Images at Librifly

Capital, late 12th century, French, Stone, Overall: 11 3/4 x 10 x 10 in. (29.8 x 25.4 x 25.4 cm), Sculpture-Architectural

Earring, 7th century (?), Made in Northern France, Frankish, Gold, blue and clear glass, pearls, Overall: 1 3/8 x 1/2 in. (3.5 x 1.3 cm), Metalwork-Gold

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (title page verso, 1v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman,

Walking-Stick Flute/Oboe, ca. 1750–57, Butzbach, Germany, German, Narwhal (narwhahl) tusk, ivory, gilt brass, Height: 42 5/16 in. (107.5 cm), Aerophone, Georg Henrich Scherer (German, Butzbach 1703–1778), This rare instrument,

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 12 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 3 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

The Volto Santo of Lucca, 16th century, Pen and dark brown ink, brush and brown wash, over traces of black chalk on light tan paper, squaring for transfer in black chalk (with some corrections to squaring grid); framing outlines in pen and dark

Bacchant, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 9/16 x 7 13/16 in. (39.6 x 19.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Barber's Apron, late 18th century, Country of Origin Iran, Silk, metal-thread; weft-faced compound plain weave, H. 58 in. (147.32 cm), Textiles, This oblong-shaped garment was likely used as barber’s apron. The pattern of vertical stripes

Alto Recorder in F, ca. 1700, Nürnberg, Germany, German, Ivory, Height: 19 1/8 in. (48.6 cm), Aerophone-Whistle Flute-recorder, Johann Benedikt Gahn (German, Nuremberg 1674–1711 Nuremberg), Johann Benedikt Gahn was admitted as master in

Soldier Stabbing a Woman, 17th century, Red chalk on cream laid paper, 3-3/16 x 4-7/16 in. (8.15 x 11.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Female head, Late Period–Ptolemaic Period, 380–250 B.C., Probably from Delta; From Egypt, Limestone, paint, H. 6.9 cm (2 11/16 in.); W. 5.5 cm (2 3/16 in.); D. 6.6 cm (2 5/8 in.), This fine small head probably belonged to a standing

Equivalent, 1925, Gelatin silver print, 9.3 x 11.9 cm.(3 11/16 x 4 11/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Beginning in 1922, and then from 1923 to 1934, Stieglitz pointed his lens

六朝 越窯青瓷臥羊, Vessel in the shape of a kneeling ram, Six Dynasties (220–589), ca. 4th century, China, Stoneware with celadon glaze (Yue ware), L. 15.2 cm (6.2 in.), Ceramics

Tobacco Pouch, 19th century, Japan, Lacquer, H. 4 in. (10.2 cm); W. 4 in. (10.2 cm), Tobacco Pouches

Snuff Bottle, Qing dynasty (1644–1911), late 18th century, China, White glass with ivory-and-glass stopper, H. 2 3/8 in. (6 cm), Snuff Bottles

William Langenheim, 1855–58, Daguerreotype, Image: 6.7 x 5.4 cm (2 5/8 x 2 1/8 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 19 (recto), 1601

Marble head of a satyr, Hellenistic, 3rd–1st century B.C., Greek, Marble, Pentelic ?, 5 1/8in. (13cm), Stone Sculpture, Small, encrusted head of a satyr

Nymph Playing a Horn (recto); Bracket with a Man's Head (verso), 16th century, Brush and brown and gray wash, gray-green gouache, heightened with white over black chalk (recto); Brush and brown wash and yellow orange and brown gouache,

Autograph notes, 1835–1904, Pen and brown ink, 5 x 5 in (12.7 x12.7 cm), Miscellaneous, Lorenz Frølich (Danish, Copenhagen 1820–1908 Hellerup

[Basilica of Maxentius and Constantine, Rome], ca. 1861, Albumen silver print, Image: 10 1/8 × 14 7/8 in. (25.7 × 37.8 cm), Photographs, Auguste-Rosalie Bisson (French, 1826–1900

View of Rouen from St. Catherine’s Hill, 1821–22, Brush and watercolor and pen and brown ink over graphite, sheet: 5 13/16 x 9 1/16 in. (14.8 x 23 cm), Drawings, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828

At Lake Garda, 1907, Oil on millboard, 33 x 26 3/4 in. (83.8 x 67.9 cm), Paintings, Hans Thoma (German, Bernau im Schwarzwald 1839–1924 Karlsruhe), Thoma enrolled in art school in 1859, but it was his exposure to modern art in Paris, in

Scepter (ruyi) with calabash gourds and vines, Qing dynasty (1644–1911), probably Qianlong period (1736–95), 18th century, China, Ivory with pigment, W. 2 /38 in. (6 cm); L. 11 in. (27.9 cm); D. 1 5/8 in. (4.1 cm), Ivories, Probably used

Design for a Chimney-piece, for the Saloon, Milton Park, Northamptonshire, 1770–76, Pen and ink, sheet: 11 1/4 x 14 in. (28.5 x 35.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Ledot. Julien. 41 ans, né à Bourges (Cher). Employé. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Damalix. Émile, Auguste. 37 ans, né à St-Claude (Doubs). Charpentier. Anarchiste. 19/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Classical Molding with Human Head at the Center Surrounded by Leaves and Vines, 1776–79, Graphite, sheet: 9 11/16 x 9 in. (24.6 x 22.8 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

戰國 鎏金嵌玉青銅帶鈎, Belt Hook, Eastern Zhou dynasty, Warring States period (475–221 B.C.), 4th–3rd century B.C., China, Gilt and silvered bronze inlaid with jade (nephrite), mother-of-pearl, and turquoise, L. 6 1/2 in. (16.5

Street Scene in Paris (Coin de rue à Paris), 1895, Gouache and oil on cardboard., 14 1/8 x 11 5/8 in. (35.9 x 29.5 cm), Drawings, Félix Vallotton (Swiss, Lausanne 1865–1925 Paris), Félix Vallotton made a significant contribution to the

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 115 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

'Shaikh San'an beneath the Window of the Christian Maiden', Folio18r from a Mantiq al-tair (Language of the Birds), ca. 1600, Made in Iran, Isfahan, Opaque watercolor, silver, and gold on paper, Painting: H. 2 7/8 in. (7.4 cm), Codices,

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 10 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Assumption of the Virgin (after Carlo Maratta?), 17th century, Red chalk, brush and red wash, highlighted with white gouache on light tan paper, 8-1/4 x 10-9/16 in. (21 x 26.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Women with Children by a Wayside Cross, from Images of Spain Album (F), 78, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Opera Nova Universali intitulata Corona di racammi, page 3 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Marble portrait head of an elderly man, Late Republic, 1st century B.C., Roman, Marble, Height: 11 in. (27.9 cm), Stone Sculpture, The head is turned toward its left and slightly raised, in an echo of late Hellenistic pathos. It particularly

Square vase, ca. 1889, French, Choisy-le-Roi, Porcelain, confirmed: 15 3/8 × 7 3/4 × 7 3/4 in., 12.9 lb. (39 × 19.7 × 19.7 cm, 5.9 kg), Ceramics-Porcelain, Chaplet became well known for his Chinese-inspired forms and colored glazes. In

Bronze cista (toiletries box), Hellenistic, early 3rd century B.C., Etruscan or Praenestine, Bronze, H. 7 5/8 in. (19.4 cm), Bronzes, Small cista with a solid cast handle of a seated boy. 'Suthina' inscribed in Etruscan letters on the body and

Karnak (Thèbes), Grande Porte du Sud Vue du Point C, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.0 x 30.3 cm. (9 7/16 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

The Zwinger, Dresden, ca. 1833, Graphite, with stumping on blue paper, sheet: 15 3/4 x 10 1/8 in. (40 x 25.7 cm), Drawings, Samuel Prout (British, Plymouth 1783–1852 London

Vase, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 6 1/4 in. (15.9 cm), Glass

Interior of a Book Cover: Manjuvajra Embracing His Consort, with Attendant Lamas, late 13th century, Tibet, Distemper on wood, 16 3/4 x 5 5/8 in. (42.5 x 14.3 cm), Paintings, Paintings on the interiors of book covers consecrate and protect the

Landscape, 18th century, Red chalk, 12 x 8-3/16 in. (30.5 x 20.8 cm), Drawings, Anonymous, Italian, first half of the 18th century

Ricois. Charles-Victor. 48 ans, né le 21/3/46 à Orléans. Employé au Journal Officiel. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

The Three Oaks, mid-17th century, Etching; second state, Sheet: 4 5/8 × 5 3/4 in. (11.7 × 14.6 cm), Prints, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam

Design for an Interior Wall with Pedimented Niches or Windows, Flanking a Cartouche, 1500–1700, Pen and brown ink, brush and brown wash over traces of leadpoint, and stylus ruling, 9-3/4 x 13-9/16 in. (24.8 x 34.4 cm), Drawings, Anonymous,

Boy with a House of Cards, Oil on canvas, Oval, 28 x 23 in. (71.1 x 58.4 cm), Paintings, François Hubert Drouais (French, Paris 1727–1775 Paris

[Landscape with army encampment in the distance]. Brady album, p. 125, 1861–65, Albumen silver print from glass negative, Photographs

Dogū (Clay Figurine), 土偶, Final Jōmon period (ca. 1000–300 B.C.), Japan, Earthenware with cord-marked and incised decoration, H. 6 1/8 in. (15.6 cm); W. 7 1/4 in. (18.4 cm); D. 2 3/4 in. (7 cm), Ceramics, Like most figurines found at

[Egeria], 1874, Albumen silver print from glass negative, 36.2 x 27.6 cm. (14 1/4 x 10 7/8 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Figures on a Road, 17th century, Black chalk and gray wash, framing line in pen and gray ink, sheet: 5 9/16 x 7 5/8 in. (14.2 x 19.4 cm), Drawings, Pieter de Molijn (Dutch, London 1595–1661 Haarlem

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 46r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Violin, 1669, Cremona, Italy, Italian (Cremona), Spruce, maple, Height (Of body, not including neck): 13 3/4 in. (35 cm), Chordophone-Lute-bowed-unfretted, Nicolò Amati (Cremona 1596–1684 Cremona), The violins of Nicolò Amati

Drum, Pre-Columbian, 300–200 B.C., Paracas, Peru, Paracas, Ceramic, polychrome, Height: 9 13/16 in. (24.9 cm), Membranophone-single-headed / cylindro-conical, From about 700 B.C. to A.D. 700 the Paracas and later the Nasca resided along

The Consecration of a Bishop, 18th century, Brush and gray wash, heightened with white, over black chalk, on beige paper. Shaped framing lines and ruled vertical and horizontal lines in graphite., 27.4 x 36.0 cm., Drawings, Anonymous,

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Italian View: A Pathway and Arbor at the Base of Cliffs, 1815–21, Graphite, squared, sheet: 5 15/16 x 8 7/16 in. (15.1 x 21.5 cm), Drawings, Friedrich Salathé (Swiss, Binningen 1793–1860 Paris), By planting the viewer firmly on the

West Elevation of an Unidentified Church, 19th century, Brush and watercolor, pen and black ink over graphite, sheet: 14 1/2 x 13 3/8 in. (36.8 x 33.9 cm), William Butterfield (British, London 1814–1900 London

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 4, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

A Hat on a Stand, Viewed from the Back, ca. 1865, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s

Jug, 1875–80, Made in Beverly, Massachusetts, United States, American, Earthenware, H. 4 7/8 in. (12.4 cm); Diam. 1 7/8 in. (4.8 cm), Ceramics

Design for a Ceiling, 17th century, Pen and brown ink, brush with brown, green and pink wash, over black chalk on light tan paper, 10-1/2 x 4-1/2 in. (26.6 x 11.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 4 1/2 in. (11.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Two Episodes from the Parable of the Prodigal Son, ca. 1510–25, South Netherlandish, Wool warp; wool and silk wefts, Overall: 103 x 74 1/2in. (261.6 x 189.2cm), Textiles-Tapestries

Peasant Girl Riding an Ox with Companions, 18th century, Black chalk (counterproof), 9 1/16 x 7 1/16 in. (23 x 18 cm.), Drawings, François Boucher (French, Paris 1703–1770 Paris

The Jewels of the Pagoda, January 1858, Albumen silver print from waxed paper negative, Image: 26.4 x 36.9 cm (10 3/8 x 14 1/2 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport), Tripe was a career

Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, 1576–79, Pen and brown ink, brush and brown wash, over red chalk on ecru paper. The paper

Woman with a lyre, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Faience, H. 14.4 cm (5 11/16 in.); W. 4 cm (1 9/16 in.); D. 5.3 cm (1/16 in.), This figure is part of a repertoire of figures created

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

[The Great Man Has Fallen], 1856, Daguerreotype, Image: 13.5 x 18.8 cm (5 5/16 x 7 3/8 in.), Photographs, Robert H. Vance (American, died 1876), Robert Vance was the premier daguerreotypist of California and the mining communities near San

Designs for the Decoration of a Percussion Pistol, ca. 1847, Spanish, Pen, ink, colored wash, and silver on paper, 13 1/2 x 17 5/8 in. (34.5 x 44.8 cm), Works on Paper-Drawings, This sheet and two others are rare examples of finished design

Cupid and Venus Appliqué, ca. 1810–30, Possibly made in France; Possibly made in England, Cast brass, lacquer, 2 7/16 x 2 1/4 in. (6.2 x 5.7 cm), Metal

Opera Nova Universali intitulata Corona di racammi, page 30 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Glass mosaic handle fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, probably northern Italian, Glass; blown and tooled, Other: 7/8 x 1 9/16 in. (2.3 x 3.9 cm), Glass, Handle in deep honey brown, appearing

Underweysung der Messung (Nuremberg, 1538), 1538, 1527, 1532, Woodcuts, 12 9/16 × 8 7/16 × 1 13/16 in. (31.9 × 21.5 × 4.6 cm), Books, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Dining Room Mirror, for 11 Princes Gate, London, 19th century, Graphite, Anonymous, British, 19th century

Design for a Church Ceiling, 1700–1762, Pen and brown ink, brush and brown, gray, and colored was (red, blue and green), over traces of black chalk; Border in pen and brown ink, 12 x 17-1/2 in. (30.5 x 44.5 cm), Drawings, Vincenzo dal Rè

Design for double window, ca. 1908, Made in New York, United States, American, Watercolor and gouache on paper mounted on original matt board, Overall: 10 1/4 x 12 1/4 in. (26 x 31.1 cm), Drawings, Tiffany Studios (1902–32

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 9 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Amerique from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Anonymous, French, 18th century

Terracotta volute-krater (bowl for mixing wine and water), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; red-figure, H. with handle 22 5/16 in. (56.7 cm); H. without handle 20 1/16 in. (50.9 cm); diameter of lip 16 3/4 in. (42.6 cm);

A Fishing Putto, late 17th century, Red chalk, sheet: 2 5/8 x 4 1/2 in. (6.7 x 11.4 cm), Drawings, Sophia Blesendorf (German, active late 17th century

[Group of 43 Stereograph Views of Astronomy Related Scenes], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.3 x 17.1 cm (3 1/4 x 6 3/4 in.) to 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Professor H. Draper, L. M. Rutherford,

Plate, 1870–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, Diam. 11 1/2 in. (29.2 cm), Glass, Adams and Company

Sample of Cloth, Old Kingdom, Dynasty 5, ca. 2353–2323 B.C., From Egypt, Memphite Region, Saqqara, Pyramid of Kiing Unis, Mummy chamber, Linen, 10 cm. square

Tankard, ca. 1627, Hungarian, Debrecen, Gilded silver, Overall: 7 1/16 x 4 7/8 in. (18 x 12.4 cm), Metalwork-Silver, Prints were a key source for Beri in fashioning this tankard. Its form was made popular through the printed designs of

Front of Petersburg Lines, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Head of a Bearded Old Man, 1500–1545, Black chalk. Tacked down to paper mount., 6 x 4 7/8 in. (15.2 x 12.4 cm), Drawings, Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg)), Also

The Card Players, 1890–92, Oil on canvas, 25 3/4 x 32 1/4 in. (65.4 x 81.9 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), This is probably the first in a series of five paintings that Cézanne devoted to

Bridge Across Pamunkey River, near White House, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Powder Flask, ca. 1570, French, Antler, iron, 17 9/16 x 5 11/16 x 1 3/4 (19.2 x 14.5 x 4.5 cm); Wt. 8.15 oz. (231 g), Firearms Accessories-Flasks & Primers, The consummate works of an anonymous French artist, this flask is made of polished

Ring, 9th–11th century, Excavated in Iran, Nishapur, Gold, 13/16 x 5/8 in. (2 x 1.6 cm), Jewelry

Confronted Animal Rug, 14th century, Attributed to Turkey, Wool (warp, weft, and pile); symmetrically knotted pile, Rug: L. 65 in. (165.1 cm), Textiles-Rugs, With its highly geometricized design, this wool rug differs markedly from the

Catty. Nicolas, Pierre, François. 47 ans, né à Fressenneville (Somme). Mécanicien. Anarchiste. 10/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Design for a Scene in de Laujon's 'L'Amoureux de quinze ans, ou la Double-Fête...', 18th century, Pen and brown ink with brown chalk, 4 1/16 x 3 1/16 in. (10.3 x 7.7 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Bronze kyathos (single-handled jug), Classical, ca. 450–400 B.C., Etruscan, Bronze, H. 4 1/8 in. (10.5 cm), Bronzes, This is a very fine example of a Sant'Anatolia-type kyathos, a popular shape made in both bronze and terracotta. Several

Savanah River, Near Savanah, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Rectangular Box with Scene of a Visit, late Ming (1368–1644)–early Qing (1644–1911) dynasty, late 16th–early 17th century, China, Red lacquer painted with gold and oil colors, H. 2 2/3 in. (7.1 cm); W.4 in. (10.2 cm); L. 19 1/2 in. (49.5