Images at Librifly

Four Captive Demons, 1470–1500, Attributed to Iran or Central Asia, Watercolor and gold on silk, H. 13 3/8 in. (34 cm), Codices, This exceptional painting on silk portrays four demonlike figures rendered in exacting, fantastic detail. A

The Past. The Present. The Future (Le passé. Le présent. L'avenir), from La Caricature, plate 349, January 9, 1834, Lithograph, Image: 9 7/8 × 7 15/16 in. (25.1 × 20.2 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879

Heqanakht Letter I, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb complex of Ipy (TT 315, ), Tomb of Meseh (B), 1921–22, Papyrus, ink, H. 28.4 cm (11 3/16 in.), W. 27.1 cm (10

Section from a Qur'an Manuscript, ca. 1320, Attributed to Egypt, probably Cairo, Main support: Ink, opaque watercolor, and gold on paper, 10 7/16 x 7 1/2 in. (26.5 x 19 cm), Codices, This section of a Qur‘an manuscript written on parchment

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 6), Publisher, Artist, After, Carlo Losi, Georges

The Old Frigate Iris with Her Freight of Cable Alongside the Great Eastern at Sheerness: The Cable Passed from the Hulk to the Great Eastern, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 9 11/16 in. (16.3 × 24.6 cm),

The Adoration of the Magi, first quarter 17th century, British, Silk and metal thread on canvas, H. 10 1/2 x W. 12 1/2 inches (26.7 x 31.8 cm), Textiles-Embroidered

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 14 (verso), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and gouache on paper mounted on board in original matt, Overall: 11 7/8 x 6 3/8 in. (30.2 x 16.2 cm), Drawings, Tiffany Studios

Essempio di recammi, page 12 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Three Goats in a Moutainous Landscape, 1830–64, Black chalk heightened with white bodycolor, corners cut., 15 3/16 x 11 1/2 in. (38.6 x 29.2 cm), Drawings, Alexandre Calame (Swiss, Vevey 1810–1864 Menton

Vase, 1830–70, Made in Bennington, Vermont, United States, American, Parian porcelain, H. 5 1/4 in. (13.3 cm); Diam. 2 3/4 in. (7 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 32r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Heather, Sweet Peas and Butterfly, 19th century, Gouache and watercolor on grey prepared ground, Sheet: 13 11/16 × 9 3/4 in. (34.7 × 24.8 cm), Drawings, Anonymous, British, 19th century

Portrait Head, 1816, Graphite and red chalk, Overall: 9 3/16 x 7 5/16 in. (23.4 x 18.6 cm) (octagonal), Drawings, George Henry Harlow (British, London 1787–1819 London

Quartermaster and Ambulance Camp, Brandy Station, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Teapot, 1720–35, Made in China, Chinese, Porcelain, H. 5 1/8 in. (13 cm), Ceramics

Valentia in 1857-1858 at the Time of the Laying of the Former Cable, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 3/4 x 10 1/16 in. (17.2 x 25.5 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Vajravarahi in Wrathful Posture, 13th century, Central Tibet, Copper alloy with turquoise, silver, and colors, H. 8 3/4 in. (22.2 cm); W. 4 1/4 in. (10.8 cm); D. 3 3/8 in. (8.6 cm), Sculpture, Vajravarahi derives from the boar-headed Hindu

Gideon Gathering His Army, Scene from the Book of Judges, 18th century, Pen and brown ink, brush and brown wash, over charcoal(?) on light tan laid paper, 11-5/16 x 15-15/16 in. (28.7 x 40.5 cm), Drawings, Étienne Parrocel (French, Avignon

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 35 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Two Russian Men, 1904, Pencil and watercolor., 14 3/4 x 10 9/16 in. (37.5 x 26.8 cm), Drawings, Klavdy Vasilyevich Lebedev (Russian, born 1852

Belt Buckle Attachment Plate Fragment, 4th–7th century, Made in Burgundy, Frankish or Burgundian, Iron, silver overlay, Overall (attached with x.6, .34, .53): 4 1/2 x 2 1/4 x 5/8 in. (11.5 x 5.7 x 1.6 cm), Metalwork-Iron

Designs for furniture in a variation on the style of Thomas Sheraton, a breakfront, a sideboard, and a low cupboard, 1810–20, Gray ink and wash, Sheet: 10 15/16 x 7 3/4 in. (27.8 x 19.7 cm), Drawings, Anonymous

[Sculpture Court Flanked by Torso of Marsyas and Sacrificial Altar; Sculpture Court with Bust of Caracalla; Greek Court with Sculptures of Mercury, Faun, and Ariadne; Roman Court with Three Sculptures of Venus], ca. 1859, Albumen silver print

染分紗綾地蜘蛛海松貝模様小袖, Robe (Kosode) with Shells and Sea Grasses, Edo period (1615–1868), early 17th century, Japan, Embroidery and gold leaf on plain-weave silk patterned with warp floats, Overall: 60 1/2 x 49 in. (153.7

Lucretia, 1704 or earlier, French, probably Paris, Marble, confirmed: 27 1/2 × 43 1/4 × 20 3/4 in., 686 lb. (69.9 × 109.9 × 52.7 cm, 311.2 kg), Sculpture, Philippe Bertrand (French, 1663–1724), Lucretia's suicide out of shame for her

Townscape with an Inn, n.d., Pen and brown ink, brush and light gray wash, over black chalk, sheet: 4 11/16 x 7 1/8 in. (11.9 x 18.1 cm), Drawings, Anonymous, Italian, 17th century

Cream Pitcher, 1770–1800, Made in China, Chinese, Porcelain, H. 5 1/4 in. (13.3 cm), Ceramics

Standing Female Deity, Mauryan period, 3rd–2nd century B.C., North India, Terracotta, black oxidation patina, H. 6 1/4 in. (15.9 cm), Sculpture, Such small goddesses were produced in vast quantities and likely were used for personal

Miniature Altarpiece with the Crucifixion, early 16th century, Netherlandish, Boxwood, Open: 5 7/8 in. × 3 in. × 1 1/4 in. (15 × 7.6 × 3.2 cm), Sculpture-Miniature-Wood, The vogue for microcarving in the late Middle Ages exploited the fine

Madonna and Child on Clouds, 16th century, Pen and brown ink, 6-1/6 x 5-1/6 in. (15.7 x 13.1 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Sugar Basket, 1796, Made in Boston, Massachusetts, United States, American, Silver, Overall: 7 1/4 x 6 3/16 x 4 in. (18.4 x 15.7 x 10.2 cm); 9 oz. 7 dwt. (291 g), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 67 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

南宋 龍泉窯青瓷罐, Jar, Song dynasty (960–1279), China, Stoneware with celadon glaze (Longquan ware), H. 2 3/8 in. (6 cm); Diam. 3 3/8 in. (8.6 cm), Ceramics

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 34 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Glass mosaic carinated bowl, Early Imperial, early 1st century A.D., Roman, Glass; cast, H.: 1 1/2 in. (3.8 cm), Glass, Translucent turquoise green body with translucent deep purple, opaque white, opaque yellow, and opaque red; color(s) of

Lea Castle, Worcestershire, View in Ante-room, Looking North, ca. 1816, Watercolor, sheet: 7 3/4 x 6 3/4 in. (19.7 x 17.1 cm), Drawings, Attributed to John Carter (British, London 1748–1817 London

The Circumcision, 1516–73, Brush and brown ink, brown wash, white and yellowish bodycolor, sheet: 6 15/16 x 4 5/8 in. (17.6 x 11.7 cm), Drawings, Hans Mielich (German, Munich 1516–1573 Munich

Dado Panel, 10th century, Excavated in Iran, Nishapur, Stucco; carved, with some cast plaster elements, H. 40 3/4 in. (103.5 cm), Stucco, The original placement of this unique carved stucco panel is uncertain, although its shape and size

Woodland Scene with a Peasant, a Horse, and a Cart, ca. 1760, Watercolor, gouache, gray wash and black chalk, on off-white laid paper, Sheet: 9 1/2 x 12 11/16 in. (24.1 x 32.2 cm), Drawings, Thomas Gainsborough (British, Sudbury

Opera Nova Universali intitulata Corona di racammi, page 13 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Four Putti representing the Four Elements, 1605–38, Pen and black ink, brush and grey wash, sheet: 4 1/8 x 6 in. (10.5 x 15.2 cm), Drawings, Rudolf Meyer (Swiss, Zurich 1605–1638 Zurich

Bowl, Ming dynasty (1368–1644), China, Cloisonné enamel on copper, H. 5 in. (12.7 cm); Diam. of rim 10 1/2 in. (26.7 cm); Diam. of foot 6 in. (15.2 cm), Cloisonn

Bronze statuette of a bull, Archaic, late 6th century B.C., Greek, Boeotian, Bronze, H.: 1 13/16 x 2 13/16 in. (4.6 x 7.1 cm), Bronzes, Inscribed in Greek, Thaletas dedicated me to the Kabeiroi. The Kabirion of Thebes, where this votive was

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 13 1/8 x 16 1/2 in. (33.3 x 41.9 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

[Akbar's Tomb and Gardens, Sikandra, India], 1860s–70s, Albumen silver print from glass negative, 19.7 x 26.4 cm (7 3/4 x 10 3/8 in.), Photographs, Unknown

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 14 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Large. Etienne, Louis. 20 ans, né le 1/1/74 à Lyon (Rhône). Tapissier. Anarchiste. 9/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 16 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

蘭亭曲水図屏風., 秋社図屏風, Orchid Pavilion Gathering; Autumn Landscape, Edo period (1615–1868), ca. 1763, Japan, Pair of six-panel folding screens; ink and color on paper, Image (each): 63 1/4 in. × 11 ft. 8 3/16 in. (160.7 ×

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 3), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 73 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Face of the goddess Hathor, Late New Kingdom–Third Intermediate Period, ca. 1100–664 B.C., From Egypt, Lapis lazuli, gold, travertine (Egyptian alabaster), h. 1.2 cm (1/2 in); w. 1.4 (9/16 in); th. 0.2 cm (1/16 in

Opera Nova Universali intitulata Corona di racammi, page 36 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 6 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Design for a Frame, 1800–1900, Pen and wash, 13-7/8 x 9-5/8 in, Drawings, Anonymous, Italian, 19th century

Ornamento delle belle & virtuose donne, page 16 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 13 (recto), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, 1564, Foresto, Iseppo, Calepino, Italian, 1520,

Boy carrying hats. Blee[c]ker St., N.Y., February 1912, Gelatin silver print, 11.5 x 14.7 cm (4 1/2 x 5 13/16 in.), Photographs, Lewis Hine (American, 1874–1940), In 1908 Hine left his teaching position at the progressive Ethical Culture

[La Comtesse in Cape with Fringe; Serie à la Ristori], 1860s, Albumen silver print from glass negative, 8.3 x 13.0 cm (3 1/4 x 5 1/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Hobnail Sauce Dish, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry and opaque white glass, 1 3/4 x 4 3/4 in. (4.4 x 12.1 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Parasol, 1860s, French, silk

View of the Main Road, Singapore, 1860s–70s, Albumen silver print from glass negative, 20.3 x 27.4 cm (8 x 10 13/16 in.), Photographs, Unknown

[View of Sphinxes Among Foliage; View of Tropical Foliage; Egyptian Court from North-east Gallery; Colossal Egyptian Figures], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed

Lenfant. Émile, Jules. 26 ans, né à Choisy-le-Roi (Seine). Modeleur. Anarchiste. 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Fragment, 7th–8th century, Attributed to Egypt, Silk, linen; plain weave, embroidered, 13.25 in. high 2.12 in. wide (33.7 cm high 5.4 cm wide), Textiles-Embroidered

Glass beaker, Late Imperial, 4th century A.D., Roman, Glass; blown in a dip mold and trailed, H.: 4 3/8 in. (11.1 cm), Glass, Translucent pale blue green; trail in same color., Everted rim with rounded lip; cylindrical body with vertical

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Design for One Eighth of a Ceiling of a Reception Room at the Royal Palace at Moncalieri, 1774–78, Black chalk or leadpoint; ruler and compass constructed, 13-9/16 x 19-13/16 in. (34.4 x 50.3 cm), Drawings, Leonardo Marini (Italian,

Terracotta cinerary urn, Hellenistic, 2nd century B.C., Etruscan, Terracotta, Overall (with lid): 13 7/16 x 13 15/16 x 7 1/8 in. (34.2 x 35.4 x 18.1 cm), Terracottas, The frieze depicts one of the most popular subjects on Etruscan terracotta

[Portrait of Tsow Chaoong], 1847, Daguerreotype, Photographs, Possibly by Unknown (American

Saint John Nepomuk Praying, 1720–59, Pen and brown ink and brown wash, white heightening, 10-3/8 x 6-3/16 inches (26.3 x 15.7 cm), Drawings, Georg Anton Urlaub (German, Thüngersheim 1713–1759 Würzburg

Design for Twin Beds with a Canopy, 1841–84, Graphite and watercolor, sheet: 14 7/16 x 10 3/8 in. (36.6 x 26.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Two clown costumes, red and black, n.d., graphite, red and black marker, blue and gray wash, mounted, sheet: 8 7/8 x 9 3/8 in. (22.6 x 23.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Funerary Urn with Deity, ca. 6th century, Mexico, Mesoamerica, Monte Alban, Ceramic, H. 18 3/4 in. (47.6 cm), Ceramics-Containers, Ceramic urns were often deposited as funerary offerings at the site of Monte Alban in the southern Mexican

Emmanuel Frémiet, 1854–55, Salted paper print from glass negative, 24.6 x 17.3cm (9 11/16 x 6 13/16in.), Photographs, Adrien Tournachon (French, 1825–1903), The sculptor Emmanuel Frémiet's (1824-1910) acute observation of anatomical

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 43 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Portrait of a Man, ca. 1790, Ivory, Diameter 2 1/4 in. (57 mm), Miniatures, Jeanne Philiberte Ledoux (French, 1767–1840

Game of Hounds and Jackals, Middle Kingdom, Dynasty 12, ca. 1814–1805 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, pit tomb CC 25, debris, Carnarvon/Carter excavations, 1910, Ebony, ivory, Board: H. 6.8 cm (2 11/16 in.); W.

Nude Figure with Cloak, seen from rear, 17th century, Red chalk on cream laid paper, 11-5/16 x 6-3/16 in. (28.8 x 15.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Beaker, 1830–70, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 3 3/8 in. (8.6 cm); Diam. 3 1/16 in. (7.8 cm), Ceramics

Dorothy Barnard, Study for “Carnation, Lily, Lily, Rose” (recto): Polly Barnard, Study for “Carnation, Lily, Lily, Rose” (verso), ca. 1885–86, Made in Cotswolds, Broadway, Worcestershire, United Kingdom, Graphite pencil on

Angels Adoring the The Holy Trinity, 1772, Brownish-red chalk, over traces of black chalk, lightly squared in black chalk., 10 5/16 x 5 13/16 in. (26.2 x 14.7 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Baking Dish, 1800–1830, Made in Pennsylvania, United States, American, Earthenware, H. 3 3/4 in. (9.5 cm); Diam. 12 1/4 in. (31.1 cm), Ceramics

Bastard. Élisée, Joseph, Michel. 22 ans, né à Birnel (Oise). Polisseur. Anarchiste. 20/8/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Studies of a Man's Head and of His Hands, 1592–99, Black chalk, highlighted with white chalk and touches of red chalk, on blue-gray paper, 11 x 16-1/4 in. (28 x 41.3 cm), Drawings, Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino),

Landscape with Figures Trimming Trees, an Allegory of the Month of March; Verso: Mountainous Landscape with Two Men Crossing a Bridge, mid-16th–early 17th century, Pen and brown ink, brush and gray wash, over traces of black chalk., sheet: 6

Design for Shallow Round Dish on Three Legs, 16th century, Pen and black ink, tan and yellow wash, over black chalk, 16 7/16 x 11 3/8 in. (41.8 x 28.9 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Head of a Man in Profile, 16th century, Pen and brown ink on light brown laid paper, 3 x 2-7/8 in. (7.6 x 7.3 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Design for a Chimney Place and Study of a Nude Female Figure., n.d., Pen and brown ink. Framing line in pen and brown ink., sheet: 7 9/16 x 11 7/8 in. (19.2 x 30.2 cm), Drawings, Anonymous, Flemish, 17th century

[Boston from a Hot-Air Balloon], 1860s, Albumen silver print from glass negative, 25.6 x 20.2 cm. (10 1/16 x 7 15/16 in.), Photographs, James Wallace Black (American, 1825–1896), Two years after the French photographer Nadar conducted his

Water jar with clouds, Qing dynasty (1644–1911), Kangxi mark and period (1622–1722), 1713–22, China, Porcelain with raised decoration under celadon glaze (Jingdezhen ware), H. 3 in. (7.6 cm); Gr. Diam. 3 1/8 in. (7.9 cm), Ceramics

Hostenbock. Joseph, Louis. 22 ans, né à Bruxelles (Belgique). Coiffeur. Anarchiste. 26/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Apothecary Jar, 1700–1750, Made in Puebla, Mexico, Mexican, Tin-glazed earthenware, H. 8 3/4 in. (22.2 cm); Diam. (base) 3 1/4 in. (8.3 cm); Diam. (rim) 4 1/2 in. (11.4 cm), Ceramics

Seated Esoteric Buddhist Deity, Eastern Javanese period, ca. second half of the 11th–century, Indonesia (Java), Bronze, H. 6 3/5 in. (16.8 cm), Sculpture

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 6 5/16 x 9 7/16 in. (16 x 24 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Portrait of Joseph II, Emperor of the Holy Roman Empire, ca. 1777, French, Paris, Wool (154 knots per sq. inch, 25 per sq. cm.), H. 47 x W. 39 inches (119.4 x 99.1 cm), Textiles-Woven

Gold Belt Mount (Miscast and Unfinished), 700s, Avar, Gold, cast., 1 9/16 × 1 7/16 × 3/8 in., 1.35 Troy Ounces (3.9 × 3.6 × 0.9 cm, 42g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some

Cone-shaped vase with geometric decoration, Chalcolithic, ca. late 5th millennium B.C., Iran, Tall-i Bakun A, Iran, Ceramic, paint, 8.12 in. (20.62 cm), Ceramics-Vessels