Images at Librifly

Chasuble, 16th century, Italian or Spanish, Silk and metal thread, L. 44 inches (111.8 cm

Pharmacy bottle (one of a pair), ca. 1550, Italian, Castelli, Maiolica (tin-glazed earthenware), Overall (confirmed): 15 1/8 × 10 1/4 × 8 9/16 in. (38.4 × 26 × 21.7 cm), Ceramics-Pottery, Storage vessels were among the most frequently

Morane. Antoine. 35 ans, né à Chalinargue (Cantal). Manœvre. Anarchiste. 6/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

The Best of Friends Must Part, ca. 1878, Graphite, Sheet: 10 7/8 x 7 1/2 in. (27.6 x 19.1 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London), Tenniel's made this design for a wood engraving published in the London periodical

Signal Tower, Cobb's Hill, Appomattox River, 1864, Albumen silver print from glass negative, 10.1 x 9.9 cm (4 x 3 7/8 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

藤紫絽地波千鳥模様単衣, Unlined Summer Kimono (Hito-e) with Plovers in Flight over Stylized Waves, Taishō period (1912–26), Japan, Embroidered and resist-dyed silk gauze (ro), H (shoulder to hem) 61 in. (154.9 cm); W (wrist opening

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Design for furniture in a variation on the style of Thomas Sheraton, a desk or bookcase, a plate-warmer (?) pedestal, and a cradle, 1810–20, Gray ink and wash, Sheet: 11 x 7 11/16 in. (27.9 x 19.5 cm), Drawings, Anonymous

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 3 (verso), 1556, Woodcut, Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design

Silver sanguisuga-type fibula (safety pin), Geometric, 8th–7th century B.C., Italic, Silver, Other: 1 7/16 in. (3.7 cm), Gold and Silver, Sanguisuga ('leech') fibulae have arched bows with closed undersides

'Sarrazin' Wallpaper, ca. 1917, Printed paper, 36 x 22 1/2 in. (91.4 x 57.2 cm), Wallpaper, Ruhlmann used the same basic motif—a stylized Cedar of Lebanon tree set within an irregular circle—on this wallpaper and a related textile. The

清 玉髓俏色梅竹花插, Vase with bamboo and plum tree, Qing dynasty (1644–1911), 18th century, China, Chalcedony, H. 5 3/4 in. (14.6 cm), Hardstone

Cup, 1815–30, Made in Paris, France, French, Porcelain, Overall: 2 1/2 x 4 1/4 x 3 9/16 in. (6.4 x 10.8 x 9 cm), Ceramics

Near Glaris [Glarus], Switzerland, September 2, 1781, Pen and black ink, brush and gray wash, over traces of graphite, on white laid paper, sheet: 18 3/8 x 11 3/16 in. (46.6 x 28.4 cm), Drawings, Francis Towne (British, Isleworth,

Vessel Stamp, 751–58, Attributed to Egypt, Glass, H. 7/16 in. (1.1 cm), Glass

Belt Buckle, late 6th–early 7th century, Frankish, Iron, silver inlay, Overall: 4 3/8 x 2 1/16 x 11/16 in. (11.1 x 5.3 x 1.8 cm), Metalwork-Iron

Opera Nova Universali intitulata Corona di racammi, page 4 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Destruction of Hood's Ordinance Train, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 5/8 x 4 3/4 in. (4.1 x 12.1 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 23 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 11(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Prince Shotoku at Age Sixteen, Nanbokuchō period (1336–92), 14th century, Japan, Painted wood with inlaid crystal eyes, H. 30 1/4 in. (76.8 cm); W. 12 3/4 in. (32.4 cm); D. 11 1/8 in. (28.3 cm); H. (with base) 32 3/4 in. (83.2 cm),

The Parable of the Wise and Foolish Virgins, ca. 1799–1800, Watercolor, pen and black ink over graphite, Sheet: 14 3/16 × 13 1/16 in. (36 × 33.2 cm), Drawings, William Blake (British, London 1757–1827 London), Blake painted four

Holy Family with St. John the Baptist and Angels, ca. 1550–55 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 34

Filigree Casket with Sliding Top, 17th century, Made in India, probably Goa, Silver filigree; parcel-gilt, H. 5. 1/8 in. (13 cm), Metalwork, While filigree was an established tradition in the Deccan in the middle ages, with the cultural

Arcadian Landscape with several Figures and a Statue of Diana, 18th century, Watercolor and gouache, sheet: 8 15/16 x 13 13/16 in. (22.7 x 35.1 cm), Drawings, Gerard Melder (Dutch, Amsterdam 1693–1754 Utrecht

Interior with Four Armchairs, a Round Mirror, Demilune Table and Framed Prints or Drawings, late 18th century, Pen and black ink, sheet: 6 1/2 x 9 1/16 in. (16.5 x 23 cm), Anonymous, British, late 18th century

Souâdj, Cimetière Musulman et Tombeau de Mouràd-Bey, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.0 x 30.0 cm. (9 7/16 x 11 13/16 in.), Photographs, Félix Teynard (French, 1817–1892

Elevation of a Columbarium, 1710–27, Pen and brown ink, brush and brown wash, over ruling in graphite, 13-3/16 x 17-11/16 in. (33.5 x 44.9 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Design for Piccolo Pianoforte, Louis Quatorze Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Wearing Blanket, 1865–75, United States, Arizona or New Mexico, Navajo, Wool, Overall: 65 1/2 x 53 1/2 in. (166.4 x 135.89 cm), Textiles-Woven

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 13 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design is

Hermaphrodite, 17th century, Red chalk heightened with white, 9 1/16 x 14 1/2 in. (23 x 36.8 cm), Drawings, Attributed to Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Design for Armchair, François Premier Style, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Kamala/ Bhairavi, 1885–90, India, Chromolithographic print on paper, Image: 11 1/4 × 15 1/4 in. (28.6 × 38.7 cm), Prints

Design for One Half a Chapel with the Dove of the Holy Ghost above the Main Altar, and a Statue of an Evangelist at right., 1700–1780, Pen and brown ink, brush with gray and light red-chalk wash, over black chalk, with ruled construction, 16

Half of Double Saddle Bag (Khorjin), ca. 1850, Country of Origin Northwestern Iran, Wool; sumak brocaded, slit tapestry weave, H. 26 in. (66 cm), Textiles-Woven-Brocade

黒平絹地富士図羽織 男物, Man's Formal Jacket (Haori), Edo period (1615–1868), early 20th century, Japan, Dye-patterned and painted plain-weave silk, Overall: 45 x 51 5/8 in. (114.3 x 131.1 cm), Costumes, By the early twentieth

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 30 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Relief plaque with quail chick, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 12.4 cm (4 7/8 in.); W. 9.7 cm (3 13/16 in.); D. 2 cm (13/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a

Design for the Decoration of the Grip of a Pocket Pistol, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 4 x 3 1/2 in. (10.2 x 8.9 cm), Works on Paper-Drawings

Card Table, 1810–20, Made in New York, New York, United States, American, Mahogany, mahogany veneer, gilded brass, 28 1/2 x 36 in. (72.4 x 91.4 cm), Furniture, At the time when this card table was acquired from the collection of Louis

Pendant: Ajax carrying the body of Achilles, Archaic, 6th–5th century B.C., Etruscan, Amber, Other: 4 x 2 9/16 x 1 1/8 in. (10.1 x 6.5 x 2.9 cm), Miscellaneous-Amber, The figures of Ajax and Achilles- Ajax wearing a helmet, is carrying over

General Grant's Council of War, Massaponax Church, Virginia, May 21, 1864, Albumen silver print from glass negative, 8.7 x 10.8cm (3 7/16 x 4 1/4in.), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), This small,

Medici vase with a scene of the park at Saint-Cloud (one of a pair), 1811, French, Sèvres, Hard-paste porcelain, gilt bronze, Overall (confirmed): 27 1/4 x 18 1/2 x 18 1/2 in. (69.2 x 47 x 47 cm), Ceramics-Porcelain, Jean François Robert

Design for Thatched Cottages for Mrs. Kingsley, 1910, Pen and ink, over graphite, with watercolor, sheet: 21 1/4 x 14 1/2 in. (54 x 36.8 cm), Charles Edward Mallows (British, 1864–1915

Limestone statue of a beardless male votary with a wreath of leaves, Cypro-Archaic II, ca. 550–525 B.C., Cypriot, Limestone, Overall: 24 x 13 1/8 x 6 1/2 in. (61 x 33.3 x 16.5 cm), Stone Sculpture, Male figure with long hair, frontlet of

The Artist in His Studio, 1636, Pen and black ink, gray and brown wash, watercolor, sheet: 4 x 5 15/16 in. (10.2 x 15.1 cm), Drawings, Ruprecht Bartz (German, active ca. 1636

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 7v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Mayence. Gustave, David. 33 ans, né le 29/5/60 à Paris XVllle. Tapissier. Anarchiste. 17/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Jérusalem. Mosquée d'Omar, construite sur l'emplacement su Temple de Salomon, 1860 or later, Albumen silver print from paper negative, Image: 8 7/16 × 11 1/8 in. (21.5 × 28.2 cm), Photographs, Louis de Clercq (French, 1837–1901

Rey. Claude. 23 ans, né le 24/5/70 au Creusot (Saone & Loire). Ébéniste. Anarchiste. 12/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 6v), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Engaged diptych moldings, ca. 1300–1325, Italian, Tuscan, Spruce, 6 3/8 x 4 5/8 in. (16.2 x 11.7cm), Frames, Tuscany

Burgonet, ca. 1550, French, Steel, gold, H. 14 in. (35.6 cm); W. 8 1/4 in. (21 cm); D. 14 1/4 in. (36.2 cm); Wt. without buffe 4 lb. 3 oz. (1905 g), Helmets, The medallions on either side of the bowl are embossed with scenes from Greek

Bottle, Feline Face, 4th–3rd century B.C., Peru, Ica Valley, Paracas, Ceramic, postfired paint, H. 7 x Diam. 5 1/2 in. (17.78 x 13.97 cm), Ceramics-Containers, In the second half of the first millennium B.C., a favorite vessel form on

Design for a Cottage Ornée in the Tudoresque Style, late 18th–early 19th century, Watercolor over pen and black ink, sheet: 3 x 8 3/8 in. (7.6 x 21.3 cm), Humphry Repton (British, Bury St. Edmonds, Suffolk 1752–1818 Romford, Essex

Potomac Creek Railroad Bridge, A.C. & F. Railroad, 1861–65, Albumen silver print from glass negative, Photographs

Study with Two Alternate Designs for a Cartouche, 19th century, Pen and brown ink over black chalk or graphite, sheet: 9 1/8 x 6 15/16 in. (23.2 x 17.6 cm), Anonymous, Italian, 19th century

Mrs. Wilm, 1909, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 35 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Relief from the Chapel of the Overseer of the Troops Sehetepibre, Middle Kingdom, Dynasty 13, ca. 1802–1640 B.C., From Egypt, Limestone, paint, H. 30.5 cm (12 in.); W. 49.2 cm (19 3/8 in.); Th. 9.7 cm (3 13/16 in

Jar, Edo period (1615–1868), ca. 1625, Japan, Porcelain painted with underglaze blue (Hizen ware), H. 7 3/8 in. (18.7 cm); Diam. 6 5/8 in. (16.8 cm), Ceramics

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, German,

Llanberis, Group of Three Welsh Peasants, 1850s–1910s, Albumen silver prints, Mount: 8.3 x 17.3 cm (3 1/4 x 6 13/16 in.), Photographs, Unknown (British

Design for a Medal, ca. 1738, Red chalk; red chalk wash surrounding design, 8 11/16 x 8 13/16 in. (22.1 x 22.4 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Projections of Columns, 18th century, Pen and black ink, gray and brown wash, sheet: 11 1/2 x 16 3/4 in. (29.2 x 42.5 cm), Anonymous, British, 18th century

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Tomb Design with Reclining Figure on Sarcophagus, 16th century, Pen and brown ink, brush and brown wash, sheet: 13 x 9 1/2 in. (33 x 24.2 cm), Drawings, Anonymous, Italian, 16th century

[Meyer George von Bremen], 1860s, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs, Heinrich Graf (German, active 1860s

Over-life-sized marble portrait, probably of the empress Sabina, Hadrianic, ca. A.D. 121–128, Roman, Marble, 14 3/4 in. (37.5 cm), Stone Sculpture, This imposing head probably comes from a statue of Sabina, wife of the emperor Hadrian. The

Illustration for 'Maria Morevna' [Koshchey the Deathless carries off Maria Morevna], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 15/16 x 8 3/16 in. (27.8 x 20.8 cm), Drawings, Boris

Harpokrates, Ptolemaic Period, 332–30 B.C., From Egypt; Possibly from Eastern Delta, Tanis (San el-Hagar), Cupreous metal, H. without tang 36.5 cm (14 3/8 in.); W. 10 cm (3 15/16 in.); D. 13.3 cm (5 1/4 in.), Harpokrates, or Horus the

Design for a Panel Decorated with A Bundle of Foliage, A Crown and a Shell, 18th century, Ink and brown wash, 2-3/4 x 4-3/4 in, Anonymous, Italian, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 33 (recto), Publisher, Designer, Libraria del Giesu, Pietro Paulo Tozzi, Italian, active 1593–1628,

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 6 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 31 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

The Archangel Raphael and Tobias, early to mid-1460s, Tempera and gold on wood, Overall, with engaged frame, 11 7/8 x 9 1/8 in. (30.2 x 23.2 cm); painted surface 10 3/8 x 7 1/2 in. (26.4 x 19.1 cm), Paintings, Workshop of Neri di Bicci

'Great Hornbill', Folio from the Shah Jahan Album, recto: ca. 1540; verso: ca. 1615–20, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by Mansur (active ca. 1589–1626), The

Ein new Modelbuch..., page 8 (verso), October 22, 1524, Woodcut, 7 5/16 x 5 3/8 in. (18.5 x 13.6 cm), Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 2 vertical columns. Left

Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway, ca. 1750, Graphite, pen and ink, wash and yellow watercolor, sheet: 10 3/4 x 14 1/2 in. (27.3 x 36.8 cm), Attributed to Thomas Lightoler (British,

Decorated Support for Rear of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 10 x 4 1/4 in. (25.4 x 10.8 cm), Anonymous, Italian, 18th century

Bread basket, Paul de Lamerie (British, 1688–1751, active 1712–51), 1744/45, British, London, Silver, Overall (with handle, confirmed): 11 1/4 x 14 1/4 x 12 in., 65 oz. 11 dwt. (28.6 x 36.2 x 30.5 cm, 2.0395kg), Metalwork-Silver,

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 27r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Iron candelabrum, Hellenistic, early 3rd century B.C., Etruscan, Bronze and iron, H.: 34 3/4 in. (88.3 cm), Miscellaneous-Iron, This candelabrum has a wick trimmer attached

Le Kaire, Mosquées d'Iscander-Pacha et du Sultan Haçan, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 30.6 cm. (9 5/16 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

An Architectural Scene, late 17th–early 18th century, Pen and brown ink, brush and gray wash. Tacked down to mount., 11 13/16 x 7 1/16 in. (30 x 18 cm), Drawings, Johann Melchior Füssli (Swiss, Zurich 1677–1736 Zurich

[Marble Stairway Decorated with Architectural Sculpture], 1880s, Albumen silver print from glass negative, Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 5 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Cassandra preventing Deiphobe from killing Paris, 16th century, Pen and brown ink, brush and brown wash, heightened with white, over slight traces of black chalk, 3 9/16 x 13 7/8 in. (9 x 35.2 cm), Drawings, Jean Cousin the Elder (French,

Design for a Tomb or Wall Monument, 17th century, Pen and brown ink, over traces of graphite and ruled underdrawing, sheet: 11 15/16 x 8 11/16 in. (30.4 x 22 cm), Drawings, Anonymous, Italian, 17th century

Box with “Pommel Scroll” Design, Yuan dynasty (1271–1368), 14th century, China, Carved red, black, and yellow lacquer, H. 1 1/4 in. (3.2 cm); Diam. 3 3/8 in. (8.6 cm), Lacquer

Panel, early 9th century, From Iraq, probably Baghdad. Found Iraq, Takrit, Wood (teak); carved, H. 29 1/2 in. (74.9 cm), Wood, The carved vine leaves, scrolls, border designs, and other details of this panel are typical of early Islamic

Architectural detail with Female Figures, 17th century, Pen and brown ink, brush and brown wash, over red chalk underdrawing, sheet: 12 15/16 x 4 3/16 in. (32.8 x 10.6 cm), Anonymous, Italian, 17th century

Plate from Book of Vases, 18th century, Etching, Plate: 13 7/8 × 9 1/16 in. (35.3 × 23 cm), Jacques de La Joue the Younger (French, Paris 1686–1761 Paris

Pair of Candlesticks, Momoyama period (1573–1615), 16th century, Japan, Negoro ware, red lacquer, H.16 1/2 in. (41.9 cm), Lacquer

Qur'an of Ibrahim Sultan, dated A.H. 830/A.D. 1427, Attributed to Iran, probably Shiraz, Ink, opaque watercolor, and gold on paper; leather binding, H. 8 1/8 in. (20.6 cm) , Codices, Ibrahim Sultan (1394–1435), grandson of Timur and

68. Alexandrie. Colonne de Pompée, 1842, Daguerreotype, Image: 9 7/16 × 3 3/4 in. (24 × 9.5 cm), Photographs, Joseph-Philibert Girault de Prangey (French, 1804–1892

Baptismal Basin, ca. 1800, Made in Mexico, Mexican, Earthenware, Diam. 12 1/2 in. (31.8 cm), Ceramics

A Macaroni, May 4, 1771, Etching, plate: 6 x 4 3/16 in. (15.3 x 10.6 cm), Prints, After Edward Topham (British, York 1751–1820 Doncaster