Images at Librifly

Hunting Sword, ca. 1825, Vienna, Austrian, Vienna, Steel, gold, enamel, agate, wood, leather, L. 26 15/16 in. (68.5 cm), Swords, This richly decorated sword was made for one of the counts Hoyos-Sprinzenstein. His enameled coat of arms

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 3 1/2 in. (8.9 cm); Diam. 3 1/16 in. (7.8 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Disk Brooch, 7th century, Frankish, Silver over copper alloy, paste cabochons, iron pin, gold setting, seed pearl, Overall: 1 9/16 x 1/2 in. (4 x 1.2 cm), Metalwork-Gold

Covered Sauce Tureen, 1785–90, Made in China, Chinese, for American market, Porcelain, 4 3/8 x 6 3/4 in. (11.1 x 17.1 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service,

清乾隆 剔彩玉玦形漆盒, Box in the Shape of an Archaic Jade Jue, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Carved red and green lacquer, H. 1 1/4 in. (3.2cm); W. 3 5/8 in. (9.2 cm); L. 5 1/8 in. (13

A Mill on Rocks in a River in Norway, mid-17th century, Pen and brown ink, brown wash, and black chalk, sheet: 4 7/16 x 6 3/16 in. (11.2 x 15.7 cm), Drawings, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Cypriot, Glass; blown, 3 × 2 1/16 in. (7.7 × 5.3 cm), Glass, Translucent deep purple. Plain, rounded rim; small, flaring, funnel-shaped mouth; cylindrical neck, with slight

Eight-pointed Star Tile Depicting Animals and Inscription, A.H. 665/ A.D. 1267, Attributed to Iran, Kashan, Stonepaste; luster-painted on opaque white glaze under transparent glaze, W. 8 in. (20.3 cm), Ceramics-Tiles

Rug, ca. 1470–80, Made in probably Alcarez, Spain, Spanish, Wool and linen, Overall: 204 x 95 1/2 in. (518.2 x 242.6 cm), Textiles-Rugs

Fish Merchant Carrying Yellowtails on Horseback, Edo period (1615–1868), 1814, Japan, Hanging scroll; ink and color on paper, Image: 47 1/2 × 11 3/16 in. (120.7 × 28.4 cm), Paintings, Tani Bunchō (Japanese, 1763–1840), Shokusanjin

Spacer beads from an apron-like garment, Archaic, 7th century B.C., Italic, Amber, H.: 13/16 x 1 1/16 in. (2 x 2.7 cm)average, Miscellaneous-Faience, The squares are of different sizes but may have decorated a gold pectoral, or perhaps inlays

Chief Etchers and Best Italian (Wilton House Album), early 18th century binding

Essempio di recammi, page 9 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 66 (verso), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Drawings and Prints, Book Print, The Imprisoned Servant, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, The Parable of the Unmerciful Servant, Designer, Publisher, Engraver,

Design for Sliding Doors and Mirrors, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Carpet with Tree and Cartouche Design, 18th century, Attributed to probably Northeastern Iran, Cotton (warp and weft), wool (pile); asymmetrically knotted pile, L. 262 in. (665.5 cm) , Textiles-Rugs

Candlestick (one of a pair), Qing dynasty (1644–1911), Qianlong period (1736–95), China, Cloisonné enamel, H. 9 3/4 in. (24.8 cm); W. 4 3/4 in. (12.1 cm), Cloisonn

Various Ships and a Rowing Boat on an Estuary, n.d., Black chalk, brush in black ink and gray wash, sheet: 4 5/8 x 6 15/16 in. (11.8 x 17.6 cm), Drawings, Wigerus Vitringa (Dutch, Leeuwarden 1657–1725 Wirdum

Dwelling house at Esher for Mrs. Wethered: Three Elevations, and a Partial Section, 1907, Pen and ink, over graphite, with watercolor, sheet: 12 x 20 3/4 in. (30.5 x 52.7 cm), Ernest Geldart (British, London 1848–1929

Side Chair, 1810–20, Made in New York, New York, United States, American, Mahogany with ash, yellow poplar, 32 1/4 x 21 3/4 x 18 3/8 in. (81.9 x 55.2 x 46.7 cm), Furniture

Costume Study for a Robed, Bearded Boyar with Staff, early 20th century, Watercolor, gouache, gold paint, over graphite., sheet: 16 5/8 x 12 3/16 in. (42.3 x 31 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

Addie Card, 12 years. Spinner in North Pownal Cotton Mill. Girls in mill say she is ten years. She admitted to me she was twelve; that she started during school vacation and now would 'stay'. Location: Vermont, August 1910, Gelatin silver print,

Foundation figure of Ur-Namma holding a basket, Ur III, ca. 2112–2095 B.C., Mesopotamia, Neo-Sumerian, Copper alloy, H. 27.3 cm (10 3/4 in.), Metalwork-Sculpture-Inscribed, This solid-cast figurine shows a male figure, beardless and with a

Cream Jug, 1780–1820, Possibly made in England; Possibly made in United States, American or British, Blown pattern-molded lead blue glass, H. 5 3/8 in. (13.7 cm), Glass

Greed Breaks the Bag ('La codicia rompe el saco'), 1807–45, Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides, 7-5/16 x 5-1/8 in. (18.6 x 13.0 cm), Drawings, Leonardo Alenza y Nieto

Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica, 1652, Black chalk, brush with brown and gray wash, highlighted with white gouache, on three sheets of brownish paper glued with overlapping joints,

Vase with pussy willow design, ca. 1904–9, Made in New York, New York, United States, American, Porcelaneous earthenware, 10 1/2 in. (26.7 cm), Ceramics, Like most Tiffany Studios pottery, this vase was slip cast in a mold: the spout and

Pair of Earrings, 11th century, Attributed to Syria, Gold; filigree and granulation, H. 1 5/16 In. (3.3 cm), Jewelry, An elaborate example of filigree and granulation work from the Fatimid period in Egypt and Greater Syria (969–1171), this

Plate, ca. 1760, Belgian, Tournai, Soft-paste porcelain, Diameter: 9 1/4 in. (23.5 cm), Ceramics-Porcelain

Doll's Tunic, 6th–8th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, Overall: H. 6 5/8 in. (16.8 cm), Textiles, Tunics were the standard dress of the Mediterranean world. They were embellished, usually with woven,

Lion Bracelet of Sithathoryunet, Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C., From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA Tomb 8), Chamber E, box 1, BSAE excavations 1914, Gold, amethyst, L. 14.5 cm (5 11/16

Earring with bull's head whose eyes were previously inlaid, Ptolemaic Period, 2nd–1st century B.C., From Egypt, Gold, As Worn: H. 2.5 × W. 2.7 cm (1 × 1 1/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type

Red Cabbages, Rhubarb and Orange, 1929, Watercolor and graphite on paper, 13 7/8 x 19 7/8 in. (35.2 x 50.5 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Between 1924 and 1929, Demuth

Ceiling Decoration, 16th century, Pen and brown ink over red chalk, 5-7/8 x 4-1/4 in. (14.9 x 10.8 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Title Page: 24 Caricatures by Several Ladies, Gentleman, Artists, November 1, 1771, Etching, plate: 4 7/8 x 7 1/16 in. (12.4 x 17.9 cm), Prints

Mouette. Charles. 32 ans, né à Paris Ile. Peintre en bâtiment. Association de malfaiteurs. 20/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Presentation in the Temple, with a Design for a Sculpted Frame, ca. 1630–1635, Brush and brown ink, watercolor, gouache, heightened with white and yellow gouache, 8 13/16 × 6 5/16 in. (22.4 × 16 cm), Drawings, Jacob Jordaens

Saucer, 1815–30, Made in Paris, France, French, Porcelain, H. 1 1/4 in. (3.2 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics

A Man Resting on a Staff, n.d., Pen and brown ink, brush and brown wash, with white heightening over traces of black chalk, sheet: 15 5/16 x 6 5/8 in. (38.9 x 16.8 cm), Drawings, Paolo Farinati (Italian, Verona 1524–1606 Verona), This

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Murrhina agate with coral stopper, H. 2 1/8 in. (5.4 cm), Snuff Bottles, Painting inside snuff bottles was a novel development in the nineteenth century. With an

Vase with Abstract Scroll Design, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 13th–14th century, China, Stoneware with painted decoration on brown glaze (Jizhou ware), H. 8 1/4 × Diam. 4 1/4 in., Ceramics

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 in. × 3 1/16 in. (7.6 × 7.7 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 12 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 33 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Design for a Chimneypiece (recto); Sketches for Column Bases (verso), 1740–1800, Recto: Pen and brown and red ink, brush and yellow-green wash, sheet: 9 7/16 x 11 11/16 in. (24 x 29.7 cm), Sir William Chambers (British (born Sweden),

Medallion of the Marquis de Lafayette, 1775–1883, Made in France, French, Porcelain, Diam. 2 5/8 in. (6.7 cm), Ceramics

Marble portrait of a man, Imperial, Late Flavian or Early Trajanic, ca. A.D. 100, Roman, Marble, H. 11 3/16 in. (28.4 cm), Stone Sculpture, Like this powerful image of a middle-aged man, many Flavian portraits show the same uncompromising

Terracotta boar figurine, Early Cypriot III–Middle Cypriot I, ca. 2000–1800 B.C., Cypriot, Terracotta; hand-made, H. 3 3/4 in. (9.5 cm), Vases, Terracotta figurines of animals usually appear as part of the decoration on the rims of large

Portrait of a Man, Oil on paper, laid down on wood, Overall 8 3/4 x 6 1/2 in. (22.2 x 16.5 cm), Paintings, Circle of Hugo van der Goes (Netherlandish, ca. 1470–75), In this closely observed portrayal of an old man, the artist pays special

Two Views of an Artist's Studio, possibly that of Eden Upton Eddis, ca. 1859 (?), Pen and brown ink, brown and blue wash, over black and white chalk, sheet: 8 x 10 1/4 in. (20.3 x 26 cm), Drawings, Anonymous, British, 19th century

Iron tripod, Archaic, ca. 575–550 B.C., Etruscan, Iron, H.: 22 5/16 in. (56.7 cm), Miscellaneous-Iron, Iron tripod with a large horizontal ring that would support a bowl

Gold Strap End, ca. 600, Langobardic, Gold and silver, Overall: 1 1/8 x 1/2 x 1/8 in. (2.9 x 1.3 x 0.3 cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress, with

Saint Christopher Carrying Christ, 1510–20, Made in Lower Bavaria (Valley of the Danube), Germany, German, Limewood, 56 1/2 × 19 1/2 × 14 1/2 in., 72 lb. (143.5 × 49.5 × 36.8 cm, 32658g), Sculpture-Wood, According to legend, Saint

A Townscape with a Churchgate, early 19th century, Graphite, pen and brown ink, 15-1/4 x 9-7/8 in. (38.7 x 25.1 cm), Drawings, Jan Hendrik Verheyen (Dutch, Utrecht 1778–1846 Utrecht

Adoration of the Shepherds, early 16th–mid 16th century, Brush and brown ink and brown wash over black chalk, 11 5/16 x 7 7/8 in. (28.8 x 20 cm), Drawings, Aertgen Claesz. van Leyden (Netherlandish, Leiden 1498–1564 Leiden

[Ordnance Wharf, City Point, Virginia], 1865, Albumen silver print from glass negative, Image: 21.7 x 25.5 cm (8 9/16 x 10 1/16 in.), Photographs, Thomas C. Roche (American, 1826–1895), Very little is known of the early career of Thomas C.

Covered Jar with Decoration of Blossoming Plum and Cracked Ice, Qing dynasty (1644–1911), Kangxi period (1662–1722), late 17th–early 18th century, China, Porcelain painted in underglaze blue, H. 10 1/4 in. (26 cm), Ceramics

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 15 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Les Singuliers et Nouveaux Portraicts... page 24 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Hanging with Polychrome Columns, 5th–6th century, Found Egypt, near Damietta, Linen, wool; tapestry weave, H. 90 1/2 in. (229.9 cm), Textiles, This grand hanging is part of a set of at least four that also included depictions of colorful

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 13v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Vase with Coiling Dragon, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), late 16th–early 17th century, China, Porcelain with raised decoration and peach-bloom and green glaze (Jingdezhen ware), H. 8 in. (20.3 cm),

Frösche in Bauch und Rückenlage, 1896, Photogravure, Image: 9 in. × 6 1/2 in. (22.8 × 16.5 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

Ink Tablet, 古墨, Qing dynasty (1644–1911), late 19th century, China, Indigo ink, H. 5 1/4 in. (13.3 cm); W. 2 3/8 in. (6 cm), Ink

Armory Square Hospital, Washington, 1863–65, Albumen silver print from glass negative, Image: 17.3 × 20 cm (6 13/16 × 7 7/8 in.), Photographs, Unknown (American), After the first land battle at Bull Run, both the Union and the Confederacy

A Bearded Man, Standing, and a Classical Head, 1815–63, Pen and brown ink on tracing paper (mounted on heavy wove paper), 8 1/4 x 5 3/8 in. (20.9 x 13.7 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Courtyard, Blois, ca. 1885–1945, Watercolor over graphite, Sheet: 11 3/4 × 9 5/8 in. (29.8 × 24.5 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

Man on Horseback, and Study of Horse's Head, 19th century, Black chalk, 8 7/16 x 11 1/8 in. (21.4 x 28.2 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

Figure 57: Astonishment, stupefaction, amazement, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.3 cm (11 1/8 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Rosette Brooch, first half 6th century, Frankish, Silver, gilding(?), garnets with patterned foil backings, ..., Overall: 13/16 x 1/8 in. (2 x 0.3 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in

Sash (Patka) with a Floral Border, second half 17th century, Attributed to India, Cotton, silk; plain weave, embroidered, Textile: L. 125 in. (317.5 cm), Textiles-Costumes, Men’s sashes, called patkas, were wrapped two or three times

Child's Tunic with Hood, 600–900, Attributed to Egypt, Tapestry weave in purple-colored, red-brown, and undyed wool on plain-weave ground of green wool; fringes in green and red-brown along the perimeter of the hood and lower edges, Textile

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and opalescent glass, H. 3 3/4 in. (9.5 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Design for Curtains, 1841–84, Graphite, sheet: 15 3/8 x 10 9/16 in. (39 x 26.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

Virgin of the Immaculate Conception Standing on Clouds, 17th century, Pen and light brown ink over black chalk underdrawing. Composition outlined with traces of black chalk. On off-white paper, 6-1/8 x 3-5/8 in. (15.6 x 9.2 cm), Drawings,

Holy Family in the Stable, mid-17th century, pen and brown ink over red chalk, with red wash and traces of white heightening. Traces of framing line in pen and black ink., Diam. 7-1/4 in., Drawings, Attributed to Govert Flinck (Dutch, Cleve

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 35 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

[Man Holding Glasses in Front of Painted Outdoor Backdrop], 1850s, Daguerreotype, Image: 6.7 x 5.5 cm (2 5/8 x 2 3/16 in.), Photographs, Unknown (American

Ein new getruckt model Büchli...Page 25, recto, 1529

Set of twelve red terracotta balls, Late Classical or Hellenistic, late 4th or early 3rd century B.C., Etruscan, Terracotta, greatest diameter 1 in. (2.5 cm), Terracottas, These terracotta balls may be game tokens. Based on only a few

[Two Tinsmiths Cutting a Curled Sheet of Metal], 1880s, Tintype, Image: 9 x 6 cm (3 9/16 x 2 3/8 in.), Photographs, Unknown (American

'Rustam Battles Sava', Folio from a Shahnama (Book of Kings), 15th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, 11.37 in. high 19.20 in. wide (28.9 cm high 7.56 cm wide), Codices

Studies: Figure Holding a Candlestand, Woman with Left Arm Extended, Head Looking Down towards the Right, Kneeling Woman, 17th century, Black chalk on brown paper, 11-1/4 x 7-5/8 in. (28.5 x 19.4 cm), Drawings, Anonymous, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 60 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Landscape with Houses, 1917, Charcoal on paper, 11 5/8 x 17 7/8 in. (29.5 x 45.4 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Interior of One of the Tanks on Board the Great Eastern: The Cable Passing Out, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 7/16 × 8 15/16 in. (16.3 × 22.7 cm), Drawings, Robert Charles Dudley (British, 1826–1909),

Marble pediment of a funerary altar, Hadrianic, ca. A.D. 120–130, Roman, Marble, H. 24 1/2 in. (62.2 cm), Stone Sculpture, This fragment of an altar is from a commemorative monument in which identifying inscriptions would have appeared on

Wine Glass, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the

View of a Churchyard, Southborough, Kent, 1837, Watercolor over graphite, with touches of gouache, on paper., 10 x 14 in. (25.4 x 35.6 cm), Drawings, Anonymous, 19th century

Five Shields, ca. 1780–1820, Graphite, sheet: 7 13/16 x 12 15/16 in. (19.8 x 32.9 cm), Drawings, Anonymous, German, 19th century

Saint Michael, mid-1430s, Tempera on wood with silver, gold ground, Engaged Frame: 11 11/16 x 5 1/4 in. (29.7 x 13.4 cm), Paintings, Pietro di Giovanni d'Ambrogio (Italian, Siena 1410–1449 Siena

Gold earring with filigree decoration, Classical, 5th–4th century B.C., Etruscan, gold, Diam.: 1 3/16 in. (3 cm), Gold and Silver, Hollow gold, with filigree decoration

Daressy. Pierre. 39 ans, né à Lherme (Haute-Garonne). Cordonnier. Anarchiste. 28/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for a Wall Elevation with Grotesques, ca. 1540–70, Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper, 15 5/16 x 10 9/16 in. (38.9 x 26.9 cm), Drawings, Anonymous, Italian,

Stamp seal: hunters and goats, rectangular pen (?), Middle Bronze Age, ca. early 2nd millennium B.C., Dilmun, Dilmun, Steatite or chlorite, 0.47 in. (1.19 cm), Stone-Stamp Seals, The earliest stone seals of the Gulf region were made of

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 24 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 26r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Bonnet, 1887, French, straw, silk

Wooded Landscape with Stag Hunt, late 16th–early 17th century, Black chalk, pen and brown ink, brown wash, sheet: 8 5/16 x 15 1/2 in. (21.1 x 39.3 cm), Drawings, Tobias Verhaecht (Netherlandish, Antwerp 1561–1631 Antwerp