Images at Librifly

Knave of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4

America, 18th century, Red chalk, 10 x 13 1/2 in. (25.4 x 34.3 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Architectural Support, 1500–1510, British or French, Oak, Overall: 89 x 9 1/2 x 9 1/2in. (226 x 24.1 x 24.1cm), Woodwork-Architectural

Shield Grip, late 4th century, Vermand, Gallo-Roman (found in Vermand, France), Iron, silver, L. 14 5/16 in. (36.4 cm), Miscellaneous-Ironwork, The shield was carried by the grip, which was riveted across the hollow center of the shield on

View of a river with a promenade, 1820–70, Graphite, pen and black ink and ink wash, sheet: 2 7/8 x 4 13/16 in. (7.3 x 12.2 cm), Drawings, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland

Design for a Girandole with a Circular and Oval Glass, 1745–1800, Pen and wash, sheet: 15 3/4 x 9 1/16 in. (40 x 23 cm), Attributed to Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Album of Bit Designs, 1674, Bohemian, Ink on paper, Covers: 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm); sheets: 14 1/4 x 9 1/2 in. (36.2 x 24.1 cm); plates: approx. 12 1/4 x 4 in. (31.5 x 10 cm), Works on Paper-Prints, Books devoted to various kinds

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 35 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

鶏文髭皿 肥前焼・古伊万里様式, Barber's Bowl with Cockerel, Edo period (1615–1868), late 17th–early 18th century, Japan, Porcelain with underglaze blue decoration and overglaze enamels (Hizen ware, Ko Imari type), Diam. 10

Saint Stephen of Hungary Presenting his Son, Saint Emeric, to the Virgin, 1740–67, Pen and brown ink, grey wash and black chalk., 13 1/16 x 8 1/8 in. (33.1 x 20.6 cm), Drawings, Franz Xavier Karl Palko (Bohemian, Wroclaw 1724–1767

Textile Fragment with a Leaf, 4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 11.87 in. high 9.12 in. wide (30.6 cm high 23 cm wide), Textiles-Tapestries, The tapestry leaf was woven simultaneously with the plain-weave

Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch, 1700–1780, Pen and brown ink, brush and brown wash, traces of lead point. Scale in pen and brown ink at bottom of the drawing, 13

A Reconstructon of an Undefined Building., before 1704, Pen and black and brown ink, brush and grey wash, over red chalk., 5 3/16 x 7 11/16 in. (13.2 x 19.5 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam

Parinirvana (Extinction of the Buddha) and Attendant, Ming dynasty (1368–1644), dated 1503, China, Glazed pottery, H. 11 1/2 in. (29.2 cm); W. 4 5/8 in. (11.7 cm); D. 4 1/2 in. (11.4 cm), Ceramics, Qiao Bin (Chinese, active 1481–1507),

Georgia O'Keeffe — Hands, 1919, Palladium print, 22.9 x 18.9 cm (9 x 7 7/16 in. ), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), This photograph, one of more than three hundred images Stieglitz made of

Allegory of Faith, 1620–49, Pen and black ink and gray wash, 5 13/16 x 4 5/8 in. (14.7 x 11.7 cm), Drawings, Hans Friedrich Schorer (German, ca. 1609–1649, (active Augsburg

Transverse Flute in D-flat, 1760–90, South Germany or Saxony, Germany, German, Hard-paste porcelain, gold-plated brass, Height: 24 5/16 in. (61.7 cm), Aerophone-Blow Hole-side-blown flute (transverse), Johan Friedrich Böttger's

Terracotta amphora (jar), Classical, early 5th century B.C., Etruscan, Terracotta; superposed-red, H. 8 3/16 in. (20.8 cm), Vases, Artists of the Praxias Group, who probably worked in Vulci, were the first Etruscan vase-painters to develop a

Pomade pot with cover, 1735–40, French, Chantilly, Tin-glazed soft-paste porcelain, silver, Overall (confirmed): 1 7/8 × 2 × 2 in. (4.8 × 5.1 × 5.1 cm), Ceramics-Porcelain, The widespread use of beauty products in eighteenth-century

Two studies of Headdresses from Scrapbook, 18th–19th century, Graphite, sheet: 11 x 6 9/16 in. (27.9 x 16.6 cm), Circle of John Bridge (British, Piddletrenthide, Dorset 1755–1834 Piddletrenthide, Dorset

Two Maps of Ancient Rome with a River God and Romulus and Remus, before 1704, Brush and grey wash, pen and black ink, over red chalk. Incised., 12 3/4 x 7 13/16 in. (32.4 x 19.8 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

Drawing for an iron stairway with marble treads, 19th century, Ink and graphite, sheet: 10 5/8 x 7 1/2 in. (27 x 19.1 cm), Anonymous, British, 19th century

Buckle, 5th–6th century, Byzantine, copper alloy, Overall: 1 5/16 x 7/8 x 3/8 in. (3.4 x 2.2 x 1 cm), Metalwork-Bronze

Belt, early 17th century, with later additions, Hungarian, Brassó, Gilded silver, turquoise, glass pastes, silk velvet, metal threads, Overall: 33 1/16 in. (84 cm), Metalwork-Silver, Belts were showpieces, and though not worn every day,

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 1.7 (11/16 in.); W. 2.2 cm (7/8 in.); D. 0.5 cm

Drug vase (one of a pair), ca. 1620–80, Italian, Maiolica (tin-glazed earthenware), Overall: 22 7/8 × 14 1/2 × 13 1/2 in. (58.1 × 36.8 × 34.3 cm), Ceramics-Pottery, Storage vessels were among the most frequently produced maiolica wares in

The Baptism of Christ, 16th century, Pen and brown ink, brush and brown wash, over some traces of red chalk, glued to secondary paper support, 9 1/2 x 6 13/16in. (24.1 x 17.3cm), Drawings, Moncalvo (Guglielmo Caccia) (Italian, Montabone

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 11), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Necklace with Sa-Amulets of Senebtisi, Middle Kingdom, late Dynasty 12–early Dynasty 13, ca. 1859–1770 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret (758), Pit 763, burial of Senebtisi, 1906–07, Sa-amulets: Silver

Design for medal commemorating the capture of Port Mahon, 18th century, Red chalk; red chalk wash surrounding design, 9 1/8 x 9 1/16 in. (23.2 x 23 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Volcanic Islands in Mono Lake, California, 1868, Albumen silver print from glass negative, Image: 22.3 x 29.3 cm (8 3/4 x 11 9/16 in.), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

A Man and a Woman on a Mule; Images of Spain Album (F), page 36, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Trionfo Di Virtu. Libro Novo..., page 9 (recto), 1563

Vase, Qing dynasty (1644–1911), 19th century, China, Opaque blue-green glass, H. 5 1/4 in. (13.3 cm), Glass

Standing Male Figure, 17th century, Pen and dark brown ink. Figure's left foot is reinforced with pen and black ink. On ivory paper, 7-1/16 x 4-1/2 in. (18.0 x 11.5 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Joseph and His Mistress, May 9, 1771, Etching, plate: 6 1/16 x 4 3/16 in. (15.4 x 10.7 cm), Prints

Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, 9 13/16 x 9 13/16 in. (24.9 x 24.9 cm), Ceramics

U.S. Monitor 'Saugus' and Gunboat 'Mendota', Appomattox River, 1861–65, Albumen silver print from glass negative, Photographs

The Sense of Hearing, 16th century, Pen and brown ink, brush and brown wash. Touches of gray wash. Framing lines in pen and brown., 6 3/4 x 9 1/8 in. (17.1 x 23.1 cm), Drawings, Circle of Joseph Heintz the Elder (Swiss, Basel 1564–1609

[250 Stereographs of US Views], 1850s–1890s, Albumen silver prints, Each photograph approx. 3 1/2 in. × 7 in. (8.9 × 17.8 cm), Photographs, Various

Lutringer. Pierre, Léopold. 43 ans, né le 25/11/50 à Stenay (Meuse). Cordonnier. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Mug, ca. 1750–55, British, Bow, Soft-paste porcelain, Height: 3 1/2 in. (8.9 cm), Ceramics-Porcelain

[Grand Army Review, Washington, D.C.], May 1865, Albumen silver print from glass negative, Image: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

The Chaldeans Carrying Away the Pillars of the Temple of Jerusalem, from The Disasters of the Jewish People, plate 17, 1569, Engraving; first plate of three (New Hollstein), Sheet: 6 13/16 × 9 9/16 in. (17.3 × 24.3 cm), Books, Philips Galle

Dish, mid to late 16th century, Venetian or façon de Venise, probably Tyrol (Innsbruck), Colorless (gray) nonlead glass. Blown, reverse painted, gilt (unfired)., H. 3 1/4 in. (8.3cm); Diam. of rim 10 13/16 in. (27.5cm), Glass

Carved Panel with Harpies, Fish, and Trees, 11th–12th century, Excavated in Iran, Nishapur, Stucco; carved, painted, H. 10 5/8 (27 cm), Sculpture

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 2 (recto), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Handrock. Frédéric(k). Vilhem. 34 ans, né à Lyeck (Allemagne). Doreur sur bois. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

The Triumph of Genius over Envy, ca. 1849–51, Pen and brown ink over graphite on laid paper, mounted on cardboard, 10-3/8 x 13-13/16 in. (26.4 x 35.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Bronze handle of a strainer, Classical, 5th century B.C., Etruscan, Bronze, length 8 7/16in. (21.4cm), Bronzes, The finial terminates in a twin-tailed merman; Gorgon head in open work

Drawings and Prints, Print, Easing the Curb (Punch, July 24, 1869), Artist, Subject, Sir John Tenniel, Napoléon III, British, London 1820–1914 London, 1809–1873, Tenniel, John Sir, Napoléon III, British, 1820, 1808, 1914,

Design for a platter, 16th century, Pen and black ink, brush and brown wash, sheet: 17 1/8 x 11 in. (43.5 x 27.9 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Scenes from The Tale of Genji: The Royal Outing, Ukifune, and The Gatehouse, 源氏物語図屏風「御幸」・「浮船」・「関谷」, Momoyama period (1573–1615), mid-16th–early 17th century, Japan, Pair of four-panel folding

Landscape with the Rest on the Flight into Egypt, ca. 1635, Pen and brown ink, over traces of black chalk, 7 1/2 x 10 1/2 in. (19. x 26.7 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Claude executed

Room Design in the Renaissance style, mid-19th–early 20th century, Watercolor, pen and ink, graphite and gilt, sheet: 14 3/16 x 20 5/8 in. (36 x 52.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 2r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Design for Over Door, ca. 1760–80 , Pen and brown ink, brush and grey wash over graphite., 4 3/4 x 7 5/8 in. (12.1 x 19.4 cm), Guillaume Boichot (French, Chalon-sur-Soâne 1735–1814 Paris

View of Buildings and Linden Trees in Rijswijk, mid 17th century, Pen and brown ink, brown wash, gray wash, possibly added by a later hand; framing line in pen and brown ink, 3 3/4 x 6 in. (9.5 x 15.2 cm), Drawings, Jan de Bisschop (Dutch,

The Conversion of St. Paul, 16th century, Pen and brown ink, brush and blue watercolor, sheet: 9 1/16 x 13 in. (23 x 33 cm), Drawings, Melchior Bocksberger (Austrian, Salzburg ca. 1530–1587 Regensburg

Terrier. Julien, François. 45 ans, né à Saint-Laurent (Mayenne). Menuisier. Anarchiste. 14/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Group of Indians with Cart and Oxen], 1880s, Albumen silver print, Photographs, Unknown

[Metalworker in Apron Working with a Vise], 1840s–50s, Daguerreotype, Image: 7.1 x 5.8 cm (2 13/16 x 2 5/16 in.), Photographs, Unknown (American

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 3 1/4 x 4 3/4 x 3 1/4 in. (8.3 x 12.1 x 8.3 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 40 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Trompe l'Oeil Design Including Bills, Calling Cards, an Etching, a Map etc., 18th century, Pen and brown ink, brush with brown, red, green, and gray wash, over black chalk on cream laid paper, 13-3/16 x 12-5/8 in. (33.5 x 32.1 cm),

Coin of Ptolemy II from a Ptolemaic hoard, Ptolemaic Period, 285/82–246 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Diam: 4.2 cm (1 5/8 in.), A hoard of 162 Ptolemaic coins that contained issue of Ptolemy

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 25r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 20 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Design for a Doric Porch, Plan and Elevation, second half 18th century, Ink and wash, sheet: 12 3/16 x 11 13/16 in. (31 x 30 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Première Cataracte, Vue Générale Prise de la Point Méridionale de l'Ile d'Éléphantine, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.2 x 30.7 cm. (9 1/2 x 12 1/16 in.), Photographs, Félix Teynard (French,

[Bayonet Drill], ca. 1863, Salted paper print from glass negative, Mount: 23.3 × 27 cm (9 3/16 × 10 5/8 in.), Photographs, Egbert Guy Fowx (American, born 1821

Head of a Bearded Man Looking Right, 1692, Red chalk and gouache (oxidized), sheet: 5 9/16 x 3 3/4 in. (14.1 x 9.5 cm), Drawings, Mathais Füssli the Youngest (Swiss, Zurich 1671–1739 Zurich

Plate, ca. 1770–80, Swiss, Zurich, Tin-glazed earthenware, Diameter: 9 1/8 in. (23.2 cm), Ceramics-Pottery

Pantheon, portico, plan (recto) Pantheon, portico, details and perspective (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 23 1/4 x 17 5/16 in. (59 x 44 cm

Flushing from the Sea, mid-17th–early 18th century, Black graphite on buff paper., 6 1/4 x 15 15/16 in. (15.8 x 40.5 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Lamp, Roman, Terracotta, Overall: 1 3/8 x 3 1/2 in. (3.5 x 8.9 cm), Terracottas

Classical Landscape with Hunters in the Foreground, 1755–1821, Graphite. Framing lines in pen and brown ink and brush and gray wash, 13-9/16 x 19-5/16 in. (34.5 x 49.0 cm) (overall), Drawings, Giovanni Battista ('Titta') Lusieri (Italian,

Dish (one of a pair) (part of a set), 1714/15, British, London, Silver gilt, Overall (confirmed): 1 5/16 × 13 1/2 × 7 1/2 in., 23 oz. 2 dwt. (3.3 × 34.3 × 19.1 cm, 718g), Metalwork-Silver, When Sir Paul Methuen embarked on his

Candlestick, 1830–70, Made in Bennington, Vermont, United States, American, Probably mottled brown earthenware, H. 8 1/8 in. (20.6 cm), Ceramics

The Squire's Kitchen, late 18th–early 19th century, Pen, brown ink, brown wash, watercolor, image: 11 x 16 7/8 in. (27.9 x 42.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Head of a Central Asian Figure in a Pointed Cap, 12th–early 13th century, From Iran, Gypsum plaster; modeled, carved, H. 8 1/2 in. (21.6 cm), Stucco-Sculpture, In architecture, sculptures sometimes served as symbolic gate guardians, or in

Design for a Frame with Armorial Trophies, the Medici Coat of Arms and a Second Coat of Arms, possibly of the Alberighi Family (?), 16th century, Pen and ink, blue, red, green, etc. watercolors, 18 1/2 x 13 3/4 in., Anonymous, Italian,

Trade card for Samuel P. Avery Fine Art Room, 1873, Etching, sheet: 6 1/4 x 9 1/2 in. (15.9 x 24.1 cm), Prints, George Cruikshank (British, London 1792–1878 London

Canaanite-Type Dish with Ram Protomes, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., From Egypt, Memphite Region, Lisht North, Cemetery, Silo 143, 1915–16, Wood, diam. 10 cm (3 15/16 in

Bronze griffin attachment, Archaic, ca. 600–575 B.C., Etruscan, Bronze, amber perhaps, H. 7 3/16 in. (18.2 cm), Bronzes, This heavy, solid-cast griffin was the finial for another object, perhaps an andiron. Originally, the eyes were

Study for the Decoration of a Vault, 1532–77, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on blue-green paper, 15-3/8 x 10-1/16 in. (39.1 x 25.5 cm), Drawings, Orazio Samacchini (Italian, Bologna

Afrique from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

The Three Angels Appearing to Abraham by the Oaks of Mamre, 1727–1804, Pen and dark brown ink, brush and brown wash, over black chalk (recto). Framing lines in pen and ink. , 15-3/4 x 10-7/8 in. (40 x 27.6 cm), Drawings, Giovanni Domenico

Plan, Section and Exterior Elevation of a Villa, 1710–27, Pen and brown ink, brush and light brown wash, over ruling in graphite, 17-11/16 x 13-3/16 in. (45 x 33.5 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

City Point, Virginia. James River, 1864, Albumen silver print from glass negative, 12.2 x 22.7 cm (4 13/16 x 8 15/16 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

The Dining Room, 1886–87, Graphite and ink on Japan paper, 8 11/16 x 10 3/16 in. (22.1 x 25.9 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris), Paul Signac was a leading practitioner of Neo-Impressionism, the term given to a

Cobra, ca. 1919, Bronze, gold, 12 in. × 5 3/4 in. × 9 in. (30.5 × 14.6 × 22.9 cm), Metalwork-Bronze, While Dunand is best known for his works in lacquer, his training as a sculptor is evident in the skillful modeling of these snakes,

Band, 16th century, Italian, Embroidered net, 22 × 2 1/2 in. (55.9 × 6.4 cm), Textiles-Laces

Elevation of Garden Pavilion, early to mid-18th century, Pen and black ink, gray wash, and graphite, sheet: 9 x 6 1/8 in. (22.9 x 15.5 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Madonna and Child, ca. 1320, Tempera on wood, gold ground, Overall, with framing elements, 60 1/8 x 26 3/8 in. (152.7 x 67 cm); Madonna and Child, painted surface 37 x 23 1/8 in. (94 x 58.7 cm); pinnacle, painted surface 12 1/8 x 23 in. (30.8

Design for the Headpiece of the 'Gazette de France', 18th century, Black chalk, incised, 7 7/8 x 5 1/16 in. (20 x 12.9 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Camelopard, or a new hobby, 1827, Graphite, sheet: 12 7/8 x 9 1/2 in. (32.7 x 24.1 cm), Drawings, William Heath ('Paul Pry') (British, London 1795–1840 Hampstead

Woman's Sleeveless Jacket with Bamboo and Rock, Qing dynasty (1644–1911), late 19th century, China, Silk and metallic thread tapestry (kesi), Overall: 28 1/2 x 36 in. (72.4 x 91.4 cm), Costumes-Tapestries, This type of sleevless jacket was

Limestone statue of Herakles, Classical, 2nd half of the 4th century B.C., Cypriot, Limestone, Overall: 21 3/8 x 8 x 2 3/4 in. (54.3 x 20.3 x 7 cm), Stone Sculpture, In the late sixth century B.C. a local Cypriot god was assimilated with the