Images at Librifly

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 6 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Les Singuliers et Nouveaux Portraicts... page 71 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Tawerert Amulet, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, H. 9.7 cm (3 13/16 in

清 瑪瑙扳指, Archer's thumb ring, Qing dynasty (1644–1911), 18th century, China, Carnelian, H. 5/8 in. (1.6 cm), Hardstone

Near Santa Maria de' Monti, Naples, May 10, 1781, Graphite, pen and ink and wash, sheet: 8 3/8 x 14 in. (21.3 x 35.6 cm), Drawings, Thomas Jones (British, Trevonen, Wales 1742–1803 Pencerrig, Wales), One of the most original British

Gold Belt Mount (Miscast and Unfinished), 700s, Avar, Gold, 2 3/16 × 1 3/8 × 1 1/8 in., 2 Troy Ounces (5.5 × 3.5 × 2.8 cm, 66g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some

Four Tulips: Boter man (Butter Man), Joncker (Nobleman), Grote geplumaceerde (The Great Plumed One), and Voorwint (With the Wind), ca. 1635–45, watercolor on vellum, sheet (c.): 13 3/8 x 17 11/16 in. (34 x 44.9 cm), Drawings, Jacob Marrel

Dragon-Handled Jug with Inscription, late 15th– first quarter 16th century, Attributed to present-day Afghanistan, probably Herat, Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compound, Ht. 5 5/8 in.

Officers of U.S.S. Hunchback, 1861–65, Albumen silver print from glass negative, Photographs

[Two Painters with Brushes and Buckets], 1874, Tintype, Image: 7.6 x 4.5 cm (3 x 1 3/4 in.), Photographs, Unknown (American

The Sacrifice of Noah, 17th century, Black chalk, brush and gray wash, on light tan paper, 9-7/8 x 15-3/4 in. (25.1 x 40 cm), Drawings, Aureliano Milani (Italian, Bologna 1675–1749 Bologna

Box with Geometric Patterns, Qing dynasty (1644–1911), 18th century, China, Porcelain with carved decoration (Fujian ware), Diam. 3 in. (7.6 cm), Ceramics, The dense, precise surface decoration of this small porcelain box resembles work in

Interior with Figures before a Fireplace, 1871, Graphite., 8 7/8 x 11 7/16 in. (22.5 x 29 cm), Drawings, Charles Baugniet (Belgian, 1814–1886

地獄大夫蒔絵硯箱, Writing Box (Suzuribako) with Hell Courtesan’s Robe, late Edo (1615–1868)–early Meiji (1867-1912) period, ca. 1850–70, Japan, Lacquered wood with gold, silver, iroko (color) takamaki-e, hiramaki-e on black

Moses Trampling on Pharaoh's Crown, 18th century, Pen and bistre, brush and brown wash, 9-3/16 x 12-9/16 in, Drawings, Anonymous, Italian, Venetian, 18th century

Portrait of Jennins, 1838, Graphite and touches of black chalk on beige laid paper, Sheet: 12 1/2 x 9 1/4 in. (31.8 x 23.5cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris

Jupiter and Ganymede, 1626, Pen and ink, red wash, heightened with white, 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm), Drawings, Joseph Heintz the Younger (German, Augsburg ca. 1600–1678 Venice

Qur'an of Ibrahim Sultan, dated A.H. 830/A.D. 1427, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 8 in. (20.3), Codices, Ibrahim Sultan (1394–1435), grandson of Timur and governor of Shiraz, was a patron of the book

Holy Family, 17th century, Pen and brown ink, brush and brown wash, over traces of charcoal? on light tan paper, 5-1/8 x 7-5/8 in. (13 x 19.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Custom House, Richmond, Virginia (after evacuation), 1861–65, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Drawings and Prints, Albums Drawings Ephemera, Tattoo Design with a Naval Theme, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

Forward Deck of the Great Eastern Cleared for the First Attempt to Grapple for the Lost Cable, August 11th, 1865, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 15/16 × 10 3/8 in. (17.6 × 26.3 cm), Drawings, Robert

Textile Fragment, 14th–15th century, Attributed to Spain or North Africa, Silk; lampas, Textile: H. 29 3/4 in. (75.6 cm), Textiles-Woven, Geometric compositions predominate silk textiles of Nasrid Spain (1232–1492) and the contemporaneous

Spechio di pensieri delle belle et Virtudiose donne, page 12 (verso), 1546, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top bottom, and left to right: Design composed of 4

Design for a Cassone, early 16th century, Pen and brown ink, with brown wash, over traces of metalpoint ruled lines, 6 7/8 x 14 3/8 in. (17.4 x 36.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca.

Plate, ca. 1822–ca. 1836, Made in Staffordshire, Stoke-on-Trent, England, British (American market), Earthenware, transfer-printed, Diam. 10 in. (25.4 cm), Ceramics, Joseph Stubbs (active ca. 1822–36

Study of a Left Arm and Hand, 1815–63, Graphite on laid paper, 7 15/16 x 6 in. (20.1 x 15.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Bacchante, first half 19th century, Brush and pink wash over pen and brown ink, sheet: 4 5/8 x 3 9/16 in. (11.7 x 9 cm), Drawings, Attributed to William Etty (British, York 1787–1849 York

[Rustic Building with Man under Trellis], ca. 1853, Salted paper print from glass negative, Image: 8 11/16 × 11 3/16 in. (22.1 × 28.4 cm), Photographs, André Giroux (French, Paris 1801–1879 Paris

Figures in Theatrical Costumes, n.d., Pen and brown ink, red wash, over red chalk, 6 1/16 x 7 7/8 in. (15.4 x 20.0 cm), Drawings, Claude Gillot (French, Langres 1673–1722 Paris

Billot. Eugène. 20 ans, né à La Charité (Nièvre). Tailleur d'habits. Anarchiste. 9/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Brush holder with story of Pan Yue or Wei Jie, Qing dynasty (1644–1911), 18th century, China, Ivory, H. 5 5/8 in. (14.3 cm); Diam. of rim: 4 3/4 in. (12.1 cm); Diam. of base: 4 5/8 in. (11.7 cm), Ivories, The young women on the balcony of

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 3 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Vulcan Building a Fence Around the Mount of Venus, late 15th century, Pen and brown ink, over traces of black chalk., 11 1/8 x 15 9/16 in. (28.3 x 39.6 cm), Drawings, Circle of Giovanni Bellini (Italian, Venice, active by 1459–died 1516

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 40r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

[Detachment of 50th N.Y. Volunteer Engineers, Pontoon Wagon and Saddle Boat], ca. 1864, Albumen silver print from glass negative, Image: 6 3/4 × 8 7/8 in. (17.1 × 22.5 cm), Photographs, Timothy H. O'Sullivan (American, born Ireland,

Headdress, ca. 1800, French, silk, metal

Chess Piece, Bishop, 9th–12th century, Excavated in Iran, Nishapur, Ivory; carved, painted, H. 7/8 in. (2.3 cm), Ivories and Bone

The Birth of John the Baptist, 1460–80, Italian, probably Florence, Or nué embroidery of silk and metal thread, H. 12 3/4 x W. 19 1/2 inches (32.4 x 49.5 cm), This embroidered panel, called an apparel, was part of the decoration of a

Ugolino and His Sons, 1865–67, French, Paris, Saint-Béat marble, confirmed: 77 3/4 × 59 × 43 1/2 in., 4955 lb. (197.5 × 149.9 × 110.5 cm, 2247.6 kg), Sculpture, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie),

Petersburg, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

The Virgin and Child with Saint Anne, early 16th century, Italian, Florence, Polychromed terracotta, Height: 16 in. (40.6 cm), Sculpture

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 4 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 12r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Charleston, 1861–65, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

[Emmanuel Frémiet], 1880s–90s, Albumen silver print from glass negative, Image: 20.6 × 26.4 cm (8 1/8 × 10 3/8 in.), Photographs, Possibly by Edmond Bénard (French, 1838–1907), The relationship between art and photography was heavily

La veste de Cygne (autre), 1860s, Albumen silver print from glass negative, 5.1 x 2.5 cm. (2 x 1 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Kohl Stick, Second Intermediate Period–Early New Kingdom, Dynasty 17–18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, radim, Burial C 3, inside coffin, 1915–16, Wood, L. 9.9 cm (3 7/8 in

Candelabra Grotesque with a Naked Boy in a Strapwork Contraption, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 11/16 x 4 7/16 in. (24.6 x 11.2 cm), Anonymous, Italian, 16th century ?, After Cornelis Bos (Netherlandish,

Landscape with Figure, 1763–1804, Black chalk on off-white wove paper, laid on gray wash-line mount, laid on board, Sheet: 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm), Drawings, George Morland (British, London 1763–1804 London

Esemplario di Lauori..., page 7 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

[Fortifications], 1861–65, Albumen silver print from glass negative, Photographs

Apothecary Jar, 1750–1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 9 3/8 in. (23.8 cm), Ceramics

Study for a Title Page, 1809–65, Pen and black ink over black chalk. Incised for transfer., 5 3/8 x 3 3/8 in. (13.7 x 8.5 cm), Drawings, Carl Alexander von Heideloff (German, Stuttgart 1789–1865 Haßfurt

Beggar with a Staff in His Left Hand, from Images of Spain Album (F), 70, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Terracotta statuette of a satyr and maenad, Hellenistic, 3rd century B.C., Greek, Tarentine, Terracotta, H.: 4 1/8 in. (10.5 cm), Terracottas, Fragmented

Footed Bowl, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 4 1/2 in. (11.4 cm); Diam. 7 in. (17.8 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Knight on Horseback, ca. 1520, Pen and black ink and grey washes with white heightening, 8 3/8 x 7 3/16 in. (21.3 x 18.3 cm), Drawings, Anonymous, German, 16th century

Fischter. Joseph. 47 ans, né à Paris Ve. Imprimeur sur papiers-peints. Anarchiste. 4/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Richmond, Virginia, 1865, Albumen silver print from glass negative, 17 x 21.1 cm (6 11/16 x 8 5/16 in. ), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Gold Slide for a Belt or Strap, 700s, Avar, Gold, 1 5/16 × 3/4 × 3/8 in., 0.9 Troy Ounces (3.3 × 1.9 × 0.9 cm, 28g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or

Venus Discovering the Death of Adonis, 17th century, Pen and brown ink, brush and brown wash, white bodycolour, over a sketch in black chalk. Framing line in pen and brown ink, sheet: 4 7/8 x 7 1/2 in. (12.4 x 19 cm), Drawings, Anonymous,

Boat-Shaped Bowl with Human Head and Animals, late 11th–12th century, Made in Iran, Stonepaste; molded, opaque white glaze, H. 3 3/8 in. (8.6 cm), Ceramics, This small whiteglazed bowl is in the shape of a bird with a human face. Its body is

Portrait of a Woman, Ivory, Diameter 2 5/8 in. (66 mm), Miniatures, Frédéric Dubois (French, active ca. 1780–1819

Susannah and the Elders before Daniel, 1530–40, Pen and brown ink, brush and brown wash, highlighted with white, over a little black chalk, on gray-green paper. The head of the woman with outstretched arm, to the right of Susanna, is a

Gold Necklace with Pendants, ca. 7th century, Byzantine, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x

Miniature Square-Headed Brooch, first half 6th century, Made in Kent, England, Anglo-Saxon, Silver-gilt, niello; iron pin, Overall: 11/16 x 1 9/16 x 3/8 in. (1.8 x 4 x 0.9 cm), Metalwork-Silver, The affinity of these brooches, found in

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 8 cm (3 1/8 in.); W. 8.7 cm ( 3 7/16 in.); D. 1.5

'The Annunciation', Folio from the Bellini Album, ca. 1600, Attributed to The Netherlands, Ink, opaque watercolor, and gold on paper, H. 7 7/8 in. (20 cm), Codices, This album incorporates numerous Western prints as well as examples of

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 28r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

明宣德 剔彩仙奕圖漆盤, Dish with immortals playing weiqi, Ming dynasty (1368–1644), Xuande period (1425–36), 1425–1436, China, Carved red and green lacquer, H. 1 3/8 in. (3.5 cm); W. 5 7/8 in. (14.9 cm); L. 9 1/4 in. (23.5 cm),

Design for baptismal fonts, late 19th–early 20th century, Made in New York, United States, American, Pen and ink on paper mounted on board in original matt, Overall: 14 13/16 x 9 15/16 in. (37.6 x 25.2 cm), Drawings, Tiffany Studios

Gold Belt Mount with Loop, 700s, Avar, Gold, 2 1/4 × 1 1/4 × 5/16 in., 2 Troy Ounces (5.7 × 3.2 × 0.8 cm, 67g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

[The Rochester Doorway; Vestibule, Garden Side of English Medieval Court; Byzantine Court Exterior and Interior], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 27 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Reclining Nude, 1917, Charcoal on paper, 18 1/4 x 11 3/4 in. (46.4 x 29.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Essempio di recammi, page 16 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Fragment, early 17th century, Attributed to Turkey, Silk, cotton; velvet, brocaded, H. 48 in. (121.9 cm), Textiles-Woven

Saint Sebastian (?), 17th century, Black chalk underdrawing reinforced with pen and dark brown ink. Composition outlined in black chalk. On ivory paper, 8-3/8 x 4-1/4 in. (21.3 x 10.8 cm), Drawings, Anonymous, Spanish, School of Seville, 17th

The Baroness Duperré and Her Daughters, 1841, Graphite on wove paper, Sheet: 13 3/4 x 10 5/8 in. (35 x 27cm), Drawings, Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris

Vorschrifft Teütsch-Lateinisch-und Frantzöischer Schrifften (Examples of German, Latin and French Scripts), 1719, plates: engraving, Overall: 7 5/8 x 10 13/16 x 3/8 in. (19.4 x 27.5 x 1 cm

Plate, ca. 1775–1800, Made in Bucks County, Pennsylvania, United States, American, Earthenware; Redware, Diam. 12 in. (30.5 cm), Ceramics, John Leidy I (1764–1846

Fragment, 4th–5th century, Attributed to Egypt, Linen, wool; tapestry weave, looped embroidery, H. 19 in. (48.3 cm), Textiles

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Nephrite (jade) with agate stopper, H. 2 7/8 in. (7.3 cm), Snuff Bottles

Jacob Gives Joseph a Coat of Many Colors, 17th–early 18th century, Pen and brown ink, brush and gray wash, over a sketch in black chalk, sheet: 5 9/16 x 6 5/8 in. (14.2 x 16.9 cm), Drawings, Daniel Seiter (Austrian, Vienna 1647–1705

The Annunciation with Flying Angel, 1548, Engraving, Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara), Probably derived from a design by Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice), In

Figures in a Grove above the Bay of Naples, 1820, Brush and brown ink, sheet: 11 5/8 x 16 1/8 in. (29.5 x 41 cm), Drawings, Jakob Wilhelm Huber (German, Dusseldorf 1787–1871 Zurich

Interior, Leningrad?, ca. 1825, Watercolor, sheet: 13 1/16 x 16 15/16 in. (33.2 x 43 cm), Drawings, Charles de Brocktorff (Danish, active 1830

Design for a a Mirror with a Rounded Top, late 18th–early 19th century, Pen and ink and wash, sheet: 12 1/4 x 8 7/8 in. (31.1 x 22.5 cm), John Yenn (British, London (?) 1750–1821 London

Bottle, 18th century, Probably made in Bristol, Bristol, England, British, Painted glass, H. 5 in. (12.7 cm), Glass

Design for a Chimneypiece in the Eating-room, Danson Park, Kent, ca. 1773, Pen and brown ink, brush and washes, sheet: 11 15/16 x 8 in. (30.3 x 20.3 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Coif, early 17th century, British, Linen embroidered with silk and silver-gilt wrapped thread and spangles, H. 9 x W. 17 inches (22.9 x 43.2 cm), Textiles-Embroidered, Rinceaux patterns, characterized by scrolling vines amid flowers, birds,

Head of Shiva (lingakosha), late 9th–10th century, Vietnam (Champa, probably Quang Nam Province), Gold and silver repoussé, H. 6 3/4 in. (17.1 cm), Sculpture, This head was originally attached to a silver linga cover

[Stereograph Still-life of Fowl with Initialed Barrel and Root Vegetables], 1850s, Daguerreotype, Image: 6.8 x 5.6 cm (2 11/16 x 2 3/16 in.), each, Photographs, T. R. Williams (British, born 1825

15 Oval Scenes From the Life of Christ and a Scene of a Saint Adoring the Holy Cross, 1670–1740, Pen and brown ink, over black chalk; framing lines, 11 1/8 x 6 7/16 in. (28.3 x 16.4 cm), Drawings, Anonymous, Italian, 17th or 18th century

Vase, 1800–1830, Made in France, French, Porcelain, H. 14 1/8 in. (35.9 cm), Ceramics

Pitcher, 1800–1830, Possibly made in South Natick, Massachusetts; Made in Massachusetts, United States, American, Probably earthenware, 4 3/4 x 4 1/2 x 4 in. (12.1 x 11.4 x 10.2 cm), Ceramics

Rue du Contrat-Social, de la rue de la Tonnellerie, 1864–1865, Albumen silver print from glass negative, Image: 22.5 x 37.1 cm (8 7/8 x 14 5/8 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), In the late 1850s Marville

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 2.2 cm (7/8 in.); W 3.4 cm (1 5/16 in.); D

Terracotta statuette of an old nurse and a child, Late Classical or Early Hellenistic, 4th century B.C., Greek, Boeotian or Attic, Terracotta, H. 3 in. (7.59 cm), Terracottas, The nurse carries the child on her shoulder