.D. and the early decades of the second century

Frederick Langenheim, ca. 1849–50, Daguerreotype, Image: 11.7 x 8.6 cm (4 5/8 x 3 3/8 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Candlestick (one of a pair), Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel, H. 9 3/4 in. (24.8 cm); W. 4 3/4 in. (12.1 cm), Cloisonn

Box with Title Genji monogatari (The Tale of Genji), Edo period (1615–1868), 19th century, Japan, Gold maki-e with red lacquer, H. 1 1/2 in. (3.8 cm); L. 4 3/8 in. (11.1 cm), Lacquer

Dr. François Mêlier, 1849, Graphite with graphite framing lines, corrected with white, on buff wove paper, 12 11/16 x 9 3/4 in. (32.2 x 25 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), The physician

Woman wearing a yellow bonnet and polka-dot dress, n.d., Graphite, brush and watercolor and bodycolor, sheet: 17 5/8 x 10 3/8 in. (44.7 x 26.4 cm), Drawings, Léon Bakst (Russian, Grodno 1866–1924 Paris

Alexander the Great Offering His Concubine Campaspe to the Painter Apelles, 1793–1797, Black chalk (stumped), highlighted with white, on brownish paper, 12-1/16 x 16-7/8 in. (30.6 x 42.9 cm), Drawings, Gaetano Gandolfi (Italian, San Matteo

'The Crow King Consults his Ministers', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 6 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

[Allée of Trees, Pau], 1854, Salted paper print from paper negative, Image: 13 11/16 × 9 3/4 in. (34.7 × 24.7 cm), Photographs, W. H. Guebhard (active 19th century

Martyrdom of Saint Catherine of Alexandria, 1512–83, Pen and brown ink, 15-15/16 x 12-1/16 in. (40.5 x 30.7 cm), Drawings, After Bernardino Lanino (Italian, Vercelli or Mortara 1509/13– 1582/83 Vercelli

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, German,

Head of a Clay Figure (Dogū), Late Jomon period (ca. 1500–1000 B.C.), Japan, Earthenware, H. 2 1/8 in. (5.4 cm); W. 1 5/8 in. (4.1 cm); D. 1 1/2 in. (3.8 cm), Ceramics

Schulé. Armand. 21 ans, né le 28/2/73 à Choisy-le-Roi. Comptable. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, German,

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Black chalk, and pen and blue ink, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Ornamental Design, ca. 1694, Pen and brown ink. Border in brush and brown wash., 7 1/16 x 6 in. (17.9 x 15.2 cm), Jacob Roer

Cylindrical Vase, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial D 1, in bowl 16.10, 1915–16, Wood, H. 8 cm (3 1/8 in

Salad Plate, 1885–87, Made in Brooklyn, New York, United States, American, Porcelain, Diam. 7 3/8 in. (18.7 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and inventive American

Osiris Shroud, Roman Period, ca. A.D. 125, From Egypt, Linen, paint, 98 x 82 cm (38 9/16 x 32 5/16 in

Les Singuliers et Nouveaux Portraicts... page 10 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 24v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Age of Iron, 1520s–30s, Pen and brown ink, sheet: 8 x 12 3/8 in. (20.3 x 31.5 cm), Drawings, Attributed to Alonso Berruguete (Spanish, Paredes de Nava (Palencia) 1486–1561 Toledo

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue and brown ink, graphite, with slight traces of red chalk, 2 13/16 x 3 15/16 n. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Gold-glass mosaic bowl fragment, Hellenistic, early 2nd century B.C., Greek, Glass; cast, H.: 3 3/8 in. (8.5 cm), Glass, Colorless, colorless with purple tinge, translucent cobalt blue, opaque white, opaque yellow, and gold leaf.,

High-Tin Bronze Bowl, 11th century, Attributed to Afghanistan, probably Ghazni, High-tin bronze; cast, chased, punched, engraved, H. 6 15/16 in. (17.6 cm), Metal, Abu Nasr al-Naqqash, High tin bronze was an alternative to silver,

Traveling set with glass beaker in case, 1777–79, German, Augsburg, Gilded silver, steel, glass, dyed and gold-tooled leather, velvet, Length (Fork [a]): 7 7/8 in. (20 cm), Metalwork-Silver, Some members of Central and Southeastern

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 90 1/2 x 84 1/2 x 6 in. (229.9 x 214.6 x 15.2 cm), Stone-Reliefs-Inscribed, In most rooms of the Northwest Palace at Nimrud

Bull Run, 1861–62, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902), Timothy H. O'Sullivan (American, born Ireland, 1840–1882), George N. Barnard (American, 1819–1902

청자 상감 국화 물가 풍경 무늬 합 고려, 靑磁象嵌菊花柳蘆水禽文盒 高麗, Covered box decorated with chrysanthemums and waterfowl among lotus, Goryeo dynasty (918–1392), 13th century, Korea, Stoneware with inlaid

Saint Catherine of Siena Beseeching Christ to Resuscitate Her Mother, ca. 1447–65, Tempera and gold on wood, 11 x 8 5/8 in. (27.9 x 21.9 cm), Paintings, Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena), This

Bull Run. Blackburn's Ford, ca. 1862, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Kohl jar, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Tomb R 3, Burial B 1, In coffin, 1915–16, Travertine (Egyptian

Le reflet (profile), 1860s, Albumen silver print from glass negative, 7.6 x 10.2 cm. (3 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Secretary and bookcase, 1795–1805, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, mahogany and satinwood, 106 1/2 x 85 1/2 in. (270.5 x 217.2 cm), Furniture, This bookcase with a secretary or writing compartment in

Demitasse Cup and Saucer, 1885–87, Made in Brooklyn, New York, United States, American, Porcelain, Cup: H. 1 15/16 in. (4.9 cm); Diam. 2 13/16 in. (7.1 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one

Snuff bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Stained walrus tusk with coral stopper, H. 2 1/2 in. (6.4 cm), Snuff Bottles

Limestone model of chariot drawn by two horses, Classical, 1st half of. 5th century B.C., Cypriot, Limestone, Overall: 6 1/4 x 6 1/2 x 7 1/4 in. (15.9 x 16.5 x 18.4 cm), Stone Sculpture, The chariot box of this model is divided into two

Buddhist Priest's Robe (Kesa) with Pattern of Swallows among Willow Branches, 柳に燕模様袈裟, Edo period (1615–1868), 18th century, Japan, Brocaded twill with supplementary weft patterning; silk and metallic thread, Overall: 48 x 78

Swans in Central Park, 1906, Oil on canvas, 18 3/8 x 21 3/8 in. (46.7 x 54.3 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York), Having given up his studies at Ohio State University after three years, Bellows

Design for the Wrought-Iron Entrance Grille of a Chapel, ca. 1700–1720 , Pen and gray ink, brush and grey, brown, red, and blue wash, 23 13/16 x 11 1/16 in. (60.5 x 28.1 cm), Gilles-Marie Oppenord (French, Paris 1672–1742 Paris

Christ Carrying the Cross, 1720–61, Brush and gray ink, pen and black ink, over graphite on blue paper, 6-3/4 x 11-3/8 in. (17.1 x 28.9 cm), Drawings, Johann Wolfgang Baumgartner (German, Kufstein 1712–1761 Augsburg

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 37 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, L. 8 11/16 in. (22 cm), Textiles

Design for Left Side of an Altarpiece Frame, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled and compass construction, Overall: 10 5/16 x 4 5/8 in. (26.3 x 11.8 cm), Drawings, Anonymous, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 43r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Marble head of a child, Hellenistic, 2nd century B.C., Greek, Marble, H.: 5 11/16 in. (14.4 cm), Stone Sculpture, Freestanding stone statues of children were made in the Hellenistic period as votive offerings dedicated to the gods in their

Défilé sur le Pont-Royal, May 1, 1844, Daguerreotype, Image: 6 1/16 × 4 7/16 in. (15.4 × 11.3 cm), Photographs, Marie-Charles-Isidore Choiselat (French, 1815–1858), Stanislas Ratel (French, 1824–1904), In January 1839 the Romantic

Terracotta horse and rider, Cypro-Archaic I, ca. 750–600 B.C., Cypriot, Terracotta; hand-made, H. 9 1/4 in. (23.5 cm), Terracottas, In all parts of the Greek world, only the wealthy owned horses. Depictions of horses became increasingly

Alto saxophone in E-flat, ca. 1855, Paris, France, French, Brass, Height: 24 in. (61 cm), Aerophone-Reed Vibrated-single reed cylindrical, Adolphe (Antoine Joseph) Sax (Belgian, Dinant, Belgium 1814–1894 Paris), When the saxophone was

元 剔黑高士圖撞盒, Tiered Box with Scholar-Official in a Landscape, Ming dynasty (1368–1644), late 14th century, China, Carved black lacquer on gilded ground, H. 5 1/8 in. (13 cm); Diam. 4 7/8 in. (12.4 cm), Lacquer, This unusual

Marble head of a Greek general, Imperial, 1st–2nd century A.D., Roman, Marble, Pentelic ?, 19 1/8 in. (48.6 cm), Stone Sculpture, Copy of a Greek bronze statue of the middle of the 4th century B.C.. This powerful portrayal of a man of

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 10 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 7/8 in. (9.8 cm); Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Decorated ware jar with boats and human figures and falcon-styled lugs, Predynastic, Naqada II, ca. 3450–3300 B.C., From Egypt, Pottery, paint, h. 25.5 x w. 25.5 cm (10 1/16 x 10 1/16 in

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Terracotta model of a ship, Cypro-Archaic II, 6th century B.C., Cypriot, Terracotta; hand-made, H. 3 5/8 in. (9.19 cm), Terracottas, Terracotta ship models from Cyprus are known from the early second millennium B.C. The quality of models and

Crossbow of Matthias Corvinus, King of Hungary (reigned 1458–1490), dated 1489, possibly Vienna, Central or Eastern European, possibly Vienna, Wood, horn, animal sinew, staghorn, birch bark, iron alloy, L. 29 in. (73.7 cm); W. 24 in.

Pitcher, 1847–48, Made in Bennington, Vermont, United States, American, Parian porcelain, 6 7/8 x 5 1/8 x 4 1/4 in. (17.5 x 13 x 10.8 cm), Ceramics, Fenton's Works (1847–1848

Set of ten dishes, Yuan (1271–1368)–Ming dynasty (1368–1644), 1271–1644, China, Black lacquer, Each: H. 7/8 in. (2.2 cm); Diam. 7 in. (17.8 cm), Lacquer

Design for a Painted Glass with Scene from the New Testament, 1598, Pen and black ink, brush and gray wash, sheet: 12 9/16 x 8 3/16 in. (31.9 x 20.8 cm), Christoph Murer (Swiss, Zurich 1558–1614 Winterthur

Frank Eugene as a Young Boy, 1880, Platinum print, Photographs, Unknown

Bracelet with Grapevine Pattern, late 6th–early 7th century, Made in possibly Constantinople, Byzantine, Gold - sheet, rod; engraved; wire - plain, beaded; granulation; strip - triangular sectioned., Overall: 2 1/4 x 1 7/16 x 2 5/16 in. (5.7

Design for an Urn, Supported by Three Children on a Piedestal with Sphinxes as Feet., 1600–1800, Pen, brush, and brown ink, 7-3/4 x 4-1/2 in, Drawings, Anonymous, Italian, 17th or 18th century

Portrait of Gaetano Filangieri, n.d., Brush and brown wash over graphite underdrawing., 6 11/16 x 4 9/16in. (17 x 11.6cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

White Tara, Accompanied by Twenty-One Emanations, 14th century, Tibet, Stone with polychrome, H. 15 1/4 in. (38.7 cm); W. 10 1/4 in. (26 cm); D. 3 1/2 in. (8.9 cm); Wt. 21 lbs (9.5 kg), Sculpture, The enthroned Tara grants boons to devotees.

Design for Side Table, 1841–84, Pen and black ink, brush and ink wash, sheet: 9 x 12 1/2 in. (22.8 x 31.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

The False Dawn, late 19th–early 20th century, Lithographic crayon, 9 x 6 13/16 in. (22.9 x 17.3 cm), Drawings, Lovis Corinth (German, Tapiau, Prussia 1858–1925 Zandvoort, Holland

Blade for a Sword (Katana), dated 1526, Japanese, Steel, L. 36 1/8 in. (91.8 cm); L. of blade edge 29 9/16 in. (75.1 cm); D. of curvature 3/32 in. (2.4 cm), Swords, Masazane was a swordsmith active in the late Muromachi period in Ise (in

Bottle with Pommel Scrolls, Yuan dynasty (1271–1368), 14th century, China, Silver with incised designs, H. 7 1/2 in. (19.1 cm); Diam. 4 1/2 in. (11.4 cm), Metalwork

Terracotta kylix: eye-cup (drinking cup), Archaic, ca. 530 B.C., Greek, Attic, Terracotta; black-figure, H. 6 1/4 in. (15.9 cm), Vases, Interior, gorgoneion (Gorgon's face), Exterior, obverse, between eyes, Dionysos, the god of wine,

Saint Michael Expelling the Fallen Angels, 16th century, Pen and brown ink, brush with brown, rose, blue-green wash, over black chalk, highlighted with white gouache on light brown paper, 10-1/16 x 7-5/16 in. (25.6 x 18.6 cm), Drawings,

Elongated Buckle, 7th century (?), Made in Niederbreisig, Germany, Langobardic or Frankish, Copper alloy, Overall: 4 3/8 x 1 5/16 x 1/2 in. (11.1 x 3.3 x 1.2 cm), Metalwork-Copper alloy

Julia Herschel, 1865, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

[Exterior View of Facade and Fountains; Exterior View of Side Pavilion; Exterior Side View of Central Transept; Exterior Side View of Central Trancept with Reclining Figure in Foreground], ca. 1859, Albumen silver print from glass negative, 7.9 x

Design for a Candelabra, early 19th century, Pen, ink, and wash, 5-1/8 x 6-1/2 in, Drawings, Anonymous, Italian, early 19th century

Papyrus column amulet, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, H. 14 cm (5 1/2 in), This amulet, meant to be worn, carried, or offered to a deity in the belief that it will magically bestow a particular power or

Havard. Octave, Onésime. 25 ans, né à Hedouville (Calvados). Polisseur. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Illustration for 'Snegurochka' [Lel and Snegurochka], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 13/16 x 8 1/16 in. (27.5 x 20.5 cm), Drawings, Boris Zvorykin (Russian, Moscow

Bronze male figure, Late Minoan III, ca. 1400–1200 B.C. or later, Minoan, Bronze, H.: 2 1/8 in. (5.4 cm), Bronzes, Statuette of a male figure with long hair

Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: 'And She Shall be Called Woman) (recto); Sketch for the same (verso), ca. 1803, Watercolor, pen and black ink over graphite, Sheet: 16 3/8 × 13 1/16 in. (41.6 × 33.2 cm),

Gold Neck Ring, 5th century, East Germanic, Gold, Overall: 5 13/16 x 1/4 in. (14.7 x 0.6 cm), Metalwork-Gold, Among the Germanic peoples neck rings were worn by both men and women. The considerable weight—101.5 grams—indicates that this

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

[Soldier], 1845–50, Salted paper print from paper negative, Image: 4 3/16 × 3 3/16 in. (10.6 × 8.1 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 7 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Folio from the Bellini Album, ca. 1600, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, 7.87 in. high 5.25 in. wide (20.5 cm high 13.3 cm wide), Codices

'The Man who Discovers the Treasure has it Carried Away by Hired Workmen', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Project for an Altar, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing and ruled construction, sheet: 16 1/4 x 12 5/16 in. (41.3 x 31.3 cm), Drawings, Anonymous, Italian, 17th century

Design for One Half of an Overdoor, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled construction, sheet: 11 1/2 x 8 1/4 in. (29.2 x 21 cm), Drawings, Anonymous, Italian, Piedmontese, 18th