Images at Librifly

紫綸子地龍田川模様打掛, Outer Robe (Uchikake) with Maple Tree and River, Shōwa period (1926–1989), first half of the 20th century, Japan, Resist-dyed silk satin damask embroidered with silk and metallic thread, 65 1/4 x 49 3/4 in.

Page from Ein new kunstlich Modelbuch...(Page 12v), 1544

Karnak (Thèbes), Palais - Salle Hypostyle - Vue Générale Prise du Point Q, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.7 x 30.5 cm. (9 3/4 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Design for a Desk, 1851, sheet: 6 9/16 x 9 15/16 in. (16.7 x 25.2 cm), G. Clark Stanton (British (born Scotland), 1832–1894 Edinburgh

Sard ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Sard, Other: 5/16 x 3/8 x 1/16 in. (0.8 x 0.9 x 0.2 cm), Gems, Eros riding on a dolphin and playing the double flutes

Design for a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk, on cream laid paper, 3-3/4 x 5-7/8 in. (9.6 x 14.9 cm), Anonymous, Italian, first half of the 18th century

Vase, ca. 1700, Made in Mexico, Mexican, Earthenware, H. 10 3/4 in. (27.3 cm); Diam. 4 1/4 in. (10.8 cm), Ceramics

Jérusalem. État actuel du dôme, du St. Sépulcre et Minaret d'Omar, 1860 or later, Albumen silver print from paper negative, Image: 8 3/16 × 10 7/8 in. (20.8 × 27.7 cm), Photographs, Louis de Clercq (French, 1837–1901

Saint Sebastian, 17th century, Austrian, Salzburg, Ivory; kingwood socle, Overall: 17 1/2 in. (44.5 cm) (without wooden socle), Natural Substances-Ivory, As protector of potential plague victims and soldiers, Saint Sebastian (died ca. 288)

Two halved variants for a Chapel, 1700–1780, Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink, sheet: 18 5/16 x 10 9/16

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Franz Xavier Habermann, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, German,

Fantasy based on Vatican: Sistine Chapel, Loggia (identification by James S. Ackerman) (recto); A Lion (verso), 17th century, Pen and brown ink, over traces of black chalk on light tan paper, 8-5/8 x 12-3/8 in. (21.9 x 31.4 cm), Drawings,

Studies for 'The Bride at Her Toilet on the Day of Her Wedding', ca. 1838, Pen and ink, smudged, Sheet a: 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm), Drawings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar

Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso), 1520s, Pen and brown ink; at the top, traces of a sketch in red chalk (recto);

Ascension of Christ (Acts I, 1–9): Study for stained-glass window, ca. 1875–84, Watercolor and gouache, gold paint, and graphite, sheet: 13 1/8 x 6 1/8 in. (33.3 x 15.5 cm), Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 14v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Terracotta lamp: on discus, winged cupid with spear, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/8 in. (2.5 x 8.6 cm), Terracottas

''Umar Walks around Fulad Castle, Meets a Foot Soldier and Kicks Him to the Ground', Folio from a Hamzanama (The Adventures of Hamza), ca. 1570, Attributed to India, Ink, opaque watercolor, and gold on cloth; mounted on paper, H. 28 3/4 in.

Ewer Inscribed with 'al-'izz' ('Glory') in Floriated Kufic on its Neck, first half 13th century, Attributed to Syria, Raqqa, Stonepaste; painted in luster and blue on opaque white glaze under transparent glaze, H. 7 5/16 in. (18.6 cm) ,

Judith with the Head of Holofernes, 18th century–early 19th century, Pen and brown ink and brush and brown wash, 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm), Drawings, Anton von Maron (Austrian, Vienna 1733–1808 Rome

Copying Maps, Photographic Headquarters, Petersburg, Virginia, March 1865, Albumen silver print from glass negative, Image: 19 x 24.6 cm (7 1/2 x 9 11/16 in.), Photographs, Unknown, Attributed to Alexander Gardner (American, Glasgow,

A Portrait of a Man, 17th century, Black and red chalk on beige paper, 7-1/4 x 5-1/8 in. (18.4 x 13.0 cm), Drawings, Anonymous, Spanish, 17th century

Vessel Stamp, 743–49, Attributed to Egypt, Glass, L. 1 3/8 in. (3.5 cm), Glass

Design for a Chapel or Niche (Recto); Design for Decoration with Putto Head and Rinceau (Verso), 17th century, Point of brush and gray ink, over graphite underdrawing and ruled construction (recto); Black chalk, pen and brown ink (putto head and

Marriage Panel of Gabriel Weydacher and his wife Juliana Wemis with the Virgin and Child and Saints Barbara and Catherine, 1519, Made in Augsburg, Germany, German, Colorless and pot-metal glass with vitreous paint and silver stain, 17 15/16 ×

The Return of the Holy Family from Egypt, 1773, Oil on copper, 22 1/4 × 16 1/2 in. (56.5 × 41.9 cm), Paintings, Nicolás Enríquez (Mexican, 1704–1790), Nicolás Enríquez, whose career spanned more than six decades, is best known as a

[Nude Man Seated with Cloth Draped over Waist], 1840s, Daguerreotype, Image: 8.7 x 6.5 cm (3 7/16 x 2 9/16 in.), Photographs, Unknown (American

Saddle Blanket (?), 1860–70, United States, Arizona or New Mexico, Navajo, Wool, H. 50 1/2 x W. 33 in. (128.3 x 83.8 cm), Textiles-Woven

Standing Buddha, Mon-Dvaravati period, 7th–8th century, Thailand, Stone with traces of color, H. 32 1/8 in. (81.6 cm); W. 11 in. (27.9 cm); D. 6 in. (15.2 cm), Sculpture, Considerable innovations in religious iconography were developed

Necklace with shell pendants of Senebtisi, Middle Kingdom, late Dynasty 12–early Dynasty 13, ca. 1859–1770 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret (758), Pit 763, burial of Senebtisi, 1906–07, Gold,

Cupid Pouring Water on a Burning Heart, 18th century, Red, black and yellow chalk, Oval: 12-3/4 x 9-3/8 in. (32.4 x 23.8 cm), Drawings, Anonymous, Italian, first half of the 18th century

Allegory of History, with Time, 1761, Black chalk, stumped, highlighted with white chalk, on dark blue paper, 21-1/16 x 16-3/4 in. (53.5 x 42.5 cm), Drawings, Vittorio Maria Bigari (Italian, Bologna 1692–1776 Bologna

Disk Brooch, 6th century, Frankish, Silver-gilt. copper alloy, remnants of iron pin, Overall: 1 1/4 x 1/2 in. (3.2 x 1.2 cm), Metalwork-Silver

Camp of 153rd New York Infantry, ca. 1861, Albumen silver print from glass negative, Photographs

Sketch of Two Friezes, Palazzo Mattei, 1776–79, Graphite, sheet: 7 9/16 x 14 1/2 in. (19.2 x 36.8 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, German,

Kahn. Rodolphe. 43 ans, né le 15/1/51 à Lyon (Rhône). Courtier de commerce. Anarchiste. 8/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Pontoon Bridge at Deep Bottom, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Glass jar with two handles, Late Imperial, 4th century A.D., Roman, Glass; blown and tooled, H.: 5 7/8 in. (14.9 cm), Glass, Translucent blue green; handles in same color., Outsplayed rim, folded over and in, and smoothed into side of

View of a Courtyard in Loschwitz (?), early 19th century, Graphite, sheet: 6 3/4 x 8 9/16 in. (17.2 x 21.8 cm), Drawings, August Heinrich (German, Dresden 1794–1822 Innsbruck

River Landscape with Two Mendicants and Other Figures, 1709–84, Pen and brown ink, brush and gray wash. Traces of framing lines in pen and brown ink (?) along lower border, 12-5/8 x 18-7/8 in. (32.1 x 47.9 cm), Drawings, Attributed to

A Hungarian Horseman, late 16th–mid 17th century, Black chalk, watercolor, sheet: 6 5/8 x 5 in. (16.9 x 12.7 cm), Drawings, Roelandt Savery (Flemish, Kortrijk 1576–1639 Utrecht

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 11r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

John the Apostle, for the church of St. Vaast in Arras, 1832, Graphite on tan paper, 5 3/8 x 9 3/4 in. (13.7 x 24.8cm), Drawings, Alexandre Denis Abel de Pujol (French, Valenciennes 1785–1861 Paris

Snuff bottle with bird on a branch, Qing dynasty (1644–1911), 19th century, China, Porcelain with green glass stopper, H. 2 1/2 in. (6.4 cm); H. incl. stand 3 in. (7.6 cm); W. 1 3/4 in. (4.4 cm); D. 1 1/4 in. (3.2 cm), Snuff Bottles,

Unidentified Subject with Male Nudes at Left and Right, with a Female Nude at Center, 17th century, Pen and brown ink on off-white paper, 7-13/16 x 10-7/16 in. (19.8 x 26.5 cm), Drawings, Anonymous, Spanish, 17th century

Figure 8: Contraction of the right m. frontalis., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.2 cm (11 3/16 × 7 15/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Architectural Fantasy, 18th century, Red chalk, 16 1/4 x 19 3/16 in. (41.3 x 48.8 cm), Drawings, Jean Laurent Legeay (French, Paris ca. 1710–after 1788 Rome

The French and English Fleets, Cherbourg, August 1858, Albumen silver print from glass negative, Mount: 21 in. × 26 3/4 in. (53.3 × 68 cm), Photographs, Gustave Le Gray (French, 1820–1884), Le Gray emerged around 1850 as the most

The Sacrifice of Isaac, 17th century, Pen and brown ink, brown wash, corrections in white, 12 11/16 x 9 1/4 in. (32.3 x 23.5 cm), Drawings, Johan Carl Loth (German, Munich 1632–1698 Venice

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 19r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Hervy. Marcel, Noël. 19 ans, né à Paris XVIIIe. Raccommodeur de porcelaine. Anarchiste. 27/10/93. , 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 16r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Design for a Frieze: A Nude Man, Sea Creature, a Garland and Volutes, Small head of Unicorn, 1600–1630, Pen and brown ink over black chalk, sheet: 4 1/2 x 11 in. (11.5 x 28 cm), Anonymous, Italian, Roman-Bolognese, 17th century

Design for Border with Religious Scenes, 17th century, Pen and brown ink, brush and gray wash, sheet: 7 13/16 x 5 11/16 in. (19.8 x 14.4 cm), Drawings, Anonymous, Italian, 17th century

Rangoon: Henzas on the East Side of the Shwe Dagon Pagoda, November 1855, Albumen silver print from waxed paper negative, Image: 26.1 x 34.3 cm (10 1/4 x 13 1/2 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Projections of Columns, 18th century, Pen and black ink, gray and brown wash, sheet: 11 1/2 x 16 3/4 in. (29.2 x 42.5 cm), Anonymous, British, 18th century

Landscape with Lake and Mountain, 1735–86, Graphite, gray wash, Sheet: 8 7/8 x 12 in. (22.5 x 30.5 cm), Drawings, Alexander Cozens (British, Russia 1717–1786 London

[Woman with Tea Set Playing the Koto], ca. 1860, Albumen silver print from glass negative, Image: 20.8 x 26.2 cm (8 3/16 x 10 5/16 in.), Photographs, Felice Beato (British (born Italy), Venice 1832–1909 Luxor, Egypt

Fragment from a Coptic Hanging, 5th century, Attributed to Egypt, Linen, wool; plain weave, tapestry-weave, Textile: L. 40 15/16 in. (104 cm), Textiles-Rugs, This large rectangular textile incorporates both Roman and Christian imagery.

Three Men and a Dog on a Hill, 1600–1638, Pen and crayon, 7-3/4 x 19-7/8 in. (19.7 x 50.5 cm), Drawings, Attributed to Ercole Bazicaluva (Italian, born Pisa (?), ca. 1600, active Florence ca. 1638

Kôm-Ombou (Ombos), Vue Générale des Ruines, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.8 x 30.7 cm. (9 3/8 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Dish, 1736–95, Made in China, Chinese, Porcelain, Diam. 8 3/8 in. (21.3 cm), Ceramics

Frame, 16th century, Pen and brown ink, washed with brown ink and red, 9-7/8 x 3-7/8 in. (25.1 x 9.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Elevation of the Interior of a Columbarium, 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 17 11/16 x 13 1/8in. (44.9 x 33.4cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

Mug, 1837–45, Made in Philadelphia, Pennsylvania, United States, American, Yellow ware with Rockingham glaze, 6 1/4 in. (15.9 cm), Ceramics, Attributed to Isaac Spiegel Pottery (1837–79

[The Lord Bishop of Winchester, Samuel Wilberforce], 1872, Albumen silver print, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Okimono in the Form of a Raven, early 18th century, Japanese, Steel, L. 18 in. (45.7 cm), Miscellaneous, Myōchin Munesuke (Japanese, Edo period, 1688–1735), This raven was fashioned by hammering and embossing steel––a most intractable

Tobias and the Angel, 17th century, Black chalk, highlighted with white chalk on beige prepared paper, 11-7/8 x 8-3/4 in. (30.2 x 22.2 cm), Drawings, Anonymous, Spanish, 17th century

Miniature Bowl, ca. 1835, Possibly made in New England, United States, American, Lacy pressed glass, Glass

Vasudhara, Goddess of Wealth, early Malla period, 14th–15th century, Nepal, Gilt-copper alloy, H. 5 5/16 in. (13.5 cm); W. 3 7/8 in. (9.8 cm), Sculpture, The Vasudhara-kalpa ritual text describes the six-armed Vasudhara (Sanskrit: “stream

Pastoral, 1640–94, Black chalk, brush and brown wash. Framing line in black ink, sheet: 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm), Drawings, Attributed to Willem Romeyn (Dutch, Haarlem ca. 1624–ca. 1694 Haarlem

Le petit Russe, 1860s, Albumen silver print from glass negative, 8.6 x 11.7 cm. (3 3/8 x 4 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Folio from the 'Qur'an of `Umar Aqta', late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 9 1/2 in. (49.5 cm), Codices, This fragment of a page comes

Head of a Young Woman in Three-quarter View Facing Right, with Lowered Eyes, 1550–1600, Black and red chalks with slight reworking by the artist in pen and brown ink on off-white paper, 6-5/16 x 4-1/8 in. (16 x 10.5 cm), Drawings, Anonymous,

'Wild Rose' Lily vase, ca. 1886, Made in Cambridge, Massachusetts, United States, American, blown glass, 23 3/8 × 7 5/8 in. (59.4 × 19.4 cm), Glass, The second half of the nineteenth century witnessed a proliferation of highly ornamental

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, German,

Kneeling Female Figure, late 15th–early 16th century, Pen and black ink, 7 15/16 x 5 3/16 in. (20.2 x 13.2 cm), Drawings, Matthäus Zasinger (German, Munich, ca. 1477–1525

Diana, 1849, Oil on canvas, 46 1/2 x 27 3/4 in. (118.1 x 70.5 cm), Paintings, Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808–1876 Menton), In the Salon of 1848, Diaz exhibited a painting entitled The Departure of Diana for the

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs, Attributed to Alma A. Pelot (American, active Charleston, South Carolina,

Crater of Volcano, Quetzaltenango-Guatemala, 1875, Albumen silver print from glass negative, Image: 5 3/8 × 9 1/16 in. (13.7 × 23 cm), Photographs, Eadweard Muybridge (American, born Britain, 1830–1904

[Akbar's Tomb at Sikandra, India], 1860s–70s, Albumen silver print from glass negative, 21.4 x 28.2 cm (8 7/16 x 11 1/8 in.), Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 48 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Newes Modelbuch in Kupffer(Page 31r), Johann Sibmacher (German, active 1590–1611), 1604

Pillow with hawk hunting a swan (spring hunt), 金 磁州窯“張家造”春水圖瓷枕, Jin dynasty (1115–1234), 12th–13th century, China, Stoneware painted with brown and black pigment on white slip under transparent glaze (Cizhou

Christ and the Women on the Staircase, ca. 1541–44 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 18, bottom left

Study of a Girl's Legs for the painting 'Young Spartans', ca. 1860–62, Black chalk, Sheet: 16 3/16 x 11 1/4 in. (41.1 x 28.5cm), Drawings

Design for Trophy, n.d., Red chalk over graphite underdrawing, 9 x 5 9/16 in. (22.9 x 14.1 cm.), René Charpentier (French, Cuille 1680–1723 Paris

Whorl-Shaped Brooch, ca. 550–650, Frankish, Silver-gilt, glass paste, remnant of iron pin, Overall: 1 1/4 x 3/8 in. (3.1 x 1 cm), Metalwork-Silver

Peafowl by a Cherry Tree, Taishō period (1912–26), ca. 1925, Japan, Two-panel folding screen; mineral colors and metallic powders on paper, Image: 80 1/8 × 72 13/16 in. (203.5 × 185 cm), Screens, Imazu Tatsuyuki (Japanese, active early

Dune Landscape with Oak Tree, 1650–55, Black chalk; brush and gray wash; gouache; framing lines in pen and brown ink., 8 1/4 x 7 1/2 in. (21.0 x 19.1 cm), Drawings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam), The image of

Carpet, 18th century, Attributed to Northwestern Iran or Caucasus, Cotton (warp and weft), wool (pile); symmetrically knotted pile, L. 158 1/4 in. (402 cm) , Textiles-Rugs

Sketch of a Classical Pedestal, 1776–79, Graphite, sheet: 10 1/16 x 8 9/16 in. (25.5 x 21.8 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Jar, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 6 in. (15.2 cm), Ceramics

Perspective elevation, from left, of stonefaced building of five bays and two stories, 1866, Ruled black ink with blue, pink and gray washes, sheet: 12 3/4 x 12 1/2 in. (32.4 x 31.8 cm), J. B. Marsh (British, active 1866

Statuette of a Cloaked Man, Middle Kingdom, Mid-Dynasty 12 or later, ca. 1850 B.C., From Egypt, Yellow limestone, H. 26.6 cm (10 1/2 in.); W. 8 cm (3 1/8 in.); D. 14.5 cm (5 11/16 in.), The sculptor of this small masterpiece transformed the

Madonna and Child with the Infant Saint John the Baptist, early 1570s, Oil on wood, 40 7/8 x 33 3/4 in. (103.8 x 85.7 cm), Paintings, Santi di Tito (Italian, Sansepolcro 1536–1603 Florence), Santi di Tito’s work was exceptional in the

'Vigne' (Vine) Cup, 1912, French, Glass, H. 7, Dia. 4 in. (17.8 x 10.2 cm.), Glass-Enameled, Lalique’s professional career can be neatly divided into halves: the first, from about 1880 to about 1907, when he earned his reputation as one of

Theater costume design for warrior with a dagger and gun, 1926, Graphite, watercolor, brush and black ink, bronze and silver paint, sheet: 14 3/4 x 11 1/8 in. (37.5 x 28.3 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940

Mäda Primavesi (1903–2000), 1912–13, Oil on canvas, 59 x 43 1/2 in. (149.9 x 110.5 cm), Paintings, Gustav Klimt (Austrian, Baumgarten 1862–1918 Vienna), Mäda Primavesi’s expression and posture convey a remarkable degree of confidence