Images at Librifly

Tree, 1935, Watercolor, tempera, and ink on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), In 1930, Dove began to work regularly in watercolor, becoming as

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 13 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Naos Sistrum with the name of Apries, Late Period, Saite, Dynasty 26, 589–570 B.C., From Egypt, Faience, h. 34.7 cm (13 11/16 in); w. 8.5 cm (3 3/8 in); d. 4.2 cm (1 5/8 in), This sistrum exemplifies the developed form of the naos sistrum

Fragment of relief plaque with a child god, inscribed on reverse, Late Period–Ptolemaic Period, 500–200 B.C., From Egypt, Western Desert; Kharga Oasis, Hibis, Temple, enclosure, southern part, 1910, Limestone, H. 15 cm (6 in.); W. 9.2

Madonna and Child with Saints, 17th century, Pen and brown ink, brush and brown wash over charcoal? on light tan paper. Fragments of framing outlines in brown ink, 10-3/16 x 7-9/16 in. (25.8 x 19.2 cm), Drawings, Anonymous, Italian,

The Annunciation, 1735–87, Pen and brown ink, brush and brown and gray-green wash, over traces of black chalk. Lightly squared in black chalk, 13-1/8 x 10 in. (33.4 x 25.4 cm), Drawings, Pietro Melchiorre Ferrari (Italian, Sissa near Parma

Foreign groom in a tributary procession, Neo-Assyrian, ca. 721–705 B.C., Mesopotamia, Khorsabad (ancient Dur-Sharrukin), Assyrian, Gypsum alabaster, 19 1/4 x 31 in. (48.9 x 78.7 cm), Stone-Reliefs

François de Jullienne (1722–1754) and His Wife (Marie Élisabeth de Séré de Rieux, 1724–1795), 1743, Pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on

Landscape with Figures, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), H. 7 1/4 in. (18.4 cm); L. 19 5/8 in. (49.8 cm), Jade

Water Coupe, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), ca. 1700–22, China, Porcelain with peachbloom glazes (Jingdezhen ware), H. 3 1/2 in. (8.9 cm); Diam. 5 in. (12.7 cm), Ceramics

Allegory of Fishery: Neptune and Amphitrite, 1768, Pen and brown ink, brush and brown wash, heightened with touches of white gouache, over graphite, 11 5/16 x 8 9/16 in. (28.8 x 21.7 cm), Drawings, Gabriel François Doyen (French, Paris

Icones et segmenta illvstriuvm e marmore tabvlarvm qvae Romae adhvc extant a Francisco Perrier, delineata incisa et ad antiqvam formam lapideis exemplaribvs passim collapsis restitvta, 1645, Overall: 12 3/16 × 20 1/2 × 13/16 in. (31 × 52 × 2.1

[225 Stereographs of United States Architecture], 1850s–1890s, Albumen silver prints, Each photograph approx. 3 1/2 in. × 7 in. (8.9 × 17.8 cm), Photographs, Various

Shabti of Ankhu, Middle Kingdom, Dynasty 12, mid–late, ca. 1900–1802 B.C., From Egypt, Memphite Region, Lisht North, cemetery south of Senwosret (758), Pit 723 north chamber, 1907–08, Granodiorite (?), H. 20.8 × W. 6.4 × D. 7.2 cm

Foliate Grotesque Head, 16th–17th century, Black chalk, over graphite or black chalk underdrawing, sheet: 5 x 4 1/2 in. (12.7 x 11.5 cm), Drawings, Anonymous, Italian, 16th to 17th century

Plate with Monogram of the Dutch East India Company, Edo period (1615–1868), ca. 1660, Japan, Underglaze blue (Arita ware), H. 2 3/8 in. (6 cm); Diam. 12 3/8 in. (31.4 cm); Diam. of foot (6 3/8 in. (16.2 cm), Ceramics, This porcelain dish is

Guéry. Paul, Alphonse. 37 ans, né le 30/6/56 à Laversine (Aisne). Journalier. Anarchiste. 12/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Birth of Essau and Jacob, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 2 dwt. (1.6 x 19.7 cm, 0.2525kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from the

Drawing for an Opera Set, Pen, brown ink and wash, 6 5/16 x 8 11/16 in. (16 x 22 cm), Attributed to Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Bow Brooch, 450–500, Frankish, Silver-gilt, garnets, Overall: 7/8 x 1 1/4 x 1/4 in. (2.2 x 3.1 x 0.7 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks. Jewelers

Dish, Qing dynasty (1644–1911), ca. 1730–50, China, Porcelain painted in overglaze famille rose enamels, Diam. 8 in. (20.3 cm), Ceramics

Tufa head of sphinx or siren, Archaic, ca. 550–525 B.C., Etruscan, probably Vulcian, Tufa, H.: 9 in. (22.9 cm), Stone Sculpture, This large head, made of volcanic stone, probably represents a sphinx or siren. Statues of both mythical

Lake of Thun looking North, 1820–67, Graphite, sheet: 5 x 8 3/8 in. (12.7 x 21.3 cm), Drawings, Clarkson Stanfield (British, Sunderland 1793–1867 London

Frontispiece of Inquiries into Human Faculty and its Development, 1883, Albumen silver print from glass negative, Image: 20 x 11.8 cm (7 7/8 x 4 5/8 in.), Photographs, Francis Galton (British, 1822–1911

Fiori di Ricami Nuovamente Posti in Luce, 1591, Woodcut, Overall: 5 1/2 x 7 7/8 in. (14 x 20 cm), Designed by Matteo Florimi, Italian, active Siena, ca. 1581-died 1613, published by Francesco de' Franceschi, Italian, active 16th century,

Fides (copy), late 17th century, Engraving, sheet: 9 3/16 x 6 3/8 in. (23.4 x 16.2 cm), Prints, Anonymous, Dutch, 17th century, After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Dish, Edo period (1615–1868), early 18th century, Japan, Porcelain with underglaze blue (Nabeshima ware), Diam. 9 in. (22.9 cm), Ceramics

[Man in Chainmail Tunic Posing as a Dying Soldier], ca. 1863, Albumen print from collodion glass negative, Image: 17.9 x 24.2 cm (7 1/16 x 9 1/2 in.), Photographs, Adrien Constant de Rebecque (Swiss, Lausanne 1806–1876 Lausanne), The early

Portrait of an Italian Woman, Oil on linden, 17 3/4 x 13 3/4 in. (45.1 x 34.9 cm), Paintings, German Painter (active first third 16th century

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 2, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Study of Two Figures, ca. 1617, Pen and brown ink, 6 7/16 x 9 1/8 in. (16.3 x 23.2 cm.), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy

139th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, Photographs

La ?aurier rose, 1860s, Albumen silver print from glass negative, 10.8 x 13.0 cm. (4 1/4 x 5 1/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Amun, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 8 cm (3 1/8 in.); W. 2.5 cm (1 in.); D. 4 cm (1 9/16 in.), This small figure represents the great god Amun.is highly detailed. He wears a corslet and crown bearing a feather

Jesko von Puttkamer, 1910–23, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Noah, February 1, 1874, Charcoal, Sheet: 45 3/4 × 15 3/4 in. (116.2 × 40 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Morris & Company, As Morris & Company’s primary stained-glass designer, Burne-Jones

Duryea Zouaves, Fort Schuyler Adjuant Mess, May 18, 1861, Albumen silver print from glass negative, 5 9/16 x 7 1/2, Photographs, Stacy (American, active 1860s

La Vera Perfettione del Disegno di varie sorti di recami, page 2 (verso), 1567

Title Page, 1800–1900, Ink, 9-5/8 x 6-7/8 in, Drawings, Anonymous, Italian, 19th century

Royal Tiger, 1810–75, Watercolor and gouache, Sheet: 4 11/16 x 10 7/8 in. (11.9 x 27.7cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Classical Frieze with Griffins and Candleabra, and Molding Details, 1776–79, Graphite, sheet: 8 9/16 x 14 1/2 in. (21.7 x 36.9 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

A Waterfall in a Forest at Langhennersdorf, 18th–early 19th century, Brush and brown ink, watercolor, gouache, over a sketch in graphite, sheet: 9 5/16 x 7 7/16 in. (23.7 x 18.9 cm), Drawings, Christoph Nathe (German, Nieder-Bielau

[Group of 47 Stereograph Views of the 1904 St. Louis World's Fair and Louisiana Purchase Exposition], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, C. H. Graves (American), Strohmeyer &

Rattle, Pre-Columbian, 900–1550, Dominican Republic, Taino, Wood, Height: 12 5/8 in. (32 cm), Idiophone-Shaken-rattle

Washerwomen, 1768, Oil on canvas, 95 x 93 in. (241.3 x 236.2 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris), Together with Shepherd's Idyll, this painting was probably commissioned by Roslin d'Ivry for the Château

Sauceboat, 1815–30, Made in Paris, France, French, Porcelain, 6 3/4 x 9 1/8 x 3 1/2 in. (17.1 x 23.2 x 8.9 cm), Ceramics

Seated Male Nude Holding a Staff, mid-18th–late 18th century, Black and white chalk on blue paper, 16 7/16 x 10 1/2 in. (41.8 x 26.7 cm), Drawings, Franz Xaver Messerschmidt (German, Weisensteig 1736–1783 Pressburg

Portrait of Franz Jauner (Vienna 1832-1900 Vienna), Theater Director and Actor in Vienna, 1800–1865, Graphite, sheet: 13 x 10 7/16 in. (33 x 26.5 cm), Drawings, Ferdinand Georg Waldmüller (Austrian, Vienna 1793–1865 Helmstreitmühle in

Portrait of Two Men (after Raphael), mid 17th century, Brush and brown ink, over black chalk, 10 1/2 x 8 5/16 in. (26.6 x 21.1 cm), Drawings, Jan de Bisschop (Dutch, Amsterdam 1628–1671 The Hague), After Raphael (Raffaello Sanzio or Santi)

Miniature Square-Headed Brooch, first half 6th century, Made in Kent, England, Anglo-Saxon, Silver-gilt, garnet; iron pin, Overall: 1 5/8 x 3/4 x 7/16 in. (4.1 x 1.9 x 1.1 cm), Metalwork-Silver

Dragon and Clouds, ca. 1600, Attributed to Iran, Ink and watercolor on paper, Painting: H. 7 1/2 in. (19.1 cm), Codices, Attributed to Sadiqi Beg (1533/34–1609/10), As the dragon emerges from the natural landscape, the sinuous line of its

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 3 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Bronze funnel-strainer, Archaic, 6th century B.C., Etruscan, Bronze, Other: 13 in. (33 cm), Bronzes, Finely crafted with ornamental handles terminating in horse's and duck's heads. Two rampant lions sit on the rim

Hollyhocks, Edo period (1615–1868), 17th century, Japan, Two-panel folding screen; ink, color, and gold on paper, Overall (each panel): 41 x 33 1/4 in. (104.2 x 84.5 cm), Screens

Theron Curtiss, 1840s–50s, Daguerreotype, Image: 7.1 x 5.8 cm (2 13/16 x 2 5/16 in.), Photographs, Unknown (American), The daguerreotype, the first photographic process, was invented by Louis-Jacques-Mandé Daguerre (French, 1787–1851)

Distribution of the Catch by Night, 17th century, Pen and brown ink, brush and gray wash over graphite., sheet: 7 11/16 x 11 7/16 in. (19.5 x 29 cm), Drawings, Attributed to Isaac van Ostade (Dutch, Haarlem 1621–1649 Haarlem

Terracotta statuette of dancing Aphrodite with Eros, Classical, early 4th century B.C., Greek, perhaps Corinthian, Terracotta, H. 4 15/16 in. (12.6 cm), Terracottas, Aphrodite, the goddess of love, performs a version of the so-called mantle

The Outer Harbor of Brest, 1773, Oil on canvas, 29 1/4 x 42 1/8 in. (74.3 x 107 cm), Paintings, Henri Joseph van Blarenberghe (French, Lille 1750–1826 Lille), Between 1753 and 1765, in fulfillment of a commission from Louis XV, Joseph

Storage Jar, Muromachi period (1392–1573), 14th–15th century, Japan, Stoneware with natural ash glaze (Tanba ware), H. 16 7/8 in. (42.9 cm); Diam. 12 1/2 in. (31.8 cm), Ceramics, The rugged shape evokes the hand of the potter, while the

Reliquary Containing Two Slender Bones, second half 19th century, Graphite, sheet: 6 1/2 x 4 1/8 in. (16.5 x 10.5 cm), Anonymous, British, 19th century

Mount for Spear Shaft, ca. 400, Made in Gaul, Late Roman, Silver-gilt, niello, Overall: 4 13/16 x 1 1/16 in., 1.4oz. (12.2 x 2.7 cm, 41g), Metalwork-Silver, This object comes from the Vermand Treasure, the most richly appointed

La Grenouillard (The Frog Man), ca. 1891, French, Saint-Amand-en-Puisaye, Stoneware, wt. confirmed: 13 in., 29.1 lb. (33 cm, 13.2 kg), Ceramics-Pottery, Carriès was fascinated by frogs, which appear in several examples of his work. Le

Plate, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 9 in. (22.9 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by Justice Samuel

Batavian Woman, 1860s–70s, Gelatin silver print from glass negative, 23.3 x 16.5 cm (9 3/16 x 6 1/2 in.), Photographs, Unknown

Terracotta lamp, ca. A.D. 70–120, Roman, Cnidian, Terracotta; mold-made, Overall: 1 3/16 x 4 5/16 in. (3 x 11 cm), Terracottas, On discus, a biga (two-horse chariot). On base, impressed signature: ROMANESIS

Standing Male Figure: Study for a Portrait, 1670–80, Black chalk (verso); pen and brown ink over traces of black chalk underdrawing (recto) on off-white paper, 5-5/8 x 4 in. (14.3 x 10.2 cm), Drawings, Bartolomé Estebán Murillo (Spanish,

Curtain panel, ca. 1880–1910, American, Cotton, 122 x 45 in. (309.9 x 114.3 cm), Textiles

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 4 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Covered Pitcher, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 11 in. (27.9 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

The Imado Bridge at the Foot of Mount Matsuchi, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink and color on silk, 16 3/8 x 22 5/8 in. (41.6 x 57.5 cm), Paintings, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Fragment, 16th century, Italian, Bobbin lace, 6 x 18 inches (15.2 x 45.7 cm), Textiles-Laces

Bridge on Orange and Alexandria Rail Road, as Repaired by Army Engineers under Colonel Herman Haupt, 1865, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902), This view by Russell documents the

Portrait of Paris von Gütersloh, 1918, Lithograph, image: 10-1/2 x 12 inches (26.5 x 30.5 cm), Prints, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Design for Two Sides of a Dagger Sheath, ca. 1850–55, Spanish, Pen, ink, and wash on paper, 13 5/8 x 10 1/8 in. (34.5 x 25.7 cm), Works on Paper-Drawings, This sheet and two others are rare examples of finished design drawings for the

Reytinat. Jacques, François. 48 ans, né à Mouy (Oise). Colporteur. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Helmet of the Montefortino Type, late 4th–early 3rd century B.C., Etruscan, Bronze, H. 7 in. (17.8 cm); W. 7 7/8 in. (20 cm); D. 9 1/4 in. (23.5 cm); Wt. 2 lb. 10.4 oz. (1202 g), Helmets, Probably inspired by Celtic prototypes, and also

[Group of 6 Stereograph Views of Christmas Scenes], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, C. H. Graves (American), Benneville Lloyd Singley (American, Union Township,

30th Pennsylvania Infantry, 1861–65, Albumen silver print from glass negative, 15.9 x 20.3 cm (6 1/4 x 8 in.), Photographs

Design for a Bed and Canopy, 1841–1917, Watercolor over graphite, sheet: 15 9/16 x 11 5/8 in. (39.6 x 29.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

'The Poor Man Apprehends the Thief', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Crow's Nest Signal Tower near Bermuda Hundred, 1861–65, Albumen silver print from glass negative, 20.3 x 12.9 cm (8 x 5 1/16 in.), Photographs, Andrew Joseph Russell (American, 1830–1902

Ring bottle, 1800–1830, American, Earthenware with slip decoration, H. 8 1/2 in. (21.6 cm), Ceramics

Gaillard. Pierre, Auguste. 47 ans, né à Foulanges (Cantal). Employé de commerce. Anarchiste. 15/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

The Snow Queen, illustrations to Hans Christian Andersen, early 20th century, Pen and india ink. Touched with white over black chalk., 4 7/16 x 9 5/8 in. (11.2 x 24.5 cm), Drawings, Franz Wacik (Austrian, Vienna 1883–1938 Vienna

Kohl Jar and Stick, Second Intermediate Period–Early New Kingdom, Dynasty 17–18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Tomb R 2, Burial B 9, In coffin, 1915–16, Travertine (Egyptian

De Arithmetica, January 1, 1491, Printed book with woodcut illustrations, Overall: 5 5/16 x 4 5/16 x 13/16 in. (13.5 x 11 x 2 cm), Books, This is one of the first inexpensive illustrated textbooks making it available to many more students than

Imitation Splashware Dish, 10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; white slip, incised and splashed with polychrome glazes under a transparent glaze (sgraffito ware), Diam. at rim 13 9/16 in. (34.5

Fort Darling, James River, ca. 1865, Albumen silver print from glass negative, 15.1 x 21.4 cm (5 15/16 x 8 7/16 in. ), Photographs, William Frank Browne (American

Design for Panel Decoration, 1828–40, Pen and black ink, brush and ink wash, sheet: 12 1/2 x 5 13/16 in. (31.8 x 14.7 cm), J. Hulme (British, active 1828–40

Schon newes Modelbuch...Page 7(r), 1617

Chericotti. Paul. 35 ans, né à Milan (Italie). Marchand de volailles. Anarchiste/Assoc. de malfaiteurs. 25/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

Design for Bed with a Canopy, 1841–84, Graphite and brown wash, sheet: 11 1/2 x 8 13/16 in. (29.2 x 22.4 cm), Charles Hindley and Sons (British, London 1841–1917 London

A Bush of Hydrangea in Flower, ca. 1842, Salted paper print from paper negative, Sheet: 7 1/4 × 8 7/8 in. (18.4 × 22.6 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 9, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Jeweled Bracelet (one of pair), 500–700, Made in probably Constantinople, Byzantine, Gold, silver, pearls, amethyst, sapphire, glass, quartz, Overall: 1 1/2 x 3 1/4 in. (3.8 x 8.2 cm), Metalwork-Gold, These elaborately decorated

A Sioux Chief, 1898, Platinum print, 19.5 x 13.0 cm. (7 11/16 x 5 1/8 in.), Photographs, Joseph T. Keiley (American, 1869–1914

Apollo and the Nine Muses surrounded by Poets on Mount Parnassus, 17th century, Pen and brown ink, brown-gray wash, on blue prepared paper, sheet: 11 1/16 x 14 7/16 in. (28.1 x 36.7 cm), Drawings, Karel Škréta (Bohemian, Prague 1610–1674

January, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Tabouret with Winged Griffins and Benedictions, 12th century, Made in Syria, Earthenware; molded, modeled, glazed in turquoise, H. 8 1/8 in. (20.6 cm), Ceramics, The holes in this tabouret held vessels, perhaps of the spheroconical type