Images at Librifly

Les Singuliers et Nouveaux Portraicts... page 19 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Saint Nicholas of Bari, mid-1430s, Tempera on panel, Engaged Frame: 29.7 x 13.4 in. (75.4 x 34.0 cm), Paintings, Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena

Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted (mina'i), H. 3 in. (7.6 cm), Ceramics

Costume Design for 'Orlando', 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.5 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Flat Ornament, 7th century (?), Made in France, Frankish, Copper alloy, 'tinned' surface, Overall: 1 7/16 x 1 7/16 x 3/8 in. (3.7 x 3.7 x 1 cm), Metalwork-Copper alloy

'Hagueneau' Champagne glass, 1924, Glass, 7 1/8 × 4 5/8 in. (18.1 × 11.7 cm), Glass, René-Jules Lalique (French, Aÿ 1860–1945 Paris

Anonymous portrait, ca. 1794–1802, Red chalk and graphite, sheet: 13 1/2 x 9 1/4 in. (34.3 x 23.5 cm), Drawings, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Hans Holbein the Younger (German, Augsburg 1497/98–1543

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 15 3/8 in. high 8 7/8 in. wide (39 cm high 22.5 cm wide), Textiles

Case (Inrō) with Design of Maple Tree and Stream, Edo period (1615–1868), 18th–19th century, Japan, Gold lacquer with dark gray ishime, gold, red, black, and silver makie, pewter, and mother-of-pearl; Ojime: bead with autumn wild

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 4.6 cm (1 13/16 in.); W. 2.9 cm (1 1/8 in.); D.

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Agate with jasper stopper, H. 3 1/8 in. (7.9 cm); W. 1 3/8 in. (3.5 cm); D. 15/16 in. (2.4 cm), Snuff Bottles

Vertical Section of a Four-Story House with Greek Wall Ornament, 19th century, Ink and colored wash, sheet: 12 3/4 x 8 3/4 in. (32.4 x 22.2 cm), Anonymous, British, 19th century

The Mine, Petersburg, 1864, Albumen silver print from glass negative, 16 x 20.4 cm (6 5/16 x 8 1/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 19 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 29 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

清 佚名 台南地區荷蘭城堡, Forts Zeelandia and Provintia and the City of Tainan, 19th century, , China, , Framed wall hanging; ink and color on deerskin, , Image: 59 1/4 × 80 3/4 in. (150.5 × 205.1 cm), Paintings, Unidentified

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 23.2 cm ( 9 1/8 in.); W 26.3

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 4 1/2 in. (11.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Spanning Lever (Gaffle or 'Goat's-Foot' Lever), late 15th or first half of the 16th century, Western European, probably Spanish, Steel, L., extended 19 5/8 in. (49.8 cm); W. 2 13/16 in. (7.2 cm); Wt. 25 oz. (713 g), Miscellaneous

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 20 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Portrait of Louis-Francois Bertin, l'ainé, n.d., Black chalk on off-white wove paper, 5 1/2 x 6 in. (13.9 x 15.2 cm), Drawings, Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris

Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel, 17th century, Pen and brown ink, brush and gray wash over traces of black chalk on light tan paper, 4-11/16 x 7-1/2 in. (11.9 x 19 cm), Drawings, Anonymous, Italian,

Asia, 17th century, Pen and gray and brown ink, brush and gray wash, sheet: 10 3/8 x 8in. (26.4 x 20.3cm), Drawings, Godfried Maes (Antwerp 1649–1700 Antwerp

Tazza, ca. 1570, Venetian or façon de Venise, probably Tyrolean; possibly Venice, Colorless (slightly gray) nonlead glass. Blown, reverse painted, gilt (unfired)., H. 7.5 cm; diam. of rim 25.3, Glass

Benjamin Franklin, 1877, Made in France, French, Faience, 9 1/4 x 9 3/8 in. (23.5 x 23.8 cm), Ceramics, After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 5 (recto), Publisher, Author, Alessandro de' Vecchi, Cesare Vecellio, Italian, active Venice, 1570–1629,

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 10 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Marble vase with high foot and four lug handles, Early Cycladic I, ca. 3000–2800 B.C., Cycladic, Marble, H. 8 15/16 in. (22.7 cm), Miscellaneous-Stone Vases, High foot and lug handles

Chinese Village, Singapore, 1860s–70s, Albumen silver print from glass negative, 19.5 x 25.9 cm (7 11/16 x 10 3/16 in.), Photographs, Unknown

Emperor Ninus, mid-16th–early 17th century, Black chalk, pen and brown ink, brown wash, sheet: 8 1/8 x 10 1/4 in. (20.6 x 26 cm), Drawings, Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Design for the Cover of a Magazine, Valentine's Day Issue, ca. 1860, Graphite, ink and wash, sheet: 14 3/4 x 6 3/4 in. (37.5 x 17.1 cm), Drawings, Anonymous, British, 19th century, Attributed to Charles Green (British, 1840–1898

Ceramic, ca. 1150–ca. 1250, European or Middle Eastern, Ceramic, L. 1 1/4 in. (31.75 mm); D. 3/16 in. (5 mm), Miscellaneous

Carriage In A Landscape, 17th century, Black chalk, brush and brown wash, sheet: 6 1/2 x 9 in. (16.5 x 22.8 cm), Drawings, Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer

[James Rogers], 1867, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Design for a Sarcophagus with Two Mourning Figures, ca. 1850, Pen and brown ink, graphite, sheet: 13 15/16 x 8 in. (35.4 x 20.3 cm), Drawings, John Gibson (British, Gwynedd, Wales 1790–1866 Rome

Landscape with Shepherds and their Flock, n.d., pen and brown ink and brown wash over graphite, 7 3/16 x 6 5/16 in. (18.2 x 16 cm), Drawings, Adriaen van der Cabel (Dutch, Rijswijk 1631–1705 Lyon

Hab.t de Nootka from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Hobnail Sauce Dish, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry with opaque white glass, 1 3/4 x 4 3/4 in. (4.4 x 12.1 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 36 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Limestone statuette of Pan or Opaon Melanthios, Hellenistic, 3rd century B.C., Cypriot, Limestone, Overall: 12 1/2 x 5 1/2 x 2 3/4 in. (31.8 x 14 x 7 cm), Stone Sculpture, This figure with the horns and ears of a goat wears an animal skin and

Cup and Saucer, ca. 1844–47, Made in Berlin, Germany, German, Porcelain, Cup: H. 3 5/8 in. (9.2 cm), Ceramics, Koenigliche Porzellan Manufaktur (German, founded 1763

不動明王坐像, Fudō Myōō, Kamakura period (1185–1333), early 13th century, Japan, Lacquered Japanese cypress, color, gold, cut gold (kirikane), and inlaid crystal eyes, H. 21 in. (53.3 cm); H. to top of sword 21 1/2 in. (54.6 cm);

柳燕蒔絵盃, One of a Pair of Wine Cups (Sakazuki) with Willow and Swallows, Edo period (1615–1868), 19th century, Japan, Red lacquer ground with gold hiramaki-e on black lacquer, H. 1 1/4 in. (3.2 cm); W. 3 3/4 in. (9.5 cm), Lacquer

Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld, n.d., Color engraving (à la poupée), Overall: 8 11/16 x 11 x 13/16 in. (22 x 28 x 2 cm), Title and 40 engraved plates from a series of country estates and

Design for a Standing Frame, 1841–84, Graphite, sheet: 10 1/4 x 7 5/16 in. (26 x 18.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Crespin. Joseph. 40 ans, né à Roquesteron (Alpes-Maritimes). Employé de banque. 25/3/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Spring (La Source), 1738, Oil on canvas, 31 3/4 x 25 5/8 in. (80.6 x 65.1 cm), Paintings, Jean Marc Nattier (French, Paris 1685–1766 Paris), Reportedly, the canvas was signed and dated 1738 on the reverse. The traditional identification

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 11 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 39 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Right and Left Halves of Three Candelabras, 16th century, Pen and brown ink, over black chalk underdrawing, Anonymous, Italian, 16th century

Bronze helmet attachment, Classical, ca. 460 B.C., Etruscan, Bronze, Other: 2 1/16 in. (5.2 cm), Bronzes, Bust of a winged satyr with hands raised

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 10 cm ( 3 15/16 in.); W 9.5 cm ( 3.3/4

Snuff Bottle, Qing dynasty (1644–1911), late 19th century, China, Glass painted inside, amethyst stopper, H. 2 7/8 in. (7.3 cm), Snuff Bottles

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 15 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Architectural Perspective: Design for Painted Wall Decoration (?), 1700–1780, Pen and brown ink, brush with gray and yellow wash, over lead point or graphite, with ruled construction in lead point or graphite. Framing outlines in pen and brown

View of Saumur, mid-17th century, Pen and brown ink, brush and brown wash over black chalk. Framing line in pen and brown ink., sheet: 11 5/8 x 17 13/16 in. (29.5 x 45.2 cm), Drawings, Willem Schellinks (Dutch, Amsterdam 1623–1678 Amsterdam

30th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Vase (one of a pair), Ming dynasty (1368–1644), 15th century, China, Bronze, H. 10 1/2 in. (26.7 cm); Diam. 6 in. (15.2 cm), Metalwork

Head of Apollo in Glory, late 18th–early 19th century, Pen and brown ink over graphite on cream laid paper, sheet: 2 15/16 x 5 3/4 in. (7.4 x 14.6 cm), Anonymous, British, late 18th to early 19th century

Terracotta spouted cup, Early Minoan II, ca. 2600–2200 B.C., Minoan, Terracotta, H. 4 3/8 in. (11.1 cm), Vases, Mottled red and black ware with a polished surface

'Fairies Descend to the Chamber of Prince Manohar', Folio from a Gulshan-i 'Ishq (Rose Garden of Love), ca. 1700, Attributed to India, Deccan, Ink, opaque watercolor, gold, and silver on paper, Miniature: H. 8 3/4 in. (22.3 cm); W. 5 5/8 in.

Panorama of Niagara Falls, July 1845, Daguerreotype, Each plate: 3 1/2 × 2 3/4 in. (8.9 × 7 cm), visible, Photographs, Frederick Langenheim (American, born Germany, Schöningen 1809–1879), In 1841-42 William and Frederick Langenheim

[Children Fishing], ca. 1900, Platinum print, Image: 9.1 x 25.7cm (3 9/16 x 10 1/8in.), Photographs, William James Mullins (American, 1860–1917), William Mullins, of Franklin, Pennsylvania, was a minor member of the Photo-Secession. He

Terracotta trefoil oinochoe (jug), Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H. 15 15/16 in. (40.4 cm), Vases, Trefoil lip, perforated circles and rope-pattern in relief

Sauce Dish, 1885–87, Made in Brooklyn, New York, United States, American, Porcelain, H. 1 1/16 in. (2.7 cm); Diam. 5 in. (12.7 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Head of a man, Early Dynastic Period, Dynasty 2 probably, ca. 2900–2650 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Wood, H: 1.4 cm (9/16 in

Design for a Book Illustration: Two Women Dancing around a Plant, 19th century, Pen and black ink, brush and brown wash. Laid paper., 3 5/8 x 2 11/16 in. (9.2 x 6.8 cm), Drawings, Anonymous, German, 19th century

Frances Anne (Fanny) Kemble, 19th century, Brown and gray wash, touches of red chalk over graphite, 18-1/2 x 14 in. (47 x 35.6 cm), Drawings, After Sir Thomas Lawrence (British, Bristol 1769–1830 London

Coast Scene, mid-17th–early 18th century, Graphite, brush and gray wash, framing line in graphite & pen and brown ink, Sheet: 6 7/8 x 17 1/4 in. (17.5 x 43.8 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Petticoat panel, third quarter 18th century, Indian, Coromandel Coast, for the Dutch market, Cotton, painted resist and mordant, dyed, 33 5/8 x 67 1/2 in. (85.4 x 171.5 cm), Textiles-Painted and Printed, The primary goal of the Dutch East

Fragmentary marble head of a girl, Mid-Imperial, Antonine, ca. A.D. 138–161, Roman, Marble, Overall: 9 1/8 x 4 1/2 x 3 in. (23.2 x 11.4 x 7.6 cm), Stone Sculpture, Fragment of a portrait head of a woman. The forms of the face are delicate

Fortifications at City Point, 1861–65, Albumen silver print from glass negative, Photographs

Ein new getruckt model Büchli...Page 20, verso, 1529

A shallow white cross-lined ware bowl illustrating a man on a boat alongside a hippo and crocodile, Predynastic, Naqada I, ca. 3900–3650 B.C., From Egypt, Pottery, paint, L. 27.2 x W. 19.9 x H. 6.3 cm (10 11/16 x 7 13/16 x 2 1/2 in

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 19 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Mirzl Wach. The Sister of Charity, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Death of Niobe and Her Children, late 17th–early 18th century, Pen and brown ink, brush and brown wash, heightened with white on blue paper. Later retouched with brush and gray ink., sheet: 6 3/8 x 10 13/16 in. (16.2 x 27.5 cm), Drawings,

House and Church in Germany, 1920, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Panel, 1898, Gum bichromate print, 14.7 x 20.2 cm (5 13/16 x 7 15/16 in. ), Photographs, Robert Demachy (French, 1859–1936

Woman with a Lute, ca. 1662–63, Oil on canvas, 20 1/4 x 18 in. (51.4 x 45.7 cm), Paintings, Johannes Vermeer (Dutch, Delft 1632–1675 Delft), A young woman wearing an ermine-trimmed jacket and a large pearl earring looks eagerly out the

Bust-Length Study for the Head of Saint Francis in Near Profile Facing Right., 17th century, Black and red chalk, traces of white chalk, on blue paper, sheet: 13 3/4 x 10 11/16 in. (35 x 27.1 cm), Drawings, Anonymous, Italian, Bolognese,

Portrait of M.-J.-A.-N. de Coritat, Marquis de Condorcet, n.d., Brush and brown wash over graphite underdrawing., 6 5/8 x 4 11/16in. (16.8 x 11.9cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Bowl with Buddhist Assembly, Ming dynasty (1368–1644), Tianqi period (1620–27), China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware), H. 2 1/16 in. (5.2 cm); Diam. 6 in. (15.2 cm); Diam. of foot 2 3/8 in. (6

Design for a Frame, 1841–84, Graphite, sheet: 14 3/8 x 10 9/16 in. (36.5 x 26.9 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 5r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Head of a Buddha, Kizil kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 4 3/4 x 4 3/4 in. (12.1 x 12.1 cm), Paintings

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/8 x 4 in. (2.9 x 10.2 cm), Terracottas

Star-Shaped Tile, dated A.H. 661/A.D. 1262–63, Attributed to Iran, Varamin, Stonepaste; luster-painted on opaque white glaze, Max. H. (point to point) 12 9/16 in. (31.9 cm), Ceramics-Tiles

Table, ca. 1927–28, Lacquered wood, 23 1/4 × 13 3/4 × 13 3/4 in. (59.1 × 34.9 × 34.9 cm), Furniture, Although the great majority of Dunand's clients were French, one of his most important design projects was realized in America: a

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 30 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Adoration of the Magi, ca. 1915–16, Made in New York, United States, American, Watercolor, gouache, pen and ink, and graphite on pebble finish matt board in original decorated matt with shaped tracery window openings, Overall: 21 3/8 x 30

Monument of Richard Jervoice, 1563, 19th century, Ink and wash, sheet: 10 5/8 x 7 1/2 in. (27 x 19.1 cm), Anonymous, British, 19th century

Landscape No. 25, ca. 1908–9, Oil on commercially prepared paperboard (academy board), 12 x 12 in. (30.5 x 30.5cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Following their first meeting, in

View of St. Charles Church and the Polytechnic Institute in Vienna, 1831, Graphite, watercolor, gouache, gum arabic. Black framing line in watercolor, sheet: 9 13/16 x 13 3/4 in. (25 x 35 cm), Drawings, Rudolf von Alt (Austrian, Vienna

Terracotta chalice, ca. 575–550 B.C., Etruscan, Terracotta, H. 7 in. (17.8 cm); diameter of mouth 5 1/4 in. (13.4 cm), Vases, Cup on high foot with human and rams' heads and knobs on lip

Fudō Myōō in Portable Shrine, Edo period (1615–1868), 18th century, Japan, Painted wood, H. 1 7/8 in. (4.8 cm), Sculpture, Portable shrines containing diminutive Buddhist sculptures are frequently used as personal devotional icons. This

Portrait of the Artist (?), 1850–83, Dark brown chalk, Sheet: 10 7/8 x 8 11/16 in. (27.6 x 22.1cm), Drawings, Charles Bargue (French, Paris 1825/26–1883 Paris

Putti Carrying Organ Pipes, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk on light brown paper. Arched framing outline at top in pen and brown ink over black chalk, 5-1/8 x 6-3/16 in. (12.95 x 15.7 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 10 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Mug, 1800–1830, American, Probably earthenware, 5 1/2 x 6 1/4 x 4 7/8 in. (14 x 15.9 x 12.4 cm), Ceramics