Images at Librifly

Les Monnoyes d'or & d'argent, 1544, 2 7/8 × 4 5/16 × 7/16 in. (7.3 × 11 × 1.1 cm), Books

Vase with crickets, Republic period (1912–49), Hongxian mark and period (1915–16), China, Porcelain, H. 4 in. (10.2 cm), Ceramics, Crickets, which have long been kept as pets in China, are symbols of happiness (xi) and auspiciousness

Jérusalem. (Environs) Jardin Gethsemani et Mont des Oliviers, 1860 or later, Albumen silver print from paper negative, Image: 11 in. × 8 1/2 in. (28 × 21.6 cm), Photographs, Louis de Clercq (French, 1837–1901

The Agony in the Garden, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper. Fragments of framing outlines in brown ink along top, right, and bottom edges, 9-7/8 x 8-5/8 in. (25.1 x 21.9 cm),

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt, Antler, bone, paint, h. of skull 16 cm (6 5/8 in); w. of antlers 28 cm (11 in

唐 三彩寳相花紋盤, Tray, Tang dynasty (618–907), 8th century, China, Earthenware with three-color (sancai) glaze, H. 2 3/4 in. (7 cm); Diam. 11 3/4 in. (29.8 cm), Ceramics, Combinations of white, amber, and green glazes,

[La Comtesse in robe de piqué or as Judith (?)], 1860s, Albumen silver print from glass negative with applied color, 12.2 x 8.5 cm (4 13/16 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Calling the Cows Home, ca. 1872, Oil on wood, 37 1/4 x 25 1/2 in. (94.6 x 64.8 cm), Paintings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon), Millet mentioned this painting in a letter of August 1872 to his friend and biographer,

Edward Everett, ca. 1858, Salted paper print from glass negative, Image: 47.1 × 38.5 cm (18 9/16 × 15 3/16 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Allegorical Figure of Painting, early 18th century, Black, white, and touches of red chalk on blue paper, lightly squared in black chalk, 14 x 12 1/8 in. (35.6 x 30.8 cm), Drawings, Charles Antoine Coypel (French, Paris 1694–1752 Paris

Man Sitting on the Ground with Jars and Food, 1848, Brush and brown ink on paper, Sheet: 11 9/16 in. × 9 in. (29.3 × 22.9 cm), Drawings, Anonymous, British, 19th century

Ferret, 7th century (?), Made in France, Frankish, Copper alloy, Overall: 1 11/16 x 11/16 x 3/16 in. (4.3 x 1.7 x 0.5 cm), Metalwork-Copper alloy

Nude Man with Harp, 1908–10, Photogravure, Frank Eugene (American, New York 1865–1936 Munich

The Cross Triumphant over Worldly Powers, 1782, Red chalk, 4 7/8 x 6 7/16 in. (12.4 x 16.4 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Seated Woman, 1864, Graphite, sheet: 12 5/8 x 8 3/4 in. (32 x 22.2 cm), irreg., Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham

Surcoat (Jinbaori), early–mid-19th century, Japanese, Wool (rasha), silk, crepe, 38 1/4 x 23 1/4 in. (97 x 59 cm), Surcoat, This surcoat features a sacred volcano motif, possibly representing Mount Fuji. It is also decorated with the crest

Vase, 1800–1830, Probably made in New England, United States, American, Blown pattern-molded glass, H. 8 in. (20.3 cm), Glass

Pin, 7th century (?), Made in Northern France, Frankish, Silver, niello, gold sheet, filigree, Overall: 5 7/8 x 1/4 in. (15 x 0.7 cm), Metalwork-Silver, Pins were used to secure a veil or to hold a hairstyle in place. Most were made simply

Design for a Snuff-Box, 17th century, Pen and black ink, and black chalk, 2 3/8 x 3 1/4 in. (6 x 8.3 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

清 煙晶坐佛, Seated Buddha, Qing dynasty (1644–1911), 18th–19th century, China, Rock crystal, Overall: H. 3 3/8 in. (8.6 cm); W. 3 1/2 in. (8.9 cm); D. 3 in. (7.6 cm), Hardstone

[Boy in Wide Lapelled Coat, Seated in Chair], 1850s, Daguerreotype, Image: 5.6 x 7 cm (2 3/16 x 2 3/4 in.), Photographs, Unknown (American

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 41 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 38 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Ornamento delle belle & virtuose donne, page 22 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Neu künstlich Modelbuch (page 18r), 1598

Dish, late 16th century, Made in Turkey, Iznik, Stonepaste; painted and glazed, H. 2 3/16 in. (5.6 cm), Ceramics

Belt Buckle Attachment Plate, late 5th century, Frankish, Iron, repoussé silver sheet overlay; copper alloy posts, Overall: 2 7/16 x 2 1/16 x 5/16 in. (6.2 x 5.3 x 0.8 cm), Metalwork-Iron

Mystic Marriage of St. Catherine, Etching, Prints, Vespasiano Strada (Italian, 1582–1622), In Mariette Album, folio 26, bottom right

[Nude with Mirror], ca. 1850, Daguerreotype, visible: 7 x 5.7 cm (2 3/4 x 2 1/4 in.), Photographs, Unknown (French), Censors have long struggled to keep pace with evolving technology and expanding distribution networks of photographic erotica.

Plate, ca. 1730–40, Chinese with Dutch decoration, for European market, Hard-paste porcelain, Diameter: 8 5/16 in. (21.1 cm), Ceramics-Porcelain-Export

U.S. Gunboat at Kingston Gap, 1861–65, Albumen silver print from glass negative, Photographs

Project for a Monumental Tomb, 16th century, Pen and brown ink, brush and blue wash or watercolor, sheet: 13 7/8 x 9 9/16 in. (35.3 x 24.3 cm), Drawings, Anonymous, Italian, 16th century

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 18 (recto), 1610

Facade of Palazzo Muti at Piazza SS. Apostoli in Rome, 1710–27, Pen and brown ink, brush and gray wash, over traces of ruling in graphite, 13-1/8 x 17-7/16 in. (33.4 x 44.3 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian,

2 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Lancelot-Théodore, comte Turpin de Crissé, n.d., Graphite, 11 5/8 x 8 9/16 in. (29.5 x 21.8 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Standing Woman in Moroccan Costume, ca. 1834, Graphite and watercolor on wove paper, 12-13/16 x 8-3/16 in. (32.5 x 20.8 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Bead ornaments, two triangles joined, 25, Migration, 1st half of the 5th century A.D., East Germanic or nomadic (?), Gold, average: 9/16 × 11/16 × 1/16 in. (1.4 × 1.7 × 0.2 cm), Gold and Silver, Gold diadems, worn on the head like a

The Imperial Court of Napoleon III, ca. 1866, printed 1940s, Gelatin silver print, Image: 12.8 x 8 cm (5 1/16 x 3 1/8 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Textile, late 14th–early 15th century, Made in Venice (probably), Italy, Italian, Silk, metal thread; twill and twill; silk, gilt membrane on linen., 19 x 16 in. (48.3 x 40.6 cm), Textiles-Woven

Drawing for a Frieze with Rinceau and Grotteschi, 17th century, Pen and brown ink, brush and light brown wash, over black chalk underdrawing and ruled construction, sheet: 10 1/4 x 16 1/16 in. (26 x 40.8 cm), Drawings, Anonymous, Italian,

Desseins a Plusieurs Usages Inventés par M. B. Toro, 1718 or after

Portrait of a Man, 1666–1724, Red chalk, 16-7/8 x 13-1/16 in. (42.8 x 33.2 cm), Drawings, Benedetto Luti (Italian, Florence 1666–1724 Rome

Wine Ewer with Chrysanthemums and Lotus Flowers, Goryeo dynasty (918–1392), first half of the 13th century, Korea, Stoneware with inlaid decoration under celadon glaze, H. 9 1/4 in. (23.5 cm); W. 9 7/8 in. (25.1 cm), Ceramics, The inlaid

Cox's Landing, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Carnelian ring stone, Post-Classical, Sard, Other: 13/16 x 5/8 x 3/16 in. (2.1 x 1.5 x 0.4 cm), Gems

Design for a Side Table and Mirror, 1841–84, Graphite and watercolor, sheet: 13 1/4 x 8 7/8 in. (33.6 x 22.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 11v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Christ's Entry into Jerusalem, 1611, Pen and brown ink, brown wash heightened with white on pinkish paper, sheet: 6 1/4 x 7 1/4 in. (15.8 x 18.4 cm), Drawings, Hans Stutte (German, active Lübeck, died before 1625

Design for a Chimneypiece, 1743–1800, Pen and brown ink, brush and gray wash, sheet: 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm), After Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Thomas Wriothesley (1505–1550), First Earl of Southampton, ca. 1535, Vellum laid on card, Irregular, cut down, 1 1/8 x 1 in. (28 x 25 mm), Miniatures, Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), This miniature,

George Washington, 1840–83, Made in France, French, Faience, Diam. 8 3/4 in. (22.2 cm), Ceramics, After Edward Savage (American, Princeton, Massachusetts 1761–1817 Princeton, Massachusetts

Design for a Wall with Three Windows, 1841–84, Graphite and watercolor, sheet: 10 9/16 x 14 7/8 in. (26.8 x 37.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

Egg Cup, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 4 in. (10.2 cm); Diam. 2 5/8 in. (6.7 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Nathan Admonishing David, 1650–55, Pen and brown ink, heightened with white gouache, sheet: 7 5/16 x 10 in. (18.6 x 25.4 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Coconut cup, ca. 1650, Hungarian, Nagyszeben, Gilded silver, coconut, turquoise, Height: 7 3/16 in. (18.3 cm), Metalwork-Silver, The hunting scene engraved on the lip may to refer to the cup’s use after hunting trips when a welcome drink

Interior Design with a Central Door Covered by Green Drapery and Two Cabinets, late 19th century (?), Gouache, sheet: 9 1/2 x 12 in. (24.1 x 30.5 cm), Anonymous, British, 19th century

Gold Strap End (Unfinished), 700s, Avar, Gold, 1 9/16 × 3/8 × 3 7/16 in., 0 Troy Ounces (4 × 1 × 8.8 cm, 31g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

La Victoire from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

The Kingdom of Aragon, 1560–1638, Pen and brown ink, brown wash over black chalk. Squared for transfer in black chalk, 13-1/8 x 5-1/8 in. (33.3 x 13.0 cm), Drawings, Vicente Carducho (Italian, 1570/78–1638

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 23 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Interior of a Small Salon, mid-19th century, Pen and grey ink, watercolor, over graphite, 11 7/16 x 15 5/8 in. (29.0 x 39.7 cm), Simon-Claude Constant-Dufeux (French, 1801–1871

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 12 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Death of St. Francis, after Giotto, upper Church S. Francesco, Assisi, late 18th–mid-19th century, Pen and black ink, gray wash, sheet: 12 11/16 x 12 1/2 in. (32.3 x 31.7 cm), Drawings, William Young Ottley (British, Thatcham, Berkshire

Peasant Family in a Landscape, late 18th–19th century, Gouache. Framing line in black gouache., sheet: 11 7/8 x 15 7/8 in. (30.2 x 40.3 cm), Drawings, Johann Friedrich Nagel (German, Waldheim 1765–1825 Meißen

Vigil Light, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 3 1/2 in. (8.9 cm); Diam. 3 in. (7.6 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Pontoon Bridge at Deep Bottom, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Sketch of a Classical Pedestal, 1776–79, Graphite, sheet: 9 1/2 x 9 in. (24.1 x 22.8 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

At the Curtain (Au rideau), 1895, Crayon, brush, and spatter lithograph printed in two colors on wove paper; only state, Image: 23 1/8 × 43 13/16 in. (58.7 × 111.3 cm), Prints, Henri de Toulouse-Lautrec (French, Albi 1864–1901

Studies of Drapery in Sleeve and Collars, 19th century, Black chalk highlighted with white chalk, Sheet: 9 1/8 x 13 7/8 in. (23.2 x 35.2 cm), Drawings, Anonymous, British, 19th century, This drawing of jackets worn by lightly sketched male

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 4 1/4 in. (2.5 x 10.8 cm), Terracottas

[Santa Maria Maggiore, Rome], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 42 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Design for a Catafalque, 18th century, Brown ink and wash, 10-13/16 x 7-7/8 in, Anonymous, Italian, 18th century

Limestone finial of a votive stele (?) with a lion and a male sphinx, Cypro-Archaic II, ca. 575–525 B.C., Cypriot, Limestone, Overall: 15 1/2 x 9 3/4 x 10 1/4 in. (39.4 x 24.8 x 26 cm), Stone Sculpture, Cippi topped by lions or sphinxes come

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 14 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Design for Wall Elevation with Diapered Wainscoting and a Coffered Ceiling, 19th century, Watercolor over graphite with touches of gilt, sheet: 13 1/8 x 8 1/8 in. (33.3 x 20.6 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and

Study for an Engraving of 'Songs in the Opera of Flora', 18th century, Pen and blue and brown ink with black chalk, 2 5/16 x 3 5/16 in. (5.9 x 8.4 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Title page, from Trofeo o sia Magnifica Colonna Coclide...(The Trophy or Magnificent Spiral Column), 1774–79, Etching, Plate: 17 1/2 x 27 7/16 in. (44.5 x 69.7 cm), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778

Illustration for 'Seven Chiefs Against Thebes' (recto); Studies of Figures (verso), ca. 1794, Pen and black and gray ink, graphite, sheet: 8 x 15 7/8 in. (20.3 x 40.3 cm), Drawings, John Flaxman (British, York 1755–1826 London

[Gardens of Saint-Cloud], before 1855, Salted paper print from paper negative, Image: 16 1/8 × 14 1/16 in. (41 × 35.7 cm), Photographs, Henri Victor Regnault (French, 1810–1878), A famous physicist and early experimenter with the

A Standing Cavalier, late 16th–early 17th century, Watercolor, gouache, and gold paint with traces of graphite, sheet: 2 13/16 x 1 13/16 in. (7.1 x 4.6 cm), Drawings, Anonymous, Swiss, late 16th to early 17th century

Box for Personal Accessories (Tebako) with Shells and Seaweed Design, 岸蒔絵手箱, Edo period (1615–1868), 17th century, Japan, Lacquered wood with gold hiramaki-e, and e-nashiji on black lacquer ground, H. 6 1/2 in. (16.5 cm); W. 8 5/8

Gold Earring, 400–500, Ostrogothic (?), Pendant: gold - sheet; granulation. Suspension Loop: gold; wire - rope., Overall: 1 x 1 1/8 x 3/8 in. (2.5 x 2.9 x 1 cm), Metalwork-Gold, Hoop earrings with polyhedral beads, derived from Late Roman

Fragment, 16th century, Attributed to Turkey, Bursa, Silk, metal wrapped thread; lampas (kemha), Textile: H. 49 1/2 in. (125.7 cm), Textiles-Woven, The ogival lattice pattern seen in this silk was one of the most popular designs for textiles

Plate Depicting Birds and Animals, 17th–18th century, Attributed to Iran, Stonepaste; painted under transparent glaze, H. 1 9/16 in. (4 cm), Ceramics

Tree on a River Bank, 16th century, Attributed to India, Painted on cotton, Image: H. 9 in. (22.9 cm), Codices

Jar, ca. 1865, Made in Mexico, Mexican, Tin-glazed earthenware, H. 8 7/8 in. (22.5 cm), Ceramics

Belloti. Louis. 28 ans, né à Turin. Camelot. Anarchiste. 18/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Covered Two-handled Bowl and Tray, 1785–90, Made in China, Chinese, for American market, Hard-paste porcelain, H. 5 1/2in. (14 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 57r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Capricio with Architectural Ruins in Perspective., 1700–1780, Pen and brown ink, brush and brown wash, over lead point or graphite, 6 15/16 x 6 1/4 in. (17.6 x 15.8 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Cordial, 1850–55, Made in New York, New York, United States, American, Blue-cut-to-clear glass, Height: 4 in. (10.2 cm), Glass, New York City was an important center for machine-cut luxury glass in the middle of the nineteenth century.

Head of Emperor Constans (r. 337–50), ca. 337–40, Byzantine, Marble, Overall: 10 5/8 x 6 7/8 x 7 3/8 in. (27 x 17.5 x 18.8 cm), Sculpture-Vessels, This classically styled, crowned head is probably that of Constans, the youngest of the

Limestone relief head of a Persian, ca. 330–300 B.C., Greek, Tarentine, Limestone with traces of paint, 4 5/16 × 5 9/16 × 3 7/8 in. (11 × 14.2 × 9.9 cm), Stone Sculpture, This finely carved relief head depicts a Persian, identified by

Cartouche, 1830–1904, Ink, Robert William Hume (British, London 1816–1904 Long Island City

Drawings and Prints, cut paper, Slave Belonging to Mrs. Oyley, Artist, Auguste Edouart, French, 1789–1861, Edouart, Auguste, French, 1789, 1861, 1844, 1844

Design for Frame, 1830–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Studies of Hands, n.d., Charcoal (?) and crayon heightened with white, Sheet: 7 15/16 x 11 5/8 in. (20.2 x 29.6cm), Drawings, Louis Léopold Boilly (French, La Bassée 1761–1845 Paris

Sketch for Wall Monument, 16th century, Pen and brown ink, 8-1/8 x 5 in. (20.6 x 12.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580