Images at Librifly

[Studio Portrait of Plains Indian], ca. 1860, Albumen silver print from glass negative, 20.6 x 15.9 cm (8 1/8 x 6 1/4 in.), Photographs, Unknown (American

Descriptive Key to: The Gothic Armoury, 3 Grosvenor Street, London, 1838, Lithograph, sheet: 15 5/16 x 22 1/8 in. (38.9 x 56.2 cm), Prints, Douglas Morison (British, London ca. 1810–1846/47 Dachet

[Man on a Ladder], 1860s–80s, Tintype, Image: 9.4 x 6.3 cm (3 11/16 x 2 1/2 in.), Photographs, Unknown

Bresson. Eugène, Marie. 30 ans, né le 4/7/63 à Chaumont (Haute-Marne). Avocat. Anarchiste. 20/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

View of the Borsa, Rome, 18th century, Pen and black ink, over graphite or lead on cream paper (recto). Squared in graphite or lead. Framing lines in pen and black ink. Squared in graphite or lead (verso), 8-7/8 x 11-1/2 in. (22.5 x 29.2 cm),

Splendore delle virtuose giovani, page 11 (recto), 1564

House in the Rocks, 1839, Pen and black ink, 2 5/8 x 3 11/16 in. (6.6 x 9.4 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Privat Dennis Sullivan, Company E, Second Virginia Cavalry, April 1865, Albumen silver print from glass negative, Image: 13.1 × 18.9 cm (5 3/16 × 7 7/16 in.), oval, Photographs, Reed Brockway Bontecou (American, 1824–1907), Not all of

[The Wilderness Battlefield, near Spotsylvania, Virginia], 1865 (?), Albumen silver print from glass negative, 12.7 × 7.8 cm (5 in. × 3 1/16 in.), Photographs, Unknown, The Battle of the Wilderness was fought May 5-7, 1864, in the same

Bell, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 3.1 cm (1 1/4 in.); Dia. 2.7 cm (1 1/6 in.), Bells appear in Egypt in the 8th century BC. This one of faience is unlikely to have actually functioned, but was probably intended as

[Landscape, Pride's Crossing], ca. 1856, Salted paper print from paper negative, 10 1/8 x 13 1/2, Photographs, Samuel Masury (American, 1818–1874), Masury is known primarily as an early daguerreian portraitist who learned his trade in 1842

Communion jug, 1639, Hungarian, Silver, partly gilded, Overall: 15 15/16 x 6 1/2 in. (40.5 x 16.5 cm), Metalwork-Silver, The Latin inscription on this highly restrained and elegantly proportioned jug reads in translation: 'The noble lord

Adoration of the Shepherds, Engraving, Prints, Attributed to Girolamo Fagiuoli (Italian, active Bologna, by 1539, died 1574 Bologna), In Mariette Album, folio 2, top

Standing Bodhisattva, Mon-Dvaravati period, 8th century, Thailand, Gold sheet, H. 3 1/8 in. (7.9 cm), Sculpture

Basin, ca. 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 4 3/8 in. (11.1 cm); Diam. 13 in. (33 cm), Ceramics, Lyman, Fenton & Co. (1849–52

Portrait of a man, bust-length, wearing a hat, ca. 1510–15, Red chalk, sheet: 7 11/16 x 7 in. (19.6 x 17.8 cm), Drawings, Hans Schäufelein (German, Nuremberg ca. 1480–ca. 1540 Nördlingen

Design for a Room Decorated as an Aviary, 1850–1919, Watercolor, pen and ink, graphite, gouache, and gilt, sheet: 13 7/8 x 19 15/16 in. (35.2 x 50.7 cm), John Dibblee Crace (British, London 1838–1919 London

Dish (one of a pair), mid-17th century, Hungarian, possibly Transylvania, Silver, partly gilded, Overall: 9 15/16 x 9 15/16 in. (25.2 x 25.2 cm), Metalwork-Silver, Gilded flowers and foliage within boldly-conceived rims frame a high-embossed,

Indo-Persian carpet with vine scroll and palmette pattern, second half of the 17th century, Indo-Persian, Wool pile on cotton foundation., Length: 5 m., Textiles-Rugs

Madame de Saint-Maurice, 1776, Oil on canvas, 39 1/2 x 31 7/8 in. (100.3 x 81 cm), Paintings, Joseph Siffred Duplessis (French, Carpentras 1725–1802 Versailles), The picture was exhibited by Duplessis at the Salon of 1777, where it was

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Landscape with a Two-Story Building on a Hill (Smaller Italian Sketchbook, leaf 29 recto), 1774–75 (?), Graphite, brown and gray wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Washington. Harewood Hospital, 1861–65, Albumen silver print from glass negative, Photographs

Design for a Wall and a Ceiling Decoration, 1774–78, Leadpoint or graphite; ruler and compass constructed, 18-1/2 x 11-7/16 in. (47 x 29.1 cm), Drawings, Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797

Loth. Clotilde, Caroline (femme Bossant). 43 ans, née à Valenciennes. Sans profession. Anarchiste. 27/4/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Ruines gothiques, 1850–53, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, A. Fays (French

9 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Clavichord, 1763, Neuwied, Germany, German, Wood, ebony, bone, walnut, paint, metal, Height (of case, without lid): 4 in. (10.1 cm), Chordophone-Zither-struck-clavichord, Attributed to Christian Kintzing (German, Neuwied 1707–1804

Head of a Bearded Man in a Hat, ca. 1650, Black and red chalk, blue pastel, Sheet: 3 3/4 x 3 1/2 in. (9.6 x 8.9 cm), Drawings, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem), One of the emblematic painters of seventeenth-century

El-Kab (Éléthya), Architecture Hypogéenne - Tombeau de Phapé - Sculptures Pientes, 1851–52, printed 1853–54, Salted paper print from paper negative, 25.2 x 30.2 cm. (9 15/16 x 11 7/8 in.), Photographs, Félix Teynard (French,

Carl Ehrenswärd as Apollo, flying to inspect Sergel and Abilgaard, 1797, Pen and brown and gray ink, brush and brown and gray wash, over traces of graphite., 8 15/16 x 14 1/8 in. (22.7 x 35.8 cm), Drawings, Johann Tobias Sergel (Swedish,

River Landscape, n.d., Black chalk, sheet: 5 3/8 x 7 11/16 in. (13.7 x 19.6 cm), Drawings, Jan Porcellis (Dutch, 1584–1632

Dwelling house at Esher for Mrs Wethered: Elevation and Section, 1907, Pen and ink, over graphite, with watercolor, sheet: 12 x 20 3/4 in. (30.5 x 52.7 cm), Ernest Geldart (British, London 1848–1929

Jérusalem. (Environs) St Jean du Désert, 1860 or later, Albumen silver print from paper negative, Image: 11 in. × 8 3/8 in. (28 × 21.3 cm), Photographs, Louis de Clercq (French, 1837–1901

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Musette, a Maltese dog, Jean-Baptiste Gille (French, 1798–1868, active Paris), 1855–68, French, Paris, Hard-paste porcelain, Height: 15 1/2 in. (39.4 cm), Ceramics-Porcelain, Jean-Baptiste Gille (French, 1798–1868, active Paris

Five drawings showing the manufacture of china, 19th century, Graphite, white chalk and ink on gray paper, sheet: 9 1/8 x 7 1/2 in. (23.2 x 19.1 cm), Drawings, Anonymous, British, 19th century

Tea Spoon, 1790–1800, American, Silver, L. 5 3/4 in. (14.6 cm), Silver, Marked by G. E. E

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 7 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Exodus Painting, five elements from a painted hanging depicting the Crossing of the Red Sea, A.D. mid-2nd–mid-4th century, Byzantine, Paint and indigo-dyed linen, Framed (Montage of the 5 fragments): 24 5/8 × 55 1/2 × 2 3/8 in. (62.5 × 141

Vase, 18th century, Possibly made in Vermont, United States; Probably made in Venice, Italy, American, Painted opaque glass, H. 7 1/4 in. (18.4 cm), Glass

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and light brown wash over lead point, 14 3/4 x 9 3/4 in. (37.4 x 24.8 cm), Drawings, Anonymous, Italian, Lombard, 16th century

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 51r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Octagonal Ceiling Design with Putti and Birds, 18th century, Pen and brown ink, brush and blue wash. Framing line in pen and brown ink., octagonal sheet: 12 7/8 x 12 13/16 in. (32.7 x 32.6 cm), Anonymous, Dutch, 18th century

'The Sixth Joust of the Rooks: Bizhan Versus Ruyyin', Folio 343r from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting (recto): H. 6 1/16 x W. 6

Briet. Albert, Louis. 44 ans, né à Lyon (Rhône). Boulanger. Anarchiste. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Whitley Abbey, interior, ca. 1888, Graphite and watercolor, sheet: 13 5/8 x 19 1/2 in. (34.6 x 49.6 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son, John Dibblee Crace (British, London 1838–1919 London

The Picking-up Machinery in the Bows of the Great Eastern, 1865–66, Watercolor with touches of gouache, Sheet: 6 × 9 in. (15.3 × 22.8 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's great

Design for baptismal font set between paired Purbeck marble columns, late 18th–early 19th century, Gray and orange-brown washes, sheet: 6 1/16 x 4 1/2 in. (15.4 x 11.4 cm), Attributed to Auguste Charles Pugin (British (born France), Paris

A Lady in a Bonnet and Coat, 19th century, Pen and brown ink, brown wash, with touches of pale blue and rose watercolor over traces of graphite, 15 11/16 x 10 7/16 in. (39.8 x 26.5 cm), Drawings, Constantin Guys (French, Flushing 1802–1892

Study of a Dog Facing Left, 1820–73, Graphite, sheet: 5 5/16 x 7 3/16 in. (13.5 x 18.3 cm), Drawings, Sir Edwin Henry Landseer (British, London 1802–1873 London

Two Fat Peasant Women, 19th century, Brush and gray wash, over graphite, 10 7/8 x 8 1/16 in. (27.7 x 20.4 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Head of Buddha, Mon-Dvaravati period, 9th century, Thailand (Ratchaburi Province), Stucco, H. 10 3/4 in. (27.3 cm), Sculpture, This head is an ideal example of the refined Mon-Dvaravati period. The subtle articulation of planes that make up

The Standing Virgin Lamenting the Dead Christ at the Foot of the Cross, 1614, Pen and black ink, pink, blue and gray wash., 12 3/4 x 8 1/16 in. (32.4 x 20.5 cm), Drawings, Anonymous, German, 17th century

Jar, 土器壷, Yayoi period (ca. 300 B.C.–ca. A.D. 300), ca. 100–300, Japan, Earthenware with paint, H. 9 5/8 in. (24.4 cm); Diam. 11 1/8 in. (28.3 cm), Ceramics

Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis), 17th century, Red chalk. Composition outlined on three sides with the same. On off-white paper, 3-9/16 x 4-3/4 in. (9.0 x 12.0 cm), Drawings, Anonymous, Spanish,

Rkangling, 19th century, Tibet, Tibetan, Copper, coral, stones, L. 36.8cm (14 1/2in.), Aerophone-Lip Vibrated-horn, The thighbone of a lama priest is the original form of the metal trumpets in this case. A single rkang-gling ('leg bone

Vase with scenes of storm at sea, ca. 1790–95, French, Paris, Hard-paste porcelain, Overall (confirmed): 18 3/16 × 7 1/4 × 7 1/4 in. (46.2 × 18.4 × 18.4 cm), Ceramics-Porcelain, These two vases were made at the time of the French

清 玉雕山水人物圖屏, Table screen with landscape scene, Qing dynasty (1644–1911), 18th–19th century, China, Jade (nephrite), H. 8 3/8 in. (21.2 cm); W. 5 1/16 in. (12.8 cm); D. 1 1/4 in. (3.1 cm), Jade

Mountain View at Oisans (Isère), 1858, Watercolor, 6 7/8 x 10 1/8 in. (17.5 x 25.7 cm), Drawings, Paul Huet (French, Paris 1803–1869 Paris

Standing Oriental Figure, 17th century, Pen and brown ink, sheet: 6 1/2 x 3 7/8 in. (16.5 x 9.8 cm), Drawings, Circle of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Church or the World, 1893, Photogravure, 10.5 x 12.0 cm. (4 1/8 x 4 3/4 in.), James Craig Annan (British, Hamilton, South Lanarkshire, Scotland 1864–1946

Terracotta female musician, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; wheel-made, hand-made, and mold-made, H. 6 3/4 in. (17.2 cm), Terracottas, Musicians appear frequently among Cypriot limestone and terracotta sculptures.

Bone Carving, Possibly of a Dionysiac Revel, 300–500, Made in Egypt, Byzantine, Ivory, Overall: 3 7/8 x 2 3/8 x 13/16 in. (9.8 x 6 x 2 cm), Ivories, Bone plaques were used to decorate couches, chests, and other furniture. Some were carved

Portrait of Joseph Bonaparte, n.d., Brush and brown wash over graphite underdrawing, 6 3/4 x 4 9/16in. (17.2 x 11.6cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Plaque with head of a king, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, H. 11.3 × W. 11.6 × D. 2 cm (4 7/16 × 4 9/16 × 13/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a

Entrance to Laxton in Northamptonshire, 1825, Brush and gray-black ink and wash, sheet: 7 7/16 x 11 3/4 in. (18.9 x 29.8 cm), Charles Randle (British, active 1813–1825

Gourd-Shaped Case with Pattern of Pig-Faced Creature, Qing dynasty (1644–1911), 18th–19th century, China, Silk and metallic-thread embroidery on silk damask, Overall: 6 1/2 x 3 1/4 in. (16.5 x 8.3 cm), Textiles-Embroidered, The imagery on

Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side, 18th century, Pen and gray ink, brush and gray wash (and red wash in right half of drawing), over lead or

Panel Carved in the 'Beveled Style' with Remains of Later Polychromy, last quarter 10th century, From Egypt, Wood (black pine); carved, H. 18 1/2 in. (47 cm), Wood, This panel belonged to a long horizontal frieze with a continuous undulating

Drawing for a Vignette of Fame (recto); Cropped Drawing of Horse's Leg (verso), 18th century, Pen and brown ink, brush and brown wash, over traces of graphite or lead, on light cream laid paper, 4-9/16 x 3-1/16 in. (11.6 x 7.8 cm), Drawings,

'The Falcon Plucks out the Eyes of the Falconer for Bearing False Witness Against the Nobleman's Wife', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide

Architectural Ground Plan, n.d., Pen and black ink and brush and grey, green and orange washes with graphite underdrawing, 13 7/16 x 8 7/8 in. (34.2 x 22.5 cm.), Paul Guillaume Lemoine (French, born 1755

Copacabana, 1880, printed 1983, Platinum print from glass negative, Image: 17.3 x 32.9 cm (6 13/16 x 12 15/16 in.), Photographs, Marc Ferrez (Brazilian, 1843–1923

[Stereoscopic Case, Partially Nude Strongman Holding Indian Clubs], 1853–60s, Daguerreotype, Image: 4 x 5.8 cm (1 9/16 x 2 5/16 in.), each, Photographs, Unknown (American

Two Standing Men, One Carrying a Lamb, 17th century, Red chalk on light tan laid paper, 7-15/16 x 3-11/16 in. (20.2 x 9.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Apple of Discord Thrown by Eris at the Marriage of Peleus and Thetis: Study for Fresco in the Hall of Henri II at Fountainebleau, 1504–70, Red chalk, highlighted with white gouache, on beige paper, 12-7/16 x 17-1/16 in. (31.6 x 43.4 cm),

Bertani. Orsini. 24 ou 25 ans, né à Florence (Italie). Sans profession. Anarchiste. 18/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Private John Parkhurst, Company E, Second New York Heavy Artillery, 1865, Albumen silver print from glass negative, Image: 18.9 × 13.1 cm (7 7/16 × 5 3/16 in.), oval, Photographs, Reed Brockway Bontecou (American, 1824–1907), Union

Cup Plate, 1825–60, Made in Midwest, United States, American, Lacy pressed glass, Glass

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 38v), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Le Pompe: Opera Nova, page 3 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 8 horizontal registers. Each

Two Alternate designs for an Arch below a window., 1700–1780, Pen and brown ink over graphite. Ruled and compass construction in pen and brown ink, 15 1/16 x 10 1/2 in. (38.3 x 26.7 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Drawings for a Chimney-piece for 25 Harley Street, Westminster, London, 1740–96, Pen, ink and wash, sheet: 7 1/2 x 8 in. (19 x 20.3 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Jar with grapevine decoration, 백자 동화 포도 무늬 항아리 조선, Joseon dynasty (1392–1910), mid-18th century, Korea, Porcelain with underglaze copper-red design, H. 10 1/16 in. (25.6 cm); Diam. 10 3/4 in. (27.3 cm), Ceramics,

Design for a Medal: Marine 1758, 1758, Red chalk; red chalk wash surrounding design, 9 3/16 x 9 3/16 in. (23.3 x 23.3 cm.), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Funerary Mask of a woman, Roman Period, A.D. 1st–4th century, From Egypt, Plaster, paint, h. 18 cm (7 1/16 in); w. 9 cm (3 9/16 in

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 9v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Openwork Brooch, second half 6th century, Frankish, Silver-gilt, garnets, Overall: 1 1/4 x 1 x 5/16 in. (3.2 x 2.6 x 0.8 cm), Metalwork-Silver

Palette with antelope heads and a turtle, Predynastic, Naqada II, ca. 3650–3500 B.C., From Egypt, Greywacke, H: 14 cm (5 11/16); W: 14.5 cm (5 11/16 in

A Connoisseur Admiring a Dark Night Piece, November 12, 1771, Etching, plate: 6 5/16 x 4 1/16 in. (16 x 10.3 cm), Prints

Scroll of Deities of the Diamond World Mandala, 金剛界曼荼羅諸尊図像, Heian period (794–1185), dated 1083, Japan, Handscroll; ink and color on paper, 11 3/4 in. x 17 ft. 9 1/4 in. (29.8 x 541.7 cm), Paintings, This iconographic

Warriors in a Mountain Pass, Pen and black ink, 4 15/16 x 4 in. (12.5 x 10.1 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Jewelry Design, ca. 1925, Gouache over graphite outline., sheet: 9 5/16 x 6 in. (23.6 x 15.3 cm), Drawings, Firm of Fernand Chardon (French, active ca. 1925

Design for a Cabinet with Glass Side Doors and a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on grey ground, sheet: 5 1/4 x 7 3/8 in. (13.4 x 18.8 cm), Anonymous, British, 19th century

Grand Canal, Venice, second half 19th century, Graphite, sheet: 4 3/4 x 7 7/8 in. (12.1 x 20 cm), Drawings, After Joseph Mallord William Turner (British, London 1775–1851 London), Anonymous, 20th century

Bowl with bosses and lotus pattern and demotic weight on rim, Late Period–Ptolemaic Period, 4th century B.C., From Egypt, Lower Egypt, Silver, H. 3.6 x Diam. 14.6 cm (1 7/16 x 5 3/4 in), The heavy silver vessels are in created in a

[Ceylonese Group by a Tree], 1878, Albumen silver print from glass negative, 27 x 19.9 cm (10 5/8 x 7 13/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor over graphite with touches of gouache, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938