Images at Librifly

Costume design, 18th–19th century, Prints, Robert Dighton the Elder (British, London ca. 1752–1814 London

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 8 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Salt Spoon, 1790–1806, Made in New York, New York, United States, American, Silver, L. 3 3/4 in. (9.5 cm), Silver, Benjamin Halsted (1734–1817

Tobacco Pouch, 1850–80, Japan, Lacquer, H. 6 in. (15.2 cm); W. 4 5/8 in. (11.7 cm); D. 2 in. (5.1 cm), Tobacco Pouches

Ceiling Design with Neptune in Corner, 17th century, Pen and brown ink, washed with brown, red and green, 19 x 11-1/4 in. (48.3 x 28.6 cm) at turn of corner, Drawings, Anonymous, Italian, 17th century

Astapovo Train Station, On the Right is the House in Which Lev Nikolayevich (Tolstoy) Died, 1910, Gelatin silver print, Image: 8.9 x 13.3 cm (3 1/2 x 5 1/4 in.), Photographs, Aleksey Ivanovich Saveliev (Russian, 1883–1923), These six

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Design for a Fireplace, first half 19th century, Ink and wash, Anonymous, British, 19th century

Design for Ceiling: Apollo and the Hours, 1760–1807, Pen and black ink, brush and gray ink, brown wash, watercolor, over black chalk, Image (diameter): 11 5/16 in. (28.8cm), Drawings, Angelica Kauffmann (Swiss, Chur 1741–1807 Rome

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and opaque cranberry glass, H. 3 7/8 in. (9.8 cm); Diam. 2 1/2 in. (6.4 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Stripping the Slain, ca. 1773, Pen and black ink, Overall: 9 3/8 x 7in. (23.8 x 17.8cm), Drawings, John Hamilton Mortimer (British, Eastbourne 1740–1779 London

蘆雁図, Geese and Reeds, Muromachi period (1392–1573), late 14th century, Japan, Hanging scroll; ink on paper, Image: 19 5/8 × 11 7/16 in. (49.8 × 29 cm), Paintings, It is near the end of autumn in this depiction, and three geese have

Chapuis. Charles, Paul. 17 ans, né le 22/3/76 à Paris VIle. Tapissier. Anarchiste. 7/1/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for the Decoration of a Cornice, 18th century, Ink and gray wash, 11-5/8 x 19-1/4 in, Anonymous, Italian, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 6r, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Pendant, early 600s, Anglo-Saxon, Gold with garnets, Overall: 1 1/8 x 1/16 x 1/16 in. (2.8 x 0.2 x 0.1 cm), Metalwork-Gold, The region of Kent, in southeastern England, was an important center of Anglo-Saxon jewelry production of the type

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Embroidered Medallion, 15th–16th century, Made in Greece, Byzantine, Silk and metal thread embroidery on a foundation of linen plain weave, Diameter: 3 3/8 in. (8.6 cm), Textiles-Embroidered, This medallion showing the Evangelist symbol for

View of St. John Lateran, Rome, after 1589, Pen and brown ink, brown and blue washes, 7 1/2 x 16 5/8 in. (19 x 42.3 cm), Drawings, Gillis van Coninxloo, follower of (Antwerp 1544–1607 Amsterdam

Double Vase, Qing dynasty (1644–1911), Kangxi period (1662–1722), China, Cloisonné enamel on copper, H. 24 1/2 in. (62.2 cm); W. 15 1/4 in. (38.7 cm); D. 11 in. (27.9 cm), Cloisonn

Plate, ca. 1705, Made in Boston, Massachusetts, United States, American, Silver, 3/4 x 9 7/8 in. (1.9 x 25.1 cm); 14 oz. 10 dwt. (450.3 g), Silver, Edward Winslow (1669–1753), The engraved arms are those of Colonel John Foster, who

Four drawings showing the manufacture of floor cloth, 19th century, Graphite, white chalk and ink on gray paper, sheet: 9 1/8 x 7 1/2 in. (23.2 x 19.1 cm), Drawings, Anonymous, British, 19th century

Jousting Armor, ca. 1500 and later, Paris, German; restorations, French, Paris, Steel, copper alloy, leather, textile, horn, Helmet (a); Wt. 21.5 lb. (9752 g); breastplate (c); Wt. 23 lb. (10.4 kg); tassets (e, f); Wt. of each 6 lb. (2723

No. 90. From bluffs at Trempealueau, Wisconsin Looking Up Stream, 1885, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Beaded Necklace, early 6th century, Made in Niederbreisig, Germany, Frankish, Glass, glazed earthenware (faience), Overall: length of string 28 1/4 x 1 in. (71.8 x 2.6 cm), Glass-Beads

新石器時代馬家窯文化 馬厰類型彩陶罐, Jar (Guan), Neolithic period, Majiayao culture (ca. 3300–2050 B.C.), Machang phase, ca. 2350–2050 B.C., China, Earthenware with pigment, H. 12 3/8 in. (31.5 cm); W. incl. lugs 9 1/4

[Girl in White Robe], 1870s, Albumen silver print, Photographs, Unknown

Young Communards in Prison (Les Fédérés à la Conciergerie), 1871, Black chalk (rubbed) on wove paper, Overall: 10 3/16 x 6 1/2 in. (25.9 x 16.6 cm), Drawings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz), The intensity of

[Fortifications Near Charleston, South Carolina], ca. 1861, Albumen silver print from glass negative, Image: 15 × 20.6 cm (5 7/8 × 8 1/8 in.), Photographs, Attributed to George Smith Cook (American, Stratford, Connecticut 1819–1902 Bel

Terracotta lamp, Late Imperial, 2nd–early 3rd century A.D., Roman, Egyptian, Terracotta, Overall: 1 x 3 1/16 in. (2.5 x 7.8 cm), Terracottas, With palmette shaped design and maker's mark, 'I

Terracotta horse and rider, Early Cypro-Archaic II, ca. 600 B.C., Cypriot, Terracotta; hand-made, H. 7 1/2 in. (19.1 cm), Terracottas, The rider here is a warrior equipped with crested helmet and shield. The horse has a topknot, thick tail,

Relics of Andersonville Prison, June 1866, Albumen silver print from glass negative, Image:22.1 x 18.9cm (8 11/16 x 7 7/16in.), Photographs, Clara Barton, the first president of the American Red Cross, began her philanthropic career by

The Fair at Bezons, ca. 1733, Oil on canvas, 42 x 56 in. (106.7 x 142.2 cm), Paintings, Jean-Baptiste Joseph Pater (French, Valenciennes 1695–1736 Paris), The picture, Pater's masterpiece, dates to the early 1730s, preceding a smaller

Page from Ein new kunstlich Modelbuch...(Page 19r), 1544

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 1/16 x 14 9/16 in. (25.5 x 37 cm), Charles Hindley and Sons (British, London 1841–1917 London

Seated Woman, ca. 1908, Watercolor on paper, H. 7-7/8, W. 10 inches, Drawings, Gaston Lachaise (American (born France) 1882–1935

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Reconstruction of the Circus of Caracalla (above) and a View of the Ruins (below), before 1704, Red chalk, brush and grey wash, pen and black ink., 13 1/8 x 8 -1/8 in. (33.3 x 20.6 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Disk Brooch, first half 7th century, Frankish, Gold, filigree green and blue glass, Overall: 1 1/8 x 1 3/8 x 13/16 in. (2.9 x 3.5 x 2 cm), Metalwork-Gold

Bridge Across Tennessee River at Chattanooga, ca. 1864, Albumen silver print from glass negative, 13.4 x 20.5 cm (5 1/4 x 8 1/16 in. ), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Vase with four green handles, ca. 1889, French, Paris, Stoneware, 26 × 12 in. (66 × 30.5 cm), Ceramics-Pottery, Delaherche’s experiments with Asian-inspired glazes and firing techniques enabled him to produce a range of colors and effects.

Pear, 18th century, Brush with yellow, brown and green watercolor, over red crayon or chalk, on cream laid paper (recto); red chalk scribbles (verso), 11-1/8 x 8-1/16 in. (28.2 x 20.5 cm), Drawings, Anonymous, Italian, Venetian, 18th

Title Page from Book of Vases, 18th century, Etching, Plate: 14 15/16 × 8 13/16 in. (37.9 × 22.4 cm), Jacques de La Joue the Younger (French, Paris 1686–1761 Paris

Quentin Durward and the Disguised Louis XI (recto); Study of male figure (verso), 1825 or 1826, Watercolor over graphite, sheet: 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm), Drawings, Richard Parkes Bonington (British, Arnold, Nottinghamshire

Neck-amphora, Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, Diameter: 6 3/8 × 4 11/16 × 3 1/2 in. (16.2 × 11.9 × 9 cm), Vases

Life of the Buddha: Abandoning Palace Life, Muromachi period (1392–1573), early 15th century, Japan, Section of a wall panel mounted as a hanging scroll; ink, color, and gold on silk, 29 1/2 x 43 7/8 in. (75 x 111.5 cm), Paintings, This

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 4 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Illuminated Frontispiece of a Bustan of Sa`di, dated A.H. 920/ A.D. 1514, Made in present-day Afghanistan, Herat. Attributed to present-day Uzbekistan, probably Bukhara, Folio: Ink, opaque watercolor, and gold on paper, Manuscript: H. 11 in.

Studio delle virtuose Dame, page 18 (recto), 1597

Disk Brooch, 6th century, Frankish, Silver-gilt on iron core, metal foil, inlaid garnet or paste, Overall: 7/8 x 1/4 in. (2.3 x 0.7 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the luxury

Anamorphic Drawing of a Stag, 16th century (?), Black chalk, on light-brown paper, 12 1/2 x 3 1/16 in. (31.7 x 7.7 cm), Drawings, Anonymous, German, 16th century

Design for a Decorated Base of a Candlestick Holder, early 16th century, Pen and brown ink, brush and brown wash. Design silhouetted, sheet: 2 13/16 x 5 7/8 in. (7.1 x 15 cm), ? Made by Giulio Romano (Italian, Rome 1499?–1546 Mantua

Ezekiel in the Valley of the Dry Bones, late 16th–mid-17th century, Pen and black ink, and brown, blue and pink wash, diameter: 7 11/16 in. (19.6 cm), Drawings, Georg Pecham (German, Munich ca. 1568–1604 Munich

The Immortal Author, 1740–97, Red chalk., 11 1/8 x 8 1/4 in. (28.2 x 21 cm), Drawings, Christian Bernhard Rode (German, Berlin 1725–1797 Berlin

Glass Shade, ca. 1900, Made in New York, New York, United States, American, Glass, H. 5 in. (12.7 cm); Diam. 2 1/8 in. (5.4 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

Lamp, 1st century B.C.–1st century A.D., Terracotta, Length 9.1 cm. H. 2.9 cm., Terracottas

Old Woman in a Brown Coat, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 11/16 x 10 1/16 in. (39.9 x 25.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Cottage at Littleton for B.M. Chamber Esq., 1911, Pen and ink, over graphite, with watercolor, sheet: 10 1/2 x 9 in. (26.7 x 22.9 cm), Charles Edward Mallows (British, 1864–1915

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 31 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Gold fibula (safety pin) with recumbent lion, Archaic-Classical, 6th–5th century B.C., Etruscan, Gold, Other: 1 7/16 in. (3.6 cm), Gold and Silver, The large repoussé lion is carefully modeled to indicate ribs and mane. The coil of the

The Infant Saint John the Baptist with the Infant Christ in the Wilderness (recto); Fragment of Architectural Design with Engaged Corinthian Columns (verso), 17th century, Pen and light brown ink, selectively reinforced with dark brown ink, over

[Three Claudet Family Women Seated in Studio], 1850s, Albumen silver print from glass negative, 21.1 x 17.8 cm (8 5/16 x 7 in.), Photographs, Unknown

Tea caddy (one of a pair), 1726/27, British, London, Silver, Height: 4 1/2 in. (11.4 cm), Metalwork-Silver

Fountain with Obelisk, 18th–19th century, Pen and brown ink, over graphite underdrawing and ruled construction; framing outline in pen and brown ink, sheet: 13 3/4 x 8 7/16 in. (34.9 x 21.4 cm), Drawings, Anonymous, Italian, 18th to 19th

Glass beaker, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, H.: 4 5/16 in. (10.9 cm), Glass, Colorless with a pale blue green tinge; trail in translucent deep blue green., Everted rim with rounded lip; cylindrical body

Wall or Cove Decoration, 16th century, Pen and brown ink, washed, 10-1/2 x 7-3/4 in. (26.7 x 19.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

François Flameng, 1880s–90s, Albumen silver print from glass negative, Image: 20.1 × 26 cm (7 15/16 × 10 1/4 in.), Photographs, Edmond Bénard (French, 1838–1907), The Parisian photographer and publisher Bénard was known for his series

Design of an Architectural Monument (Tomb?)., 1850–80, Brush and light brown wash, over graphite with some ruled and compass construction., 5 1/4 x 7 11/16 in. (13.3 x 19.6 cm), Drawings, Anonymous, Italian, 19th century

[Migrant Pea Picker's Makeshift Home, Nipomo, California], February 1936, Gelatin silver print, 18.2 x 24.5 cm (7 3/16 x 9 5/8 in. ), Photographs, Dorothea Lange (American, 1895–1965

Dish with Heron Design, Edo period (1615–1868), late 17th century, Japan, Porcelain with underglaze blue decoration (Hizen ware, Nabeshima type), H. 1 1/4 in. (3.2 cm); Diam. 5 1/2 in. (14 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 41 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

清巌宗渭 「地獄」, Hell, Edo period (1615–1868), 17th century, Japan, Hanging scroll; ink on paper, Image: 12 x 35 1/2 in. (30.5 x 90.2 cm), Calligraphy, Seigan Sōi (Japanese, 1588–1661), This vigorous horizontal work is a

Ganymede, March 1, 1771, Etching, plate: 6 x 4 3/16 in. (15.3 x 10.7 cm), Prints

A Bivouac, n.d., Pen and brown ink, 3 1/4 x 5 1/8 in. (8.3 x 13 cm.), Drawings, In the manner of Jacques Callot (French, Nancy 1592–1635 Nancy

Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith), ca. 1500, Made in Turkey, probably Istanbul, Main support: ink, watercolor, and gold on paper, Ht. 12 5/8 in. (32.1 cm), Codices, This album contains samples written

Bell Beaker, 5th century, Frankish, Glass, Overall: 3 15/16 x 2 9/16 in. (10 x 6.5 cm), Glass-Vessels

Vessel with Women and Goats, ca. 1887–89, French, Paris, Stoneware, Overall (confirmed, irregular diameter): 7 7/8 × 4 5/8 × 4 3/8 in., 2.2 lb. (20 × 11.7 × 11.1 cm, 1 kg), Ceramics-Pottery, Gauguin made about one hundred ceramic

Sketch for an architectural magazine, ca. 1900, Pen and ink over graphite, sheet: 10 x 7 in. (25.4 x 17.8 cm), Anonymous, British, late 19th to early 20th century

Frieze with Consoles, Putti, and Garlands (Recto); Fragment of Architectural design (Verso), 17th century, Pen and brown ink, brush and gray wash, over traces of graphite underdrawing and ruled construction, sheet: 3 3/8 x 12 3/8 in. (8.5 x

St. Barbara with a Chalice and Host, 1513, Pen and black ink, 9 1/2 x 5 13/16 in. (24.1 x 14.7 cm), Drawings, In the manner of Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Enthroned Virgin and Child, ca. 1280–1300, Made in Navarre, Spain, Spanish, Maple, paint, and gilt, 53 × 20 1/16 × 13 3/4 in. (134.6 × 51 × 35 cm), Sculpture-Wood, This imposing sculpture, with much of its medieval surface decoration

Virgin and Child, 1510–15, Made in the Chiemgau, Upper Bavaria, Germany, German, Limewood with traces of polychromy, 23 5/8 x 13 3/4 x 9 7/16in. (60 x 35 x 24cm), Sculpture-Wood, Master of Rabenden (German, active ca. 1500–1530), This

[Workman Holding a Wrench and Hammer], 1860s, Tintype, Image: 6.3 x 5 cm (2 1/2 x 1 15/16 in.), Photographs, Unknown (American

Coast Scene, 1626–87, Black chalk and gray wash. Framing line in pen & brown ink., 7 3/8 x 11 3/4 in. (18.7 x 29.9 cm), Drawings, Jacob Esselens (Dutch, Amsterdam 1626–1687 Amsterdam

Essempio di recammi, page 2 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Design for the Right Pauldron of a Parade Armor, ca. 1555, Paris, French, Paris, Pen and ink with watercolor wash on paper, 10 x 6 9/16 in. (25.4 x 16.6 cm), Works on Paper-Drawings, Attributed to Étienne Delaune (French, Orléans

Les Singuliers et Nouveaux Portraicts... page 29 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Ornamental Lotto' carpet, ca. 1600, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: H. 69 1/4 in. (175.9 cm), Textiles-Rugs, Carpets displaying this striking design of stylized vegetal arabesques in yellow on

Solomon and the Queen of Sheba, early 19th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Overall:, Codices, This illustrated folio was probably cut from its original illustrated manuscript as a line of text appears

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 33 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink, with black chalk and graphite underdrawing, 2 13/16 x 3 15/16 in. (7.1 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 11v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Covered Vase, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, 9 1/2 × 4 5/16 × 4 5/16 in. (24.1 × 11 × 11 cm), Glass

New Modelbüch allen Nägerin u. Sydenstickern (Page 28r), 1556

청자 음각 연꽃 무늬 잔 받침 고려, 靑磁陰刻蓮花文盞臺 高麗, Cup and stand decorated with lotus seeds and petals, Goryeo dynasty (918–1392), first half of the 12th century, Korea, Stoneware with incised design under

Virtue and Abundance, 1760, Fresco, transferred to canvas, Diameter 114 in. (289.6 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid) and Workshop, Like the other frescoes in this room, this large roundel is from

[Group of 100 Stereograph Views of California Nature and Landscapes With a Focus on Yosemite], 1860s–1910s, Albumen silver prints, Mounts approximately: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.) to 11.4 x 17.8 cm (4 1/2 x 7 in.), Photographs, G. H.

Recueil de planches, sur les sciences, les arts libéraux, et les arts méchaniques : avec leur explication, 1762–72, Paris, France, 11 volumes ; H: 15 3/4 in. (40 cm), Chiefly engraved plates (some double, some folded) accompanying

Portrait of a Man, 17th century, Black chalk, heightened with white, touches of red chalk in face and hand, on blue-gray paper., 9 5/16 x 8 3/8 in. (23.7 x 21.3 cm), Drawings, Jacob Backer (Dutch, Harlingen 1608–1651 Amsterdam

Sketch of a stone drill and saw, late 19th–mid-20th century, Pen and ink, sheet: 7 3/4 x 12 3/4 in. (19.7 x 32.4 cm), Sir George Wright (British, Leeds 1860–1942