Images at Librifly

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 12 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Vilaval Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1680, India (Rajasthan, Sirohi), Ink and opaque watercolor on paper, 8 3/4 x 6 3/8 in. (22.2 x 16.2 cm), Paintings, The Vilaval ragaini is to be performed in the

Banquet in an Arbor, mid-16th–early 17th century, Pen and brown ink, graphite. Incised. Verso rubbed in red chalk, Diameter: 23.9 cm, Drawings, Anonymous, Netherlandish, 16th century

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 2 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

Bass saxtuba in E-flat, 1855, Paris, France, French, brass, 51 × 36 1/2 × 12 1/2 in. (129.5 × 92.7 × 31.8 cm), Aerophone-Lip Vibrated-horn, Adolphe (Antoine Joseph) Sax (Belgian, Dinant, Belgium 1814–1894 Paris), Saxtubas were built

Flask, ca. 1847–48, Made in Philadelphia, Pennsylvania, United States, American, Free-blown molded blue glass, H. 8 1/8 in. (20.6 cm), Glass, Dyottville Glass Works (1833–1923

Saint Francis Before the Bishop, ca. 1469, Pen and light and dark brown ink, brown wash, over traces of black chalk., 9 5/8 x 7 3/16 in. (24.5 x 18.3 cm), Drawings, Attributed to Niccolò Solimani (Niccolò da Verona) (Italian, Mantua act.

Plate, late 15th century, Made in probably Manises, Valencia, Spain, Spanish, Earthenware, tin-glaze (lusterware), Overall: 18 1/4 x 2 5/8 in. (46.3 x 6.6 cm), Ceramics

Portrait of Isidore Pils, 1872–75, Pen and brown ink, Sheet: 2 1/16 x 2 1/16 in. (5.3 x 5.3cm), Drawings, Théodore Ballu (French, 1817–1885

Tea Spoon, 1745–60, Made in New York, New York, United States, American, Silver, L. 4 7/16 in. (11.3 cm); 6 dwt. (9.4 g), Silver, Myer Myers (1723–1795

Marble head of a deity wearing a Dionysiac fillet, Early Imperial, Julio-Claudian, ca. A.D.14–68, Roman, Marble, H. 11 15/16 in. (30.4 cm), Stone Sculpture, Copy of a Greek work of the 2nd century B.C.. Although the back and neck are

[Nijinsky in 'Danse siamoise' from the 'Orientales'], 1910, Gelatin silver print, Image: 20.3 x 14.6 cm (8 x 5 3/4 in.), Photographs, Eugène Druet (French, 1868–1917), This photograph of Vaslav Nijinsky is one a series taken by Druet–a

Jérôme Bonaparte (1784–1860), 1810–13, French, Carrara marble, Height: 21 1/2 in. (54.6 cm), Sculpture, After an original by Baron François Joseph Bosio (French, 1768–1845), This portrait of Napoleon's brother, designated king of

[Unidentified camp with ruined chimneys in background]. Brady album, p. 130, 1861–65, Albumen silver print from glass negative, 11 x 20.1 cm (4 5/16 x 7 15/16 in.), Photographs

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 x 4 1/8 x 2 7/8 in. (5.1 x 10.5 x 7.3 cm), Ceramics

Plate, ca. 1745–50, Austrian, Vienna, Hard-paste porcelain, Diameter: 8 7/8 in. (22.5 cm), Ceramics-Porcelain

Song of the Lily, 1897, Platinum print, 17.0 x 12.1 cm. (6 11/16 x 4 3/4 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Childhood of Nikita, first half 20th century, graphite, blue pastel, brush and black ink, pen and black ink, watercolor, gouache, sheet: 12 x 9 7/8 in. (30.5 x 25.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

The Death of Saint Francis Xavier, 1674–79, Black chalk, 20-1/16 x 12-5/8 in. (51.0 x 32.0 cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome), The most celebrated seventeenth-century representation of the death of Saint Francis

Woman in evening clothes and cape standing in front of mirror, 1895, Watercolor over graphite with touches of pastel, sheet: 11 1/4 x 6 3/4 in. (28.6 x 17.1 cm), Dudley Hardy (British, Sheffield, Yorkshire 1867–1922 London

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, Early 1490s, Tempera on wood, Diameter 36 in. (91.4 cm), Paintings, Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florence 1456/59–1536 Florence), An

Bronze statuette of a solar deity, Hellenistic, 3rd–2nd century B.C., Etruscan, Bronze, H.: 9 13/16 in. (24.9 cm), Bronzes, The idealized features and seminudity of this carefully executed bronze statuette suggest that he represents a deity.

Textile Fragment, late 14th–early 15th century, Attributed to Spain, Silk; lampas, Textile: L. 10 5/8 in. (27 cm), Textiles-Woven, This textile fragment, woven in vibrantly colored silk, is ornamented with an Arabic inscription in cursive

Design for a Cup (?) with Bacchus and Two Figures Warming Themselves (January), 19th century, Pen and black ink. Incised for transfer. Laid paper., 3 1/16 x 4 5/8 in. (7.7 x 11.7 cm) (fan shaped), Drawings, Anonymous, German, 19th century

Marble statuette of a slave boy with a lantern, Imperial, 1st or 2nd century A.D., Roman, Marble, H. with plinth 6 5/8 in. (16.8 cm), Stone Sculpture, Adaptation of a Hellenistic work of the 3rd century B.C.. This statuette is a good example

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 19 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Bird-Shaped Brooch, 500–550, Made in Kent, England, Anglo-Saxon, Silver with gilding and garnets; no spring/pin extant, Overall: 11/16 x 1 1/4 x 5/16 in. (1.7 x 3.1 x 0.8 cm), Metalwork-Silver, Artistic traditions that developed at Kent

Pair of vases with crickets, Republic period (1912–49), Hongxian mark and period (1915–16), China, Porcelain, H. 4 in. (10.2 cm), Ceramics, Crickets, which have long been kept as pets in China, are symbols of happiness (xi) and

Drawings of the Zodiac, 16th century, Pen and brown ink, brush and brown and purple wash. Framing lines in purple and red inks., 3 1/8 x 4 3/4 in. (8 x 12 cm), Drawings, Anonymous, Netherlandish, 16th century

Textile Sample Book, 1860–70, French, H. 18 3/4 x W. 14 inches, Textiles-Sample Books

Winter View of the Courtyard of a Medieval Castle in Ruins, 1832, Graphite, brush and grey ink, watercolor, sheet: 7 15/16 x 11 1/8 in. (20.1 x 28.3 cm), Drawings, Julius von Leypold (German, Dresden 1806–1874 Niederlößnitz

Imitation Luster Bowl, inscribed 'Blessing', 10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; white slip with monochrome slip decoration under transparent glaze, H. 2 9/16 in. (6.5 cm), Ceramics, This

Boutique, Marché aux Halles, Paris, 1925, printed ca. 1929, Gelatin silver print, 23.1 x 17 cm (9 1/8 x 6 11/16 in. ), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

'Khusrau Parviz's Charge against Bahram Chubina', Folio 707v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1530–35, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: H. 7 3/4 x W. 6 1/2 in. (H.

Design for Panel Decoration, 1828–40, Watercolor, pen and black ink, sheet: 4 1/2 x 10 11/16 in. (11.4 x 27.1 cm), J. Hulme (British, active 1828–40

Bison Lying Down, 1810–75, Watercolor on laid paper, Sheet: 4 5/8 x 6 13/16 in. (11.8 x 17.3cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Landscape with Ruins, 1650, Pen and brown ink, brown and grey wash, over black chalk. Framing line in pen and brown ink., 7 13/16 x 9 in. (19.8 x 22.9 cm), Drawings, Gerbrand van den Eeckhout (Dutch, Amsterdam 1621–1674 Amsterdam

Decorative Design, 17th century, Pen and brown ink with brush and brown wash, and red chalk, over black chalk underdrawing, 5-1/8 x 7-9/16 in. (13.0 x 19.2 cm), Drawings, Anonymous, Spanish, 17th century

Hand Sewing Machine, 1927, Oil, cut and pasted linen, resin, and graphite on sheet metal, with artist-made frame, 14 7/8 x 19 3/4 in. (37.8 x 50.2 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New

Moses Showing the Quails to the Israelites, ca. 1545, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 11, bottom

Fall Brook Railroad, ca. 1934, Charcoal and watercolor on paperboard, 4 x 6 in. (10.2 x 15.2 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

The Gothic Armoury, 3 Grosvenor Street, London, 1838, Lithograph with tint stone, image: 14 5/8 x 21 1/8 in. (37.1 x 53.7 cm), Prints, Douglas Morison (British, London ca. 1810–1846/47 Dachet

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 9 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Plate, ca. 1750, Austrian, Vienna, Hard-paste porcelain, Diameter: 9 3/8 in. (23.8 cm), Ceramics-Porcelain

Pretiosa Gemma delle virtuose donne, page 25 (recto), 1600

Snuff bottle with stopper, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Pure white nephrite, H. 2 1/2 in. (6.4 cm); W. 1 1/2 in. (3.8 cm); D. 1 1/4 in. (3.2 cm), Snuff Bottles

San Ponziano in an Amphitheatre Being Exposed to Lions, 1732–98, Pen and brown ink over black chalk, sheet: 13 1/16 x 7 1/4 in. (33.2 x 18.4 cm), Drawings, Christoph Unterberger (Austrian, Calvase 1732–1798 Rome

Table Spoon, 1780–90, Made in Boston, Massachusetts, United States, American, Silver, L. 8 3/8 in. (21.3 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and opalescent glass, H. 3 3/4 in. (9.5 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 6 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Professor Georg Witkowski, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Chess Piece, Knight, 8th–10th century, Attributed to Iran, Jet; carved, 1 11/16 in. high 1 7/16 in. long (4.3 cm high 3.7 cm long), Gaming pieces

Les Singuliers et Nouveaux Portraicts... page 41 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. Title

View of the Arruns Pass and Peak from the Pont de Soubé, 1852, Salted paper print from paper negative, Blanquart Evrard process, Image: 22.2 × 29.3 cm (8 3/4 × 11 9/16 in.), Photographs, John Stewart (British, Scotland 1814–1887

Dutch Fishing Boats, Verso: Sketches of Boats, 1870, Watercolor over black chalk on paper., 6 3/8 x 10 1/2 in. (16.2 x 26.7 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-André), This Dutch seascape was

Narasimha, Vishnu’s Man-Lion Avatar, ca. 1700–1750, Southern India, Tamil Nadu, probably Thanjavur district, Wood with cloth and polychrome, H. (with stand) 47 1/2 in. (120.7 cm); W. 40 in. (101.6 cm ); D. 20 in. (50.8 cm), Sculpture, In

Tail coat, ca. 1830, probably Italian, wool

Bronze right foot and lower leg from a colossal statue, Imperial, 1st or 2nd century A.D., Roman, Bronze, H.: 13 in. (33 cm), Bronzes, Right foot and part of leg from colossal statue

Terracotta antefix (roof tile) with head of a satyr, Late Classical, 4th century B.C., Etruscan, Cerveteri, Terracotta, 19 9/16 x 19 5/8in. (49.7 x 49.9cm), Terracottas, On temple roofs, maenad antefixes often alternate with satyr-head

Terracotta statuette of a female votary carrying a hydria, Late Cypro-Classical I–Cypro-Classical II, late 5th–4th century B.C., Cypriot, Terracotta; mold-made and hand-made, h. 6 in. (15.2 cm), Terracottas, The standing female figurine,

Drawings and Prints, Cut Paper, Jezus is myn Heer en Koning, Artist, Anonymous, Netherlandish, 19th century, Anonymous, Netherlandish, 19th century, 1800, 1900, 19th century

Pitcher, 1868–86, Made in Trenton, New Jersey, United States, American, Porcelain, overglaze enamel decoration and gilding, H. 9 1/2 in. (24.1 cm); Diam. 9 in. (22.9 cm), Ceramics

Emmy Geiger, 1900–1908, Platinum print, 11.9 x 16.4 cm (4 11/16 x 6 7/16 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900, Etching, engraving, and roulette on chine collé; second edition (Gazette des Beaux-Arts), Image: 12 3/8 x 9 3/4 in. (31.4 x 24.8 cm), Prints, Théodore

Ruins of R & P Railroad Bridge, Richmond, ca. 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Designs for Three Screens, 1841–84, Graphite, sheet: 9 7/8 x 13 1/8 in. (25.1 x 33.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Jérusalem. (Environs) Tombeau d'Absalon, 1860 or later, Albumen silver print from paper negative, Image: 8 9/16 × 10 7/8 in. (21.8 × 27.7 cm), Photographs, Louis de Clercq (French, 1837–1901

Elevation and Section of a Columbarium, 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, Overall: 21 5/8 x 13 1/16in. (55 x 33.2cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Coin with Sign of Leo, dated A.H. 1033/A.D. 1624, Made in India, Agra, Gold, Diam. 3/4 in. (1.9 cm), Coins, This coin bears a Leo symbol, but it was not created for talismanic purposes. This sign instead corresponds to the month in which it

[Portrait of Living Man beside Dead Man], ca. 1850, Daguerreotype, Image: 2 5/8 × 3 7/16 in. (6.7 × 8.7 cm), Photographs, Louis Dodero (Italian, active France, 1840s–60s

Pitcher, 1845–75, Made in Norwich, Connecticut, United States, American, Stoneware, 10 1/2 in. (26.7 cm), Ceramics, Norwich Pottery

Fragment of Necklace, 3rd century, Pontic, Gold, garnets, Overall: 4 1/8 x 1/2 x 3/16 in. (10.5 x 1.3 x 0.5 cm), Metalwork-Gold

Studies of Female Nude, Hands, and Male Torso (recto); Landscape (verso), Pen and brown ink on paper, sheet: 5 3/8 x 8 1/4 in. (13.7 x 21 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

[Self-Portrait], ca. 1880, Platinum print, Image: 15.7 x 10 cm (6 3/16 x 3 15/16 in.), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Two Bird Finials and a Bird Pin, 10th–11th century, Found Iran, Nishapur, Bronze; cast, H. 2 3/8 in. (6 cm), Metal

Falcon-headed crocodile amulet, Ptolemaic Period, 332–30 B.C., From Egypt, Faience, H. 2.5 cm (1 in.); W. 1.4 cm (9/16 in.); L. 4.5 cm (1 3/4 in.), The falcon-headed crocodile is here crowned with a sun disk, indicating its association with

'Kai Khusrau, Farangis and Giv Crossing the River Jihun (Oxus)', Folio from a Shahnama (Book of Kings), mid-15th century, Attributed to India, Main support: Ink, opaque watercolor, silver, and gold on paper, 7.37 in. high 7.62 in. wide (18.7

Officers of U.S.S. Hunchback, 1861–65, Albumen silver print from glass negative, Photographs

Terracotta phiale (libation bowl), Hellenistic, ca. 250–200 B.C., Etruscan, Terracotta; Volsinian Silvered Ware, H. 1 13/16 in. (4.6 cm); diameter 8 3/4 in. (22.2 cm), Vases, The interiors are enlivened with modeled vines or fanciful vegetal

Band, 16th century, Italian, Cutwork, 4 × 48 in. (10.2 × 121.9 cm), Textiles-Laces

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and very light brown wash over lead point, with ruled construction and framing lines, 14 3/4 x 9 13/16 in. (37.4 x 25 cm), Drawings, Anonymous, Italian, Lombard, 16th

Neu künstlich Modelbuch (page 19r), 1598

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 43 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Decanter, ca. 1855, Made in New York, New York, United States, American, Glass, H with stopper: 12 1/4 in. (31.1 cm), without stopper: 9 1/4 in. (23.5 cm), Glass, Brooklyn Flint Glass Company (American, Brooklyn, New York, 1824–1868),

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 5.5 cm ( 2 3/16 in.); W 12.4

桃山時代 根来指樽 一対, Pair of Sake Caskets, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Red and black lacquer (Negoro ware), H. 20 in. (50.8 cm); W. 4 7/8 in. (12.4 cm); L. 15 1/4 in. (38.7 cm), Lacquer,

納戸平絹地橘模様夜着, Yogi Coverlet, 19th century, Japan, Silk, 68 x 53 in. (172.7 x 134.6 cm), Textiles-Painted and Dyed

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 28v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Shakyamuni Conquering the Demons (Shaka Gōma-zu), Meiji period (1868–1912), ca. 1888, Japan, Album leaf mounted as a hanging scroll; ink and color on silk, 14 1/2 x 11 in. (36.8 x 27.9 cm), Paintings, Kawanabe Kyōsai (Japanese,

Fragment, 18th century, Made in Wistarburg, New Jersey, United States, American, Free-blown non-lead glass, 3 x 1 3/4 in. (7.6 x 4.4 cm), Glass

Sword, before 1419, European, Steel, wood, L. 43 11/16 in. (111 cm); L. of blade 34 1/8 in. (86.7 cm); W. 12 3/8 in. (31.4 cm); Wt. 3 lb. 10 oz. (1644 g), Swords, The Arabic inscription engraved on the blade of this sword indicates that it was

Marble portrait of the emperor Augustus, Early Imperial, Julio-Claudian, ca. A.D. 14–37, Roman, Marble, 12in. (30.5cm), Stone Sculpture, This over life-size fragment may have been part of a seated statue of the emperor made during the reign

Rustic Scene (recto); Landscape (verso), 17th century, Pen and brown ink, 5-1/8 x 7-1/2 in. (13 x 19.1 cm), Drawings, Anonymous, Italian, 17th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 3 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Double-Handled Vessel, Three Kingdoms, Baekje or Silla Kingdom (57 B.C.–A.D. 676), 5th–6th century, Korea, Stoneware, H. 8 in. (20.3 cm); Diam. 7 1/8 in. (18.1 cm), Ceramics, Many examples of ceramic wares produced during the later Three

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 3 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Hat, ca. 1880, American or European, straw

Yomut Main Carpet, probably mid-19th century, Attributed to Western Turkmenistan, Central Asia, Wool (warp, weft and pile), H. 130 1/2 in. (331.5 cm), Textiles-Rugs

Crossbow with Spanning Lever, crossbow, ca. 1540–60; spanning lever, ca. 1525–75, possibly Valencia; possibly Toledo; possibly Madrid, Spanish, possibly Valencia or Toledo; lever possibly Madrid, Steel, wood (holly oak), staghorn,