Images at Librifly

Coffeepot, 1881, Made in Providence, Rhode Island, United States, American, Silver, ivory, 10 5/8 × 6 × 4 7/8 in., 30oz. 9dwt. (27 × 15.2 × 12.4 cm, 947.2g), Silver, Made as singular or limited production “specials, ” this sinuous

The Ghost of Isabella, The White Devil (The White Devil, Act III, scene iii), ca. 1930, Pen and ink and graphite, sheet: 16 3/16 x 9 1/2 in. (41.1 x 24.1 cm), Drawings, Henry Weston Keen (British, 1899–1935 Walberswick, Suffolk), Keen

Girl with a Crucifix, Etching, Prints, Guido Reni (Italian, Bologna 1575–1642 Bologna), Designed by Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 46, top right

The Birth of the Buddha, 18th–19th century, Nepal, Mosaic set in a gilt-silver framework with diamonds, rubies, emeralds, sapphires, garnets, quartz, pearls, amber, coral, lapis lazuli, turquoise, and semiprecious stones , 14 1/2 x

Feneon. Felix. Clerk of the Galerie Berheim Jeune., 1894–5, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.), Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of

Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags, 1740–96, Pen, gray ink, gray and green wash, sheet: 18 1/2 x 14 7/8 in. (47 x 37.8 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796

Street Sprinkler, Batavia, 1860s–70s, Albumen silver print from glass negative, 21.0 x 25.3 cm (8 1/4 x 9 15/16 in.), Photographs, Unknown

Tankard, late 16th century, Hungarian, Nagyszeben, Gilded silver, Overall: 7 1/2 x 5 1/4 in. (19 x 13.4 cm), Metalwork-Sculpture-Inscribed, The tapering cylindrical body of this tankard is embossed with female and male masks and a very dense

Design for a Coat of Arms, 1858, Watercolor over graphite

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 37 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Gold Belt Buckle and Strap End, ca. 600, Made in Constantinople, Langobardic, Gold, Overall: 1 5/16 x 13/16 x 3/16 in. (3.4 x 2.1 x 0.5 cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 6.5 cm ( 2 9/16 in.); W 8.7 cm ( 3 7/16

Africa, 16th century (?), Pen and brown ink, brush and brown wash. Squared in black chalk, 9 2/8 x 12 1/4 in. (23.5 x 31.1 cm), Drawings, Anonymous, Netherlandish, 16th century ?, After Maerten de Vos (Netherlandish, Antwerp 1532–1603

Terracotta inkwell, Hellenistic, 2nd half of 3rd century B.C., Greek, Terracotta; black-glaze, H. 3 3/16 in. (8.1 cm); width 4 1/4 in. (10.8 cm); diameter 3 1/8 in. (8 cm), Vases, Inkwells were made of a variety of materials, from terracotta,

Perfume Bottle, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, H. 4 1/8 in. (10.5 cm); Diam. 3 in. (7.6 cm), Ceramics

Pitcher, 1852–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 10 1/4 in. (26 cm), Ceramics, United States Pottery Company (1852–58

Stoneman's Station, Virginia. Quartermaster Dept., 1861–65, Albumen silver print from glass negative, 13 x 19.8 cm (5 1/8 x 7 13/16 in. ), Photographs

Vase, 1770–1800, Made in United States, American, Free-blown amber glass, H. 7 7/8 in. (20 cm), Glass

The Burial of Saint Martha, ca. 1460–70, Tempera and gold on wood, 5 1/2 x 11 1/2 in. (14 x 29.2 cm), Paintings, Sano di Pietro (Ansano di Pietro di Mencio) (Italian, Siena 1405–1481 Siena), The Golden Legend describes how Saint Fronto,

The Adoration of the Shepherds, n.d., Pen and brown ink, brown wash, heightened with white gouache, over black chalk, 9 15/16 x 15 5/16 in. (25.2 x 38.9 cm), Drawings, Jean Cousin the Younger (French, Sens ca. 1522–1594 Paris

Suit, 1890–95, probably American, wool

Naudet. Gervais. 40 ans, né à Echaleau (Côte-d'Or). Menuisier. Anarchiste. 10/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Covered Serving Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, H. 5 1/2 in. (14 cm), Ceramics

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 5/16 in. (7.4 × 8.4 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Double Page in Nasta'liq Script from a Yusuf and Zulaikha of Jami, second half 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Entire Book:, Codices

Honey Dish, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

The Flatiron, 1903, printed in or before 1910, Photogravure, 32.8 x 16.7 cm (12 15/16 x 6 9/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Extreme Left of Bermuda Hundred Lines, 1861–65, Albumen silver print from glass negative, 16.4 x 21.1 cm (6 7/16 x 8 5/16 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Karnak (Thèbes), Palais - Construction de Granit - Décoration Sculptée et Piente au Point R, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 30.5 cm. (9 5/16 x 12 in.), Photographs, Félix Teynard (French,

From My Window at An American Place, Southwest, 1932, Gelatin silver print, 19.2 x 24.1 cm (7 9/16 x 9 1/2 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Stieglitz was captivated by the naturally

Belt Buckle, ca. 500–700, Frankish, Iron, silver, L. 5 7/8 in. (14.8 cm), Miscellaneous-Buckles & Ornament

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 41v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Vase with blue jay, ca. 1880, French, Bourg-la-Reine, Stoneware, Overall (confirmed): 15 5/8 × 11 in. (39.7 × 27.9 cm), Ceramics-Pottery

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 2.5 (1 in.); W. 4.3 cm (1 11/16 in.); D. 1.1 cm

Inkwell, ca. 1750, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 4 in. (10.2 cm), Ceramics

Virgin and Child in Glory with Angels and Saints, 18th century, Pen and brown ink, brush with gray and brown wash, over traces of black chalk, on cream paper. Squared for transfer in black chalk, 15-5/8 x 10-15/16 in. (39.7 x 27.8 cm),

Herouard. Henri. 17 ans, né à Paris XVIIe. Serrurier. Anarchiste. 6/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Trionfo Di Virtu. Libro Novo..., title page (recto), 1563

Cover designs for 'Ulenspiegel au Salon', ca. 1870, graphite, highlighted with pen and black ink, sheet: 8 5/8 x 13 13/16 in. (21.9 x 35.1 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Head of a Satyr Facing Left, ca. 1625–30, Red chalk on brownish paper, 12 x 8 3/8 in. (30.5 x 21.3cm), Drawings, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples

Mrs. Downman, sister-in-law of the artist, 1776, Black chalk and wash, sheet: 9 3/4 x 7 11/16 in. (24.7 x 19.6 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Downman made this drawing shortly after he

Shouxing, Stellar God of Immortality, Ming dynasty (1368–1644), 16th century, China, Ivory, H. 8 1/4 in. (21 cm); W. 4 1/16 in. (10.3 cm); H. incl. base 9 7/8 (25.1 cm), Ivories, As one of the personified or embodied stars, Shouxing is

Terracotta bowl, 4th–3rd century B.C., Etruscan, Terracotta, H. 3 in. (7.6 cm); diameter 6 3/4 in. (17.1 cm), Vases, In the center, in relief, a woman's head

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 11 (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Studies for a Bride at Her Toilet, ca. 1838, Pen, brown ink, brush, brown wash, Sheet: 8 x 4 1/2 in. (20.3 x 11.4 cm), Drawings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar

Beaker, 1700–1720, Japanese, for European market, Hard-paste porcelain, H. 2 7/8 in. (7.3 cm), Ceramics-Porcelain-Export

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 9 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Young Soldier Showing a Head to the Populace (David?), 16th century, Pen and ink, brush and wash, 6-7/8 x 8-5/8 in. (17.5 x 21.9 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Aberdeen Portraits No. 1, 1857, Albumen silver print from glass negative, Image: 21.3 x 17.2 cm (8 3/8 x 6 3/4 in.), Photographs, George Washington Wilson (British, Grampian (Baffshire), Scotland 1823–1893 Abedeen, Scotland), As the

The Apples of the Hesperides: part of a cycle depicting the Labors of Hercules, 17th century, Pen and brown ink over black chalk on light tan paper, 8-3/16 x 5-7/8 in. (20.8 x 14.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Madame Marsollier and Her Daughter, 1749, Oil on canvas, 57 1/2 x 45 in. (146.1 x 114.3 cm), Paintings, Jean Marc Nattier (French, Paris 1685–1766 Paris), Madame Marsollier was married, beneath her station, to a Parisian textile merchant

Candlestick, ca. 1903, Made in Chicago, Illinois, United States, American, Bronze, H. 13 3/4 in. (34.9 cm), Metal, Robert R. Jarvie, whose early advertisements label him 'the Candlestick Maker, ' created some of the most sophisticated metal

Design for a Door-Knocker (?) With Two Nymphs, 18th century, Pen and brown ink, brush with yellowish and gray wash over black chalk, 8-9/16 x 5-1/2 in. (21.7 x 13.9 cm), Giacomo Rossi (Italian, Bologna 1751 - 1817 Bologna

Cabinet Design, 19th century, Ink and watercolor over graphite, sheet: 5 3/8 x 7 7/16 in. (13.7 x 18.9 cm), Anonymous, British, 19th century

The Aeroplane, 1910, printed 1911, Photogravure, 14.5 x 17.5 cm (5 11/16 x 6 7/8 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Two Women Winding Yarn, early 17th century, Red chalk with touches of black chalk, 3.5 x 4.5 in. (8.9 x 11.4 cm), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy

Wine Glass, 1870–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 3 7/8 in. (9.8 cm); Diam. 2 1/4 in. (5.7 cm), Glass, Adams and Company

Gordon. Max. 39 ans, né le 20/8/54 à Vilna (Italie). Employé de commerce. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Floral Border Design, 1830–62, Watercolor over pen and brown ink with touches of gold and gouache, sheet: 14 1/2 x 9 3/16 in. (36.8 x 23.4 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 5 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

The Vision of St. Eustace, 17th century, Pen and brown ink, brush and brown wash. Framing lines in pen and brown., 7 3/16 x 5 5/8 in. (18.3 x 14.3 cm), Drawings, Anonymous, Flemish, 17th century

Footed Tray with Figures in a Landscape, Momoyama period (1573–1615) or Edo period (1615–1868), 17th century, Japan (Ryūkyū Islands), Basketry and red lacquer with gold and litharge painting, H. 7 in. (17.8 cm); W. 16 1/4 in. (41.3 cm); D.

A Treatise of Japanning and Varnishing..., 1688, Illustrations: etching and engraving, 14 3/4 x 9 5/8 x 11/16 in. (37.5 x 24.5 x 1.8 cm

Study for a Portrait of an Officer and His Wife, ca. 1756–58, Black and white chalks and black ink on blue laid paper, sheet: 18 x 11 5/8 in. (45.7 x 29.5 cm), irreg., Drawings, Arthur Devis (British, Preston 1712–1787 Brighton), Devis

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 7 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

The Stabbing, Images of Spain Album, 53, 1812–20, Brush and gray and brown washes on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Cover, ca. 1600, Spanish or Italian, Needle lace, L. 35 x W. 21 1/2 inches (88.9 x 54.6 cm), Textiles-Laces

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 5, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Mrs. Morgan and her Child, 1785, Watercolor, colored chalk, charcoal over graphite, sheet: 16 1/2 x 12 3/8 in. (41.9 x 31.4 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales

The Sixth Day: The Creation of Animals, Adam and Eve from The Creation of the World, late 16th century, Engraving, Sheet: 7 13/16 × 9 15/16 in. (19.8 × 25.2 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice),

Madonna and Child Enthroned, Tempera on wood, gold ground, 60 1/2 x 36 in. (153.7 x 91.4 cm), Paintings, Master of the Magdalen (Italian, Florence, active 1265–95

Preparing to Undo the Stag in the Field (From Incidents in a Stag Hunt), ca. 1495–1515, South Netherlandish, Wool warp, wool wefts, 98 1/2 in. × 78 in. (250.2 × 198.1 cm), Textiles-Tapestries

Table decoration in the form of a peacock, 1787, Hungarian, Munkács, Silver, partly gilded, Overall: 8 9/16 x 2 13/16 in. (21.8 x 7.2 cm), Metalwork-Silver, Festive drinking cups were produced in an astonishing range of animal forms, such

Lintel with Anthropomorphic Dragon in Foliage, mid-7th century, Central Cambodia, Sandstone, H. 18 1/2 in. (47 cm); W. 56 in. (142.2 cm); D. 10 in. (25.4 cm), Sculpture, This lintel once graced the east entrance to an early Khmer brick

Head of an Apostle, ca. 1280–1300, Made in probably Strasbourg, Alsace, present-day France, German, Sandstone, 11 13/16 × 10 1/8 × 9 3/4 in. (30 × 25.7 × 24.8 cm), Sculpture-Stone, With its curly hair and furrowed brow, this arresting

Hands offering Aten cartouches, New Kingdom, Amarna Period, Dynasty 18, ca. 1352–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Great Temple of the Aten, pit outside southern wall, Petrie/Carter excavations, 1891–92,

[Regiments - unidentified], 1861–65, Albumen silver print from glass negative, 12.7 x 20.1 cm (5 x 7 15/16 in.), Photographs

Two Dogs, 17th century, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper, 6-1/8 x 7-3/16 in. (15.6 x 18.3 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

[Temple of Jupiter Tonans, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

New Modelbüch allen Nägerin u. Sydenstickern (Page 27r), 1556

A Spanish Garden, Oil on canvas, 24 x 15 1/4 in. (61 x 38.7 cm), Paintings, Martín Rico y Ortega (Spanish, Madrid 1833–1908 Venice

Cordial Glass, 1865–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 3 1/4 in. (8.3 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Design for a Pillar and a Sounding Board, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 14 x 8 1/2 in. (35.6 x 21.6 cm), Ernest Geldart (British, London 1848–1929

Wedjat eye with filagree ornament, Ptolemaic Period, 332–30 B.C., Probably from Egypt, Gold with filigree ornament, H. 4.5 cm (1 3/4 in); W. 5.5 cm (2 3/16 in), This amuletic wedjat eye is a hollow construction beautifully decorated with

Slit Gong (Kentongan), Eastern Javanese period, ca. 13th century, Indonesia (Java), Bronze, H. 17 1/4 in. (43.8 cm), Metalwork

Cup Plate, 1825–60, Lacy pressed glass, Glass

Snuff bottle with boys at play, Qing dynasty (1644–1911), Daoguang period (1821–50), China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware), H. 3 3/4 in. (9.5 cm), Snuff Bottles

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 8 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Cup Plate, 1825–60, Lacy pressed glass, Glass

Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink, opaque watercolor, and gold on paper, 19.5 in. high 14.00 in. wide (49.5 cm high 35.6 cm wide), Codices, This Qur’an which probably belongs to fourteenth

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 113 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Design for a Cabinet with Glass Doors and a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on green ground, sheet: 5 1/16 x 6 7/8 in. (12.8 x 17.4 cm), Anonymous, British, 19th century

Ornamental Panel Design, 18th or 19th century, Gouache on paper, Anonymous, British, 19th century

Architectural woodwork and paneling, 1881–82, Made in New York, New York, United States, American, Satinwood, purpleheart, mother-of-pearl, silver-plated brass, mirrored glass, marble, and reproduction upholstery, Architecture, George

Oil bottle decorated with peonies and chrysanthemums, 청자 동화 상감 국화 모란 무늬 기름병 고려, Goryeo dynasty (918–1392), 13th century, Korea, Stoneware with copper-red and inlaid design under celadon glaze, H. 2 1/2 in.

Sgra-Snyan, 14th–16th century, Tibet, Tibetan, Carved wood, skin, gesso, gilding, Height: 42 15/16 in. (109 cm), Chordophone-Lute-plucked-unfretted, The ancient 'silk route', running from the Mediterranean to Sian in east central China,

Wind Mill at Antwerp, 1866, Watercolor over black chalk., 9 1/16 x 13 13/16 in. (23 x 35.1 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-Andr

Architectural Design with a Decorated Frieze Containing a History Scene and Landscape, 17th century, Pen and brown ink, brush and brown wash, over traces of graphite underdrawing., sheet: 5 7/16 x 14 7/8 in. (13.8 x 37.8 cm), Anonymous,

Provost Marshals Headquarters, Chattanooga, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902