Images at Librifly

No. 201. U.S. Government Bridge at Rock Island, Illinois (High Water), 1888, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Nude Male Figure Seated on the Ground, ca. 1535–40, Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper, Overall: 9 3/4 x 14 5/16in. (24.8 x 36.4cm), Drawings, Amico Aspertini (Italian, Bologna ca.

Gold Belt End, 700s, Avar, Gold, 5 × 1 3/16 × 3/16 in., 4 Troy Ounces (12.7 × 3 × 0.5 cm, 148g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show

Widcoq. Alfred, François, Adolphe. 32 ans, né à Fressenneville (Somme). Mécanicien. Anarchiste. 10/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Two Sides of a Bengal River Fish, ca. 1804, Made in India, Calcutta, Pencil, opaque watercolor, and gold on paper, Painting: H. 15 1/16 (38.3 cm), Codices, This painting most likely illustrates a Bengal tongue sole fish (Cynoglossus

Addie Card, 12 years. Spinner in North Pownal Cotton Mill. Girls in mill say she is ten years. She admitted to me she was twelve; that she started during school vacation and now would 'stay'. Location: Vermont, 1910, Gelatin silver print, Image:

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

Terracotta chalice, Archaic, ca. 575–550 B.C., Etruscan, Terracotta; bucchero pesante, H. 5 13/16 in. (14.8 cm); diameter 6 3/16 in. (15.7 cm), Vases, The simple elegance of this shape ensured its popularity throughout much of Etruria from

Plan of the City of Rome, 1645, Etching with some engraving, undescribed state (printed from 12 plates), Overall: 41 5/16 x 94 1/2 in. (105 x 240 cm), Prints, Antonio Tempesta (Italian, Florence 1555–1630 Rome), Plan or aerial view of the

Gold Buckle, 700s, Avar, Gold, 3 7/16 × 1 9/16 × 3/8 in., 3 Troy Ounces (8.8 × 4 × 1 cm, 114g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some show

Botanical Garden, 1860s–70s, Albumen silver print from glass negative, 20.1 x 27.4 cm (7 15/16 x 10 13/16 in.), Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 5r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Curtain panel, ca. 1880–1910, American, Cotton, 176 x 33 1/2 in. (447 x 85.1 cm), Textiles

不動明王二童子像, Fudō Myōō and Two Attendants, Nanbokuchō period (1336–92), Japan, One of a triptych of hanging scrolls; hand-colored woodblock print on paper, Image: 40 1/4 x 14 in. (102.3 x 35.6 cm), Paintings, After Ryūshū

S-Shaped Brooch, 550, Frankish, Silver-gilt; garnet or glass, Overall: 1 3/8 x 1 x 5/16 in. (3.5 x 2.5 x 0.8 cm), Metalwork-Silver

Six terms, four female and two male, with Hercules at far right, plate 1, from Caryatidum [...] sive Athlantidum multiformium ad quemlibet Architecture ordinem Accommodatarum centuria prima [...], ca. 1565, Etching; first state of two

Archer's Bracer, 15th–17th century, Tibetan or Mongolian, Leather, shellac, gold, pigment, 4 5/8 x 2 3/4 in. (11.7 x 7 cm), Archery Equipment

Bust of a Gypsy Girl, 1819, Graphite on wove paper, 9 3/8 x 5 13/16 in. (23.8 x 14.8 cm), Drawings, Ascribed to Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Landscape, Kragerø, 1912, Oil on canvas, 28 1/2 x 39 1/2 in. (72.4 x 100.3 cm), Paintings, Edvard Munch (Norwegian, Løten 1863–1944 Ekely

Plate, ca. 1800, Made in Mexico, Mexican, Earthenware, Diam. 7 1/8 in. (18.1 cm), Ceramics

Pair of terracotta volute-kraters (vases for mixing wine and water) with stands, Late Classical, 3rd quarter of the 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, Base: 10 in. (25.4 cm), Vases, Although these

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 10 3/8 x 4 5/8 x 4 3/4 in. (26.4 x 11.7 x 12.1 cm), Ceramics

Les Singuliers et Nouveaux Portraicts... page 69 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Dress, ca. 1861, French, silk

Longcase clock with calendar, Clockmaker: Joseph Knibb (British, 1640–1711), ca. 1680–85, British, London, Case: walnut and oak veneered with walnut; Dial: gilded and silvered brass; Movement: brass and steel, Overall: 78 1/4 × 16 3/8 ×

Letellier. Louis, Auguste. 29 ans, né à Rouen (Seine-Inférieure). Employé. Anarchiste. 23/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

'Have You Been to the Pump, Simpson?', 1837–64, Watercolor, pen and brown ink over graphite, Sheet: 6 x 3 13/16 in. (15.2 x 9.7 cm), Drawings, John Leech (British, London 1817–1864 London

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

Female Figure, 3rd century B.C.–A.D. 4th century, Mexico, Mesoamerica, Michoacan, Chupicuaro, Ceramic, pigment, H. 2 7/8 in. (7.3 cm), Ceramics-Sculpture

Grotesque with an Architectural Structure with a Young Boy on a Bed, Holding a Snake., 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 3/16 x 6 3/4 in. (23.3 x 17.2 cm), Anonymous, Italian, 16th century, After Cornelis Bos

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 2 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Mountainous Landscape with Ruins of a Castle and Three Men in a Cave, Seen through a Stone Gate, late 18th–early 19th century, Pen and black ink, brush and gray watercolor over graphite. Double framing line in ink., sheet: 9 13/16 x 11 1/4 in.

View of a Colliery at the Edge of a Town, 1840–49, Watercolor over graphite on card, sheet: 11 15/16 x 10 3/16 in. (30.4 x 25.8 cm), Drawings, John Ruskin (British, London 1819–1900 Brantwood, Cumbria), Ruskin became one of the most

Ōson (Hōitsu) Picture Album (Ōson gafu), 池田孤邨画　『抱一上人真蹟鏡』, Edo period (1615–1868), 1817, Japan, Woodblock printed book; ink and color on paper, Image: 10 15/16 x 7 3/8 x 1/16 in. (27.8 x 18.8 x 0.1 cm),

Music, from The Seven Liberal Arts, plate 6, 1544, Engraving, Sheet: 6 3/4 × 4 7/16 in. (17.1 × 11.2 cm), Prints, Monogrammist B (Italian, active 1540s), In Mariette Album, folio 92, lower left

Essempio di recammi, page 16 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Tray, Muromachi period (1392–1573), 16th century, Japan, Red jacquer (Negoro ware), H. 3/4 in. (1.9 cm); Diam. 16 1/4 in. (41.3 cm), Lacquer

Sketch of Two Seated Women with Young Girl Sitting at Their Feet; Verso: Sketch of a Woman, 1830–86, Graphite., 8 9/16 x 9 3/4 in. (21.7 x 24.7 cm), Drawings, Charles Baugniet (Belgian, 1814–1886

Terracotta aryballos in the form of a helmeted head, Archaic, ca. 600–575 B.C., East Greek, Terracotta, H. 7.01 cm., Vases, A helmeted warrior’s head makes up the body of this small mold-made terracotta aryballos, likely used to hold

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 1/2 in. (2.5 x 8.9 cm), Terracottas

Annunciation with Beato Bernardo Tolomei di Siena, 1800–1900, Pen with brown and black inks, brush and brown wash, over graphite; outlines selectively pricked and incised with a stylus; verso has been blackened with black chalk., 11 x 7 13/16

Longcase clock, Clockmaker: Thomas Dickenson (British, recorded 1790–1828), Case maker: possibly James Fielding (British, active 1804–after 1820), ca. 1807, British, Case: rosewood, coniferous wood veneered with mahogany and inlaid with

Square-Headed Brooch, first half 6th century, Made in Kent, England, Anglo-Saxon, Silver-gilt, Overall: 13/16 x 1 5/8 x 1/4 in. (2.1 x 4.2 x 0.7 cm), Metalwork-Silver

View of the Roman Forum, unexcavated, 1840, Watercolor over graphite, sheet: 13 1/4 x 11 in. (33.7 x 27.9 cm), Drawings, Attributed to Sir Charles Barry (British, London 1795–1860 London

Fort Johnson, James Island, South Carolina, 1861–65, Albumen silver print from glass negative, Photographs

Glass Cutter, 1900–1907, Made in New York, New York, United States, American, Metal, Glass, Tiffany Studios (1902–32), Tiffany Studios (1902-1932) became well-known for its leaded-glass products, including lampshades. During the course

Les Singuliers et Nouveaux Portraicts... page 53 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 47r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Tiger Attacking an Antelope (Tigre suprenant une antilope), modeled possibly ca. 1835, cast after 1855, French, Bronze, Overall: 13 3/4 × 22 × 10 1/8 in., 54.6 lb. (34.9 × 55.9 × 25.7 cm, 24.8 kg), Sculpture-Bronze, Antoine-Louis Barye

Page from Ein new kunstlich Modelbuch...(Page 17v), 1544

Quartermaster and Ambulance Camp, 6th Corps, Brandy Station, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Standing Figure Holding Cross, 17th century, Pen and dark brown ink over some traces of black chalk underdrawing. Ground line drawn with pen and dark brown ink. On ivory paper, 5-15/16 x 3-3/8 in. (15.1 x 8.6 cm), Drawings, Anonymous, Spanish,

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 103 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 16 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Bronze spit, Archaic, ca. 550–525 B.C., Etruscan, Bronze, Other: 40 in. (101.6 cm), Bronzes, Ending above in rounded perforated plate

Design for the Decoration of Firearms, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 6 1/2 x 3 in. (16.5 x 7.6 cm), Works on Paper-Drawings

Designs for a Ceiling, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 10-11/16 x 13-3/4 in. (27.2 x 35 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Ein new getruckt model Büchli...Page 23, recto, 1529

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 34), Artist, Publisher, Artist, After, Georges

Glass oinochoe (perfume jug), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 1/4 in (8.3 cm); Diameter: 1 7/8 in (4.8 cm), Glass, Opaque streaky red-brown, with foot in same color; rim-disk and

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 4 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Ax Head, ca. 13th–16th century, probably Tibetan or Mongolian, Iron, gold, L. 10 ¼ in. (26 cm); H. 5 ¼ in. (13.3 cm); Wt. 2 lb. 15 oz. (1354 g), Shafted Weapons

Landscape with Trees, 1635–91, Watercolor over black chalk., 7 3/8 x 12 1/8 in. (18.7 x 30.8 cm), Drawings, Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht), Cuyp's looped and choppy lines, plumped up with touches of color, bring us

葡萄蒔絵印籠　銘「樗平」, Inrō with Grapevine, Edo period (1615–1868), second half of the 18th century, Japan, One case; lacquered wood with gold hiramaki-e, gold foil application with green stained ivory, mother-of-pearl,

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Child in a Crib, 1835–1903, Pen and dark brown and reddish-brown ink, brush and grey wash over a graphite underdrawing., 7 3/16 x 4 3/4 in. (18.3 x 12 cm), Drawings, Lorenz Frølich (Danish, Copenhagen 1820–1908 Hellerup

Teapot (part of a service), ca. 1740, German, Meissen, Hard-paste porcelain, 4 1/4 × 7 in. (10.8 × 17.8 cm), Ceramics-Porcelain

Large drinking vessel, ca. 1855, Made in New York, New York, United States, American, Glass, 6 5/8 in. (16.8 cm), Glass, This drinking glass is one of three graduated sizes of glasses made for a large luxury table service

Fragmentary Loom Width with Ogival Pattern, ca. 1570–80, Attributed to Turkey, probably Istanbul, Silk, metal wrapped thread; lampas (kemha), Textile: L. 75 in. (190.5 cm), Textiles-Woven, With its unusual eggplant purple background, gold

'The Angel Gabriel meets 'Amr ibn Zaid (the Shepherd)', Folio from a Siyer-i Nebi (the Life of the Prophet), ca. 1595, Made in Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, H. 14.56 in. (37 cm), Codices, Painting by Mustafa

Decoration for the Façade of a Church for the Funeral of Joseph I, 1711, early 18th century, Pen and black ink, brush and gray wash over lead underdrawing on cream laid paper. Framing lines black ink and in graphite or lead, 17-1/2 x 13-1/2 in.

'Orthographia', pl.2, late 17th–mid-18th century, Etching, 5 15/16 x 11 in. (15.1 x 28 cm), Johann Daniel Preissler (German, Nuremberg 1666–1737 Nuremberg

Perspectival Drawing of a Column Base with Cube, 1528, Pen and black ink, brush and grey wash, sheet: 4 1/4 x 3 3/4 in. (10.8 x 9.5 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg), For Renaissance artists, the

Wall Elevation and Interior, 18th century, Pen and wash, 9-3/8 x 17-1/8 in, Drawings, Anonymous, Italian, 18th century

Jérusalem. Une rue de Jérusalem et entrée du Grand Couvent, 1860 or later, Albumen silver print from paper negative, Image: 11 1/8 × 8 3/8 in. (28.2 × 21.3 cm), Photographs, Louis de Clercq (French, 1837–1901

[Arab Girls Carrying Water], 1880s, Albumen silver print from glass negative, Photographs, Unknown

Painting & Sculpture, 1899, Bronze, 12 1/4 × 4 1/8 × 2 3/4 in. (31.1 × 10.5 × 7 cm), Sculpture, Daniel Chester French (American, Exeter, New Hampshire 1850–1931 Stockbridge, Massachusetts), Located at Fifth Avenue and Seventieth

Jasper intaglio: Cock-headed anguipes, Late Imperial, 3rd century A.D., Roman, Jasper, Other: 3/4 x 5/8 x 1/8 in. (1.9 x 1.5 x 0.3 cm), Gems

Wheellock Gun of Philippe de Croy, Prince of Chimay (1526–1595), 1551–56, possibly Antwerp, Flemish, possibly Antwerp, Steel, gold, silver, wood, ivory, L. 42 1/8 in. (107.0 cm); L. of barrel 27 5/8 in. (70.2 cm); Cal. .56 in. (14.2

Sabatos Rug, ca. 1901, Made in Center Lovell, Maine, United States, Wool on burlap backing, 57 1/2 x 33 3/4 in. (146.1 x 85.7 cm), Textiles, Marion Larrabee Volk (1859–1925

Allegory of Justice with Two Putti (after Lorenzo Sabatini's Fresco in Palazzo Vecchio, Florence), 16th century, Red chalk, brush and red wash, highlighted with white gouache (oxidized), 13 x 9-15/16 in. (33 x 25.3 cm), Drawings, Anonymous,

On Brother's Water, 1764–1828, Sheet: 9 3/8 x 13 in. (23.8 x 33 cm), Drawings, Thomas Sunderland (British, Whittington Hall, Lonsdale 1744–1828 Littlecroft

[Group of 16 Early Stereograph Views of British Abbeys], 1850s–60s, Albumen silver prints, Mounts approximately: 8.4 x 17 cm (3 5/16 x 6 11/16 in.) to 8.4 x 17.5 cm (3 5/16 x 6 7/8 in.), Photographs, Unknown (British), McGlashon (British),

Sookh-Vilas Palace Garden, 1880–90, Albumen silver print from glass negative, Image: 20.3 x 27.5 cm (8 x 10 13/16 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905

Two Nude Male Figures Struggling Together, 1709–10, Charcoal, stumped, black and white chalk on brownish paper, 16 11/16 x 21 3/4 in. (42.4 x 55.3 cm), Drawings, Nicolas de Largillierre (French, Paris 1656–1746 Paris

New Modelbüch allen Nägerin u. Sydenstickern (Page 24v), 1556

Spouted Bowl, Inscribed 'Sovereignty is God's', late 10th century, Excavated in Iran, Nishapur, Earthenware; white slip with black slip decoration under transparent glaze, H. 2 15/16 in. (7.4 cm), Ceramics, Although inscribed with a lofty

Dish with “Pommel Scroll” Design, Yuan (1271–1368)–Ming (1368–1644) dynasty, 14th century, China, Carved red, black, and yellow lacquer, H. 1 1/16 in. (2.7 cm); Diam. 6 1/2 in. (16.6 cm), Lacquer

Ferret, 6th century, Made in France, Frankish, Copper alloy, 'tinned' surface, Overall: 1 5/8 x 11/16 x 3/16 in. (4.2 x 1.7 x 0.5 cm), Metalwork-Copper alloy

Caesar's Tower, Warwick Castle, ca. 1850, Watercolor and touches of gouache over graphite, sheet: 14 1/4 x 10 1/4 in. (36.2 x 26 cm), Drawings, William Callow (British, Greenwich 1812–1908 Great Missenden, Buckinghamshire

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 9 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

12 Year Old Mother, Malay, Batavia, 1860s–70s, Albumen silver print from glass negative, 24.2 x 19.7 cm (9 1/2 x 7 3/4 in.), Photographs, Unknown

Wine Glass, 1780–1825, Possibly made in England; Possibly made in United States, American or British, Blown pattern-molded glass, H. 4 in. (10.2 cm), Glass

Marble head of a man, Flavian, A.D. 69–96, Roman, Marble, H. 13 1/2 in. (34.3 cm), Stone Sculpture, The carefully arranged flat waves of hair around the face and the long loose hair in back indicate that this man held some position in the

VIIe Station. Jésus tombe pour la seconde fois. Ancienne porte judiciaire, il s'y trouvait une colonne ou l'on exposait les condamnés; Elle éxiste encore cachée dans l'intérieur de la maison a gauche, 1860 or later, Albumen silver print from

Costume Design for 'Andrey' [a]; Descriptive sheet of Accessories [b], 1889, Pen and black ink, watercolor, 12 3/8 x 9 7/16 in. (31.5 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

[Group of 5 Early Stereograph Views of British Hotels and Inns], 1860s–80s, Albumen silver prints, Mounts approximately: 8.5 x 17.2 cm (3 3/8 x 6 3/4 in.), Photographs, Unknown (British), F. G. O. Stuart (British), E. W. Wyatt (British), J.

Design for Console Table, 1850–1904, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

[Young Woman with Elbow Resting on Small Pile of Books and Head on Hand], 1840s, Daguerreotype, Image: 6.6 x 5.3 cm (2 5/8 x 2 1/16 in.), Photographs, Unknown (American), The daguerreotype, the first photographic process, was invented by

Portrait of Giovanni Fantoni (or 'Labindo'), n.d., Brush and brown wash over graphite underdrawing., 6 3/4 x 4 5/8 in. (17.2 x 11.7cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris