Images at Librifly

Marble anthropoid sarcophagus, Classical, last quarter of the 5th century B.C., Graeco-Phoenician, Parian marble, L. 87 3/4in. (222.9cm), Stone Sculpture, The lid of the sarcophagus shows an unarticulated, downward tapering body and the head

Relief fragments from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

Fort Sedgwick near Petersburg, interior, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Design for a Ceiling, 18th century, Brush and yellow, red, blue, green and brown watercolor, and dark blue gouache, over graphite or lead, on cream paper, 10-3/16 x 13-15/16 in. (25.8 x 35.4 cm), Drawings, Anonymous, Italian, first half

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 39 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Marble portrait of the co-emperor Lucius Verus, Mid-Imperial, Antonine, A.D. 161–169, Roman, Marble, H. 14 1/2 in. (36.8 cm), Stone Sculpture, This fragmentary head comes from an over-life-sized portrait bust or statue of Lucius Verus,

Le petit Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 9 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Dust to Dust ('Et in pulverem reverteris'), 1807–45, Pen and black ink with brush and gray wash on off-white paper. Composition outlined with pen and black ink on all sides, 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm), Drawings, Leonardo Alenza y Nieto

Vase, 1876–80, Made in Chelsea, Massachusetts, United States, American, Probably earthenware, H. 12 3/4 in. (32.4 cm); Diam. 3 1/4 in. (8.3 cm), Ceramics, Chelsea Keramic Art Works (1872–1889

Le Charivari, June 1, 1834–November 30, 1834, June 1, 1834–November 30, 1834, Lithographs and wood engravings, 13 1/8 × 10 × 2 3/8 in. (33.3 × 25.4 × 6 cm), Honoré Daumier (French, Marseilles 1808–1879 Valmondois), Leon-Alphonse

Study of a Woman Leaning on a Cushion, 19th century, Graphite laid down on blue paper mount with framing lines in pen and brown., 8 9/16 x 10 1/2 in. (21.7 x 26.7 cm), Drawings, Anonymous, German, 19th century

Landscape with Herdsmen, Sheep and Cows Around a Fountain, n.d., Pen and gray and black ink, brush and gray wash, sheet: 7 11/16 x 8 3/8 in. (19.5 x 21.2 cm), Drawings, Pieter Bout (Flemish, Brussels, 1658–1719

Marble architectural fragment, Classical, ca. 421–409 B.C., Greek, Marble, H. 4 1/8 in. (10.5 cm), Stone Sculpture, The fragment consists of a band of egg and dart surmounted by bead and reel; there is a pendant palmette at the corner. The

Action (plate two from Paraphrase on the Finding of a Glove), 1881, Etching, drypoint and aquatint on chine collé; first edition; state three of six, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints, Max Klinger (German, Leipzig 1857–1920

Rosette Brooch, 550–650, Frankish, Silver-gilt, garnets with patterned foil backings, Gilded silver with garnets, glass, and pearl, Overall: 1 1/8 x 3/16 in. (2.8 x 0.4 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique,

Holy Family with St. John the Baptist, mid-18th century, Pen and brown ink, squared for transfer in black chalk, 4 7/16 x 3 1/16 in. (11.3 x 7.7 cm), Drawings, Anton Raphael Mengs (German, Ústi nad Labem (Aussig) 1728–1779 Rome

Cannon, 1861–65, Albumen silver print from glass negative, Photographs

La Pratique de l'Aiguille, page 7 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Terracotta lamp, Early Imperial, ca. A.D. 40–100, Roman, Cypriot, Terracotta; mold-made, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas, On discus, a siren

Saint Jerome in the Wilderness, ca. 1470, Italian, Florence, Marble, Overall (confirmed): 16 5/8 × 15 1/4 × 2 7/8 in., 31 lb. (42.2 × 38.7 × 7.3 cm, 14.0615kg), Sculpture, Probably by Antonio Rossellino (Italian, Settignano 1427–ca.

The Dream of the Shepherd (Der Traum des Hirten), 1896, Oil on canvas, 98 1/2 × 51 3/8 in. (250.2 × 130.5 cm), Paintings, Ferdinand Hodler (Swiss, Bern 1853–1918 Geneva), This powerful and haunting picture is among the ambitious Symbolist

View of the Groote Kerk in Dordrecht from the River Maas, ca. 1647–48, Black chalk and moistened black chalk, gray wash (mainly in the clouds, water and sails), greenish yellow and grayish green wash (in the trees and under the houses at the

Savanah, Georgia No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Drawing of an Angel, 16th century, Made in Iran, Ink and gold on paper, 5 1/4 x 2 7/8 in. (13.3 x 7.3 cm), Codices

Lion-headed goddess, Late Period–Ptolemaic Period, 664–30 BC, From Egypt, Cupreous metal, H. 15.5 cm (6 1/8 in.); W. 2.9 cm (1 1/8 in.); D. 2 cm (13/16 in.), Lion-headed goddesses in Egypt encompassed numerous deities including Sakhmet,

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 26), Publisher, Artist, After, Carlo Losi, Georges

Design for Ornamental Frieze with Shell, Foliage and Satyr's Head (recto); Figural Studies (verso), 1805–40, Graphite, sheet: 4 x 13 1/8 in. (10.2 x 33.3 cm), William Pitts (British, London 1790–1840 London

Orange Brick, Half-timbered house, late 19th–early 20th century, Pen and ink, over graphite, with watercolor, sheet: 15 x 18 in. (38.1 x 45.7 cm), Ernest Geldart (British, London 1848–1929

Mrs. Chester Dale, 1919, Oil on canvas, 42 1/2 x 40 in. (108 x 101.6 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York

The Dispatch of the Messenger, 1765, Oil on canvas, Oval, 12 5/8 x 10 1/2 in. (32.1 x 26.7 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris), At the Salon of 1765, this painting was exhibited with three others, to form a

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 2 3/8 in. (6 cm); Diam. 4 in. (10.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Louksor, Dattiers et Jardin de l'Expédition du Louksor, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 30.3 cm. (9 5/16 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Marble lion, Late Classical, mid-4th century B.C., Greek, Attic, Marble, Pentelic, Overall: 27 7/8 x 12 x 50 in. (70.8 x 30.5 x 127 cm), Stone Sculpture, The sphinxes and other animals that guarded tombs in the archaic period tend to convey

The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations, 1654, Illustrations: etching, 16 7/16 x 10 5/8 x 1 5/8 in. (41.7 x 27 x 4.2 cm), Books, Ogilby portrait after Sir Peter Lely (Pieter van

Distant View of Fort Brady, ca. 1865, Albumen silver print from glass negative, Photographs, William Frank Browne (American

Netsuke of a Man and an Egg, 19th century, Japan, Ivory, H. 1 1/4 in. (3.2 cm); W. 1 1/4 in. (3.2 cm); D. 1 in. (2.5 cm), Netsuke

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 38 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

[Carpenter or Cabinetmaker Standing Before a Sign Advertising His Trade], 1860s–80s, Tintype, Image: 16.5 x 11.3 cm (6 1/2 x 4 7/16 in.), Photographs, Unknown (American

Coverlet, first half 18th century, British, Silk, metal thread, metal spangles, H. 91 x W. 85 in. (231.1 x 215.9 cm), Textiles-Embroidered

Printed Textile, 15th century, Made in Rhineland, Germany, German, Linen, Overall: 9 1/4 x 11 1/2in. (23.5 x 29.2cm), Textiles-Printed

[Two Painters, One Seated and One Standing, with Brushes and a Bucket], 1860s–80s, Tintype, Image: 9.4 x 6 cm (3 11/16 x 2 3/8 in.), Photographs, Unknown (American

Christ on the Cross; verso: St. Jerome Reading by Candlelight, and Sketch of Male Torso (?), n.d., Recto and verso: black and white chalk, 9 15/16 x 16 5/8 in. (25.2 x 42.3 cm), Drawings, After Anthony van Dyck (Flemish, Antwerp 1599–1641

Tongue from a buckle, 450–500, Made in Italy, Ostrogothic, Gold, garnets, red glass., Overall: 1 1/4 x 7/16 x 3/8 in. (3.1 x 1.1 x 1 cm), Metalwork-Gold

Ripert. Thomas. 33 ans, né à Marseille. Cocher. Anarchiste. 5/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

The Wife of Ceteus burnt on the Pile of her Husband, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 1/8 × 4 1/2 in. (7.9 × 11.4 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Design for Cast-iron Grate, Elevation and Plan, 1814, Pen and ink, gray and pale brown wash, sheet: 10 5/16 x 7 13/16 in. (26.2 x 19.9 cm), Benjamin Dean Wyatt (British, London 1775–1850 Camden Town

Buddhist deity Guanyin (Bodhisattva Avalokiteshvara), Ming dynasty (1368–1644), 16th century, China, Ivory, H. 10 1/2 in. (26.7 cm), Ivories, The child in the arms of the bodhisattva indicates that this ivory carving represents Guanyin as

Riverside with Three Bathing Boys, 19th century, Watercolor and bodycolor, sheet: 13 7/16 x 11 7/16 in. (34.2 x 29 cm), Drawings, Christian Friedrich Gille (German, Ballenstedt 1805–1899 Dresden

Terracotta kantharos (drinking cup), Hellenistic, ca. 300 B.C., Etruscan, Terracotta; Malacena black-glaze, H. 8 1/16 in. (20.5 cm); diameter of mouth 5 13/16 in. (14.8 cm), Vases, Two-handled, no decoration; associated with the Malacena

Snuff Bottle with Seven Sages of the Bamboo Grove, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Bamboo, H. 7/8 in. (7.3 cm), Snuff Bottles, Represented often in the visual arts, the Seven Sages of the Bamboo Grove lived

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Section of a House with Portico Seen at Right., 1750–1850, Pen and brown ink, brush and gray wash over black chalk, sheet: 9 1/8 x 15 13/16 in. (23.2 x 40.2 cm), Drawings, Giovanni Battista Galliani (Italian, active ca. 1794

Illuminated Initial 'N', 1830–62, Watercolor, pen and red ink over graphite with touches of gold, sheet: 14 9/16 x 9 3/16 in. (37 x 23.3 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Figure of a Lion, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain, H. 16 3/4 in. (42.5 cm); W. 9 1/2 in. (24.1 cm); D. 6 1/4 in. (15.9 cm), Ceramics

Decker. Jacques. 43 ans, né à Grodeskersheim (Bas-Rhin). Tailleur d'habits. Anarchiste. 9/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Forest in Winter at Sunset, ca. 1846–67, Oil on canvas, 64 x 102 3/8 in. (162.6 x 260 cm), Paintings, Théodore Rousseau (French, Paris 1812–1867 Barbizon), Unrivaled for its scale and ambition, this monumental forest scene was begun

Lady Holding a Book (recto); Plan of Placing Colors on a Palette (verso), 1754–1803, Graphite (recto); ink (verso), Sheet: 15 3/16 x 10 11/16 in. (38.6 x 27.1 cm), Drawings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal,

Camellia by Water, Edo period (1615–1868), dated 1741, Japan, Hanging scroll; ink and color on paper, 12 x 17 3/4 in. (30.5 x 45.1 cm), Paintings, In the Style of Ogata Kenzan (Japanese, 1663–1743

Christ Washing the Feet of the Disciples, 17th century, Pen and brown ink, brush and brown wash over charcoal? on cream paper, 5-3/16 x 8-1/8 in. (13.1 x 20.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Fort Burnham, front of Petersburg, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 35r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Camp of 44th New York Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Bacchanal: A Faun Teased by Children, ca. 1616–17, Italian, Rome, Marble, Overall (confirmed): H. 52 1/8 x W. 29 x D. 18 7/8 in., 529lb. (132.4 x 73.7 x 47.9 cm, 239.9528kg), Sculpture, Gian Lorenzo Bernini (Italian, Naples 1598–1680

Tile with the Heraldic device of the Nasrid kings, first third of 16th century, Made in probably Seville, Andalusia, Spain, Spanish, Earthenware, impressed and glazed, Overall: 7 1/2 x 4 15/16 x 1 3/8 in. (19 x 12.5 x 3.5 cm), Ceramics

Border, early 17th century, Italian, Venice, Bobbin lace, L. 10 3/4 x W. 57 inches (27.3 x 144.8 cm), Textiles-Laces

Disk Brooch, 6th century, Frankish, Silver-gilt, garnets with patterned foil backings, mother-of-pearl(?).., Overall: 13/16 x 1/4 in. (2.1 x 0.6 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the

Adoration of the Shepherds, 17th century, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and black ink., 9 13/16 x 8 3/16 in. (24.9 x 20.8 cm), Drawings, After Jacob Jordaens (Flemish, Antwerp 1593–1678

[Self Portrait in American Indian Costume], 1863, Salted paper print from glass negative, Image: 22.1 x 13.2 cm (8 11/16 x 5 3/16 in.), arched, unevenly trimmed, Photographs, Nadar (French, Paris 1820–1910 Paris

Cemetery, New Mexico, 1924, Oil on canvas, 31 5/8 x 39 1/4 in. (80.3 x 99.7 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), While living in Berlin and Paris from 1923 to 1924, Hartley painted about

Group of Men, 17th century, Brush and brown wash over traces of black chalk, 8 9/16 x 12 15/16 in. (21.8 x 32.8 cm), Drawings, Master of the Large Figure Brush Drawings

Liqueur bottle cooler (seau ovale à liqueur), 1754–55, French, Vincennes, Soft-paste porcelain, 4 7/8 × 12 3/8 × 5 3/4 in. (12.4 cm, 14.6 cm), Ceramics-Porcelain, This cooler, intended for liqueur bottles, is fitted with a central,

Design for A Female Term Carrying a Vase (recto); Sketch of Draped Male (verso), 17th century, Pen and brown ink, brush and brown wash, over traces of red chalk (recto); pen and brown ink (verso), sheet: 6 5/8 x 1 7/8 in. (16.8 x 4.7 cm),

[Family Group], 1870s, Albumen silver print, Photographs, Unknown

'The Monkey Tells the Story of the Fox Luring the Ass to its Death by the Lion', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm

Scene of Contemporary Life: The Acrobats, 1727–1804, Pen and dark brown ink, brush and brown wash, over traces of black chalk, 11-7/16 x 16-1/4 in. (29 x 41.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice),

Design for a Book Illustration with an Owl, first half 20th century, Brush and black and gray ink, white gouache on board., 3 11/16 x 5 3/16 in. (9.3 x 13.1 cm), Drawings, Hugo Steiner-Prag (Czech, 1880–1945

Designs for Two Chairs, 1884–92, Watercolor over graphite, sheet: 8 9/16 x 12 1/2 in. (21.8 x 31.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Dish with Cherry Blossoms, 色絵花形桜文小皿, Edo period (1615–1868), mid-17th century, Japan, Porcelain with overglaze polychrome enamels (Hizen ware, Nabeshima type), H. 1 1/4 in. (3.2 cm); Diam. 6 1/4 in. (15.9 cm), Ceramics

Designs for Furniture, 1800–1900, Sheet: 9 5/8 × 12 5/8 in. (24.4 × 32.1 cm), Drawings, Anonymous, Italian, 19th century

Lagoon Capriccio (recto); Architectural Scene (verso), 1697–1768, Pen and brown ink, brush and gray wash, over traces of lead or graphite (recto). Squared in lead or graphite. Faint traces of a constructed outline drawing of an architectural

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 in. × 3 in. (7.4 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Triumphal Entry of King, 17th century, Pen and gray ink, brush and gray wash, sheet: 10 3/4 x 16 5/16 in. (27.3 x 41.5 cm), Anonymous, German, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 20r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Susanna and the Elders, early 17th–mid 17th century, Pen and brush and brown ink, heightened with white gouache, on blue paper; framing line in pen and brown ink, by a later hand, sheet: 8 1/4 x 11 9/16 in. (21 x 29.4 cm), Drawings, Gerrit

Sauce Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 2 5/8 in. (6.7 cm); Diam. 4 in. (10.2 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Elevation and Ground Plan for a Papal Throne, 1774–1843, Pen and brown ink, brush and gray wash, over graphite, 16-3/8 x 11-5/8 in. (41.6 x 29.5 cm), Drawings, Antonio Basoli (Italian, Castel Guelfo di Bologna 1774–1843 Bologna

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 7 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Marble bowl, Early Cycladic II, ca. 2800–2500 B.C., Cycladic, Marble, traces of red pigment on interior, 1 × 3 1/8 in. (2.6 × 8 cm), Miscellaneous-Stone Vases, Small bowl with evidence of red pigment

Design for Corner of a Cove (recto); Designs for a Ceiling (?) (verso), 1700–1780, Pen and dark brown ink, over lead point or graphite, with ruled construction. Framing outlines in pen and brown ink, over lead point or graphite (recto).

Tutu, Ptolemaic Period, 300–150 B.C., From Egypt, limestone, pigment inlay; missing inlay, L 35.6 cm; W 12.1 cm; H 21.1 cm (14 in x 4 3/4 in x 8 5/16 in), Tutu was a late addition to the Egyptian pantheon: the name of the god first appears

Landscape with an Inn, 1629, Charcoal saturated in oil, 7 9/16 x 11 7/8 in. (19.2 x 30.1 cm), Drawings, Esaias van de Velde (Dutch, Amsterdam 1587–1630 The Hague

Historical Scene: Study for an Engraving, 18th century, Pen and brown ink, 8-7/8 x 7 in. (22.5 x 17.8 cm), Drawings, Anonymous, Italian, first half of the 18th century

Length of Fringed Cloth with Blue and Red Dye, New Kingdom, Dynasty 21, ca. 1070–945 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Royal Cache, Tomb of Inhapi (TT 320), Mummy of Djedptahefankh, Egyptian Antiquities

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, German,

Sheet from the Papyrus of Amenhotep, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Papyrus, ink, pigment, H. 33.8 cm (13 5/16 in.); W. 35 cm (13 3/4 in.), Two fragments of a Book of the Dead papyrus

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, German,

Landscape, New Mexico, 1919–20, Oil on canvas, 27 1/8 x 34 7/8 in. (68.9 x 88.6 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine

Basin, ca. 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 4 1/4 in. (10.8 cm); Diam. 13 1/2 in. (34.3 cm), Ceramics, United States Pottery Company (1852–58

Figure 18: Aggression, wickedness, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),