Images at Librifly

Saint Dominic Giving the Rosary to Pope Pius V, 17th century, Pen and brown ink, brush and brown wash, red chalk on light tan paper, 11-3/4 x 7-3/8 in. (29.8 x 18.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Dish with Winged Eros Riding a Lion-Headed Sea Monster, 1st century B.C., Pakistan (ancient region of Gandhara), Schist, Diam. 6 in. (15.2 cm); D. 1 in. (2.5 cm), Sculpture, This dish from the ancient region of Gandhara dates from the second

The Settlement and Church of Heart's Content, Newfoundland, 1866, Watercolor over graphite with touches of gouache, Sheet: 9 3/16 x 15 1/16 in. (23.4 x 38.3 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 12 (recto), 1610

Landscape with a Distant Buildings (Smaller Italian Sketchbook, leaf 23 recto), 1774–75 (?), Pen and ink with gray and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Page from Ein new kunstlich Modelbuch...(Page 14r), 1544

Study of a Fallen Soldier, 17th century, Black and white chalk on blue paper, sheet: 3 9/16 x 5 13/16 in. (9.1 x 14.7 cm), Drawings, Adam Frans van der Meulen (Flemish, Brussels 1632–1690 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 46 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 35 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Sacred animal mummy containing dog bones, Late Period–Roman Period, ca. 400 B.C.–100 A.D., From Egypt, Western Desert; Kharga Oasis, el-Deir, Roman Cemetery, Dyed and undyed linen, animal remains, mummification materials, H. 28 cm (11

Isis and Horus, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Wood, H. 8.8 × W. 2.8 × D. 3.4 cm (3 7/16 × 1 1/8 × 1 5/16 in.), Isis with the child Horus on her lap was a frequent subject of small sculpture donated to temples.

Seal color box, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), ca. 1700–22, China, Porcelain with peachbloom glazes, H. 1 1/2 in. (3.8 cm); Diam. 2 7/8 in. (7.3 cm), Ceramics

Sketches of Birds and Animals, Meiji period (1868–1912), late 19th century, before 1870, Japan, Handscroll; ink on paper, 17 ft 3 1/2 in. x 10 3/4 in. (516.9 x 27.3 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), After training

Vase, 1755–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 5 in. (12.7 cm), Glass

Margarita Philosophica, 16 March 1504 or 17 April 1504, Woodcut, Overall: 8 7/8 x 6 1/8 x 2 3/4 in. (22.5 x 15.5 x 7 cm), Books, Urs Graf (Swiss, Solothurn ca. 1485–1529/30 Basel

The Flogging of Punchinello, ca. 1800, Pen and brown ink, brown wash, over black chalk, 14 x 19 1/8 in. (35.6 x 48.5 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Amulet Depicting a Baboon Wearing a Lunar Disk and Uraeus, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, H. 4.7 cm. (1 7/8 in); w. 2.3 cm 7/8 in); d. 2.6 cm (1 in

Study of a Male Figure Holding a Vessel (Apollo), ca. 1711, Pen and black ink. Framing lines in pen and black ink, 14 11/16 x 9 9/16 in. (37.3 x 24.3 cm), Drawings, François Boitard (French, ca. 1670–ca. 1715

Woman with a Crushed Velvet Hat, 1894, Graphite, 8 1/4 x 5 1/8 in. (21 x 13 cm), Drawings, Adolph Menzel (German, Breslau 1815–1905 Berlin

Capital, ca. 1130–40, Made in present-day France, Catalan, Marble, Overall: 17 x 16 x 16 in. (43.2 x 40.6 x 40.6 cm), Sculpture-Architectural

Border Design with Saints, 17th century, Pen and brown ink, brush and brown wash, over traces of graphite underdrawing, sheet: 15 1/4 x 11 1/2 in. (38.7 x 29.2 cm), Drawings, Anonymous, Italian, 17th century

Bowl, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 10 1/2 in. (26.7 cm), Ceramics

Fantastic Landscape with Figures Crossing a Bridge, 16th century, Brush and brown and gray wash, heightened with white over black chalk on heavy brown paper, 11 x 15 5/8 in. (27.9 x 39.7 cm), Drawings, Lancelot Blondeel (Flemish, Poperinghe

The Mountain, 1924, Bronze, with artist-designed glass plinth, 7 5/8 x 19 3/8 x 9 1/2 in., 32lb. (19.4 x 49.2 x 24.1 cm), Sculpture, Gaston Lachaise (American (born France) 1882–1935), Between 1913 and 1934–35 Lachaise made four variants

The Dance, Oil on canvas, 68 1/4 x 33 5/8 in. (173.4 x 85.4 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), From a set of six paintings made for the salle des bains of the comte d'Artois, Louis XVI's youngest brother, at the

The Draftsman, 1770s, Black chalk, 14 15/16 x 9 13/16 in. (38 x 25 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Earring, 6th–7th century, Made in Italy, Langobardic or Byzantine (?), Gold, 1 13/16 x 11/16 x 7/8 in. (4.6 x 1.7 x 2.2 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards, earrings of the

Dhumavati/ Matangi, 1885–90, India, Chromolithographic print on paper, Image: 11 1/4 × 15 1/2 in. (28.6 × 39.4 cm), Prints

Beaker, ca. 1805, Made in New York, United States, American, Silver, H. 4 in. (10.2 cm) 5 oz. 16 dwt (180.7g), Silver, Benjamin Halsted (1734–1817

Susanna, Pen and brown ink, brush and brown wash, 6-7/8 x 6 in. (17.5 x 15.2 cm), Drawings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Gold Belt Mount with Loop, 700s, Avar, Gold, 1 7/8 × 7/8 × 7/16 in., 1 Troy Ounces (4.8 × 2.2 × 1.1 cm, 33g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Standing Male Nude with Hands behind Back, 1510–61, Red chalk, 15-1/4 x 6-5/8 in. (38.7 x 16.9 cm), Portfolios, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Designs for frames after the Galerie de François 1er at Fontainebleau, 1542-47, Etching, Overall: 12 7/16 x 8 11/16 x 1/2 in. (31.6 x 22.1 x 1.2 cm), Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 2 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Illustration for 'La Belle Vassilissa' [Vassilissa and Grandmother before the Tsar], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 13/16 x 8 1/8 in. (27.5 x 20.6 cm), Drawings, Boris

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 41 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

The Month of March, ca. 1866, Graphite on paper, 19 x 10-5/8 in. (48.3 x 27 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones worked with William Morris on decorative projects for more than thirty

The Marriage of Telephus and Auge prevented, late 18th–early 19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/8 × 4 11/16 in. (8.6 × 11.9 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

Le tambour, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Josef Geis as Beckmeser, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Waste Bowl, 1770–1795, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 3 1/2 x 6 5/16 in. (8.9 x 16 cm); 11 oz. 2 dwt. (344.5 g), Silver, John Letelier Sr. (ca. 1740–1798

[Man Examining Other Man], 1870s, Albumen silver print, Photographs, Unknown

Self-Portrait, ca. 1795–97, Brush and gray wash on laid paper, Overall 6 x 3 9/16 in (15.3 x 9.1 cm), Drawings, Goya is highly regarded as a remarkable portrait painter with the rare ability to move beyond physical appearances to capture the

Walls, Towers, and Gates of Amsterdam, late 16th–early 17th century, Pen and brown ink, sheet: 7 3/8 x 11 15/16 in. (18.7 x 30.3 cm), Drawings, Jacob Savery I (Netherlandish, ca. 1565–1603

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 7), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Autumn (one of a pair), 1745–47, French, Paris or Versailles, Marble, Overall (confirmed): 69 3/4 × 52 1/2 in., 3640 lb. (177.2 × 133.4 cm, 1651.1 kg), Sculpture, Nicholas Sébastien Adam the Younger (French, 1705–1778), This vase,

Wall Painting with Female Figure, 9th–10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Stucco; painted, H. 9 1/2 in. (24.1 cm), Stucco, Along with several other intriguing fragments, this piece of wall painting was

View of Edinburgh Castle, 1885–1945, Pen and black ink, brush and watercolor over graphite, sheet: 11 5/16 x 10 1/4 in. (28.8 x 26 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

Canister, 1681, Hungarian, possibly Fogaras, Gilded silver, enamel, Overall: 6 11/16 x 4 in. (17 x 10.1 cm), Metalwork-Silver, The six dynamic semicircular lobes are reminiscent of Byzantine and later orthodox sacred architecture but the

Silver plate, Imperial, 1st–2nd century A.D., Roman, Silver, H. 1/16 in. (0.1 cm); diameter 5 in. (12.7 cm), Gold and Silver, The plate, originally part of a larger set of silver tableware, was clearly used over a prolonged period, since

Ornamento delle belle & virtuose donne, page 17 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Mountainous Landscape, late 16th–early 17th century, Pen and brown ink, brush and brown wash with touches of blue, pink, and green wash, over traces of black chalk, framing lines in pen and brown ink, 9 x 13 15/16 in. (22.9 x 35.4 cm),

Rectangular Box with Scene of a Reception, late Ming (1368–1644) or early Qing (1644–1911) dynasty, 17th century, China, Red lacquer painted with lacquer and oil colors; basketry panels, H. 4 1/4 in. (10.8 cm); W. 10 1/4 in. (26 cm); L. 27

Covered Jewel Box, 1888, Made in Cincinnati, Ohio, United States, American, Porcelain, overglaze gilding, 2 5/8 x 4 in. (6.7 x 10.2 cm), Ceramics

Jérusalem. Porte de Damas ou des colonnes (Bab-el-Ahmoud), 1860 or later, Albumen silver print from paper negative, Image: 8 7/16 × 11 1/8 in. (21.4 × 28.2 cm), Photographs, Louis de Clercq (French, 1837–1901

Rosette Brooch, 6th century, Frankish, Silver-gilt, garnets and mother-of-pearl, Overall: 7/8 x 1/4 in. (2.2 x 0.7 cm), Metalwork-Silver

Morning, from the series The Times of the Day, 1807, Engraving, second state of two, plate: 27 15/16 x 18 3/4 in. (71 x 47.6 cm), Prints, After Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg), Johann Adolph Darnstedt (German, Auma

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 5 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Group of Figures (drawing for a Review), Pen and black ink, 8 3/8 x 6 1/2 in. (21.3 x 16.5 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Saint Sulpice, Paris: La Grande Tour, 1900, Etching; fourth state of four, plate: 11 5/8 x 9 3/8 in. (29.5 x 23.8 cm) , Prints, Donald Shaw MacLaughlan (American (born Canada), Charlottetown 1876–1938 Marrakesh

The Convent of Frauenalb, 1791, Pen and grey ink, brush and grey ink. Framing line in dark grey ink., Diameter: 15 11/16 in. (39.8 cm), Drawings, Ch. G. Boeckmann (German

牝鶏と雛　肥前焼・平戸様式, Hen with Chicks, Edo period (1615–1868), late 17th–early 18th century, Japan, Porcelain with underglaze blue decoration (Hizen ware, Hirado type), H. 10 3/4 in. (27.3 cm); W. 8 1/4 in. (21 cm),

Hip-joint armchair (Dantesca type, associated with a, b), 16th century, partly; late 19th or early 20th century, Italian, American (United States), Walnut, carved; silk cut velvet, metal., H. 91.5 cm, W. 67 cm, D. 50.5 cm

Sheet appliques, 44, Migration, 1st half of the 5th century A.D., East Germanic or nomadic (?), Gold, average: 1 1/8 × 5/16 × 1/16 in. (2.9 × 0.8 × 0.1 cm), Gold and Silver, Gold diadems, worn on the head like a crown, were decorated

[Union Soldier with Colt Revolver, in Studio], 1861–65, Tintype, Plate: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American

Ein new getruckt model Büchli...Page 22, recto, 1529

Tunic, 1450–1550, Peru, Inca, Camelid hair, H. 22 x W. 34 in. (55.9 x 86.4 cm), Textiles-Woven

[Vase of Flowers], 1860s, Photographs, Unknown

Design for Window drapery, 1830–1900, Ink and wash on pink paper, Robert William Hume (British, London 1816–1904 Long Island City

Buckle Shank, 7th century, Visigothic, Copper alloy, tin, 4 1/8 x 1 13/16 x 3/8 in. (10.5 x 4.6 x 0.9 cm), Miscellaneous-Buckles & Ornament

Page from Ein new kunstlich Modelbuch...(Page 21v), 1544, Woodcut, Overall: 7 11/16 x 5 7/8 in. (19.5 x 15 cm), Published by Peter Guentel, Cologne. Illustrated title page, architectural border on reverse of title page, 99 pages of designs,

Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso), 16th century, Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso), 6-1/4 x 8-11/16

Cup depicting Three Laughers of Tiger Ravine, Qing dynasty (1644–1911), 18th century, China, Rhinoceros horn, H. 4 in. (10.2 cm); H. incl. base 7 3/8 in. (18.7 cm), Horn, Huddled beneath a cliff, a famous poet (Tao Yuanming, 365–427), a

Fragment, 1700–1800, Made in Wistarburg, New Jersey, United States, American, Free-blown non-lead glass, 4 x 3 in. (10.2 x 7.6 cm), Glass

Partial statuette probably depicting a young boy, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Ivory, H. 11 x W. 2.3 x D.

Mold for a Persea Fruit Pendant, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Town manufactories, Petrie/Carter excavations, 1891–92, Pottery, l. 2.2 cm (7/8 in

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 37 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Terracotta figure, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; mold-made, H. 6 in. (15.2 cm), Terracottas, In the early archaeological literature on the Cesnola Collection, this figure was often considered a bearded Aphrodite.

Terracotta lid, Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H.: 4 3/4 in. (12.1 cm), Vases, Cover of a vase in shape of a bearded head

Design for a Fireplace with Frontal and Profile Views, 1735–88, Pen and black ink, brush and gray wash, sheet: 12 3/16 x 15 3/16 in. (30.9 x 38.5 cm), Attributed to James Stuart (British, London 1713–1788 London

'Jahangir and his Father, Akbar', Folio from the Shah Jahan Album, verso: ca. 1630; recto: ca0–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39 cm), Codices, Painting by Balachand (active 1595–ca.

元／明 玉帽頂, Headdress ornament, Yuan (1271–1368)–Ming (1368–1644) dynasty, 14th–16th century, China, Jade (nephrite), H. 1 5/8 in. (4.2 cm); W. 2 1/2 in. (6.4 cm); L. 1 1/2 in. (3.8 cm), Jade

Arcade in the Balustrade (Stage Setting?), 16th century, Pen and brown ink, 10-1/2 x 7-3/4 in. (26.7 x 19.7 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Jug, 13th–14th century, Made in Wiltshire, England, British, Unglazed earthenware, 9 5/8 × 9 × 8 3/8 in. (24.4 × 22.8 × 21.3 cm), Ceramics-Pottery, This bulbous jug is fitted with an applied strap handle that seamlessly attaches to the

S?z-?-K?shm?r, mid to late 19th century, Kashmiri, walnut, iron, metal, plastic, skin, cloth, L. 114.2 × D. 22.2 cm (44 15/16 × 8 3/4 in.), Chordophone-Lute-bowed-unfretted

Designs for the Decoration of the Jaw and Profile of the Cock of a Firearm, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 2 1/4 x 3 in. (5.7 x 7.6 cm), Works on Paper-Drawings

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Methods and Materials

Crocodile, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, L. 9.6 x H. 2.7 x W. 2.2 cm (3 3/4 x 1 1/16 x 7/8 in

Rewarding the Hounds (From Incidents in a Stag Hunt), ca. 1495–1515, South Netherlandish, Wool warp, wool wefts, 96 in. × 54 1/2 in. (243.8 × 138.4 cm), Textiles-Tapestries

Imaginary View of a Roman Villa, mid-1770s, Bister wash over pencil, 11 5/16 x 15 3/8 in. (28.8 x 39 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), One nineteenth-century writer described this Roman villa as the

Fontana in Piazza Navona [Fontana dei Quattro Fiumi]. From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'., 1691 or after, Etching, Plate: 11 1/8 x 8 9/16 in. (28.2 x 21.7 cm), Giovanni Battista Falda (Italian, Valduggia 1643–1678

Apothecary Jar, 1750–1800, Made in Mexico, Mexican, Tin-glazed earthenware, H. 10 3/4 in. (27.3 cm), Ceramics

Circus Sideshow (Parade de cirque), 1887–88, Oil on canvas, 39 1/4 x 59 in. (99.7 x 149.9 cm), Paintings, Georges Seurat (French, Paris 1859–1891 Paris), At the Salon des Indépendants in 1888 Seurat demonstrated the versatility of his

La fouriure, 1860s, Albumen silver print from glass negative, 7.3 x 10.2 cm. (2 7/8 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Songs of the Sky, 1924, Gelatin silver print, 9.2 x 11.8 cm (3 5/8 x 4 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Beginning in 1922, and then from 1923 to 1934, Stieglitz pointed his lens

Don Quixote Tilting at Windmills, before 1677, British, London, Wool, silk and precious metal-wrapped threads, Overall: 124 13/16 × 131 1/2 in. (317 × 334 cm), Textiles-Tapestries

Portrait of a Lady Holding a Flower, 1565–75, Attributed to present-day Afghanistan, Herat, Opaque watercolor, ink, and gold on paper, H. 4 5/8 in. (11.7 cm), Codices, Painted by Muhammadi of Herat (active Qazvin, ca. 1570–78; Herat,

Crossbow of Count Ulrich V of Württemberg (1413–1480), dated 1460, probably Stuttgart, German, probably Stuttgart, Wood (European hornbeam), horn, animal sinew, staghorn, birch bark, iron alloy, copper alloy, pigment, L. 28 1/16 in.

Fragment, 16th century, Attributed to Turkey, Bursa, Silk, metal wrapped thread; lampas (kemha), Textile: L. 44 in. (111.8 cm), Textiles-Woven, Ottoman lampas and velvet textiles often feature large-scale designs displayed within the ogival

Bronze shield boss, Archaic, 7th century B.C., Etruscan, Bronze, diameter 9 1/8in. (23.2cm), Bronzes, Convex bronze discs, often with punched or incised ornament, were frequently attached to wooden, leather, or bronze shields. Many of the