Images at Librifly

A Road in Louveciennes, ca. 1870, Oil on canvas, 15 x 18 1/4 in. (38.1 x 46.4 cm), Paintings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), This picture, which is in effect drawn directly with paint, was almost certainly

Terracotta plank-shaped figurine, Middle Cypriot I, ca. 1900–1800 B.C., Cypriot, Terracotta; hand-made, H. 8 1/8 in. (20.7 cm), Terracottas, This is a classic example of the 'developed' plank-shaped figurine, with an elliptical body and

Chauvin. Émile. 18 ans, né à Paris IVe. Employé. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Design for the Decoration of Firearms, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 2 7/8 x 2 1/2 in. (7.3 x 6.4 cm), Works on Paper-Drawings

Fragment of a Kaftan Back, mid-16th century, Attributed to Turkey, probably Istanbul, Silk, metal wrapped thread; taqueté (seraser), Textile: L. 52 in. (132.1 cm), Textiles-Woven, This fragment originally was part of a kaftan back and is

Garden of Selvia, Syracuse, Sicily, 1846, Salted paper print from paper negative, Image: 6 15/16 × 8 9/16 in. (17.7 × 21.7 cm), Photographs, George Wilson Bridges (British, 1788–1864

Marble statue of an old woman, Early Imperial, Julio-Claudian, A.D. 14–68, Roman, Marble, Pentelic, H. 49 5/8 in. (125.98 cm), Stone Sculpture, Copy of a Greek work of the second century B.C.. During the Hellenistic period, artists became

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 30 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Obsidian leaf-shaped and tanged point, Neolithic, 5th–4th millennium B.C., Cycladic, Obsidian, 9/16 × 1 1/8 × 3/16 in. (1.5 × 2.8 × 0.5 cm), Miscellaneous-Stone, Leaf shaped head of obsidian with short tang. Underside is relatively flat

A View of the Piazza del Duomo, Messina, with the Fountain of Orion, the Cathedral to the right, late 17th century, Black chalk, pen and brown ink, brown wash, sheet: 12 x 12 1/4 in. (30.5 x 31.1 cm), Drawings, Willem Schellinks (Dutch,

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 2 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Portrait of Thomas Carlyle, 1860–70, Graphite and black ink wash, sheet: 14 7/16 x 10 1/2 in. (36.6 x 26.7 cm), Drawings, Walter Greaves (British, London 1841–1930 London

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 7/8 x 3 1/8 in. (17.5 x 7.9 cm), Ceramics

The Holy Family with the Infant Saint John the Baptist, ca. 1524–26, Oil on wood, 34 3/4 x 25 5/8 in. (88.3 x 65.1 cm), Paintings, Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome), Florentine by birth, Perino del

Old Man and Woman, Edo period (1615–1868), Japan, Hanging scroll; ink and color on silk, 11 3/4 x 16 1/2 in. (29.8 x 41.9 cm), Paintings, Attributed to Ogata Kōrin (Japanese, 1658–1716

The Scolding Fishwife, 17th century, Pen and ink, brush and brown wash, with traces of red chalk., sheet: 6 5/8 x 7 1/2in. (16.8 x 19.1cm), Drawings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam

Richmond, Virginia, after Evacuation, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Church Facade (after the French?), 1826–34, Graphite, sheet: 10 3/16 x 11 7/8 in. (25.9 x 30.2 cm), William Frome Smallwood (British, Peasemarsh, Surrey 1806–1834 Camberwell, London

Studies of a Monk in Ecstasy, 17th century, Red chalk on light tan paper, 5-7/16 x 4-7/8 in. (13.8 x 12.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Rochet. Théophile. 24 ans, né à Rennes (Ille-et-Vilaine) le 7/6/69. Cordonnier. Anarchiste. 18/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Design for a Title Page, 18th century (?), Pen and brown and brown-red ink, brush and brown wash. Laid down on mount. Incised for transfer., sheet: 11 7/8 x 7 13/16 in. (30.2 x 19.8 cm), Drawings, Anonymous, German, 18th century

Standing Figure of an Evangelist, 17th century, Pen and dark brown ink. On ivory paper, 7-1/16 x 4-9/16 in. (18.0 x 11.6 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Marble disk with a herm of Dionysus in relief, Early Imperial, 3rd quarter of 1st century A.D., Roman, Marble, diameter 8 1/4in. (21cm), Stone Sculpture, Bearded Dionysos with wreath of grape leaves. In Roman houses such decorative discs were

Welcoming Descent of Jizō, 地蔵来迎図, early 14th century, Japan, Hanging scroll; ink, color, gold, and cut gold on silk, Image: 42 in. × 15 7/8 in. (106.7 × 40.3 cm), Paintings, Among the many iconographies of the bodhisattva Jizō

Cylinder seal and modern impression: seated goddess before figures carrying boxes, one placed on 'altar', Early Dynastic IIIa, ca. 2600–2500 B.C., Mesopotamia, Sumerian, Marble, 0.93 in. (2.36 cm), Stone-Cylinder Seals

Terracotta oinochoe (jug), Hellenistic, ca. 300 B.C., Etruscan, Terracotta; Malacena black-glaze, H. 8 1/16 in. (20.5 cm), Vases, The type, which clearly imitates more expensive metal vessels, is associated with Volterran workshops. In this

Furniture Hardware, 1820–30, Possibly made in France; Possibly made in England, Gilt brass, Overall: H. 1 in. (2.5 cm); Diam. 8 in. (20.3 cm), Metal

Harlech Castle across the Traeth Mawr, 1800–1842, Watercolor over graphite, heightened with scratching out, sheet: 5 1/2 x 9 1/4 in. (14 x 23.5 cm), Drawings, John Varley (British, London 1778–1842 London), As a founding member of the

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 14 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

鼠婚礼蒔絵盃, One of a Pair of Wine Cups (Sakazuki) with Mice’s Wedding, Edo period (1615–1868), 19th century, Japan, Red lacquer ground with gold and silver maki-e, black lacquer, and gold foil, H. 1 5/8 in. (4.1 cm); Diam. 4 3/8

Cylindrical Stack of Food Boxes with Decoration of Autumn Fruits, Edo period (1615–1868), 17th century, Japan, Gold maki-e on black lacquer, H. 8 3/4 in. (22.2 cm); Diam. 5 3/8 in. (13.7 cm), Lacquer

Fragment, 10th–11th century, Attributed to Egypt, Fustat, Linen and silk, Textile: L. 10 1/4 in. (26 cm), Textiles-Woven

Egg Cup, 1880–90, Made in England, Pressed purple marble glass, H. 2 5/8 in. (6.7 cm), Glass

Portrait of a Man, Said to Be Philip Wharton (1613–1696), Fourth Baron Wharton, 1648, Vellum on prepared card, Oval, 2 3/4 x 2 1/4 in. (69 x 56 mm), Miniatures, John Hoskins (British, active by ca. 1615–died 1665

Woman Seated on a Sofa, 1865–1915, Watercolor over graphite, with touches of gouache, sheet: 4 7/8 x 6 7/8 in. (12.4 x 17.5 cm), Drawings, Walter Crane (British, Liverpool 1845–1915 Horsham

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Other: 1 5/8 x 5 1/4 in. (4.1 x 13.3 cm), Terracottas

Washington. Harewood Hospital, 1861–65, Albumen silver print from glass negative, 15.8 x 21.1 cm (6 1/4 x 8 5/16 in. ), Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 13 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Quartermaster cargoes and transports, Pamunkey River, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 13 (recto), 1610

Cuneiform tablet: student exercise tablet, Old Babylonian, ca. 20th–16th century B.C., Mesopotamia, Babylonian, Clay, 7.6 x 2.9 cm (3 x 1 1/8 in.), Clay-Tablets-Inscribed, This lenticular clay tablet was used to help scribes learn to write

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 7/8 x 3 1/4 x 2 1/8 in. (7.3 x 8.3 x 5.4 cm), Ceramics

Design for a Book Illustration, 17th century, Brush and gray wash, pen and brown ink over graphite, sheet: 5 1/8 x 3 1/2 in. (13 x 8.9 cm), Drawings, Attributed to William Faithorne the Elder (British, London ca. 1616–1691 London

Breastplate with Tassets, ca. 1530, Augsburg, German, Augsburg, Steel, copper alloy, leather, H. 34 1/2 in. (87.6 cm); W. 14 in. (35.6 cm); Wt. 11 lb. 6 oz. (5160 g), Armor Parts-Breastplates, Originally this armor would have included a

Andromeda, after Agostino Carracci, 18th century, Red chalk. Inlaid into french mount with brown and gold framing lines., 6 1/8 x 4 1/2 in. (15.6 x 11.4 cm); Mount: 8 7/8 x 7 5/16 in. (22.6 x 18.55 cm), Drawings, Pieter Tanjé (Dutch, Bolsward

Terracotta pyxis (cylindrical box), Late Minoan III, ca. 1400–1100 B.C., Minoan, Terracotta, diameter 10 1/4in. (26cm), Vases, While the painted decoration on pottery of Postpalatial Crete is not as fine as the earlier works produced in the

The Duke of Queensbury's House, Piccadilly, 19th century, Watercolor and ink, sheet: 12 1/4 x 8 1/4 in. (31.1 x 21 cm), Drawings, Anonymous, British, 19th century

Lamp, Greek or Roman, Terracotta, Overall: 7/8 x 3 3/8 in. (2.2 x 8.6 cm), Terracottas

Mars and Venus, Engraving, Prints, Engraved by Giovanni Battista Scultori (Italian, 1503–1575), In Mariette Album, folio 66 bottom

[Union Soldier Holding Rifle, with Photographer's Posing Stand], 1861–65, Ambrotype, Visible: 8.7 x 6.5 cm (3 7/16 x 2 9/16 in.), oval, Photographs, Unknown (American), The purpose of the odd pronged apparatus seen in this portrait of a

Emperor Napoleon III, March 1860, Albumen silver print, Image: 13.7 × 9.1 cm (13.7 × 9.1 cm), arched top, Photographs, Olympe Aguado de las Marismas (French, Paris 1827–1894 Compiegne

Gold Belt Mount (Miscast and Unfinished), 700s, Avar, Gold, 2 1/8 × 1 5/8 × 1/2 in., 2.54 Troy Ounces (5.4 × 4.1 × 1.3 cm, 79g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some

Drawings and Prints, Books Prints Ornament & Architecture, Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 4 (recto), Publisher, Author, Alessandro de' Vecchi, Cesare Vecellio, Italian, active Venice, 1570–1629,

Pair of bronze cista (toiletries box) feet with panthers attacking cranes, Late Classical-Hellenistic, ca. 350–300 B.C., Praenestine, Bronze, H.: 3 1/4 in. (8.3 cm), Bronzes, The attachments on these lion's-paw feet show a panther attacking

Herons in Landscape, 1810–75, Watercolor on wove paper, 6 5/8 x 8 3/4 in. (16.8 x 22.3cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Terracotta statuette of a goddess, mid to late 2nd century B.C., Greek, Terracotta, 24 13/16 in. (63 cm), Terracottas, This large statuette belongs to a class of statuettes produced to imitate or echo monumental sculptures in bronze or marble.

Biblicae Historiae, Artificiosissimis picturis effigiatae Per Sebaldum Behem Pictorem Francoforten/ Biblische Historien Künstlich fürgemalet. Durch den wolberümten Sebald Behem/ Malern zu Franckfurt, ca. 1540, Woodcut, 5 5/8 x 4 7/16 x 5/16

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 90 1/4 x 54 1/2 x 4 1/2 in. (229.2 x 138.4 x 11.4 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud

Landscape, 1900, Watercolor, graphite, Overall: 11 1/16 x 7 13/16in. (28.1 x 19.8cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

The Family of Darius before Alexander (recto); Sketch of a Horse-Drawn Cart, and Studies of Male Heads and an Infant (verso), 1717, Pen and brown ink, brush and gray wash, over traces of black chalk; squared in graphite or lead (recto). Framing

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Model of a House with Amorous Couple, 12th–early 13th century, Made in Iran, Stonepaste; molded, glazed in opaque white, luster-painted, H. 1 5/8 in. (4.1 cm), Ceramics, Ceramic house models may have been wedding gifts. The erotic imagery

Temple Model, 200 B.C.–A.D. 200, Mexico, Mesoamerica, Colima, Colima, Ceramic, H. 7 1/8 in., Ceramics-Sculpture, This small platform surmounted by a temple with a peaked roof may have once served as the lid for an incense burner

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Quart Decanter, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 10 1/4 in. (26 cm), Glass, Bakewell, Pears and Company (1836–1882

Servants, Batavia, 1860s–70s, Albumen silver print from glass negative, 16.5 x 21.6 cm (6 1/2 x 8 1/2 in.), Photographs, Unknown

The Portico with a Lantern, 1697–1768, Etching, plate: 11 13/16 x 16 15/16 in. (30 x 43 cm), Prints, Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice

The Comforts of Bath and Public Breakfast, 1780–1827, Watercolor, graphite, pen and ink, sheet: 4 7/8 x 11 5/16 in. (12.4 x 28.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Elevation of a Wall with Two Windows and Five Wall Lights, 19th century, Ink and watercolor, sheet: 5 1/8 x 10 11/16 in. (13 x 27.1 cm), Anonymous, British, 19th century

[Man in Top Hat Holding a Hammer and Wrench], 1860s– early 70s, Tintype, Image: 8.1 x 6 cm (3 3/16 x 2 3/8 in.), Photographs, Unknown (American

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 4 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

Essempio di recammi, page 4 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Tintype Photograph of Gustave Young (1827–1895), ca. 1860, Springfield, Massachusetts, American, Springfield, Massachusetts, Tintype (in carte de visite format), tintype oval: 1 3/4 x 1 1/4 in. (4.4 x 3.1 cm); as mounted: 3 7/8 x 2 3/8 in.

Statue of a Knight, 19th century, Pencil on tracing paper. Mounted on wove paper., 11 1/8 x 9 1/4 in. (28.3 x 23.5 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Jar, Middle Chalcolithic, ca. 5600–5400 B.C., Southwestern Anatolia, Hacilar, Ceramic, paint, 6.1 in. (15.49 cm), Ceramics-Vessels, In western Asia, people discovered how to make pottery during the period known as the 'Pottery Neolithic,

Water Jar with Striped Design, Edo period (1615–1868), late 18th century, Japan, Porcelain with underglaze blue decoration (Hizen ware), H. 8 in. (20.3 cm); Diam. 4 7/8 in. (12.4 cm), Ceramics

Snuff Bottle with Orchids, Qing dynasty (1644–1911), late 18th–early 19th century, China, Rock crystal with jadeite stopper, H. 3 1/4 in. (8.3 cm); W. 1 7/8 in. (4.8 cm); D. 1 in. (2.5 cm), Snuff Bottles

Two Heads of an Old and a Young Woman Looking to the Left (Ages of Woman?), 1609–70, Graphite. Framing line in pen and brown ink on support (by Zoller?), sheet: 4 1/4 x 3 1/8 in. (10.8 x 7.9 cm), Drawings, Frederick III, King of Denmark and

Cupid with Two Doves, Pen and brown ink, over black chalk underdrawing, 7 3/4 x 6 13/16 in. (19.7 x 17.3 cm), Drawings, Toussaint Dubreuil (French, Paris ca. 1561–1602 Paris

Design for desk and/or portfolio cabinet, 19th century, Graphite and colored wash, sheet: 13 1/16 x 21 1/8 in. (33.1 x 53.7 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Bowl with Inscription, 'Sovereignty is God's', late 9th–early 10th century, Excavated in Iran, Nishapur, Earthenware; white slip with black slip decoration under transparent glaze, H. 3 3/4 in. (9.5 cm), Ceramics, One of the most common

Bottle, 1700–1800, Possibly made in Ireland; Possibly made in England, Glass, Overall: 7 9/16 in., 208 Grams (19.2 cm, 6 Troy Ounces), Glass

Ein ney Furmbüchlein, Page 10, verso, ca. 1525–29

General McClellan and Staff, ca. 1863, Albumen silver print from glass negative, Image: 9 × 14 in. (22.9 × 35.6 cm), Photographs, Attributed to Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Designs for a Church Wall Lantern, ca. 1880, Graphite, pen and ink, wash and watercolor, sheet: 9 5/16 x 15 1/2 in. (23.6 x 39.3 cm), Attributed to Richardson Ellson & Co. (British

Armor (Yoroi), 18th century, Japanese, Iron, lacquer, leather, silk, as mounted: H. 58 1/2 in. (148.6 cm); W. 34 1/2 in. (87.6 cm); D. 28 in. (71.1 cm), Armor for Man, During the eighteenth century, there was a revival of interest in

South Elevation and East or Entrance Elevation of a House, 1909, Pen and ink, over graphite, with watercolor, sheet: 8 x 12 3/4 in. (20.3 x 32.4 cm), Charles Edward Mallows (British, 1864–1915

Les Singuliers et Nouveaux Portraicts... page 48 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Flowers and Goldfish, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, Image: 36 1/4 x 13 9/16 in. (92.1 x 34.4 cm), Paintings, Sō Shizan (Japanese, 1733–1805), The profusion of flowers hanging from a

Rest During the Flight into Egypt, 1800–1877, Pencil overworked with gray feathering, on light brown wove paper, sheet: 9 x 11 3/4 in. (22.9 x 29.8 cm), Drawings, Philipp Veit (German, Berlin 1793–1877 Mainz

Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Commenced 1872 - Completed 1885. Volume IX, Horses, 1880s, Photogravures, Books, Eadweard Muybridge (American, born Britain, 1830–1904

Pan, first half 20th century, brush and black ink, gouache, watercolor, sheet: 14 7/8 x 7 15/16 in. (37.8 x 20.2 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Two design drawings, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Longcase clock, Clockmaker: Mario Gambelli (Italian, active 1766), 1766, Italian, Bologna, Case: partly gilded walnut and pine with later additions of various woods; Dial: brass; Movement: brass and steel, Overall: 96 1/2 × 23 × 15 3/4 in.

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 53 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Bull Run. Blackburn's Ford, ca. 1862, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Design for a Cartouche with Acanthus Scrolls from which Female Figures Emerge, 1648, Pen and brown and black ink and graphite with traces of red chalk, sheet: 5 1/4 x 10 7/16 in. (13.3 x 26.5 cm), Anonymous, German, 17th century

Tabula (Square) with the Head of Spring, 5th–7th century, Attributed to Egypt, Akhmim (former Panopolis), Linen, wool, Textile: H. 9 1/4 in. (23.5 cm), Textiles, This small tapestry panel comes from Egypt. It was originally used as an

Cabinet Design, 19th century, Ink, watercolor and scratching on grey ground, sheet: 5 7/16 x 7 1/16 in. (13.8 x 18 cm), Anonymous, British, 19th century